Contemporary Art For Sale Price Range: $5000 - $10000

Page 3 of 114
Over 3282 works of original contemporary art for sale in the price range $5000 - $10000. On this page you can find works by Harry Weisburd, Michele Vargas, Peter Seminck, William Christopherson, James Johnson, Paul Machalaba, Hope Brooks, Edem Elesh, John Gamache, Isaac Brown, Tom Irizarry Studio, Shoshannah Brombacher, Michael Fornadley, William Dick for the follwing mediums: 1. Links to more artwork and 114 pages for works in the price range $5000 - $10000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Michele Vargas: 'entropy in black and blue', 2019 Acrylic Painting, Abstract. Same series as  Entropia  but in Black and Blue.Image which appears casually and become the essential matter for the creativity of the artist. ...
Abstract - Painting
90 x 116 cm (35.4 x 45.7 inches)
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Michele Vargas: 'entropy in black and blue', 2019 Acrylic Painting, Abstract. Same series as  Entropia  but in Black and Blue.Image which appears casually and become the essential matter for the creativity of the artist. ...
Abstract - Painting
90 x 116 cm (35.4 x 45.7 inches)
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Peter Seminck: 'far enough', 2019 Oil Painting, People. oil on canvas...
, 2019
People - Painting
55 x 39 inches (139.7 x 99.1 cm)
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Michele Vargas: ' traveling on asteroid', 2019 Acrylic Painting, Abstract Figurative. Philosopher Traveling on Asteroid.We are trying to conquer the universe.  But we humans are like children. . . ...
Abstract Figurative - Painting
156 x 76 cm (61.4 x 29.9 inches)
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Michele Vargas: ' traveling on asteroid', 2019 Acrylic Painting, Abstract Figurative. Philosopher Traveling on Asteroid.We are trying to conquer the universe.  But we humans are like children. . . ...
Abstract Figurative - Painting
156 x 76 cm (61.4 x 29.9 inches)
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William Christopherson: 'dawn at clayton docks', 2019 Oil Painting, Landscape. A sunrise scene in the Thousand Islands of Upstate NY.  Remindfull of those important slower days to relax and enjoy the beauty of the earth.  Completed in Grumbacher oils, in hardwood professional floater frame.  Wall ready.  Award winning artwork at 2019 Along the Rivers Edge, TI Arts Center.  Ships UPS, ...
Landscape - Painting
26 x 26 inches (66.0 x 66.0 cm)
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James Johnson: 'discover', 2019 Steel Sculpture, Figurative. First moment of consciousness of what is right in front of you. . .  The work is composed of stainless steel  with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece may ...
, 2019
Figurative - Sculpture
10 x 14 inches (25.4 x 35.6 cm)
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Paul Machalaba: 'Plunge II commission', 2015 Aluminum Sculpture, Abstract. Plunge II polished abstract welded  aluminum sculpture commission with cast look.  ...
Abstract - Sculpture
3 x 9 feet (0.91 x 2.74 m)
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Hope Brooks: 'the door', 2018 Mixed Media, Abstract Figurative.  Painting for my friend Dr. David Boxer, celebrated artist and curator of the National Gallery of Jamaica.  Death is like a door that once passed is forever locked. Size: 9 panels ea. 18  X  8 Medium: modelong paste and gouache.Year: 2018...
, 2018
Abstract Figurative - Mixed Media
5 x 5 feet (1.52 x 1.52 m)
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Edem Elesh: 'the anthropocene stairway', 2018 Mixed Media, Ecological.
Ecological - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Edem Elesh: 'happy trails', 2018 Mixed Media, Ecological.
Ecological - Mixed Media
72 x 48 inches (182.9 x 121.9 cm)
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William Christopherson: '20th Century Ice fisherman', 2007 Oil Painting, Landscape. I completed this painting as a record of the days when the northern rivers were frozen solid in winter, and temperatures regularly fell 20 degrees below zero throughout winter in the Thousand Islands.  The experience of ice fishing, in the remote still solitude.  This is a large artwork, professionally framed ...
Landscape - Painting
44 x 34 inches (111.8 x 86.4 cm)
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John Gamache: 'Interview with the artiest', 2018 Oil Painting, Representational. Artist on Couch- Paintings on wall ...
Representational - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Isaac Brown: 'past the road thru the garden', 2018 Acrylic Painting, Abstract Landscape.
Abstract Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Harry Weisburd: 'woman split white gown', 2017 Watercolor, Figurative.
Figurative - Watercolor
20 x 26 inches (50.8 x 66.0 cm)
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Harry Weisburd: 'woman in see thru blue gown', 2017 Watercolor, Figurative. See Thru Blue Gown at Party ...
Figurative - Watercolor
20 x 26 inches (50.8 x 66.0 cm)
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Harry Weisburd: 'kneeling lover', 2018 Watercolor, Love. Love and romance,  kneeling man  loving standing woman ...
Love - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Tom Irizarry Studio: 'Pink Sky', 2018 Oil Painting, Abstract Landscape.
, 2018
Abstract Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Shoshannah Brombacher: 'shpoler zeide s trial with gd', 2015 Oil Painting, Judaic. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the Shpoler Zayda and i made pastel drawings, like this one, and oil paintings. They will be included in the book, but the originals are ...
Judaic - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Michael Fornadley: 'the curator', 2018 Oil Painting, Expressionism.
Expressionism - Painting
80 x 55 inches (203.2 x 139.7 cm)
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William Dick: 'BIRL ', 2016 Other Drawing, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
90 x 90 cm (35.4 x 35.4 inches)
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William Dick: 'DREEP', 2016 Other Drawing, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
90 x 90 cm (35.4 x 35.4 inches)
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William Dick: 'ENLANG', 2016 Digital Other, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Digital Other
90 x 90 cm (35.4 x 35.4 inches)
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William Dick: 'COUPAIRT', 2016 Other Drawing, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
90 x 90 cm (35.4 x 35.4 inches)
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William Dick: 'FOUZLE', 2016 Other Drawing, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
90 x 90 cm (35.4 x 35.4 inches)
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William Dick: 'CHIBALLIE', 2016 Other Drawing, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
90 x 90 cm (35.4 x 35.4 inches)
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William Dick: 'MISSOUR II', 2016 Other Drawing, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
90 x 90 cm (35.4 x 35.4 inches)
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William Dick: 'MISSOUR I', 2016 Other Drawing, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
90 x 90 cm (35.4 x 35.4 inches)
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Edem Elesh: 'chasing blue', 2017 Mixed Media, Spiritual.
Spiritual - Mixed Media
72 x 24 inches (182.9 x 61.0 cm)
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Hope Brooks: 'Goat Island Suite  a suite of four paintings', 2017 Mixed Media, Ecological. Currently on show at the XI Florence Biennale October 6 - 15 2017 this painting is about The Goat Islands that are located on the south west coast of Jamaica that became the centre of attention in 2015 when the Government of Jamaica proposed to sell the Islands to the Government ...
Ecological - Mixed Media
64 x 64 inches (162.6 x 162.6 cm)
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(Page 3 of 114) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Michele Vargas - Born in Italy. My father was a painter in the classical tradition, who had several comissions in cathedrals, churches and private homes. I was introduced to this tradition at the early age of five, and worked as an assistant to my father until I was fourteen years old. Education 1969-73 Attended the Instituto dArte, Napoli. Obtaining Diploma di Maestro dArte Master degree in Fine Arts. During this period I became interested in surrealism, and the abstract concept, and Fauvism the use of bright colours. 1974-77 Attended the Accademia delle Belle Arti di Napoli. Field of study Painting. During this period I took special interest in the colour and light studies. 1978-82 Studied at the Liceo Artistico Caserta, MaturitA! Artistica Interior Design. Field of study Interior and architecture design. These studies led me to a rendezvous with my childhood experiences. He started experimenting with a mixture of classical and modern techniques...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible. Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition ...

    Paul Machalaba - Paul Machalaba is a cutting edge artist specializing in large welded aluminum sculptures with a contemporary cast look. His pieces can be found coast to coast in private estates and in city centers at prominent corporate locations. Growing up in rural Vermont, but spending years in Florida, he is now well known for bringing a youthful fresh style to the northeast. Working from his studio in laid back Woodstock VT, he strives to find the perfect balance of motion and rigidity in a unique blend of sleek calligraphy inspired works with zero visable welds. His portfolio has a wide variety of styles that show a broad range of inspiration in different series, yet are easily identifiable as being from the same artist. He has been quoted as saying I love to explore different styles, from elegant to abstract graffiti. So many artists either have many different variations of designs that look the same, or no consistency. I feel that its the same with many rock bands on the radio. Some bands songs all kind of sound the same, but the legendary bands have a deep rooted consistency, yet every song is a completely new experience. I want all of my ...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...