Contemporary Art For Sale Price Range: $400 - $499

Page 4 of 140
Over 4037 works of original contemporary art for sale in the price range $400 - $499. On this page you can find works by Jose Freitascruz, Austen Pinkerton, Sheri Smith, Denise Dalzell, Nancy Bechtol, Isaac Brown, Sarah Longlands, Marino Chanlatte, Donna Gallant, Walther Von Krenner, John Sims, Azhar Shemdin, David Larkins, Luiz Henrique Azevedo, Shelly Leitheiser, Lora Vannoord for the follwing mediums: 1. Links to more artwork and 140 pages for works in the price range $400 - $499 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Austen Pinkerton: 'fedulah no 4', 2018 Graphite Drawing, Life. PORTRAIT NUDE LIFE...
Life - Drawing
420 x 297 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
Sheri Smith: 'houston person portrait', 2018 Giclee, Music. Houston Person Live...
Music - Giclee
13 x 24 inches (33.0 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sheri Smith: 'houston person and the horn', 2018 Giclee, Music. Houston Person and the Horn...
Music - Giclee
12 x 24 inches (30.5 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sheri Smith: 'Arturo Sandoval My Heart', 2018 Giclee, Music. Arturo Sandoval, My Heart...
Music - Giclee
12 x 24 inches (30.5 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sheri Smith: 'herbie hancock portrait', 2018 Giclee, Music. Herbie Hancock Portrait...
Music - Giclee
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Denise Dalzell: 'turbine hall', 2018 Acrylic Painting, People. painting, turbine hall, illustration, expressionism, pop art, modern, abstract, people, tateDeconstructed tourists on an outing. . . . . ...
People - Painting
20 x 2 inches (50.8 x 5.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Nancy Bechtol: 'psych series strongawe2', 2018 Other Photography, Abstract.
Abstract - Photograph
8 x 8 inches (20.3 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Nancy Bechtol: 'psych series strong guardians', 2018 Other Photography, Abstract. Kalidescope green lush spiritnature abstract...
Abstract - Photograph
8 x 8 inches (20.3 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Isaac Brown: 'flowering spirit', 2018 Acrylic Painting, Abstract.
Abstract - Painting
28 x 22 inches (71.1 x 55.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Isaac Brown: 'before the rebirth', 2018 Acrylic Painting, Abstract.
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Isaac Brown: 'incubation', 2018 Acrylic Painting, Abstract.
, 2018
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sarah Longlands: 'supplies coming', 2017 Watercolor, Space. The glistening minerals you can see in some of my Primatek watercolour paints are really ideal for outer space painting. ...
Space - Watercolor
28 x 21 inches (71.1 x 53.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sarah Longlands: 'poached egg sunrise', 2017 Watercolor, Space. Sunrise from the International Space Station can look quite surreal and to me this one really does look like a poached egg. ...
Space - Watercolor
21 x 28 inches (53.3 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sarah Longlands: 'space zinnia', 2016 Watercolor, Space. When Scott Kelly spent virtually a full year on the International Space Station, he experimented with gardening. This zinnia was the first flower to be grown in space. ...
Space - Watercolor
21 x 28 inches (53.3 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marino Chanlatte: 'ocean 67', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marino Chanlatte: 'ocean 66', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Donna Gallant: 'swan', 2016 Watercolor, Architecture. The beauty of a white swan landing in this watercolor and ink painting. ...
, 2016
Architecture - Watercolor
17 x 14 inches (43.2 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Donna Gallant: 'cool trees', 2016 Oil Painting, Landscape. A monochrome color scheme portraying cool evergreen trees. ...
, 2016
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Walther Von Krenner: 'falling water', 2017 Acrylic Painting, Abstract Landscape. abstract landscape, rocks, water...
Abstract Landscape - Painting
7 x 8 inches (17.8 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Sims: 'coptic storm cyprus', 2009 Oil Pastel, Figurative. I opened the door of my room at The Cyprus College of Art and a hot strong sand laden wind blew in straight from Africa across the Med. This is a somewhat exaggerated, whimsical portrayal of the event ...
Figurative - Oil Pastel
50 x 33 cm (19.7 x 13.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
John Sims: 'no more lust for leda', 2012 Crayon Drawing, Birds. One of a series of Nature Morte bird drawings based on Greek Mythology via Ovid and 17th century Spanish still lifes. Zeus lusted after Queen Leda and disguised himself as a Swan to trick her into accepting his advances. Hence this depiction is in fact not a swan at all ...
Birds - Drawing
29 x 43 cm (11.4 x 16.9 inches)
Like It   indepth artwork information   Add To Shopping Cart
John Sims: 'encounters cyprus', 2009 Oil Pastel, Mystical. Another Cyprus dream. . . where did this come from  Oil pastel on paper...
Mystical - Oil Pastel
50 x 33 cm (19.7 x 13.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
John Sims: 'pasiphae and daedalus', 2009 Oil Pastel, Mythology. Another dream after reading the novel Pasiphae before falling asleep in Cyprus. Oil pastel on paper. ...
Mythology - Oil Pastel
33 x 36 cm (13.0 x 14.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Azhar Shemdin: 'to be centered', 2017 Acrylic Painting, Abstract. Original painting inliquid acrylic on stretched canvas. ...
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
David Larkins: 'the colliers kiln', 2017 Acrylic Painting, History. The historic ghost town in Fayette along the Big Bay DeNoc located in MichiganaEURtms UP is an old iron smelting town from the 1870aEURtms.The preserved town still has some of the charcoal making kilns standing, which once numbered more than eighty, feed the blast furnaces that melted ...
History - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Luiz Henrique Azevedo: 'Curiosity', 2016 Oil Painting, Still Life. A pet finding the world that surround it. ...
, 2016
Still Life - Painting
27 x 35 cm (10.6 x 13.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Sarah Longlands: 'Italian Forest', 2015 Watercolor, Ethereal.  Watercolour in mainly Daniel Smith Primatek colours on rough Arches 850gsm paper. The textures of the Primatek colours work exceptionally well on the heavy, rough paper. ...
Ethereal - Watercolor
75 x 53 cm (29.5 x 20.9 inches)
Like It   indepth artwork information   Add To Shopping Cart
Shelly Leitheiser: 'Human Bears at the Waterfall', 2010 Oil Painting, Impressionism.  This painting is surrealism, and yes those bears have human heads. Its my way of surprising the viewer and showing people that maybe people and animals have more in common than we think. This is 16 x 20 ...
Impressionism - Painting
16 x 20 inches (40.6 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lora Vannoord: 'Ibis Birds', 2016 Oil Painting, Landscape. Original oil painting of Ibis birds at a pond in Florida.  I love to watch them run around in a group looking for food.  Includes custom wooden frame ...
, 2016
Landscape - Painting
20 x 14 inches (50.8 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jim Lively: 'Adverse Possession', 2016 Mixed Media, Landscape.            Zinfandel Wine and Acrylic on canvas.                                                                                                                         ...
Landscape - Mixed Media
12 x 15 inches (30.5 x 38.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 4 of 140) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Sheri Smith - For the past fifteen years, I have worked on my Capturing Culture series, a body of works on paper, drawn from the audience of live music performances. Sketched in Caran dAche crayon on suede board or with a sharp implement into scratch-board. The pieces portray the performers and often their instruments and parts of the venue. Though ultimately a visual record, the work emerges from a ritualistic creative process which serves to address my feelings about time, creative skill, and visual imagery. The fleeting nature of these performances is central to the work. It is often hard not to see the passing of time as an enemy, but in the case of my work the opposite is true. The impending end of a song, set, or evening offers a sense of freedom, allowing me to work quickly. This rapid pace also dictates my choice of materials. Caran dAche crayons or scratch-boards function best when used quickly and confidently. A darkened venue limits my color palette on the suede board to just what I can see. Additionally, a confined seating space constrains the size of my boards and therefore the number of details I can include. Performances and process ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA hons and completed my post-graduate studies at University College London Slade School of Art. In the words of one of my collectors Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that. Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants Onderneming Kunst to do six oil paintings for the penthouses on board the new Queen Mary 2, launched in ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Walther Von Krenner - Before I studied in Asia, Picasso and Gauguin had a great influence on my thinking. Later I admired the ideas and importance of Pollocks action painting. After 60 years of painting I believe I have found and created my own unique and personal style. I think art is about beauty and should not become entwined in politics and controversy. Empires have come and gone but beautiful things have survived most. To much of what passes for art these days is stuff that requires absolutely no skill, talent, taste or training and depends entirely on scandal, political statements and controversy. --------------------------------------------------------------------------------------------------- Walther v. Krenner is well known in the United States, Europe and the Orient for his unique style of ink paintings. These works display a remarkable range, varying between delicate grace and outright earthiness, reflecting his years of study of Zen and his disarming sense of reality. Von Krenners successful works depend on his arduous discipline, careful observation of nature, strict control of the brush and his great sensitivity to living things. After many years of training, it has become possible for him to work swiftly, without accident or loss of detail, to achieve realistic effects which are most remarkable in ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association, the Palm Harbor Art Club, the Creative Artists Guild, I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL.. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor...