Contemporary Art For Sale Price Range: $5000 - $10000

Page 1 of 138
Over 4000 works of original contemporary art for sale in the price range $5000 - $10000. On this page you can find works by Leo Evans, Charles Cham, Hans Andre, Bob Dornberg, John Gamache, Igor Shulman, Walther Von Krenner, Steven Lamb, Edem Elesh, Alice Murdoch, Joyce Waddell Bailey for the follwing mediums: 1. Links to more artwork and 138 pages for works in the price range $5000 - $10000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Leo Evans: 'cubby bears 2', 2021 Mixed Media, Abstract. New Art by Leo Evans  Title:   Cubby Bears 2    9x14   Mixed Media on Find Artist Paper   Created: 06 2021
Abstract - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Leo Evans: 'untitled', 2021 Mixed Media, Abstract. New Art by Leo Evans  Title:   Untitled    9x14   Mixed Media on Find Artist Paper   Created: 06 2021
, 2021
Abstract - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Leo Evans: 'in time luise', 2021 Mixed Media, Abstract. Title: In Time Luise   Acrylic Pens and Permanent Marker   Size: 9x14   Style: Abstract   By: Leo Evans. . . ...
Abstract - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Leo Evans: 'player', 2021 Mixed Media, Abstract Figurative. New Art by Leo Evans   9x14   Mixed Media on Find Artist Paper   Title:  PLAYER
, 2021
Abstract Figurative - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Charles Cham: '2803 THE GHETTO', 2021 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
122 x 122 cm (48.0 x 48.0 inches)
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Hans Andre: 'the door', 2021 Mixed Media, People. Open or closed  ...
, 2021
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
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Charles Cham: '2802 THE BLUE CLUSTER', 2021 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
120 x 120 cm (47.2 x 47.2 inches)
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Bob Dornberg: 'snoqual', 2021 Oil Painting, Abstract. SHAPES IN THE PASS...
, 2021
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bob Dornberg: 'embers', 2021 Oil Painting, Abstract. GLOWING SHAPES...
, 2021
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bob Dornberg: 'issaquois', 2021 Oil Painting, Abstract. FAMILIA SHAPES...
, 2021
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Charles Cham: '0819 TIME BEFORE TIME', 1998 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
150 x 150 cm (59.1 x 59.1 inches)
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Charles Cham: '2800 ADAM AND EVE', 2021 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
152 x 152 cm (59.8 x 59.8 inches)
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John Gamache: 'Artist Remebering Ancesters', 2010 Assemblage, Representational. Old architectual wood, cut out layered wood painted portrait, hinged, to reveal paintig of ancestrial castle. ...
Representational - Assemblage
18 x 20 ( x )
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Igor Shulman: '1 frozen sea bass', 2021 Oil Painting, Fish. Here it is, real 100  pop art This is when everything is clear.This is when the object depicted in the picture is self- sufficient and valuable in itself. This is what many call art for art.This fish does not need additional conditions to become an art. It is ...
Fish - Painting
86 x 39 inches (218.4 x 99.1 cm)
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Walther Von Krenner: '120521', 2021 Acrylic Painting, Fauna. Abstract brush painting in Tarashikomi technique...
, 2021
Fauna - Painting
30 x 22 inches (76.2 x 55.9 cm)
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Walther Von Krenner: 'tarashikomi 26321', 2021 Acrylic Painting, Fauna. another of my Tarashikomi technique series, brush painting of a branck and flowers...
Fauna - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Walther Von Krenner: 'tarashikomi 140321', 2021 Acrylic Painting, Fauna. A Tarashikomi technique ink painting with abstract branch and flowers...
Fauna - Painting
28 x 20 inches (71.1 x 50.8 cm)
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Walther Von Krenner: 'abstract 151220', 2020 Acrylic Painting, Abstract Landscape. water fall and gorge between rocks and mountains. See and imagen. ...
Abstract Landscape - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Steven Lamb: 'when the moon sings', 2020 Mixed Media, Figurative. Last 2020 year changed the approach to my paintings.  The surreal time we leave, plus heavy Flu  Not Corona  and surgery due to dental infection changed my view of the world. I think I ve become a lot more spiritual, and if that s the reason, I don t know, ...
Figurative - Mixed Media
40 x 60 inches (101.6 x 152.4 cm)
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Steven Lamb: 'the butterfly dream', 2021 Mixed Media, Figurative. That image popped up in my dreams.  Lately, I am working on Paintings, which are related to Circus. I thought if I dreamt that Night scene with the violin player butterflies and jumping girl, I assumed that could be the dream of one of the Butterflies, which subconsciously penetrated my ...
Figurative - Mixed Media
40 x 60 inches (101.6 x 152.4 cm)
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Steven Lamb: 'carousel', 2021 Mixed Media, Figurative. The CAROUSEL of Life, where the only completely pure , honest, and unmasked is the Child. ...
, 2021
Figurative - Mixed Media
60 x 40 inches (152.4 x 101.6 cm)
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Edem Elesh: 'mnemonic devotion i', 2021 Mixed Media, Travel. Celebrating a life now past. Travel, no social distancing, no masks, autonomy, sharing of different cultures, and religions, on a face- to- face basis. ...
Travel - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Alice Murdoch: 'widow', 2020 Oil Painting, Figurative. from Alice s last series of work.  A departure from her colorful palette. ...
, 2020
Figurative - Painting
40 x 60 inches (101.6 x 152.4 cm)
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Bob Dornberg: 'girl party', 2020 Oil Painting, Expressionism. GIRLS AT A PARTY...
, 2020
Expressionism - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Igor Shulman: 'bad news', 2020 Oil Painting, Still Life. News cannot be the same for everyone.For some, this is the most pleasant news in the world. For some, it s the opposite.For this fish, the news turned out to be the last resort.In a literal sense, the fish got into the news.I don t think ...
, 2020
Still Life - Painting
39 x 71 inches (99.1 x 180.3 cm)
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Joyce Waddell Bailey: 'Power of the Pencil', 2020 Digital Photograph, Representational. The genesis of this work was in a cave in Hunter Mountain Sedona, AZ where my husband and I got lost while taking a short hike before dinner on Christmas Eve.  We made a fire from scattered barrel staves in the cave thisflickering light ignited a dance of crude animal ...
Representational - Photograph
60 x 48 inches (152.4 x 121.9 cm)
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Joyce Waddell Bailey: 'Civilization', 2020 Digital Photograph, Still Life. When I came back to the studio after spending the night ina cave in Hunter Mountain Sedona, AZ, the cats had scattered colored pencilsall over the work area.  Reflecting on my experience in the cave, I started to see the array pencil in a new light.  Rather than pickup the ...
Still Life - Photograph
60 x 60 inches (152.4 x 152.4 cm)
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Joyce Waddell Bailey: 'golden girls', 2004 Oil Painting, Floral. The composition of Golden Girls bows to the ubiquitous Butterfly Bush in my garden, whose seeds fly from site to site on the silken wings inherited from its milkweed relatives.  Like its name, the bush is an irresistible attraction to butterflies.The highly exaggerated pinwheel flowers, scattered throughout the painting, ...
Floral - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Joyce Waddell Bailey: 'beetonia', 2004 Oil Painting, Botanical. The basic composition of Beetonia is an essay on the beautiful designs in the Croton leaf and its sticky counterpart, the honeycomb.  Since the Crotons do not flower, I had to invent aCroton Roseto attract thebee.  By placing the bee at the focal of the flat leaf, I set up ...
, 2004
Botanical - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Larysa Uvarova: 'deep inside', 2020 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
150 x 170 cm (59.1 x 66.9 inches)
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(Page 1 of 138) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Emilio Merlina - Emilio Merlina - Hans Andre - Rarely do I willingly speak of my paintings. What I see is not necessarily the same as you see. The paintings should only be seen in the viewers own eyes. However, in my last solo exhibition during the fall in Milan, organized by Camaver Kunsthaus, an Italian asked why the people in the paintings are always blind. The answer is simple, although people may see physically, it does not make them look mentally. Unfortunately, most people are blind. Visit : www.hansandre.com...

    Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    John Gamache - Walther Von Krenner - Before I studied in Asia, Picasso and Gauguin had a great influence on my thinking. Later I admired the ideas and importance of Pollocks action painting. After 60 years of painting I believe I have found and created my own unique and personal style. I think art is about beauty and should not become entwined in politics and controversy. Empires have come and gone but beautiful things have survived most. To much of what passes for art these days is stuff that requires absolutely no skill, talent, taste or training and depends entirely on scandal, political statements and controversy. --------------------------------------------------------------------------------------------------- Walther v. Krenner is well known in the United States, Europe and the Orient for his unique style of ink paintings. These works display a remarkable range, varying between delicate grace and outright earthiness, reflecting his years of study of Zen and his disarming sense of reality. Von Krenners successful works depend on his arduous discipline, careful observation of nature, strict control of the brush and his great sensitivity to living things. After many years of training, it has become possible for him to work swiftly, without accident or loss of detail, to achieve realistic effects which are most remarkable in ...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Alice Murdoch - I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artists statement....

    Joyce Waddell Bailey - WELCOME if you love art, you will love my website. I work in all media and create works of art in a distinct series of related by style and iconography. Underpinning all of my work is drawing--it all starts with the pencil. Even ideas for photographs and digital prints are sketched out. Each series stands by itself Wash Drawings, Botanical Forms, Digital Prints, Photographs, Miniatures. As for my focus on botanical forms in Southwest Florida, these are wonders that compel fascination. I admit to careful study of botanical sources but l am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to i environment, placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. This is in the way of following a logical perfection of the components in relation to each other and the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a ...