Contemporary Art For Sale Price Range: $400 - $499

Page 1 of 133
Over 3857 works of original contemporary art for sale in the price range $400 - $499. On this page you can find works by Kichung Lizee, Jinsheng You, Vladimir Volosov, Edna Schonblum, Jerry Di Falco, Heather Hyatt, Paulo Medina, Michael Schaffer, C. A. Hoffman, Brian Devon for the follwing mediums: 1. Links to more artwork and 133 pages for works in the price range $400 - $499 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Kichung Lizee: 'winter sunata', 2022 Mixed Media, Spiritual. mixed media on mulberry paper on canvas...
Spiritual - Mixed Media
30 x 24 inches (76.2 x 61.0 cm)
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Jinsheng You: 'root 361', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MINDALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE OF MY ...
, 2020
Abstract - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Jinsheng You: 'memory 360', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MINDALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE OF MY ...
, 2020
Abstract - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Jinsheng You: 'passion 359', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MINDALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE OF MY ...
Abstract - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Jinsheng You: 'root 358', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MINDALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE OF MY ...
, 2020
Abstract - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Vladimir Volosov: 'at the warm sea', 2004 Oil Painting, Marine. Before I picked up the brush, I spent 30 years researching the nature of color and light, through my profession as a doctor of physics, and one of the inventors of a new science - laser and non- linear optics. At 53 years of age, I left the world of science ...
Marine - Painting
20 x 28 inches (50.8 x 71.1 cm)
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Vladimir Volosov: 'the wave', 2001 Oil Painting, Marine. Before I picked up the brush, I spent 30 years researching the nature of color and light, through my profession as a doctor of physics, and one of the inventors of a new science - laser and non- linear optics. At 53 years of age, I left the world of science ...
, 2001
Marine - Painting
32 x 24 inches (81.3 x 61.0 cm)
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Vladimir Volosov: 'sunny glade', 1994 Oil Painting, Impressionism. Before I picked up the brush, I spent 30 years researching the nature of color and light, through my profession as a doctor of physics, and one of the inventors of a new science - laser and non- linear optics. At 53 years of age, I left the world of science ...
Impressionism - Painting
28 x 20 inches (71.1 x 50.8 cm)
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Vladimir Volosov: 'the wave', 2012 Oil Painting, Marine. Before I picked up the brush, I spent 30 years researching the nature of color and light, through my profession as a doctor of physics, and one of the inventors of a new science - laser and non- linear optics. At 53 years of age, I left the world of science ...
, 2012
Marine - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Kichung Lizee: 'into the light 3', 2021 Ink Painting, Spiritual. Free flowing Eastern calligraphy brush work done on mulberry paper...
Spiritual - Painting
32 x 22 inches (81.3 x 55.9 cm)
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Kichung Lizee: 'into the light 2', 2021 Ink Painting, Spiritual. Free flowing Eastern calligraphy brush work done on mulberry paper...
Spiritual - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Kichung Lizee: 'into the light 1', 2021 Mixed Media, Spiritual. Free flowing Eastern calligraphy work done on the mulberry paper...
Spiritual - Mixed Media
22 x 30 inches (55.9 x 76.2 cm)
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Edna Schonblum: 'high sea 38', 2021 Oil Painting, Seascape. an oil painting from a high sea hoping it will bring peace and joy as I had painting it. ...
Seascape - Painting
20 x 30 cm (7.9 x 11.8 inches)
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Jerry  Di Falco: 'gullah tanjerine baptism', 2021 Etching, People. EDITION THREE.  Di FalcoaEURtms driving force behind this series originated with his research into the Gullah, a community of freed and escaped African American slaves that settled on the unexplored islands off South CarolinaaEURtms Coast. The Gullah People began settling here long before slaveryaEURtms abolition. These West ...
People - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Heather Hyatt: 'red queen', 2021 Oil Painting, Portrait. stylized Red Queen...
, 2021
Portrait - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Paulo Medina: 'la hemorroisa', 2021 Acrylic Painting, Religious. Mc 5, 25- 34...
Religious - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Jerry  Di Falco: 'gullah baptism in cedar water', 2021 Etching, Americana. Di FalcoaEURtms driving force behind this series originated with his research into the Gullah, a community of freed and escaped African American slaves that settled on the unexplored islands off South CarolinaaEURtms Coast.  The Gullah People began settling here long before slaveryaEURtms abolition.  These West African people ...
Americana - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Michael Schaffer: 'Moonrise at Sunset Beach', 2021 Mixed Media, Abstract. The moon rising at the beach in the dark of night with the waves pounding can be a very beautiful occurrence indeed. ...
Abstract - Mixed Media
16 x 12 inches (40.6 x 30.5 cm)
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Michael Schaffer: 'Nighttime Storm 2', 2021 Mixed Media, Abstract. Follow up to the original Nighttime Storm but done on a smaller canvas. ...
Abstract - Mixed Media
16 x 12 inches (40.6 x 30.5 cm)
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C. A. Hoffman: 'whites levitation', 2021 Color Photograph, Abstract. This is one of my original color photos that has been digitally enhanced to create a new and exciting piece of art. ...
Abstract - Photograph
18 x 14 inches (45.7 x 35.6 cm)
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C. A. Hoffman: 'white and blue fluffs', 2021 Color Photograph, Abstract. This is one of my original color photos that has been digitally enhanced to create a new and exciting piece of art. ...
Abstract - Photograph
18 x 14 inches (45.7 x 35.6 cm)
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C. A. Hoffman: 'lemon split', 2021 Color Photograph, Abstract. This is one of my original color photos that has been digitally enhanced to create a new and exciting piece of art. ...
Abstract - Photograph
18 x 14 inches (45.7 x 35.6 cm)
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C. A. Hoffman: 'comfort in threes', 2021 Color Photograph, Abstract. This is one of my original color photos that has been digitally enhanced to create a new and exciting piece of art. ...
Abstract - Photograph
20 x 14 inches (50.8 x 35.6 cm)
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Brian Devon: 'midnight run', 2010 Other Photography, Landscape. Archival museum quality fine art for your home or office decor with a canvas print that will never warp or sag. Each canvas print is 1. 75aEUR deep, sealed finish with hanging hardware, so itaEURtms designed to hang tough and be super easy to display. ...
Landscape - Photograph
24 x 14 inches (61.0 x 35.6 cm)
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Brian Devon: 'midnight run', 2010 Color Photograph, Landscape. Archival museum quality fine art for your home or office decor with a canvas print that will never warp or sag. Each canvas print is 1. 75aEUR deep, sealed finish with hanging hardware, so itaEURtms designed to hang tough and be super easy to display. ...
Landscape - Photograph
24 x 14 inches (61.0 x 35.6 cm)
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Brian Devon: 'the round up', 2010 Other Photography, Landscape. Archival museum quality fine art for your home or office decor with a canvas print that will never warp or sag. Each canvas print is 1. 50aEUR deep, sealed finish with hanging hardware, so itaEURtms designed to hang tough and be super easy to display. ...
Landscape - Photograph
32 x 14 inches (81.3 x 35.6 cm)
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Brian Devon: 'skyfall', 2019 Other Photography, Landscape. Archival museum quality fine art for your home or office decor with a canvas print that will never warp or sag. Each canvas print is 1. 50aEUR deep, sealed finish with hanging hardware, so itaEURtms designed to hang tough and be super easy to display. ...
, 2019
Landscape - Photograph
32 x 32 inches (81.3 x 81.3 cm)
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Jerry  Di Falco: 'betrayal at nicea', 2021 Etching, Christian. Jerry Mazur- DiFalco created this original, one of a kind mixed media work while suffering from the extreme pain of spinal deformity and full body arthritis.  It depicts the unending and throbbing pain of chaos via the image of a reference to VeronicaaEURtms Veil.  This veil relates to the ...
Christian - Etching
15 x 22 inches (38.1 x 55.9 cm)
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Jerry  Di Falco: 'admiral wilson blvd 1960', 2021 Mixed Media, Cityscape. This artistaEURtms proof of an etching by Di Falco is enhanced with watercolors and depicts a section of the his home city Camden, New Jersey.  He employed the studio techniques of intaglio, aquatint, and drypoint on a zinc etching plate and developed the image in four Nitric acid baths.  ...
Cityscape - Mixed Media
16 x 12 inches (40.6 x 30.5 cm)
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Denise Dalzell: 'wednesday', 2021 Acrylic Painting, People. A Wednesday afternoon relaxing with friends...
, 2021
People - Painting
12 x 16 inches (30.5 x 40.6 cm)
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(Page 1 of 133) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Brian Devon - I began taking pictures at a very early age, about 8 if I remember correctly, and soon began to manipulate the images, painting on colors and adding my personal touches to create soft impressionist images. My interest in photography led to further study and eventually a career in commercial advertising and fashion photography and I worked in several studios in Dublin, London and San Francisco. I constantly experimented with the medium of photography, seeking to put my own mark or style on the finished image. I became interested in Pictorialism, a movement started in the late 1860s, it approached the camera as a tool that, like the paintbrush or a chisel, which could be used to make an artistic statement. Thus photographs could have aesthetic value and be linked to the world of art expression. It was my Eureka moment. I learned a lot working at several studios over the years and have hopefully have let that experience develop into my work today. The challenge for me is to capture the energy of the moment, its up to you to judge whether I achieve that. I have been lucky enough to have seek a path to expressing my view of...