Contemporary Art For Sale Price Range: $3000 - $3999

Page 7 of 97
Over 2811 works of original contemporary art for sale in the price range $3000 - $3999. On this page you can find works by Vincenzo Montella, Austen Pinkerton, Jose Freitascruz, Hope Brooks, Maciej Hoffman, Andrew Wielawski, Claudia Nierman, Ron Ogle, Judith Smith Wilson, Manuela Facchin Varalda, Nancy Bechtol, C. A. Hoffman, Marcia Freedman, Lorrie Williamson, Tom Irizarry Studio, Daniel Clarke, Marie-france Busset, Ted Schaal, Andrew Mclaughlin, Youri Messen-jaschin for the follwing mediums: 1. Links to more artwork and 97 pages for works in the price range $3000 - $3999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Austen Pinkerton: 'Hands', 2003 Other Ceramics, Undecided.
, 2003
Undecided - Ceramics
23 x 13 inches (58.4 x 33.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Austen Pinkerton: 'Octopus', 2008 Other Ceramics, Animals.
, 2008
Animals - Ceramics
380 x 380 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
Jose Freitascruz: 'two trees', 2009 Acrylic Painting, Abstract Landscape. Brunei inspired - two trees, from the borneo period but completed in portugal in 2009 for com.  art 09 ...
, 2009
Abstract Landscape - Painting
120 x 120 cm (47.2 x 47.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hope Brooks: 'Terracotta Head and Blue Bottle', 2007 Mixed Media, Still Life.  One of a suite of six still life's painted for the Sea View Gallery in 2007 the painting has a textured surface using modeling paste gouache and pencil.  The objects are by Colin Garland the Jamaican/ Australian artist who died in 2007.  The painting is on board.      ...
Still Life - Mixed Media
18 x 18 inches (45.7 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Maciej Hoffman: 'Three heads', 2009 Oil Painting, Undecided.
Undecided - Painting
185 x 210 inches (469.9 x 533.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Maciej Hoffman: 'Red', 2007 Oil Painting, Undecided.
, 2007
Undecided - Painting
140 x 180 cm (55.1 x 70.9 inches)
Like It   indepth artwork information   Add To Shopping Cart
Maciej Hoffman: 'Wind', 2009 Oil Painting, Abstract Figurative.
, 2009
Abstract Figurative - Painting
100 x 140 cm (39.4 x 55.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Maciej Hoffman: 'Man in the suit', 2008 Oil Painting, Undecided.
Undecided - Painting
100 x 160 cm (39.4 x 63.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
Andrew Wielawski: 'Mermaid and Fisherman', 2007 Bronze Sculpture, Abstract Figurative.  In this piece, I'm going more for movement than for detail, as you can see from the lack of definition of the features. Color is used as well as the positioning of the figures, to try to create an harmonious composition. ...
Abstract Figurative - Sculpture
14 x 9 inches (35.6 x 22.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Claudia Nierman: 'Eros', 1997 Other Photography, Mythology.  This image is from the series Enchanted Garden. It is printed on canvas and hand painted. This image is also abeilable as a Cibachrom print in the smaller format.  ...
, 1997
Mythology - Photograph
57 x 80 inches (144.8 x 203.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ron Ogle: 'Maitreya', 2008 Oil Painting, Buddhism.  Buddha of the Future.  Japanese, 7th century.  Zoom in. [ WHEN YOU ARE OLD When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep...
, 2008
Buddhism - Painting
12 x 26 inches (30.5 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Judith Smith Wilson: 'Am I My Brothers Keeper', 1992 Watercolor, Wildlife.  Painting inspired from trip to Rwanda, East Africa and viewing the mountain gorillas in their natural habitat. Encroachment by the native peoples and poaching have severally altered the gorillas forest home in the Virunga mountain range. Original $2,500. 00.  Open Edition Prints, $45. 00Painting done from Photographs taken...
Wildlife - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jose Freitascruz: 'sudden rain', 2008 Acrylic Painting, Abstract Landscape. Brunei inspired - from the borneo batik series...
Abstract Landscape - Painting
120 x 120 cm (47.2 x 47.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Judith Smith Wilson: 'Wild Turkey Anyone', 2007 Watercolor, Wildlife.  Wild Turkeys by split rail fence in Kentucky. Original $2,500. 00.  Open Edition Prints. $55. 00 ...
Wildlife - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Judith Smith Wilson: 'African Marshall Eagle', 1998 Pastel, Wildlife.  The Marshall Eagle of Africa, Original Pastel Painting on Valour Paper. . . No prints available. ...
Wildlife - Pastel
16 x 20 inches (40.6 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Judith Smith Wilson: 'Samburu Tribesman', 1995 Pastel, World Culture.  Pastel painting of a member of the Samburu tribe of East Africa, photo taken by Judith on one of her trips to Kenya. Limited Edition Print, $85. 00. ...
World Culture - Pastel
20 x 22 inches (50.8 x 55.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Manuela Facchin Varalda: 'the stuff of dreams', 2008 Oil Painting, nudes.   original artwork - unique piece oil on canvas cm 100 x 80  ...
nudes - Painting
40 x 32 inches (101.6 x 81.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Nancy Bechtol: 'Colorstat Human', 2007 Computer Art, Abstract Figurative.  the global human- we are all together here- peaceful energies. limited edition of 20  archival print on substrate. ...
Abstract Figurative - Computer Art
11 x 14 inches (27.9 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
C. A. Hoffman: 'Saturday Night Rondevouz', 2007 Acrylic Painting, Still Life. This was actually a lot of fun to do.  Working from a photo, I tried to capture the subtle shadows on the wall and brilliant refections in the floor. The wall behind the tub was tricky but the photo was true in showing the aging in the paint.    ...
Still Life - Painting
28 x 36 inches (71.1 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marcia Freedman: 'Blocked', 2007 Oil Painting, Abstract.  Blocked is an oil painting on canvas which was informed by organic forms within the body.  ...
, 2007
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lorrie Williamson: 'Fresh Air and Sunshine', 2000 Oil Painting, nature.  Relax with your favorite pasttime and enjoy the fresh air and the warmth on the sun.  A compliment to any home.   ...
nature - Painting
36 x 36 inches (91.4 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ron Ogle: 'REBECCA', 2007 Oil Painting, Portrait. Rebecca is a very gracious person. I have not done her justice here [ a poem about a flower is not the flower ] . This painting is now on exhibit in Lorraine' s Jewelers, Battery Park Ave. , Asheville, North Carolina. [ I am presently accepting commissions for oil portraits. Prices begin at $2300....
, 2007
Portrait - Painting
24 x 28 inches (61.0 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tom Irizarry Studio: 'Breathes Minion', 2006 Oil Painting, Sky.  mineral pigments and oil on canvas, lapis, azurite, carmine, vermillion, lead- tin yellow ...
Sky - Painting
14 x 18 inches (35.6 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Daniel Clarke: 'Road View', 2006 Acrylic Painting, Landscape. Road View is part of the Artist' s California Scenes series of paintings.Work comes complete framed in a very beautiful 4. 5 inch wood frame. ...
, 2006
Landscape - Painting
48 x 22 inches (121.9 x 55.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marie-france Busset: 'UN ECRIN DE LA MEDITERRANEE', 2006 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
50 x 65 inches (127.0 x 165.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marie-france Busset: 'LE COQ A PATTES JAUNES', 2006 Oil Painting, Animals.
Animals - Painting
50 x 65 inches (127.0 x 165.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ted Schaal: 'compass rose with solstice markers', 2004 Bronze Sculpture, Astronomy.  Compass rose with Four solstice markers.  Includes hardware for setting in concrete or mounting to stone.  elevations and installation options provided upon request.  Only 16 left in the edition.  Please allow 4 months for delivery. ...
Astronomy - Sculpture
50 x 25 inches (127.0 x 63.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andrew Mclaughlin: 'Alice in Wonderland', 2006 Collage, Surrealism.
Surrealism - Collage
26 x 12 inches (66.0 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Youri Messen-jaschin: 'Yellow Passion Fruit', 1990 Pencil Drawing, Erotic. (r) by 1990 Prolitteris Postfach CH. - 8033 Zurich (c) by 1990 Youri Messen- Jaschin Switzerland ...
Erotic - Drawing
50 x 70 cm (19.7 x 27.6 inches)
Youri Messen-jaschin: 'Sweet Melon', 1990 Pencil Drawing, Erotic. (r) by 1990 Prolitteris Postfach CH. - 8033 Zurich (c) by 1990 Youri Messen- Jaschin Switzerland  ...
Erotic - Drawing
50 x 70 cm (19.7 x 27.6 inches)
(Page 7 of 97) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Claudia Nierman - Judith Smith Wilson - Welcome to the world of exotic animals and culture as seen through the eyes of this extraordinary artist. Follow the mood as Ms. Wilson leads you to the darkest regions of Africa and beyond.....She has been specializing in Animal Wildlife Paintings and portraits of people for over 40 years. She is a will known animal ecologist, and belongs to many wildlife organizations, including the East African Wildlife Society. Ms. Wilson has traveled to Kenya East Africa, and Rwanda East Africa, three times. She also has had the privilege to observe the endangered Mountain Gorillas in the Virunga Mountains, and all of Africa's wonderful wildlife. Ms. Wilson has cared for many injured wild animals, eventually releasing them back to their native habitat. One of these animals, a bobcat named "Precious" was not able to be released, and remained a beloved friend to her family for over twenty years. She has shown her work in Nairobi and Rwanda East Africa, and many Galleries in the United States over her 40 year career. Her work is currently being shown in San Diego, Los Angeles California and The Fine Art museum in Owensboro Kentucky. Also in Owensboro at'Gallery 412' and'Grey ...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...