Contemporary Art For Sale Price Range: $400 - $499

Page 5 of 140
Over 4036 works of original contemporary art for sale in the price range $400 - $499. On this page you can find works by Jim Lively, Arrachme Art, Azhar Shemdin, C. Mari Pack, Donna Gallant, Stephen Mead, Luiz Henrique Azevedo, Van De Ven, Rhoda Taylor, Claudia Nierman, Tom Lund-lack, Walter King, Shelly Leitheiser, William Christopherson, Lora Vannoord, Geo Sipp, Michael Garr, Ron Anderson for the follwing mediums: 1. Links to more artwork and 140 pages for works in the price range $400 - $499 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Arrachme Art: 'Clear Skies', 2016 Acrylic Painting, Seascape.  Painted seascape, peaceful, day on the water. horizon, water, sky, blue, paintings, clouds, arrachme, arrachme art...
Seascape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Azhar Shemdin: 'Nature In Blue', 2016 Acrylic Painting, Abstract Landscape. Original painting Liquid acrylic on stretched canvas. ...
Abstract Landscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
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C. Mari Pack: 'Playfully Intimate', 2015 Acrylic Painting, Abstract.      One of a kind original poured acrylic painting on a gesso boardsurface, using: Ultramarine blue, Teal, Yellow, Orange and Titanium White.  All materials used are archival. Abstract art, abstract, energy, colorful, abstract expressionism, motion painting, original artwork, acrylic, spiritual.          ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Donna Gallant: 'Waterton Trees', 2015 Pastel, Landscape.         Sun and shadows on the trees and shore line create a dance when viewed on this Waterton vista. ...
Landscape - Pastel
26 x 14 inches (66.0 x 35.6 cm)
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Stephen Mead: 'The Soul of the Man Beyond the Machine', 2016 Mixed Media, Conceptual.  From the series of 300 montages- in- progress for Alan Turing, came this 16 x 20 inch mixed media piece on canvas.  Prints available only.  ...
Conceptual - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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Luiz Henrique Azevedo: 'Vases', 2010 Oil Painting, Still Life. The chinese jars from my parents and my home jars....
, 2010
Still Life - Painting
41 x 33 cm (16.1 x 13.0 inches)
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Van De  Ven: ' June digital raster vector', 2015 Digital Art, Abstract Landscape. June is an original digital vector and raster painting, created on the iPad using Brushes for the raster elements and Inkpad voor the vectors.Small acrylic glass print, glossy, in a gift box. Fuji Crystal DP II behind 2 mm crystal clear silicone, UV protected. Non- transparent back of 3mm ...
Abstract Landscape - Digital Art
30 x 30 cm (11.8 x 11.8 inches)
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Rhoda Taylor: 'All that glitters is not Gold', 2015 Illustration, Fantasy.  Detailed pen work and colour gouache. ...
Fantasy - Illustration
24 x 14 inches (61.0 x 35.6 cm)
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Claudia Nierman: 'Kaleidoscopic Bird', 2009 Other Photography, Architecture.   This image can be printed in several seizes including47
Architecture - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Claudia Nierman: 'Madness', 2007 Other Photography, War.   This image can be printed in several seizes including47
, 2007
War - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Claudia Nierman: 'Aunt Gella', 2005 Other Photography, Mystical.   This image can be printed in several seizes including47
, 2005
Mystical - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Claudia Nierman: 'Baroque 5', 2005 Other Photography, Fantasy.  This image can be printed in several seizes including 47x 72 printed on canvas and on photographic paper. Other materials cotton archival photography paper or metallic photographic paper are also possible.Images can be framed or mounted on sintra with or with out acrylic ( no frame) . I am happy to...
, 2005
Fantasy - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Tom Lund-lack: 'Oil Sketch Blue and Yellow Jockey', 2012 Oil Painting, Equine.     Pace, colour & movement of racehorse and jockey are the subject of this oil on board.     ...
Equine - Painting
30 x 60 cm (11.8 x 23.6 inches)
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Tom Lund-lack: 'Energy 9', 2014 Pastel, Equine.  Pace, colour  movement of racehorse and jockey are the subject of these rapidly executed sketches using pastel on yellow paper. ...
, 2014
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Energy 7', 2008 Pastel, Equine.  Pace, colour  movement of racehorse and jockey are the subject of these rapidly executed sketches using pastel on yellow paper. ...
, 2008
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Walter King: 'House On the Hill', 2003 Watercolor, Landscape.  One of the last of my Ohio landscapes. I am leaving for Oklahoma by the new year. ...
Landscape - Watercolor
11 x 10 inches (27.9 x 25.4 cm)
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Walter King: 'Looking for Canada', 2014 Watercolor, Seascape.   Looking to Canada from Port Clinton Ohio on Lake Erie ...
Seascape - Watercolor
12 x 9 inches (30.5 x 22.9 cm)
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Shelly Leitheiser: 'SolScape', 2013 Watercolor, Abstract Landscape. Solscape is a watercolor abstract landscape. Like most watercolors I do of landscapes it' s somewhat futuristic and boldly colored. This painting was chosen as the cover for a book of poetry a couple of years ago called
, 2013
Abstract Landscape - Watercolor
28 x 24 inches (71.1 x 61.0 cm)
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William Christopherson: 'Florida Ponce Inlet Boats Atlantic Coast Christopherson', 2014 Oil Painting, Seascape.      TITLE:
Seascape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Lora Vannoord: 'Yellow leaves', 2015 Oil Painting, nature.  Original oil painting on canvas of trees by a stream with a old log in the water.  The yellow leaves are reflected in the water.  This is a scene at a park in Grand Rapids Michigan near the Grand River.  The frame is a 1 12 inch dark brown wooden...
nature - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Shelly Leitheiser: 'Sky Blue Sky', 2013 Acrylic Painting, Abstract Landscape.  Sky Blue Sky is an acrylic abstract from my imagination. It's chaotic and expressionistic, yet with intensely blue and white impressions of clouds. ...
Abstract Landscape - Painting
12 x 24 inches (30.5 x 61.0 cm)
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Walter King: 'Big Pink Elephant on Interstate 55', 2013 Watercolor, Animals.  We found ourselves on interstate 55 east of St. Louis by mistake. We stopped to see this giant pink elephant before turning around and heading back to I 70. ...
Animals - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Geo Sipp: 'The Soldier', 2010 Other Drawing, Military.   The Soldier is a drawing on grained glass, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                 ...
Military - Drawing
4 x 4 inches (10.2 x 10.2 cm)
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Geo Sipp: 'The Drone', 2010 Other Drawing, Military.  The Drone is a drawing on grained glass, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                ...
, 2010
Military - Drawing
4 x 4 inches (10.2 x 10.2 cm)
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Geo Sipp: 'The Question', 2008 Intaglio, Military.  The Question is a 5- plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.               ...
Military - Intaglio
7 x 4 inches (17.8 x 10.2 cm)
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Michael Garr: 'End of World', 1973 Watercolor, Abstract Landscape.    A vision for the future from the age of Nuclear threat. ...
Abstract Landscape - Watercolor
12 x 16 inches (30.5 x 40.6 cm)
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Michael Garr: 'Sahara 2', 2012 Oil Painting, Abstract Landscape.     Western part of the Sahara, some dunes fading to pavement. ...
, 2012
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Ron Anderson: 'Palm House in the Shade', 2011 Oil Painting, Landscape.  Original oil painting by artist Ron Anderson. Painting entitled Palm House in the Shade. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Ron Anderson: 'Winding Path in Franklin Park', 2011 Oil Painting, Landscape.  Original oil painting by artist Ron Anderson. Painting entitled Winding Path in Franklin Park. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Ron Anderson: 'Blue Skies on a Sunny Day', 2011 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled Blue Skies on a Sunny Day. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all ...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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(Page 5 of 140) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Van De Ven - Registration Netherlands Institute for Art History RKD 473520 Painter and graphic artist, fiction writer. Graduated at University of Amsterdam. Quit work as journalist at a national newspaper in 2000 to become fulltime painter and writer. Initially watercolor, linocut and monotype of etching ground on glass. Changed to digital raster painting in 2004. Proceeded through a combination of raster-vector to vector around 2013. Lorenzo Award for digital painting at the 2015 Florence Biennale, several other awards. Author of Digital painting explained and illustrated, 2013-2019, an online source of information on digital painting. Encounters of the heart mind The latest abstract vector works, Particles and Volatiles, are the clearest representations of my lifelong effort to let the mind liberate the heart. I create contrasts. Round and angular, light and dark, concave and convex - there are many. With that I start shifting and turning, enlarging, reducing, eliminating, adding, grouping, loosening, changing color, etc. If I change something in one place the rest usually topples over and everything has to be redone. Ultimately, every action serves the contrast between hard and angular, which symbolizes reason, and soft and round, symbolizing emotion. Aspects like color, placement, size, form, rithm, all play a role. ...

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Walter King - I am Professor Emeritus retired from The Columbus College of Art and Design CCAD. Ive lived and made my art here for 35 years beginning as a student at CCAD and returning after accomplishing my MFA from Boston University. Im now retired and living in Virginia. Ive taught drawing, color, design and painting techniques in the illustration area since 1985. Ive exhibited in Columbus regularly, written up in the Dispatch and in Dialogue Magazine, extended my exhibitions spiraling out from Columbus to various galleries in Ohio, Indiana, Illinois, Kentucky then Maryland, New York, Oklahoma and Washington State Hiroshima Japan, Washington DC, then to Budapest Hungary, Dresden Germany, Zagreb Croatia, Buenos Aires and Cordoba Argentina Early in my life I worked as an IllustratorDesigner after high school and while putting myself through art school later. I worked on projects for Apple computers, OETA PBS and Oprah Magazine. My work is all over the world owned by people like the former Director of the National Archives in Zagreb Croatia, a Bank President in Holland, The Greater Columbus Arts Council, OSU Newark and there are works in collections in Washington DC, New York, Texas, Ohio, Oklahoma, California, Chicago, Buenos Aires, Cyprus. A peace ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association, the Palm Harbor Art Club, the Creative Artists Guild, I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL.. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity (I have a day job). My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons' music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. I've done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorena's studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to peruse. In 2003, I legally changed my name back to my original name, Michael Garr, so ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...