Contemporary Art For Sale Price Range: $500 - $599

Page 5 of 156
Over 4505 works of original contemporary art for sale in the price range $500 - $599. On this page you can find works by Azhar Shemdin, Luiz Henrique Azevedo, Tiziana Fejzullaj, William Dick, Cathy Dobson, Claudia Nierman, Nancy Bechtol, Diana Carey, Shelley Catlin, Shelly Leitheiser, Lois Di Cosola, Jim Lively, Walter King, Rickie Dickerson for the follwing mediums: 1. Links to more artwork and 156 pages for works in the price range $500 - $599 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Luiz Henrique Azevedo: 'The destiny is over', 2012 Oil Painting, Abstract Landscape. The destiny is over. A poem of Fernando Pessoa. ...
Abstract Landscape - Painting
41 x 33 cm (16.1 x 13.0 inches)
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Tiziana Fejzullaj: 'The Man with Tutu', 2015 Oil Painting, Figurative.
Figurative - Painting
40 x 32 inches (101.6 x 81.3 cm)
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Tiziana Fejzullaj: 'The Man with Stockings', 2015 Oil Painting, Figurative.
Figurative - Painting
48 x 24 inches (121.9 x 61.0 cm)
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William Dick: 'NEBMERK I', 2015 Other Drawing, Abstract. Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing ...
, 2015
Abstract - Drawing
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'NEBMERK VII', 2015 Other Drawing, Abstract. Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing ...
Abstract - Drawing
30 x 30 cm (11.8 x 11.8 inches)
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Cathy Dobson: 'Enchanted Buttefly', 2015 Oil Painting, Psychedelic. Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection. Lights up in the dark or under black lights.         ...
Psychedelic - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Claudia Nierman: 'Agel of Death', 2015 Other Photography, Mystical.   This image can be printed in several seizes including47
Mystical - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Claudia Nierman: 'Ecos from Alepo', 2007 Other Photography, Mystical.   This image can be printed in several seizes including47
Mystical - Photograph
20 x 20 inches (50.8 x 50.8 cm)
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Claudia Nierman: 'Mystical Architecture', 2007 Other Photography, Mystical.   This image can be printed in several seizes including47
Mystical - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Claudia Nierman: 'El Desayuno', 2007 Other Photography, Cuisine.   This image can be printed in several seizes including 47 x 72 printed on canvas and on photographic paper. Other materials cotton archival photography paper or metallic photographic paper are also possible.Images can be framed or mounted on sintra with or with out acrylic ( no frame) . I am happy...
Cuisine - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Cathy Dobson: 'Psychedelic Butterfly', 2013 Oil Painting, Psychedelic.       Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection.        ...
Psychedelic - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Cathy Dobson: 'White Butterfly', 2014 Oil Painting, Magical.  Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection. Phosphorescent highlights glow in the dark or under black lights. Magical !     ...
Magical - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Nancy Bechtol: 'Polar Bear Blue  Zoo Beings series', 2015 Other Photography, Animals.  Special Edition of 25. . 18 remain for sale. Archival Epson Paper. Framed 16x20 signed. Colorized, digital painted photo, experimental Or, if requested, various sizes available, inquire for pricing. . other framing available or can be made as printed on canvas or metal. ready to hang Inquire for more. . ...
Animals - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Diana Carey: 'Infinitree', 2015 Steel Sculpture, Abstract. The vastness of infinity captured in this abstract tabletop steel sculpture. Each ring bringing infinity to your tabletop. ...
, 2015
Abstract - Sculpture
16 x 18 inches (40.6 x 45.7 cm)
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Nancy Bechtol: 'Polar Bear: Animal Series', 2015 Other Photography, Animals.  Special Edition of 25. . 18 remain. Archival Epson Paper. Framed 16x20
Animals - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Shelley Catlin: 'The Wall', 2014 Digital Photograph, Music.    Pink floyd The Wall, white version, vinyl artwork, LPs, Comfortably Numb lyrics ...
, 2014
Music - Photograph
24 x 20 inches (61.0 x 50.8 cm)
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Shelley Catlin: 'Pink Floyd The Wall', 2014 Digital Photograph, Music.  Pink floyd The Wall, double exposure, lyrics, Vinyl artwork24   ...
Music - Photograph
24 x 20 inches (61.0 x 50.8 cm)
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Shelley Catlin: 'Vinyl with lights', 2014 Digital Photograph, Music.    Vinyl LPs, bokeh background, on metallic paper face mounted on plexiglass   ...
Music - Photograph
20 x 16 inches (50.8 x 40.6 cm)
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Shelley Catlin: 'Vinyl', 2014 Digital Photograph, Music.  Vinyl LPs, on metallic paper face mounted on plexiglass ...
, 2014
Music - Photograph
20 x 16 inches (50.8 x 40.6 cm)
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Shelly Leitheiser: 'Lone Wolf', 2014 Acrylic Painting, Abstract Figurative.  Lone Wolf is an emotive painting, abstract background with figures. ...
, 2014
Abstract Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Lois Di Cosola: 'Sunset series', 2012 Acrylic Painting, Expressionism.  PAINTING ON PAPER...
Expressionism - Painting
11 x 14 inches (27.9 x 35.6 cm)
Lois Di Cosola: 'Sunset 3', 2012 Acrylic Painting, Expressionism. PAINTING ON PAPER ...
, 2012
Expressionism - Painting
11 x 14 inches (27.9 x 35.6 cm)
Jim Lively: 'A Nice Pinot Noir Blend', 2014 Other, Abstract Figurative.                         Pinot Noir Wine and Acrylic on canvas. Part of
Abstract Figurative - Other
16 x 16 inches (40.6 x 40.6 cm)
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Walter King: 'Towards the Sierra Chicas', 2007 Watercolor, Landscape.  Towards the Sierra Chicas west of Cordoba Argentina. ...
Landscape - Watercolor
10 x 6 inches (25.4 x 15.2 cm)
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Walter King: 'Apache Butte', 2004 Watercolor, Landscape.    It was very cold above The Flying Dutchman Saloon the afternoon I painted this. The Superstition Mtns are cold in January.  ...
Landscape - Watercolor
10 x 6 inches (25.4 x 15.2 cm)
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Walter King: 'Loch Long', 2014 Watercolor, Landscape.  Loch Long near the top of Loch Lomand Scotland. ...
, 2014
Landscape - Watercolor
10 x 10 inches (25.4 x 25.4 cm)
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Jim Lively: 'Splitting a Glass of Wine', 2014 Other, Surrealism.                      Malbec Wine and Acrylic on canvas. Part of
Surrealism - Other
16 x 16 inches (40.6 x 40.6 cm)
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Cathy Dobson: 'Magic Butterfly', 2013 Oil Painting, Magical. Original Illuminous Oil Painting. The Butterflies and Unicorns Collection. Phosphorescent ButterflyGlows in the dark or under black lights. Dark Wood Frame. Primed cotton canvas.     ...
Magical - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Rickie Dickerson: 'Feng Shui Gone Bad', 2007 Acrylic Painting, Abstract.     My red door for luck, prosperity etc. is melting. Bombarded by the inner demons of self loathing and abandonment. . . by the outer demon of betrayal. . . nothing can stand up to the strength of the emotion. It all falls away. . . soul running like a river away from the scene of the...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Michael Garr: 'Sahara 3', 2013 Oil Painting, Landscape.     A view of the Sahara Desert from above, chosen from Google Earth ...
, 2013
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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(Page 5 of 156) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Shelly Leitheiser - Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Walter King - I am Professor Emeritus retired from The Columbus College of Art and Design CCAD. Ive lived and made my art here for 35 years beginning as a student at CCAD and returning after accomplishing my MFA from Boston University. Im now retired and living in Virginia. Ive taught drawing, color, design and painting techniques in the illustration area since 1985. Ive exhibited in Columbus regularly, written up in the Dispatch and in Dialogue Magazine, extended my exhibitions spiraling out from Columbus to various galleries in Ohio, Indiana, Illinois, Kentucky then Maryland, New York, Oklahoma and Washington State Hiroshima Japan, Washington DC, then to Budapest Hungary, Dresden Germany, Zagreb Croatia, Buenos Aires and Cordoba Argentina Early in my life I worked as an IllustratorDesigner after high school and while putting myself through art school later. I worked on projects for Apple computers, OETA PBS and Oprah Magazine. My work is all over the world owned by people like the former Director of the National Archives in Zagreb Croatia, a Bank President in Holland, The Greater Columbus Arts Council, OSU Newark and there are works in collections in Washington DC, New York, Texas, Ohio, Oklahoma, California, Chicago, Buenos Aires, Cyprus. A peace ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....