Contemporary Art For Sale Price Range: $400 - $499

Page 7 of 109
Over 3160 works of original contemporary art for sale in the price range $400 - $499. On this page you can find works by Heather Hyatt, Luise Andersen, Stephen Mead, Pilar Pérez-prado, Ron Ogle, Paola Di Renzo, Bonie Bolen, Leo Evans, Andree Lisette Herz, Judith Fritchman, Robert H. Stockton, Gordon Mcglothlin for the follwing mediums: 1. Links to more artwork and 109 pages for works in the price range $400 - $499 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Luise Andersen: 'ART OF FIRE AND GLASS Unitled View II', 2009 Fused Glass, Undecided.  Description under ISame art piece, Choice Of View II ...
Undecided - Glass
0 x 0 inches (0.0 x 0.0 cm)
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Luise Andersen: 'ART OF FIRE AND GLASS Unitled View I', 2009 Fused Glass, Undecided.  Back at Glass Studio sessions again. . Glenn Briggs had 2 larger copper pieces saved for me, which Don, another glass artist did not want to pursue. . and so. . I had a GO for the first. .clean and scrub. . acid. . water. . goop on one side. . and other flux ( clear glass layer...
Undecided - Glass
0 x 0 inches (0.0 x 0.0 cm)
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Stephen Mead: 'ThreeMusesHaveICenterDetail', 1995 Mixed Media, Life.  For Virginia, Sylvia & Mishima, incorporated into Blue Heart Diary series, film available on DVD
Life - Mixed Media
24 x 40 inches (61.0 x 101.6 cm)
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Stephen Mead: 'Birth', 2002 Mixed Media, Visionary.  A meditation for global healing, part of the series
, 2002
Visionary - Mixed Media
12 x 14 inches (30.5 x 35.6 cm)
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Stephen Mead: 'HorseDance', 1994 Watercolor, Equine.  Evocative watercolor on canvas, incorporated into the series
, 1994
Equine - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Pilar Pérez-prado: 'Reality and Memory V Memory', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory V Reality', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory IV Reality', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory III Memory', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory III Reality', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory I Memory', 2004 Oil Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory I Reality', 2004 Oil Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Ron Ogle: 'the moment you realize you are not present you are present', 2008 Oil Painting, Abstract.
Abstract - Painting
32 x 26 inches (81.3 x 66.0 cm)
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Paola Di Renzo: 'the white jug', 2008 Mixed Media, Abstract Figurative.  washi paper and watercolour ...
Abstract Figurative - Mixed Media
40 x 40 cm (15.7 x 15.7 inches)
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Bonie Bolen: 'The Recipe', 2004 Oil Painting, Home.
, 2004
Home - Painting
20 x 26 inches (50.8 x 66.0 cm)
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Leo Evans: 'CREATIVE IDIOSYNCRASIE 6', 2007 Computer Art, Abstract.  Creative idiosyncrasie_ 6 - My way of doing what I do is unique and forever separating me from the rest of the packI enjoy having this peculiar trait of creatively behaving on a different plan.  - Leo Evans - leoevans. com - All Rights Reserved 2007. ...
Abstract - Computer Art
11 x 14 inches (27.9 x 35.6 cm)
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Leo Evans: 'CREATIVE IDIOSYNCRASIE 5', 2007 Computer Art, Abstract.  Creative idiosyncrasie_ 5 - My way of doing what I do is unique and forever separating me from the rest of the packI enjoy having this peculiar trait of creatively behaving on a different plan.  - Leo Evans - leoevans. com - All Rights Reserved 2007. ...
Abstract - Computer Art
11 x 14 inches (27.9 x 35.6 cm)
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Leo Evans: 'CREATIVE IDIOSYNCRASIE 4', 2007 Computer Art, Abstract.  Creative idiosyncrasie_ 4 - My way of doing what I do is unique and forever separating me from the rest of the packI enjoy having this peculiar trait of creatively behaving on a different plan.  - Leo Evans - leoevans. com - All Rights Reserved 2007. ...
Abstract - Computer Art
11 x 14 inches (27.9 x 35.6 cm)
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Leo Evans: 'CREATIVE IDIOSYNCRASIE 3', 2007 Computer Art, Abstract.  Creative idiosyncrasie_ 3 - My way of doing what I do is unique and forever separating me from the rest of the packI enjoy having this peculiar trait of creatively behaving on a different plan.  - Leo Evans - leoevans. com - All Rights Reserved 2007. ...
Abstract - Computer Art
11 x 14 inches (27.9 x 35.6 cm)
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Leo Evans: 'CREATIVE IDIOSYNCRASIE 2', 2007 Computer Art, Abstract.  Creative idiosyncrasie_ 2 - My way of doing what I do is unique and forever separating me from the rest of the packI enjoy having this peculiar trait of creatively behaving on a different plan.  - Leo Evans - leoevans. com - All Rights Reserved 2007. ...
Abstract - Computer Art
11 x 14 inches (27.9 x 35.6 cm)
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Leo Evans: 'CREATIVE IDIOSYNCRASIE', 2007 Computer Art, Abstract.  Creative idiosyncrasie_ 1 - My way of doing what I do is unique and forever separating me from the rest of the packI enjoy having this peculiar trait of creatively behaving on a different plan.  - Leo Evans - leoevans. com - All Rights Reserved 2007. ...
Abstract - Computer Art
11 x 14 inches (27.9 x 35.6 cm)
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Andree Lisette Herz: 'blue house with flowers', 2007 Acrylic Painting, Landscape.  acrylic painting of a house in our townthat is a vibrant color, and really caught my eye. ...
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Judith Fritchman: 'Spring Promise', 2005 Oil Painting, Undecided.  An April walk through the village. ...
Undecided - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Judith Fritchman: 'Garden I', 2006 Oil Painting, Landscape.  Early Summer in the garden. ...
, 2006
Landscape - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Judith Fritchman: 'Grannies', 1987 Oil Painting, Still Life.  Still life of Granny Smith apples. ...
, 1987
Still Life - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Judith Fritchman: 'Peaches and Chianti', 1987 Oil Painting, Still Life.  Still life of peaches and Chianti Bottle. ...
Still Life - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Robert H. Stockton: 'Saving Your Own Life', 2007 Mixed Media, Figurative.  This small mixed media piece incorporates a wide variety of found materials including old maps, hand colored engravings, matchbox labels and artwork from prayer cards, as well as acrylic paint.  The art work is 4 x 4 and it is matted with white museum board, and framed, under glass, in...
Figurative - Mixed Media
9 x 9 inches (22.9 x 22.9 cm)
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Gordon Mcglothlin: 'Unexpected Ways II', 2004 Giclee, Abstract.  Unexpected Ways II, while part of a diptych, can be purchased as a separate print. It is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 19
Abstract - Giclee
19 x 19 inches (48.3 x 48.3 cm)
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Gordon Mcglothlin: 'Unexpected Ways I', 2004 Giclee, Abstract.  Unexpected Ways I, while part of a diptych, can be purchased as a separate print. It is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 19
Abstract - Giclee
19 x 19 inches (48.3 x 48.3 cm)
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Gordon Mcglothlin: 'Artifacts II ', 2002 Giclee, Abstract.  Artifacts II is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 19
Abstract - Giclee
19 x 19 inches (48.3 x 48.3 cm)
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(Page 7 of 109) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Judith Fritchman -