Contemporary Art For Sale Price Range: $500 - $599

Page 6 of 155
Over 4484 works of original contemporary art for sale in the price range $500 - $599. On this page you can find works by Shelly Leitheiser, Kichung Lizee, Walter King, Geo Sipp, Marcia Freedman, Eric Jacobson, Roz Zinns, Andree Lisette Herz, Donna Gallant, Tamara Sorkin, Judith Fritchman, Stephen Mead, Judith Smith Wilson, Paola Di Renzo, Edem Elesh, Vincenzo Montella for the follwing mediums: 1. Links to more artwork and 155 pages for works in the price range $500 - $599 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Kichung Lizee: 'Sacre Coeur Series 1', 2013 Mixed Media, Spiritual. Sacred Heart Series...
Spiritual - Mixed Media
24 x 30 inches (61.0 x 76.2 cm)
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Kichung Lizee: 'Sacre Coeur Series 2', 2013 Mixed Media, Spiritual.  Sacred Heart Series...
Spiritual - Mixed Media
24 x 30 inches (61.0 x 76.2 cm)
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Kichung Lizee: 'Sacre Coeur Series 3', 2013 Mixed Media, Spiritual. Sacred Heart Series...
Spiritual - Mixed Media
24 x 30 inches (61.0 x 76.2 cm)
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Kichung Lizee: 'Sacre Coeur Series 5', 2013 Mixed Media, Spiritual. Sacred Heart Series...
Spiritual - Mixed Media
14 x 20 inches (35.6 x 50.8 cm)
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Walter King: 'Windmills in the Oklahoma Panhandle', 2013 Watercolor, Landscape.    Painted January of 2013 during a trip to Oklahoma and New Mexico.    ...
Landscape - Watercolor
9 x 6 inches (22.9 x 15.2 cm)
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Geo Sipp: 'Mekong Patrol', 2011 Woodcut, Military.  Mekong Patrol is a woodcut, illustrating a scene from a graphic novel entitled Wolves in the City, which I am currently illustrating.   ...
Military - Woodcut
14 x 24 inches (35.6 x 61.0 cm)
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Geo Sipp: 'Citroen', 2012 Woodcut, Automotive.  Citroen is a woodcut, illustrating a scene of Algiers during the French- Algerian War. The image is part of a graphic novel entitled Wolves in the City, which I am currently illustrating.  ...
, 2012
Automotive - Woodcut
14 x 18 inches (35.6 x 45.7 cm)
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Geo Sipp: 'Trams in Algiers', 2012 Woodcut, World Conflict.  Trams in Algiers is a woodcut, illustrating an abstracted view of the city of Algiers during the French- Algerian War. The image is part of a graphic novel entitled Wolves in the City, which I am currently illustrating. ...
World Conflict - Woodcut
18 x 18 inches (45.7 x 45.7 cm)
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Marcia Freedman: 'BTY  4,', 2012 Other Drawing, Abstract Landscape.      BTY_ 4 is an abstract drawing that was informed by landscape found within the desert.                               ...
, 2012
Abstract Landscape - Drawing
42 x 17 inches (106.7 x 43.2 cm)
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Eric Jacobson: 'BrassMobile I', 2010 Other Sculpture, Abstract.  This organic sculpture is made of brass tubing, has a mobile, and could be part of a small water feature.             ...
Abstract - Sculpture
12 x 14 inches (30.5 x 35.6 cm)
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Roz Zinns: 'Greek Doorway', 2011 Oil Painting, Religious.  Doorway of Greek church from 1600's ...
Religious - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Roz Zinns: 'Waiting', 2011 Oil Painting, World Culture.   Man waiting in a doorway in a hot climate   ...
, 2011
World Culture - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Andree Lisette Herz: 'pink plaid', 2010 Fiber, Floral.     quilted material , found objects, buttons, on birch          ...
, 2010
Floral - Fiber
24 x 24 inches (61.0 x 61.0 cm)
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Roz Zinns: 'Lavender', 2010 Acrylic Painting, Landscape.  Lavender fields in France ...
, 2010
Landscape - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Donna Gallant: 'Fragmented Bouquet', 2009 Monoprint, Abstract.         An abstract floral filled with color and shapes. ...
Abstract - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Envy Rage Passion', 2009 Monoprint, Abstract.   Collaged pieces untop of a mono print creats this piece. ...
Abstract - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Spring Coulee', 2009 Monoprint, Abstract Landscape.   An abstract landscape taken from my FRAGMENTATION series, mixed with some pastel but very green.  Reminds you of springtime. ...
Abstract Landscape - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Tamara Sorkin: 'Flowers on a grave', 2011 Other, Abstract Figurative.  Pulp painting + ink ...
Abstract Figurative - Other
79 x 55 cm (31.1 x 21.7 inches)
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Tamara Sorkin: 'Growth', 2011 Other, Abstract Figurative.      This is a pulp painting with pencil. It was currently exhibited at the botanical gardens in Jerusalem  ...
, 2011
Abstract Figurative - Other
38 x 71 cm (15.0 x 28.0 inches)
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Judith Fritchman: 'Angel of the Superscription', 2009 Pencil Drawing, Figurative.  Sepia Conte Pencil drawing of sculpture by Gianforenzo Bernini, Ponte Sante Angelo, Rome ...
Figurative - Drawing
22 x 27 inches (55.9 x 68.6 cm)
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Stephen Mead: 'JudasKiss', 1999 Watercolor, Religious.   Religious Exploration, incorporated into the series Blue Heart Diary, part of the DVD Captioned Closeness, Indieflix. com.  ...
, 1999
Religious - Watercolor
16 x 20 inches (40.6 x 50.8 cm)
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Judith Smith Wilson: 'Blue Herons Nesting', 2010 Watercolor, Wildlife.   Mating Blue Heron's   ...
Wildlife - Watercolor
0 x 0 inches (0.0 x 0.0 cm)
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Paola Di Renzo: 'landscape', 2010 Textile Art, Abstract Figurative.
, 2010
Abstract Figurative - Textile Art
80 x 90 cm (31.5 x 35.4 inches)
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Edem Elesh: 'chiangrai la', 2010 Oil Pastel, undecided.
undecided - Oil Pastel
10 x 7 inches (25.4 x 17.8 cm)
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Edem Elesh: 'hospithai', 2010 Oil Pastel, undecided.
, 2010
undecided - Oil Pastel
10 x 7 inches (25.4 x 17.8 cm)
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Vincenzo Montella: 'klongs 6', 2009 Digital Art, Landscape.
, 2009
Landscape - Digital Art
80 x 60 cm (31.5 x 23.6 inches)
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Vincenzo Montella: 'klongs 5', 2009 Digital Art, Landscape.
, 2009
Landscape - Digital Art
80 x 60 cm (31.5 x 23.6 inches)
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Vincenzo Montella: 'klongs 4', 2009 Digital Art, Landscape.
, 2009
Landscape - Digital Art
80 x 60 cm (31.5 x 23.6 inches)
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Vincenzo Montella: 'klongs 3', 2009 Digital Art, Landscape.
, 2009
Landscape - Digital Art
80 x 60 cm (31.5 x 23.6 inches)
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Lynda Lehmann: 'After the Storm', 2010 Acrylic Painting, nature.  Active, gestural, abstract acrylic painting, 30 x 24 inches on gallery- wrapped canvas. Does not require framing but you can frame it if you want to. Keywords: acrylic, canvas, abstract, expressionism, green, white, active, gestural, movement ...
nature - Painting
30 x 24 inches (76.2 x 61.0 cm)
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(Page 6 of 155) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Walter King - I am Professor Emeritus retired from The Columbus College of Art and Design CCAD. Ive lived and made my art here for 35 years beginning as a student at CCAD and returning after accomplishing my MFA from Boston University. Im now retired and living in Virginia. Ive taught drawing, color, design and painting techniques in the illustration area since 1985. Ive exhibited in Columbus regularly, written up in the Dispatch and in Dialogue Magazine, extended my exhibitions spiraling out from Columbus to various galleries in Ohio, Indiana, Illinois, Kentucky then Maryland, New York, Oklahoma and Washington State Hiroshima Japan, Washington DC, then to Budapest Hungary, Dresden Germany, Zagreb Croatia, Buenos Aires and Cordoba Argentina Early in my life I worked as an IllustratorDesigner after high school and while putting myself through art school later. I worked on projects for Apple computers, OETA PBS and Oprah Magazine. My work is all over the world owned by people like the former Director of the National Archives in Zagreb Croatia, a Bank President in Holland, The Greater Columbus Arts Council, OSU Newark and there are works in collections in Washington DC, New York, Texas, Ohio, Oklahoma, California, Chicago, Buenos Aires, Cyprus. A peace ...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Judith Smith Wilson - Welcome to the world of exotic animals and culture as seen through the eyes of this extraordinary artist. Follow the mood as Ms. Wilson leads you to the darkest regions of Africa and beyond.....She has been specializing in Animal Wildlife Paintings and portraits of people for over 40 years. She is a will known animal ecologist, and belongs to many wildlife organizations, including the East African Wildlife Society. Ms. Wilson has traveled to Kenya East Africa, and Rwanda East Africa, three times. She also has had the privilege to observe the endangered Mountain Gorillas in the Virunga Mountains, and all of Africa's wonderful wildlife. Ms. Wilson has cared for many injured wild animals, eventually releasing them back to their native habitat. One of these animals, a bobcat named "Precious" was not able to be released, and remained a beloved friend to her family for over twenty years. She has shown her work in Nairobi and Rwanda East Africa, and many Galleries in the United States over her 40 year career. Her work is currently being shown in San Diego, Los Angeles California and The Fine Art museum in Owensboro Kentucky. Also in Owensboro at'Gallery 412' and'Grey ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...