Contemporary Art For Sale Price Range: $5000 - $10000

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Over 3817 works of original contemporary art for sale in the price range $5000 - $10000. On this page you can find works by Hans Andre, Jean Judd, Igor Shulman, Charles Cham, Jerry Di Falco, Leo Evans, Bob Dornberg, John Gamache, Steven Lamb, Edem Elesh, Alice Murdoch, Joyce Waddell Bailey for the follwing mediums: 1. Links to more artwork and 132 pages for works in the price range $5000 - $10000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Hans Andre: 'normative', 2021 Mixed Media, People. Mixed media on canvas...
, 2021
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
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Jean Judd: 'abstract textures 3 1', 2021 Mixed Media, Abstract. Abstract Textures 3. 1 continues the undulating spiral and wave forms found in the earlier pieces of this series. Whole cloth construction with hand applied dyes from condiment bottles, created the ground for the artwork. Bright tones of yellow, fuchsia, truffle brown, turquoise, and black are the predominant colors until ...
Abstract - Mixed Media
46 x 38 inches (116.8 x 96.5 cm)
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Igor Shulman: 'project gravity 16', 2021 Oil Painting, Conceptual. I drew a lot of falling people, but this is something else. My people don t fall, they float.Modern physicists say that God is gravity. This is the only force that keeps our world in order. The usual order of things for us.What happens if gravity disappears  Most ...
Conceptual - Painting
35 x 51 inches (88.9 x 129.5 cm)
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Hans Andre: 'not visual', 2021 Mixed Media, People. Mixed media, acrylic and oil...
, 2021
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
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Charles Cham: '2813 ANXIETY', 2021 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
122 x 122 cm (48.0 x 48.0 inches)
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Jerry  Di Falco: 'goya in sixteen dreams', 2021 Etching, Science. This one of a kind work is my statement about the brain dead people who refuse to get vaccinated against the COVID virus.  This mixed media montage is a combination of collage and printmaking.  Sixteen individual prints created from a zinc plate etching developed in Nitric Acid are presented in ...
Science - Etching
30 x 22 inches (76.2 x 55.9 cm)
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Leo Evans: 'its all up too you', 2021 Acrylic Painting, Abstract. New Art by Leo Evans Title:  It s all Up To yOu    Size: 11x14  Acylic Gouache on BlackCanvas Board   Created: 07- 2021
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Leo Evans: 'demons amongst us', 2021 Acrylic Painting, Abstract. New Art by Leo Evans Title:  Demons Amongst Us    Size: 11x14  Acylic on BlackCanvas Board   Created: 07- 2021
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Leo Evans: 'experienced', 2021 Acrylic Painting, Abstract. New Art by Leo Evans Title:  I m Experienced    Size: 11x14  Acylic on BlackCanvas Board   Created: 07- 2021
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Leo Evans: 'close but not close enough', 2021 Acrylic Painting, Digital. New Art by Leo Evans TitleMany to choose FromSize 11x14Acylic Gouache on BlackCanvas Board Created 07- 2021
Digital - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Igor Shulman: 'power of persuasion', 2021 Oil Painting, Atmosphere. What do you think is stronger than physics or metaphysics Is it possible only by the force of one s conviction to refute the force of gravity In my opinion, yes. The inner strength of a person is much stronger than we think. History describes a huge number of cases ...
Atmosphere - Painting
55 x 47 inches (139.7 x 119.4 cm)
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Hans Andre: 'altar cabinet', 2021 Mixed Media, Other. Mixed media...
Other - Mixed Media
22 x 35 cm (8.7 x 13.8 inches)
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Charles Cham: '2538 TTHE BIG ORANG KAYA FAMILY', 2018 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
97 x 130 cm (38.2 x 51.2 inches)
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Charles Cham: '2803 THE GHETTO', 2021 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
122 x 122 cm (48.0 x 48.0 inches)
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Hans Andre: 'the door', 2021 Mixed Media, People. Open or closed  ...
, 2021
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
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Charles Cham: '2802 THE BLUE CLUSTER', 2021 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
120 x 120 cm (47.2 x 47.2 inches)
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Bob Dornberg: 'snoqual', 2021 Oil Painting, Abstract. SHAPES IN THE PASS...
, 2021
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bob Dornberg: 'embers', 2021 Oil Painting, Abstract. GLOWING SHAPES...
, 2021
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bob Dornberg: 'issaquois', 2021 Oil Painting, Abstract. FAMILIA SHAPES...
, 2021
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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John Gamache: 'Artist Remebering Ancesters', 2010 Assemblage, Representational. Old architectual wood, cut out layered wood painted portrait, hinged, to reveal paintig of ancestrial castle. ...
Representational - Assemblage
18 x 20 ( x )
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Igor Shulman: '1 frozen sea bass', 2021 Oil Painting, Fish. Here it is, real 100  pop art This is when everything is clear.This is when the object depicted in the picture is self- sufficient and valuable in itself. This is what many call art for art.This fish does not need additional conditions to become an art. It is ...
Fish - Painting
86 x 39 inches (218.4 x 99.1 cm)
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Steven Lamb: 'when the moon sings', 2020 Mixed Media, Figurative. Last 2020 year changed the approach to my paintings.  The surreal time we leave, plus heavy Flu  Not Corona  and surgery due to dental infection changed my view of the world. I think I ve become a lot more spiritual, and if that s the reason, I don t know, ...
Figurative - Mixed Media
40 x 60 inches (101.6 x 152.4 cm)
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Steven Lamb: 'the butterfly dream', 2021 Mixed Media, Figurative. That image popped up in my dreams.  Lately, I am working on Paintings, which are related to Circus. I thought if I dreamt that Night scene with the violin player butterflies and jumping girl, I assumed that could be the dream of one of the Butterflies, which subconsciously penetrated my ...
Figurative - Mixed Media
40 x 60 inches (101.6 x 152.4 cm)
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Steven Lamb: 'carousel', 2021 Mixed Media, Figurative. The CAROUSEL of Life, where the only completely pure , honest, and unmasked is the Child. ...
, 2021
Figurative - Mixed Media
60 x 40 inches (152.4 x 101.6 cm)
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Edem Elesh: 'mnemonic devotion i', 2021 Mixed Media, Travel. Celebrating a life now past. Travel, no social distancing, no masks, autonomy, sharing of different cultures, and religions, on a face- to- face basis. ...
Travel - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Alice Murdoch: 'widow', 2020 Oil Painting, Figurative. from Alice s last series of work.  A departure from her colorful palette. ...
, 2020
Figurative - Painting
40 x 60 inches (101.6 x 152.4 cm)
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Bob Dornberg: 'girl party', 2020 Oil Painting, Expressionism. GIRLS AT A PARTY...
, 2020
Expressionism - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Igor Shulman: 'bad news', 2020 Oil Painting, Still Life. News cannot be the same for everyone.For some, this is the most pleasant news in the world. For some, it s the opposite.For this fish, the news turned out to be the last resort.In a literal sense, the fish got into the news.I don t think ...
, 2020
Still Life - Painting
39 x 71 inches (99.1 x 180.3 cm)
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Joyce Waddell Bailey: 'Power of the Pencil', 2020 Digital Photograph, Representational. The genesis of this work was in a cave in Hunter Mountain Sedona, AZ where my husband and I got lost while taking a short hike before dinner on Christmas Eve.  We made a fire from scattered barrel staves in the cave thisflickering light ignited a dance of crude animal ...
Representational - Photograph
60 x 48 inches (152.4 x 121.9 cm)
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Joyce Waddell Bailey: 'Civilization', 2020 Digital Photograph, Representational. When I came back to the studio after spending the night ina cave in Hunter Mountain Sedona, AZ, the cats had scattered colored pencilsall over the work area.  Reflecting on my experience in the cave, I started to see the array pencil in a new light.  Rather than pickup the ...
Representational - Photograph
60 x 60 inches (152.4 x 152.4 cm)
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(Page 1 of 132) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Hans Andre - Rarely do I willingly speak of my paintings. What I see is not necessarily the same as you see. The paintings should only be seen in the viewers own eyes. However, in my last solo exhibition during the fall in Milan, organized by Camaver Kunsthaus, an Italian asked why the people in the paintings are always blind. The answer is simple, although people may see physically, it does not make them look mentally. Unfortunately, most people are blind. Visit : www.hansandre.com...

    Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

    Jean Judd - Jean Judd - Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Jerry Di Falco - Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Alice Murdoch - I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artists statement....

    Joyce Waddell Bailey - WELCOME if you love art, you will love my website. I work in all media and create works of art in a distinct series of related by style and iconography. Underpinning all of my work is drawing--it all starts with the pencil. Even ideas for photographs and digital prints are sketched out. Each series stands by itself Wash Drawings, Botanical Forms, Digital Prints, Photographs, Miniatures. As for my focus on botanical forms in Southwest Florida, these are wonders that compel fascination. I admit to careful study of botanical sources but l am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to i environment, placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. This is in the way of following a logical perfection of the components in relation to each other and the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a ...