Contemporary Art For Sale Price Range: $5000 - $10000

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Over 3284 works of original contemporary art for sale in the price range $5000 - $10000. On this page you can find works by Jean Judd, Ulrika Leander, Leo Evans, Dr. Muberra Bulbul, Bryan Kemila, Charles Cham, Dan Shiloh, Silvia Poloto, Youri Messen-jaschin for the follwing mediums: 1. Links to more artwork and 114 pages for works in the price range $5000 - $10000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Jean Judd: 'abstract textures 3 4', 2024 Mixed Media, Abstract. Abstract Textures 3. 4 continues the spiral design form in larger repeats than found in the earlier pieces of this series. The whole cloth construction with hand applied dyes from condiment bottles and foam brush strokes for the backward aEURoeZsaEUR, created the ground for the artwork. Medium tones of yellow, ...
Abstract - Mixed Media
44 x 38 inches (111.8 x 96.5 cm)
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Ulrika Leander: 'moonlit', 2024 Fiber, Abstract. In this tapestry, I aimed to capture the exhilarating freedom of an abstract waterscape, using vibrant blues and scattered textures to evoke a sense of dreamlike wonder. Each thread of wool is an invitation to explore a serene yet dynamic celestial fantasy, offering a unique perspective that bridges abstract art ...
, 2024
Abstract - Fiber
30 x 56 inches (76.2 x 142.2 cm)
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Leo Evans: 'max', 2024 Acrylic Painting, Abstract. Life and love inspired me. . . Never have giving my art a lot of thought it comes automatic and I just follow that process. ...
, 2024
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Leo Evans: 'the ancestors are watching', 2024 Acrylic Painting, Abstract. Life and love inspired me. . . Never have giving my art a lot of thought it comes automatic and I just follow that process. ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Leo Evans: '936 x', 2024 Acrylic Painting, Abstract. Life and love inspired me. . . Never have giving my art a lot of thought it comes automatic and I just follow that process. ...
, 2024
Abstract - Painting
24 x 1 inches (61.0 x 2.5 cm)
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Leo Evans: 'markers of life', 2024 Acrylic Painting, Abstract. Life and love inspired me. . . Never have giving my art a lot of thought it comes automatic and I just follow that process. ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Ulrika Leander: 'nowhere', 2024 Textile Art, Landscape. My subject matter is primarily related to the inspiration that I find in the colors, shapes, and movement in the natural world in all its formsmy work is about expressing and conveying the feelings of joy, peace, and tranquility that come with the contemplation of Nature. I use a traditional ...
, 2024
Landscape - Textile Art
28 x 44 inches (71.1 x 111.8 cm)
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Dr. Muberra Bulbul: 'masks', 2019 Mixed Media, Abstract. Culture recognise us ...
, 2019
Abstract - Mixed Media
50 x 50 cm (19.7 x 19.7 inches)
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Bryan Kemila: 'narcisse fox', 2006 Watercolor, Fetish. The lady has studs through her nipples, She is a fox who longs for the finer things in life.  She loves to be sexual.  She flashes her tail, begging for some stud to take notice.  She walks on all fours, submissive the whole day.  She wants to explore, and to ...
Fetish - Watercolor
30 x 20 inches (76.2 x 50.8 cm)
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Bryan Kemila: 'mounts new price', 2014 Watercolor, Animals. She longs for the beast to please her.  She holds his reins and comes close to this marvelous stead.  She aches for the muscle and the rod of this love vessel.  She will get him on her terms.  The beast is waiting to please the women.  He s calm, and ...
Animals - Watercolor
19 x 28 inches (48.3 x 71.1 cm)
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Bryan Kemila: 'the hunt', 2009 Watercolor, War. This damsel has her sites set on capturing the villain.  Not just any villain, but the one who destroyed her friends and family.  She will use her sexual overtones to get her way.  Her long legs, shapely hips, and breasts to die for, are all she needs to crucify the ...
, 2009
War - Watercolor
17 x 30 inches (43.2 x 76.2 cm)
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Bryan Kemila: 'piercer', 2014 Watercolor, Death. Beautiful girl will fight for her lover.  She has a temper like none has ever seen.  She will win her lover and make him surrender to her charms. ...
, 2014
Death - Watercolor
20 x 32 inches (50.8 x 81.3 cm)
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Bryan Kemila: 'dreamin', 2024 Watercolor, Romance. Pretty girl dreaming about love and lover...
, 2024
Romance - Watercolor
40 x 20 inches (101.6 x 50.8 cm)
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Charles Cham: '2975 sacral chakra', 2023 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling. Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites. The Yin and Yang paintings are actually...
Life - Painting
122 x 122 cm (48.0 x 48.0 inches)
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Charles Cham: '2964 children of war', 2023 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling. Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites. The Yin and Yang paintings are actually...
Life - Painting
122 x 122 cm (48.0 x 48.0 inches)
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Charles Cham: '2963 dream in blue', 2023 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling. Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites. The Yin and Yang paintings are actually...
Life - Painting
122 x 122 cm (48.0 x 48.0 inches)
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Jean Judd: 'prairie leaf 2', 2023 Mixed Media, Abstract. Prairie Leaf  2 is the second piece in a series that was inspired by a trip to Fond du Lac, Wisconsin in July of 2021, and a visit to a 20- acre restoration prairie filled with plants and wildflowers. I harvested some of the leaves there that intrigued me and ...
Abstract - Mixed Media
43 x 16 inches (109.2 x 40.6 cm)
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Jean Judd: 'Diamond 5 Binding What Matters', 2023 Mixed Media, Geometric. The 5th piece in the Diamond series features 60- degree diamonds that were formed from the leftover pieces of binding from eleven11artworks completed between 1998 and 2021.  Binding is the narrow aEURoeframingaEUR done on my textile artworks that is like a narrow frame around a painting.  The shape of the ...
Geometric - Mixed Media
46 x 22 inches (116.8 x 55.9 cm)
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Dan Shiloh: 'stone sculpture', 2023 Stone Sculpture, Portrait. White stone sculpture of a man and a woman  like Siamese twins...
Portrait - Sculpture
30 x 45 cm (11.8 x 17.7 inches)
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Jean Judd: 'sound waves 8 flowing', 2023 Mixed Media, Abstract. Sound Waves  8: Flowing is moving away from the static graphic lines earlier in the series and morphing into abstract pools and splotches of color. Now the sound waves are flowing in tight mechanical waves like isobars shown on a weather map depicting wind speeds.  Turquoise, yellow, and fuchsia are ...
Abstract - Mixed Media
43 x 18 inches (109.2 x 45.7 cm)
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Silvia Poloto: 'mardigras 7', 2021 Mixed Media, Abstract. For all of my expressionistic works, I use a variety of materials and rely on my instincts to bring structure to the paintings with color, texture, composition....
Abstract - Mixed Media
36 x 60 inches (91.4 x 152.4 cm)
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Silvia Poloto: 'mardigras 6', 2021 Mixed Media, Abstract. For all of my expressionistic works, I use a variety of materials and rely on my instincts to bring structure to the paintings with color, texture, composition....
Abstract - Mixed Media
36 x 60 inches (91.4 x 152.4 cm)
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Silvia Poloto: 'mardigras 5', 2021 Mixed Media, Abstract. For all of my expressionistic works, I use a variety of materials and rely on my instincts to bring structure to the paintings with color, texture, composition....
Abstract - Mixed Media
36 x 60 inches (91.4 x 152.4 cm)
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Silvia Poloto: 'king of hearts', 2020 Mixed Media, Abstract. For all of my expressionistic works, I use a variety of materials and rely on my instincts to bring structure to the paintings with color, texture, composition....
Abstract - Mixed Media
56 x 46 inches (142.2 x 116.8 cm)
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Silvia Poloto: 'habotai 8', 2020 Mixed Media, Abstract. For all of my expressionistic works, I use a variety of materials and rely on my instincts to bring structure to the paintings with color, texture, composition....
, 2020
Abstract - Mixed Media
41 x 55 inches (104.1 x 139.7 cm)
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Silvia Poloto: 'habotai 11', 2020 Mixed Media, Abstract. For all of my expressionistic works, I use a variety of materials and rely on my instincts to bring structure to the paintings with color, texture, composition....
, 2020
Abstract - Mixed Media
60 x 60 inches (152.4 x 152.4 cm)
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Silvia Poloto: 'habotai 7', 2020 Mixed Media, Abstract. For all of my expressionistic works, I use a variety of materials and rely on my instincts to bring structure to the paintings with color, texture, composition....
, 2020
Abstract - Mixed Media
42 x 62 inches (106.7 x 157.5 cm)
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Silvia Poloto: 'habotai 6', 2020 Mixed Media, Abstract. For all of my expressionistic works, I use a variety of materials and rely on my instincts to bring structure to the paintings with color, texture, composition....
, 2020
Abstract - Mixed Media
40 x 55 inches (101.6 x 139.7 cm)
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Youri Messen-jaschin: 'implosion', 2022 , Abstract. Threads poliacryl felt.transport, insurance, customs, and packaging is not included in the additional price. A(r) Prolitteris ZA1/4rich
, 2022
Abstract -
118 x 108 cm (46.5 x 42.5 inches)
Anne Pierce: 'adversaries', 2021 Bronze Sculpture, Animals. The fictional world for these stag beetles is not utopian and while harmony is preferred, rival stag beetles still succumb to competitive ways and males seek dominance over their fellow beetles.  Thankfully superiority between rivals is generally settled by horn length which these 2 are at pains to gauge.  Limited ...
Animals - Sculpture
36 x 16 inches (91.4 x 40.6 cm)
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(Page 1 of 114) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

    Ulrika Leander - My subject matter is primarily related to the inspiration that I find in the colors, shapes and movement in the natural world in all its forms my work is about expressing and conveying the feelings of joy, peace, and tranquility that come with the contemplation of Nature. I use a traditional weaving technique while constantly striving to extend my ability to capture nuances of color tone and structure. I work with a vertical tapestry loom together with the highest quality tapestry yarns from Scandinavia. I explore and develop my ideas through the medium of watercolor. When I reach the point where I feel that I am ready to commit to devoting 5-6 months or more to transforming my ideas into a tapestry, the outline of the water color design is traced and then digitally enlarged to the full size of the final tapestry. This enlargement provides the map for guiding the hand-weaving process while the watercolor provides the guide for the selection of the yarn colors and tones. During weaving, multiple fine threads of varying thicknesses are blended to achieve the delicate variations in the color tones of the watercolor. ...

    Ulrika Leander - Dr. Muberra Bulbul - My art life that I started with realist oil painting in university years changed over time and became original. I couldnt get myself from the production of realistic work for a long time. I started to use collage technique in my years of masters, I have diversified it with watercolors and ink. I first worked on paper. Mythological stories and myths occurred in my head while making them. I tried to transfer them to my pictures. The myths had existed in every civilization, each society and faith reflected its own subjective existence. Different races and nations thought. Our essence was the same. We all believe in similar things and behave similarly. In my collages I tried to make a connection between the past and the present. I opened a personal exhibition that can exhibit their recognition. Later these collages became increasingly abstracted and turned into stains. Different painting techniques began to form tissue on the surface. In those tissues I caught the inner world of human. I, you, she or he. We have similar emotions, no matter who we are and wherever we are....

    Dan Shiloh - I was born in Jerusalem Israel. I attended an officers nautical school and served in the navy as an engineer on a destroyer. After the navy I moved to Chicago USA and studied architecture at U of I Chicago campus and graduated in 1972 . I moved back to Israel and opened an architectural office in a small settlement in the Galilee region which became very successful. I retired about 10 years ago and opened as a hobby a black smith studio where I made metal sculptures. In 2009 I moved to Tel Aviv and started painting and sculpting in clay which I do up to these days. I was always interested in arts and I enjoy my painting and sculpting very much. Every year I travel to Florence Italy for at least a month where I paint and sculpt in the Accademia de Arte. I think its about time to share my work with the public and I hope it will enrich the homes of who ever likes my works....

    Silvia Poloto - Artist statement on PROCESS: Private Puzzles 2010 - 2011 I am drawn to the idea of abstraction, where meaning is not absolute but suggestive. Throughout my career I have worked in many different media: drawing, printmaking, painting, photography and sculpture to name a few. My photographic works, at the core, are "equivalents" of reality. That is to say, I create scenes or objects to be photographed, rather than illustrate existential situations. The process is an internal one inspired by personal experiences and imagination. My latest body of work combines processes I have used in the past, expressing the visual vocabulary I have already learned in new contexts. I begin by building plexiglass boxes, filling some of them with resin and others with wax. I then make drawings, which I print on transparent film and build up in layers on top of each box. I repeat this process until I am satisfied with the result and, then, I photograph it. Initially, I wanted to print very large-format photographs on watercolor paper. However, the high cost of printing such large pieces was prohibitive. A fellow photographer, and friend, offered the use of his own printer, but it was smaller than what I...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...