Contemporary Art For Sale Price Range: $500 - $599

Page 4 of 152
Over 4398 works of original contemporary art for sale in the price range $500 - $599. On this page you can find works by Sheri Smith, Isaac Brown, Shoshannah Brombacher, Marino Chanlatte, William Dick, John Sims, Heather Hyatt, Lois Di Cosola, Roz Zinns, Nancy Bechtol, Stefan Fiedorowicz, Jim Lively, Becky Soria for the follwing mediums: 1. Links to more artwork and 152 pages for works in the price range $500 - $599 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Sheri Smith: 'the stan kenton orchestra', 2018 Giclee, Music. The Stan Kenton Legacy Orchestra...
Music - Giclee
24 x 18 inches (61.0 x 45.7 cm)
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Sheri Smith: 'frank d rone at the green mill', 2010 Giclee, Music. Frank DRone at the Green Mill...
Music - Giclee
24 x 20 inches (61.0 x 50.8 cm)
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Isaac Brown: 'be in the forest', 2018 Acrylic Painting, Undecided.
Undecided - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Isaac Brown: 'force of nature', 2018 Acrylic Painting, Abstract.
Abstract - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Isaac Brown: 'boundary issue', 2018 Acrylic Painting, Abstract.
Abstract - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Shoshannah Brombacher: 'rabbi yochanan', 2012 Pastel Drawing, Judaic. I wrote and illustrated a book about roses in Jewish writings, such as the Bible, Talmud, midrash, medieval tales, Sephardic songs, etc. :
Judaic - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Marino Chanlatte: 'river', 2018 Acrylic Painting, Abstract. Memories and dreams of the sea, sun and sunflowers, tropical forest and brilliant blue skies are the inspiration for Marino Chanlatte, who grew up on the island of Santo Domingo. His paintings depict remembrances of his childhood and landscapes from his walks throughout the Caribbean and Central America. He paints ...
, 2018
Abstract - Painting
30 x 15 inches (76.2 x 38.1 cm)
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William Dick: 'SMOWT II', 2015 Other Drawing, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2015
Abstract - Drawing
64 x 45 cm (25.2 x 17.7 inches)
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William Dick: 'SMOWT I', 2015 Other Drawing, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2015
Abstract - Drawing
64 x 45 cm (25.2 x 17.7 inches)
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John Sims: 'yellow snake dream cyprus', 2009 Oil Pastel, Figurative. Whilst working as a tutor at The Cyprus College of Art I started to use oil pastel as my prefered medium. I think perhaps it was the Cyprus Brandy that induced a period of intensely detailed dreams. This work,  Dream of the Yellow Snake  was one of the earliest and ...
Figurative - Oil Pastel
39 x 67 cm (15.4 x 26.4 inches)
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John Sims: 'life room ii', 2012 Oil Pastel, nudes. Life drawing, graphite and oil pastel on paper...
nudes - Oil Pastel
38 x 52 cm (15.0 x 20.5 inches)
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Marino Chanlatte: 'blue lagoon', 2017 Acrylic Painting, Abstract. Blue lagoon is inspired on a tropical lagoon, depicting colors and shapes of the water under the light of the sun and the blue sky, maybe some memories from childhood. This painting has multiple layers of color. It is protected by a final varnish. Ready to hang.   Lagoon, blue, green, ...
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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John Sims: 'life room', 2012 Oil Pastel, nudes. Two nudes in the life room. Oil pastel on paper...
, 2012
nudes - Oil Pastel
32 x 45 cm (12.6 x 17.7 inches)
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John Sims: 'the pink dress', 2011 Oil Pastel, Figurative. Blonde girl in a room. Oil pastel on paper from life...
Figurative - Oil Pastel
34 x 35 cm (13.4 x 13.8 inches)
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Marino Chanlatte: 'beach 1', 2017 Acrylic Painting, Beach. This painting is inspired on a view of South Beach, Miami. I was born on an island and the ocean has always been an inspiration. This painting has been protected with several layers of non- yellowing Grumbacher final varnish. Canvas depth is 1. 5 inches, painting extends to the edges ...
, 2017
Beach - Painting
30 x 15 inches (76.2 x 38.1 cm)
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Marino Chanlatte: 'lagoon and marsh', 2008 Oil Painting, Landscape. Landscape inspired in marsh and lagoons. Nature has been my inspiration since I started painting. Some times the ocean, the sky, the beach, lakes, forest, and mountains. lagoon, marsh, landscape, lake, sky, ...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Heather Hyatt: 'harlequin hare', 2017 Other, Animals. paper mache clay...
Animals - Other
10 x 20 inches (25.4 x 50.8 cm)
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Lois Di Cosola: 'sunset 1', 2012 Acrylic Painting, nature. from a series of paintings on paper...
, 2012
nature - Painting
11 x 14 inches (27.9 x 35.6 cm)
Roz Zinns: 'bird in flightr', 2017 Acrylic Painting, Archetypal.
Archetypal - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Shoshannah Brombacher: 'the wagon of the baal shem', 1995 Pastel Drawing, Biblical. The artist has made numerous drawings of the Chassidic Master called the Baal Shem Tov, or Besht, his wagon, and stories about him. Here he flies miraculously through the air with his Chassidim. ...
Biblical - Drawing
12 x 18 inches (30.5 x 45.7 cm)
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Shoshannah Brombacher: 'kapoyrah', 1997 Crayon Drawing, Biblical. Before Yom Kippur some people swing a rooster hen over the head of their family saying a prayer that this animal will be the atonement for sins. The chicken is them slaughtered by a butcher and the meat  or money  given to the poor. It is called kapyrah shlugn in ...
, 1997
Biblical - Drawing
12 x 18 inches (30.5 x 45.7 cm)
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Shoshannah Brombacher: 'what is man', 1996 Pastel Drawing, Judaic. A couple ponders the wordsWhat is a man that You remember himfrom the daily prayers. ...
Judaic - Drawing
12 x 18 inches (30.5 x 45.7 cm)
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Nancy Bechtol: 'bright flight', 2017 Other Photography, Birds. color, birds, manipulated, fine art photography, photo painting, framed...
Birds - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Stefan Fiedorowicz: 'Boulevard of Broken Dreams Two', 2009 Oil Painting, Abstract. lyrical abstraction, contemporary art work, oil painting, abstract paintings, Painting shipped in a tube. ...
Abstract - Painting
40 x 60 cm (15.7 x 23.6 inches)
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Stefan Fiedorowicz: 'Colourless green Idea', 2007 Oil Painting, Abstract. Viridian Series 2. Initially it was an idea looking for a place to happen. The strength in my emotion was like thunder in the air. I became intoxicated by the idea and felt unshackled. I choose viridian green, the darker side of spring green as the season is upon us. ...
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Stefan Fiedorowicz: 'Colourless Green Idea 2', 2007 Oil Painting, Abstract. Initially it was an idea looking for a place to happen. The strength in my emotion was like thunder in the air. I became intoxicated by the idea and felt unshackled. I choose viridian green, the darker side of spring green as the season is upon us. ...
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Jim Lively: 'Survivor', 2016 Mixed Media, Landscape.             Zinfandel Wine and Acrylic on canvas.                                                                                                                          ...
, 2016
Landscape - Mixed Media
16 x 16 inches (40.6 x 40.6 cm)
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Nancy Bechtol: 'Venus and Cupid historical view of love', 2016 Other Photography, History.  Photopainting, experimentalnote, sizes vary, printed on archival paper in this listing but available on archival papers, metal, canvas.  please inquire. ...
History - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Becky Soria: 'Brujo Milagro', 2016 Oil Painting, Abstract Figurative.                                        From the series  A Woman and her Symbols       From the series  Totems beyond Patriarchy                                                   ...
Abstract Figurative - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jim Lively: 'Winter Midnight', 2016 Mixed Media, Landscape.  Zinfandel Wine and Acrylic on canvas. ...
Landscape - Mixed Media
16 x 16 inches (40.6 x 40.6 cm)
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(Page 4 of 152) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Sheri Smith - For the past fifteen years, I have worked on my Capturing Culture series, a body of works on paper, drawn from the audience of live music performances. Sketched in Caran dAche crayon on suede board or with a sharp implement into scratch-board. The pieces portray the performers and often their instruments and parts of the venue. Though ultimately a visual record, the work emerges from a ritualistic creative process which serves to address my feelings about time, creative skill, and visual imagery. The fleeting nature of these performances is central to the work. It is often hard not to see the passing of time as an enemy, but in the case of my work the opposite is true. The impending end of a song, set, or evening offers a sense of freedom, allowing me to work quickly. This rapid pace also dictates my choice of materials. Caran dAche crayons or scratch-boards function best when used quickly and confidently. A darkened venue limits my color palette on the suede board to just what I can see. Additionally, a confined seating space constrains the size of my boards and therefore the number of details I can include. Performances and process ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Heather Hyatt - Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...