Contemporary Art For Sale Price Range: $5000 - $10000

Artists Describing Their Art:

Suzanne Mcclelland - DESIGNER, ARTIST, INSTRUCTOR, AND MENTOR II am a professional artist and Designer in the Sacramento area. I have a love for being creative with my clients in their home and office projects. Art has always been a love of mine. Because I visit so many homes and office I decided to extend my professional ability to create wonderful spaces for my clients. I want to bring more knowledge to the public on how I create my artwork and how it brings life to their spaces. I love the color, texture and the flow of the Pastel medium that I can use to make the piece fit in that special place. I mostly blend the pastels and use vibrant hughes. I build layer on top of layer to get the effect I want. I use different papers to create different effects that I want and go from there. I am an abstract artist and love the journey it takes me. I also work in Acrylics which I am now working with some new ideas, and will be sharing that with all of you soon. I love the energy that I feel when I work with my paintings which I share with ...

Joanna Pettit-Almasude - My art work centers on my concern for humans, animals and our planet. I tend to focus on expressive portrayals of the human condition. In many of my previous works, I was especially motivated to describe the challenging position of marginalized peoples in the world. I am currently concentrating on conservation and environmental issues as well as the importance of moving toward eating a whole non-processed plant based diet. I also plan to work on artwork that discusses how we humans need to care for all animals including the human animal and work to sustain our earth that we all depend on. All of these issues tend to be interrelated and merge into one holistic approach to life, not only through mind, body spirit but also through our relationships with and responsibility to the world around us....

Geo Kat - Always the QUESTION.What is ART. Maybe THERAPY. Maybe DREAMING. Maybe...casting the PAST. Or better... the FUTURE. Or just to be... PRESENT. I dont know exactly. But I knowat least, which is my inspiration, all the old mastering, the great NATURE. Humanity. Personas very different in space and time, like Praxiteles or Botticelli or Candinsky. .......... Of course we, humans, we are nature, part of nature, part of natures mystery...... May be my well effort as an artist is to explore this MYSTERIOUS and fantastic world, and create an art that is not exist yet, as an INVENTION...............or you can say exists, but is not expressed into EXISTENCE yet. And this art exists as a living person FULL of dreams of colours of happiness, GOOD will and HEALING matter. ___I suppose also that my inspiration is whatever still lives UNDERNEATH this ancient old city, Athens...... What ARE YOU thinking ...

Avril Ward - ArtistaEURtms statement. Creating has become an intricately woven part of my life. I must express nature, as it is my window to God. I must delight in the human body, a marvel that never ceases to amaze. I must express love and joy-this keeps them tangible in my life. I must trust my instincts and skills allowing them to lead me in the right direction. Most importantly: if my art can move a person to pause, think, smile, ponder, cry, laugh, be encouraged or give them hope, then I have served my purpose in life.aEUR To view a video about, my inspiration and work methods in sculpture please copy and paste the link to your browser.

Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works AC/a,!A|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalAC/a,!A|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureAC/a,!A|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

Ulrika Leander - My subject matter is primarily related to the inspiration that I find in the colors, shapes and movement in the natural world in all its forms my work is about expressing and conveying the feelings of joy, peace, and tranquility that come with the contemplation of Nature. I use a traditional weaving technique while constantly striving to extend my ability to capture nuances of color tone and structure. I work with a vertical tapestry loom together with the highest quality tapestry yarns from Scandinavia. I explore and develop my ideas through the medium of watercolor. When I reach the point where I feel that I am ready to commit to devoting 5-6 months or more to transforming my ideas into a tapestry, the outline of the water color design is traced and then digitally enlarged to the full size of the final tapestry. This enlargement provides the map for guiding the hand-weaving process while the watercolor provides the guide for the selection of the yarn colors and tones. During weaving, multiple fine threads of varying thicknesses are blended to achieve the delicate variations in the color tones of the watercolor. ...

Ulrika Leander - Dr. Muberra Bulbul - My art life that I started with realist oil painting in university years changed over time and became original. I couldnt get myself from the production of realistic work for a long time. I started to use collage technique in my years of masters, I have diversified it with watercolors and ink. I first worked on paper. Mythological stories and myths occurred in my head while making them. I tried to transfer them to my pictures. The myths had existed in every civilization, each society and faith reflected its own subjective existence. Different races and nations thought. Our essence was the same. We all believe in similar things and behave similarly. In my collages I tried to make a connection between the past and the present. I opened a personal exhibition that can exhibit their recognition. Later these collages became increasingly abstracted and turned into stains. Different painting techniques began to form tissue on the surface. In those tissues I caught the inner world of human. I, you, she or he. We have similar emotions, no matter who we are and wherever we are....

Dr. Muberra Bulbul - Dan Shiloh - I was born in Jerusalem Israel. I attended an officers nautical school and served in the navy as an engineer on a destroyer. After the navy I moved to Chicago USA and studied architecture at U of I Chicago campus and graduated in 1972 . I moved back to Israel and opened an architectural office in a small settlement in the Galilee region which became very successful. I retired about 10 years ago and opened as a hobby a black smith studio where I made metal sculptures. In 2009 I moved to Tel Aviv and started painting and sculpting in clay which I do up to these days. I was always interested in arts and I enjoy my painting and sculpting very much. Every year I travel to Florence Italy for at least a month where I paint and sculpt in the Accademia de Arte. I think its about time to share my work with the public and I hope it will enrich the homes of who ever likes my works....

Silvia Poloto - Artist statement on PROCESS: Private Puzzles 2010 - 2011 I am drawn to the idea of abstraction, where meaning is not absolute but suggestive. Throughout my career I have worked in many different media: drawing, printmaking, painting, photography and sculpture to name a few. My photographic works, at the core, are aEURoeequivalentsaEUR of reality. That is to say, I create scenes or objects to be photographed, rather than illustrate existential situations. The process is an internal one inspired by personal experiences and imagination. My latest body of work combines processes I have used in the past, expressing the visual vocabulary I have already learned in new contexts. I begin by building plexiglass boxes, filling some of them with resin and others with wax. I then make drawings, which I print on transparent film and build up in layers on top of each box. I repeat this process until I am satisfied with the result and, then, I photograph it. Initially, I wanted to print very large-format photographs on watercolor paper. However, the high cost of printing such large pieces was prohibitive. A fellow photographer, and friend, offered the use of his own printer, but it was smaller than what I...