Contemporary Art For Sale Price Range: $3000 - $3999

Page 6 of 97
Over 2805 works of original contemporary art for sale in the price range $3000 - $3999. On this page you can find works by Dennis Duncan, Wayne Quilliam, Jim Lively, Lorrie Williamson, Alice Murdoch, Andrea Waxman Mulcahy, Hans-ruedi Kammermann, Donna Gallant, Asbjorn Lonvig, Leo Evans, Marie-france Busset, Grace Auyeung, Marcia Freedman, John Powell, Jerry Di Falco, Vincenzo Montella, Marsha Bowers for the follwing mediums: 1. Links to more artwork and 97 pages for works in the price range $3000 - $3999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Dennis Duncan: 'ASCENSION', 2010 Acrylic Painting, Spiritual.       To ascend or rise to a higher level. . .ASCENSION is a visual interpretation  of my soul if you will. A personal expression of inner peace, rising above my own anxieties .A calm port in this stormy sea we call LIFE.     ...
, 2010
Spiritual - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Wayne Quilliam: ' Earth Birth', 2012 Black and White Photograph, Conceptual.
Conceptual - Photograph
30 x 20 inches (76.2 x 50.8 cm)
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Wayne Quilliam: 'from earth', 2012 Black and White Photograph, Abstract.
, 2012
Abstract - Photograph
30 x 20 inches (76.2 x 50.8 cm)
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Jim Lively: 'Sobriety Test', 2012 Acrylic Painting, Abstract.               Acrylic on gallery wrapped canvas.                                                                                                                ...
Abstract - Painting
96 x 54 inches (243.8 x 137.2 cm)
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Lorrie Williamson: 'Occupied', 2010 Acrylic Painting, Figurative.  A painting of a child infatuated with the artist' s chair. The empty background represents how engrossed the child can be in what she is doing, and how oblivious to anything around her. ...
, 2010
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Alice Murdoch: 'Sugar', 2011 Oil Painting, Figurative.      Woman satisfies craving                                      ...
, 2011
Figurative - Painting
36 x 55 inches (91.4 x 139.7 cm)
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Alice Murdoch: 'DIAMONDS AND PEARLS', 2011 Oil Painting, Figurative.    Woman entertains man                                 ...
Figurative - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Andrea Waxman Mulcahy: 'Light Seeker', 2011 Steel Sculpture, undecided.  Abstract Steel Sculpture ...
undecided - Sculpture
36 x 28 inches (91.4 x 71.1 cm)
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Wayne Quilliam: 'Kuta Jula', 2011 Black and White Photograph, Indiginous.
, 2011
Indiginous - Photograph
30 x 20 inches (76.2 x 50.8 cm)
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Hans-ruedi Kammermann: 'curved into spring', 2010 Oil Painting, nature.   a feeling of coming spring and new life forces out of the creative circle ...
nature - Painting
100 x 70 cm (39.4 x 27.6 inches)
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Donna Gallant: 'Peaceful surrender', 2011 Oil Painting, Floral.   Another piece from the floral series.  Painted into sections and then assemble to form the final image.  ...
Floral - Painting
48 x 40 inches (121.9 x 101.6 cm)
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Donna Gallant: 'Double tulip', 2011 Oil Painting, Floral.  Another piece from the floral series.  Painted into sections and then assemble to form the final image. ...
Floral - Painting
64 x 24 inches (162.6 x 61.0 cm)
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Asbjorn Lonvig: 'Stage 21 Passing Shop at 6 Place de la Madeleine', 2011 Serigraph, Sports.         They are for sale as 1 inks on Hahnemuhle quality canvas and 210 numbered and signed Fine Art prints on Hahnemuhle quality paper.Maille is famous for its oils, mustards and vinegars, for more than 260 years Maille has delighted lovers of fine food everywhere, with its sophisticated...
Sports - Serigraph
84 x 84 cm (33.1 x 33.1 inches)
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Asbjorn Lonvig: 'Stage 21 Passing The Versailles Orangery', 2011 Serigraph, Sports.       They are for sale as 1 inks on Hahnemuhle quality canvas and 210 numbered and signed Fine Art prints on Hahnemuhle quality paper. The Versailles Orangery ( French: L' Orangerie du Chateau de Versailles) was built by Jules Hardouin- Mansart between 1684 and 1686, that is to say...
Sports - Serigraph
84 x 84 cm (33.1 x 33.1 inches)
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Asbjorn Lonvig: 'Stage 21 Champs Elysees in the evening', 2011 Serigraph, Sports.          They are for sale as 1 inks on Hahnemuhle quality canvas and 210 numbered and signed Fine Art prints on Hahnemuhle quality paper.Asbjorn Lonvig's words: All that fuss about a street! ?Wikipedia' s words: The Champs Elysees ( Elysian fields) were originally nothing but fields, until...
Sports - Serigraph
84 x 84 cm (33.1 x 33.1 inches)
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Asbjorn Lonvig: 'Stage 9 Chaos', 2011 Serigraph, Sports.          They are for sale as 1 inks on Hahnemuhle quality canvas and 210 numbered and signed Fine Art prints on Hahnemuhle quality paper. Officials on motor bikes and officials in cars
Sports - Serigraph
84 x 84 cm (33.1 x 33.1 inches)
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Andrea Waxman Mulcahy: 'Waves', 2011 Steel Sculpture, undecided.
, 2011
undecided - Sculpture
47 x 29 inches (119.4 x 73.7 cm)
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Andrea Waxman Mulcahy: 'Emergence', 2011 Steel Sculpture, undecided.
, 2011
undecided - Sculpture
62 x 30 inches (157.5 x 76.2 cm)
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Andrea Waxman Mulcahy: 'Source', 2011 Steel Sculpture, undecided.
, 2011
undecided - Sculpture
47 x 37 inches (119.4 x 94.0 cm)
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Wayne Quilliam: 'lowanna', 2011 Other Photography, Landscape.   Australian Aboriginal Photographer Wayne Quilliam evolves through his connection to country  ...
, 2011
Landscape - Photograph
30 x 20 inches (76.2 x 50.8 cm)
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Leo Evans: 'CONFUSED THOUGHTS', 2008 Pastel, Abstract.
Abstract - Pastel
24 x 30 inches (61.0 x 76.2 cm)
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Marie-france Busset: 'LE COQ DU QUEYRAS', 2010 Oil Painting, Birds.
Birds - Painting
50 x 50 inches (127.0 x 127.0 cm)
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Grace Auyeung: 'Morning Cloud', 2009 Ink Painting, Landscape.    landscape, cloud, mists,  Chinese landscape, ink wash painting , mountains  ...
Landscape - Painting
33 x 54 inches (83.8 x 137.2 cm)
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Marcia Freedman: 'Traveling', 2010 Oil Painting, Abstract.  Traveling is an abstract oil painting which blurs the boundaries between landscape and the environment.               ...
, 2010
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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John Powell: 'Rivival Diptych', 2010 Giclee, Religious.  From religious seriesOrder giclee print on Canvas and WaterColour Paper, museum wrap, size24x16130, via FeDEx same day depending on time of orderItem is in the artist studio ready to shipThe original is in thecollection of a promenent collector- Dr.  Wayne Morgan...
Religious - Giclee
22 x 16 inches (55.9 x 40.6 cm)
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Jerry  Di Falco: 'Black Madonna with Poem', 2010 Oil Painting, Mystical. The full title is, The Black Madonna of Quantum Physics with String Poem.  This work is meant to function as a meditation tool and as a looking glass into the viewers own SUBSTANCE.  .  .  the substance that fills the universe and fuels it, knows it, and continues to create it.  I ...
Mystical - Painting
36 x 43 inches (91.4 x 109.2 cm)
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Vincenzo Montella: 'Portal for an inner space', 2009 Indoor Installation, Inspirational.
Inspirational - Installation
160 x 180 cm (63.0 x 70.9 inches)
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Marsha Bowers: 'Day Dreamer', 2009 Oil Painting, Portrait.  Oil on Panel with Gilding ...
Portrait - Painting
18 x 24 inches (45.7 x 61.0 cm)
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John Powell: 'Trapped in Time Drawing 3', 1991 Pen Drawing, Figurative.  This drawing is from Time series and is a study for a painting to come US520, shipping 2- 3 working days depending on time of order, VIA FeDEx or Express postal service...
Figurative - Drawing
10 x 14 inches (25.4 x 35.6 cm)
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Vincenzo Montella: 'Sunset', 2000 Textile Art, Abstract.
, 2000
Abstract - Textile Art
294 x 200 cm (115.7 x 78.7 inches)
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(Page 6 of 97) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Dennis Duncan - A lifelong student of contemporary realism, I utilize various mediums to create art that stimulates the mind , body, and soul of each individual. By incorporating these three basic principles into each subject matter , at times the imagery takes on a "surrealist" aspect , "meditative", even "spiritual"... I've tried incorporating industrial products and textured mediums into my presentations, adding an "urban edge" to my body of work. . ...

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Alice Murdoch - I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artists statement....

    Andrea Waxman Mulcahy - My work illuminates an energetic state that exists yet is generally not seen. Movement as it is captured in space indicates pathways and an energy flow. Visualization of this movement brings to mind that which is not seen in the world but still exists. I'm intrigued by the way simple lines can become complex structures and how complex structures can be reduced to simple lines. I choose to work in steel because it gives me the most immediate connection to my thoughts and the welding process allows me to quickly execute my ideas. The stability and the permanence of metal also gives me the capability to build with structural freedom. Steel rods can represent an single line allowing the negative space to become an important part of the sculpure and the bent steel rods create a fluidity that lets one forget that the structure is made of hard steel....

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Grace Auyeung - Landscape painting is my artistic gravity, and I mainly use Chinese ink, colour and Xuan paper as media. I like to explore various techniques and styles, but I place strong emphasis on the use of lines to express my feelings and thoughts about the landscape I try to recreate. I see my art as a vision of my inner self and my spiritual self as well....

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...