Contemporary Art For Sale Price Range: $400 - $499

Page 1 of 140
Over 4044 works of original contemporary art for sale in the price range $400 - $499. On this page you can find works by C. A. Hoffman, Vladimir Volosov, Brian Devon, Jerry Di Falco, Denise Dalzell, Mac Worthington, Kichung Lizee, Austen Pinkerton, Jinsheng You, Anita Zotkina for the follwing mediums: 1. Links to more artwork and 140 pages for works in the price range $400 - $499 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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C. A. Hoffman: 'whites levitation', 2021 Color Photograph, Abstract. This is one of my original color photos that has been digitally enhanced to create a new and exciting piece of art. ...
Abstract - Photograph
18 x 14 inches (45.7 x 35.6 cm)
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C. A. Hoffman: 'white and blue fluffs', 2021 Color Photograph, Abstract. This is one of my original color photos that has been digitally enhanced to create a new and exciting piece of art. ...
Abstract - Photograph
18 x 14 inches (45.7 x 35.6 cm)
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C. A. Hoffman: 'lemon split', 2021 Color Photograph, Abstract. This is one of my original color photos that has been digitally enhanced to create a new and exciting piece of art. ...
Abstract - Photograph
18 x 14 inches (45.7 x 35.6 cm)
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C. A. Hoffman: 'comfort in threes', 2021 Color Photograph, Abstract. This is one of my original color photos that has been digitally enhanced to create a new and exciting piece of art. ...
Abstract - Photograph
20 x 14 inches (50.8 x 35.6 cm)
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Vladimir Volosov: 'evening', 2020 Oil Painting, Marine. A<< Color and light is always the main principal in my work. My goal is  vibrant, bold and intuitive painting with great texture and lots of layersA>> .This is an original unique textured oil painting on stretched canvas. Original Artist Style aEUR
, 2020
Marine - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Brian Devon: 'midnight run', 2010 Other Photography, Landscape. Archival museum quality fine art for your home or office decor with a canvas print that will never warp or sag. Each canvas print is 1. 75aEUR deep, sealed finish with hanging hardware, so itaEURtms designed to hang tough and be super easy to display. ...
Landscape - Photograph
24 x 14 inches (61.0 x 35.6 cm)
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Brian Devon: 'midnight run', 2010 Color Photograph, Landscape. Archival museum quality fine art for your home or office decor with a canvas print that will never warp or sag. Each canvas print is 1. 75aEUR deep, sealed finish with hanging hardware, so itaEURtms designed to hang tough and be super easy to display. ...
Landscape - Photograph
24 x 14 inches (61.0 x 35.6 cm)
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Brian Devon: 'the round up', 2010 Other Photography, Landscape. Archival museum quality fine art for your home or office decor with a canvas print that will never warp or sag. Each canvas print is 1. 50aEUR deep, sealed finish with hanging hardware, so itaEURtms designed to hang tough and be super easy to display. ...
Landscape - Photograph
32 x 14 inches (81.3 x 35.6 cm)
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Brian Devon: 'skyfall', 2019 Other Photography, Landscape. Archival museum quality fine art for your home or office decor with a canvas print that will never warp or sag. Each canvas print is 1. 50aEUR deep, sealed finish with hanging hardware, so itaEURtms designed to hang tough and be super easy to display. ...
, 2019
Landscape - Photograph
32 x 32 inches (81.3 x 81.3 cm)
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Jerry  Di Falco: 'betrayal at nicea', 2021 Etching, Christian. Jerry Mazur- DiFalco created this original, one of a kind mixed media work while suffering from the extreme pain of spinal deformity and full body arthritis.  It depicts the unending and throbbing pain of chaos via the image of a reference to VeronicaaEURtms Veil.  This veil relates to the ...
Christian - Etching
15 x 22 inches (38.1 x 55.9 cm)
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Jerry  Di Falco: 'snow in lama dei peligni', 2021 Etching, Rural. A blend of oil based, French inks were employed in this etching, which was printed on RivesBFK white paper.  The techniques of intaglio, aquatint, and Chine collA
Rural - Etching
24 x 18 inches (61.0 x 45.7 cm)
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Vladimir Volosov: 'winter forest', 2020 Oil Painting, Impressionism. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden underframe.  Palette knife. Original Artist Style aEUR
Impressionism - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Denise Dalzell: 'wednesday', 2021 Acrylic Painting, People. A Wednesday afternoon relaxing with friends...
, 2021
People - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'snow and spring sky', 2021 Etching, Rural. The full title is SNOW AND SPRING SKY IN LAMA DEI PELIGNI.  A blend of oil based, French inks were employed in this etching, which was printed on RivesBFK white paper.  The techniques of intaglio and Chine colle combine to give this winter scene a poignant mood.  The work, printed ...
Rural - Etching
24 x 18 inches (61.0 x 45.7 cm)
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Mac Worthington: 'dragonfly', 2021 Acrylic Painting, Abstract Figurative. metal painted acrylic enamel on stretched canvasAvailable. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2021
Abstract Figurative - Painting
17 x 30 inches (43.2 x 76.2 cm)
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Mac Worthington: 'horizon', 2021 Acrylic Painting, Abstract Landscape. Knifed acrylic on stretched canvasAvailable. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2021
Abstract Landscape - Painting
30 x 14 inches (76.2 x 35.6 cm)
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Kichung Lizee: 'wilson tree 2', 2021 Mixed Media, Spiritual. Eastern calligraphy ink and mixed media on mulberry paper glued on canvas...
Spiritual - Mixed Media
22 x 28 inches (55.9 x 71.1 cm)
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Jerry  Di Falco: 'snow in abruzzi', 2021 Etching, Representational. A blend of oil based, French inks were employed in this etching, which was printed on RivesBFK white paper.  The techniques of intaglio and Chine colle combine to give this winter scene a poignant mood.  The work, printed on a zinc plate that measured nine inches high by twelve inches ...
Representational - Etching
24 x 18 inches (61.0 x 45.7 cm)
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Kichung Lizee: 'roots of memories', 2021 Mixed Media, Spiritual. layers of paints, pastels and Eastern calligraphy ink on mulberry paper glued on canvas...
Spiritual - Mixed Media
22 x 28 inches (55.9 x 71.1 cm)
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Kichung Lizee: 'walking with the light', 2021 Mixed Media, Spiritual. acrylic paints, watecolor, pastels, and Chinese calligraphy ink on mulberry paper pasted on canvas...
Spiritual - Mixed Media
25 x 31 inches (63.5 x 78.7 cm)
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Mac Worthington: 'blue skies', 2021 Acrylic Painting, Floral. Acrylic on stretched canvasAvailable. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2021
Floral - Painting
24 x 14 inches (61.0 x 35.6 cm)
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Mac Worthington: 'cocktails edition 3', 2021 Acrylic Painting, Abstract Figurative. Acrylic on stretched canvasAvailable. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract Figurative - Painting
24 x 14 inches (61.0 x 35.6 cm)
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Austen Pinkerton: 'self portrait january 2021', 2021 Graphite Drawing, Portrait. Just felt it was time to do another Self Portrait...
Portrait - Drawing
48 x 34 cm (18.9 x 13.4 inches)
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Jinsheng You: 'abstract 724', 2019 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MIND: ALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE OF ...
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Jinsheng You: 'abstract 704', 2021 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MIND: ALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE ...
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Jinsheng You: 'fluid beauty 703', 2021 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MIND: ALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE ...
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Kichung Lizee: 'winter sun ata', 2021 Mixed Media, Spiritual. winter snow and water flowing...
Spiritual - Mixed Media
28 x 22 inches (71.1 x 55.9 cm)
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Anita Zotkina: 'red flower', 2020 Oil Painting, Floral. The painting was inspired by Peruvian gardens ...
, 2020
Floral - Painting
11 x 14 ( x )
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Anita Zotkina: 'white flower', 2020 Oil Painting, Floral. Just a flower. Inspired by all the flowers that surround me...
Floral - Painting
14 x 11 ( x )
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Michael Schaffer: 'chariot race', 2020 Mixed Media, Abstract. Intense abstract.  A sense of wheels in motion. ...
Abstract - Mixed Media
36 x 18 inches (91.4 x 45.7 cm)
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(Page 1 of 140) - MORE ARTWORKS
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  • Artists Describing Their Art:

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Brian Devon - I began taking pictures at a very early age, about 8 if I remember correctly, and soon began to manipulate the images, painting on colors and adding my personal touches to create soft impressionist images. My interest in photography led to further study and eventually a career in commercial advertising and fashion photography and I worked in several studios in Dublin, London and San Francisco. I constantly experimented with the medium of photography, seeking to put my own mark or style on the finished image. I became interested in Pictorialism, a movement started in the late 1860s, it approached the camera as a tool that, like the paintbrush or a chisel, which could be used to make an artistic statement. Thus photographs could have aesthetic value and be linked to the world of art expression. It was my Eureka moment. I learned a lot working at several studios over the years and have hopefully have let that experience develop into my work today. The challenge for me is to capture the energy of the moment, its up to you to judge whether I achieve that. I have been lucky enough to have seek a path to expressing my view of...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Anita Zotkina - I have been painting my whole life. Creating art is time-consuming, messy, and underappreciated, but I do it anyway, because this is how I express my understanding of life. My art focuses mostly on women and animals, and their life journeys. Since childhood I was fascinated by strong and independent women. I found them to be generous, wise, and extremely humorous. I enjoyed listening to their stories about the meaning of life and keeping up with the chores. Being a single mother, I recognized how challenging it is to work, take care of the kid, study, and stay open-minded and thoughtful. In my paintings I am trying to capture life, mental torment, enlightenment and peace from a womanaEURtms perspective. Very often I add animals to my paintings, to create a cozy mood. As a child, I spent a lot of time outside, playing with stray dogs and cats, or in a field looking for butterflies and grasshoppers. Those were the best times. The animals I spent time with were my extended family, and I always felt safe with them. So, adding animals to my paintings, is like adding a thought of your favorite relative that conveys nothing ...