Browse over works of contemporary art for sale in the price range $5000.00 - $10000.00. On this page you can find works by Aziz Anzabi, Harry Weisburd, Supreet Kaur Gujral, Shoshannah Brombacher, Hunter Brown, Ivan Pili, Julia Cake, Michael Fornadley, Christine Cunningham, Charles Cham, G.l. Lawrence, Eugenia Mangra, Walther Von Krenner, Phillip Flockhart, Vadim Kharchenko, Manda Noorzad.
Aziz Anzabi - My base technique to create artworks is using real life natural events to create artworks with images or words from an imaginary world. Throughout my art I clearly elaborated the disposition (changing the shape of an object), and morphing of objects. I have long been intrigued and fascinated by these concepts. In my sculptures and painting, both figurative and abstract, I employ these aspects of a collective unconscious to evoke an emotional state within the viewer. In my figurative work, my goal is to capture the myriad changing state of the human condition through subtle changes in facial countenance and body language. The end result shows how the inner condition is expressed by the outward form while also conveying a timeless quality to human emotion. In my abstract sculptures, I have recreated the numinous quality of subconsciously shared images, stories, and ceremonial rites. The sculptures, themselves, are composed of abstract forms that are covered with a rich, textured surface. The end result is a complex organic piece that evokes a sense of ancient artefacts, of ritualistic objects from some unknown culture, or of imagined landscapes. However, be it figurative or abstract, my ultimate goal is to have the viewer feel ...
Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,
Ivan Pili - Following in the footsteps of the great masters of the past, the tradition of classical and romantic nineteenth-century painting that evolves into a figurative language relives in the beautiful works of art of master Ivan Pili , whilst the segno runs fast and decisive in the graphic ability from suffused values aEUR Julia Cake - Julia Cake: Sculptress Born: 1973 in Monaco Currently Living in England Introduction Julia's passion for sculpting began when she was 16 after an accident cut short a holiday from another of her true passions, skiing. She enrolled in the famous Beaux Art academy in France to more fully express what was already an over whelming artistic flair. She decided to move into the three-dimensional world of sculpting. This dynamic gave Julia the release she needed to allow her artistic ideas to flow. These ideas when suppressed in earlier years were sometimes misunderstood by those around her, who would comment that Julia's introspective behavior perhap's required a quite different therapy. Her first ever piece "Trois Elephants" was judged 2nd place at an international exhibition in Cannes. She was just 17 years old. From clay she moved into marble, which soon became the stone for which Julia's passion raged. Born in Monaco and growing up in the French Riviera, Julia was able to drive into Italy to hand pick the most beautiful pieces of naturally formed marble to work with. This is what developed her most sought after talent; the ability to take a stone and transform ...
Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...
Eugenia Mangra - STATEMENT Concerning my creations, I take my inspiration out of the nature, I am fascinated by the interference of the four elements: fire, water, sky and earth. I am also interested in the intensity of the light at different times of the day, and its influence over the colors. The intensity of human emotions is another theme which has a lot of my attention. I try to filter all these through my personality and express them with certain symbols (sometimes geometrical) and mostly though color. The majority of my paintings are abstract compositions, sometimes combined with figurative elements, created with mixed media on stretched canvas. The heavy dripping goes across the paintings leaving gesture to its ultimate level of freedom. Present in a wide range of rhythms, it confers a dynamic aspect to the paintings. In my view, painting is part of the spectacle of life, it is a continuous source of energy and balance. EDUCATION & BIO I am a member of the Romanian Professional Artists Association, painting department. I graduated Francisc Hubik School of Art and I achieved a degree in Painting at the University of Fine Arts Oradea - Romania. I was born on the 27th of November 1956, ...
Phillip Flockhart - STATEMENT It has been said of my work Spanish Radio Interview 2005 that is is very ecclectic. This is true but I find the world and life so rich in texture, colour and drama and dare I say ecclectic in its amazing diversity, that I fail to see how I could respond as an artist any other way than I do. Having said this, I must add that my art philosophy is actually always present in the content of my work, although themes come and go and reflect other areas of my life- for instance I have been a street drugs worker since 1976 and an art educator facilitator in formal education and in the wider community for many years and these experiences have coloured and influenced the themes of my art- yet if examined the content of the work remains as it has for 35 years now- the attempt to disseminate the picure plane, with colour, real time space CollageRelief, imagery or optical device perspectiveopto-kinetism, to reveal the magic that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings invited the viewer to step within the work ......... for when we ...
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