Contemporary Art For Sale Price Range: $5000 - $10000

Page 3 of 132
Over 3808 works of original contemporary art for sale in the price range $5000 - $10000. On this page you can find works by Paul Machalaba, Raphael Perez Israeli Painter , Hope Brooks, Edem Elesh, William Christopherson, John Gamache, Isaac Brown, Harry Weisburd, Shoshannah Brombacher, Michael Fornadley, Environmental Artist Apollo, William Dick, John Powell, Ted Schaal, Jerry Di Falco for the follwing mediums: 1. Links to more artwork and 132 pages for works in the price range $5000 - $10000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Raphael Perez  Israeli Painter : 'naive art paintings folk', 2015 Acrylic Painting, Landscape. naive art, naive painting, naive painter, naive paintings, folk art, folk painting, folk paintings, landscape painting, landscape paintings, landscape art, landscape artists, ...
Landscape - Painting
240 x 130 cm (94.5 x 51.2 inches)
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Hope Brooks: 'the door', 2018 Mixed Media, Abstract Figurative.  Painting for my friend Dr. David Boxer, celebrated artist and curator of the National Gallery of Jamaica.  Death is like a door that once passed is forever locked. Size: 9 panels ea. 18  X  8 Medium: modelong paste and gouache.Year: 2018...
, 2018
Abstract Figurative - Mixed Media
5 x 5 feet (1.52 x 1.52 m)
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Edem Elesh: 'the anthropocene stairway', 2018 Mixed Media, Ecological.
Ecological - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Edem Elesh: 'happy trails', 2018 Mixed Media, Ecological.
Ecological - Mixed Media
72 x 48 inches (182.9 x 121.9 cm)
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William Christopherson: '20th Century Ice fisherman', 2007 Oil Painting, Landscape. I completed this painting as a record of the days when the northern rivers were frozen solid in winter, and temperatures regularly fell 20 degrees below zero throughout winter in the Thousand Islands.  The experience of ice fishing, in the remote still solitude.  This is a large artwork, professionally framed ...
Landscape - Painting
44 x 34 inches (111.8 x 86.4 cm)
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John Gamache: 'Interview with the artiest', 2018 Oil Painting, Representational. Artist on Couch- Paintings on wall ...
Representational - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Isaac Brown: 'past the road thru the garden', 2018 Acrylic Painting, Abstract Landscape.
Abstract Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Harry Weisburd: 'woman split white gown', 2017 Watercolor, Figurative.
Figurative - Watercolor
20 x 26 inches (50.8 x 66.0 cm)
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Harry Weisburd: 'woman in see thru blue gown', 2017 Watercolor, Figurative. See Thru Blue Gown at Party ...
Figurative - Watercolor
20 x 26 inches (50.8 x 66.0 cm)
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Harry Weisburd: 'kneeling lover', 2018 Watercolor, Love. Love and romance,  kneeling man  loving standing woman ...
Love - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Shoshannah Brombacher: 'shpoler zeide s trial with gd', 2015 Oil Painting, Judaic. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the Shpoler Zayda and i made pastel drawings, like this one, and oil paintings. They will be included in the book, but the originals are ...
Judaic - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Michael Fornadley: 'the curator', 2018 Oil Painting, Expressionism.
Expressionism - Painting
80 x 55 inches (203.2 x 139.7 cm)
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Environmental Artist Apollo: 'when life gives you lemons', 2017 Acrylic Painting, Abstract Figurative. Out of frustration comes creation. When life gives you lemons make lemonaide...
Abstract Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Environmental Artist Apollo: 'above the reef', 2017 Acrylic Painting, Animals.
Animals - Painting
1 x 18 inches (2.5 x 45.7 cm)
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Environmental Artist Apollo: 'a place where stars are born', 2018 Acrylic Painting, Animals. Inspired by my love of space this is an abstract piece that makes you feel like you are there. An abstract impression of a Hubble destination ...
Animals - Painting
24 x 24 inches (61.0 x 61.0 cm)
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William Dick: 'BIRL ', 2016 Other Drawing, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
90 x 90 cm (35.4 x 35.4 inches)
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William Dick: 'DREEP', 2016 Other Drawing, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
90 x 90 cm (35.4 x 35.4 inches)
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William Dick: 'ENLANG', 2016 Digital Other, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Digital Other
90 x 90 cm (35.4 x 35.4 inches)
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William Dick: 'MISSOUR I', 2016 Other Drawing, Abstract. DescriptionThe painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
90 x 90 cm (35.4 x 35.4 inches)
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John Powell: 'Swan lake', 2019 Acrylic Painting, Figurative. From Swan Lake ballet series.  ORDER PRINTS AT
, 2019
Figurative - Painting
18 x 22 inches (45.7 x 55.9 cm)
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Edem Elesh: 'chasing blue', 2017 Mixed Media, Spiritual.
Spiritual - Mixed Media
72 x 24 inches (182.9 x 61.0 cm)
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Raphael Perez  Israeli Painter : 'meir tiano collector', 2017 Acrylic Painting, Landscape. meir tiano collector ...
Landscape - Painting
150 x 140 cm (59.1 x 55.1 inches)
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Hope Brooks: 'Goat Island Suite  a suite of four paintings', 2017 Mixed Media, Ecological. Currently on show at the XI Florence Biennale October 6 - 15 2017 this painting is about The Goat Islands that are located on the south west coast of Jamaica that became the centre of attention in 2015 when the Government of Jamaica proposed to sell the Islands to the Government ...
Ecological - Mixed Media
64 x 64 inches (162.6 x 162.6 cm)
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Ted Schaal: 'orbacado', 2016 Bronze Sculpture, Abstract. The Orbacado was inspired by pulling apart and avocado and the void left by the pit on one side.  It is a contemporary abstract sculpture made of bronze with polished stainless steel pit. ...
, 2016
Abstract - Sculpture
15 x 20 inches (38.1 x 50.8 cm)
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Raphael Perez  Israeli Painter : 'tel aviv night', 2017 Acrylic Painting, Landscape. tel aviv at night painting israel art naive painter raphael perez ...
Landscape - Painting
150 x 150 cm (59.1 x 59.1 inches)
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Raphael Perez  Israeli Painter : 'landscape urban painter', 2017 Acrylic Painting, Landscape. landscape urban painter ...
Landscape - Painting
140 x 60 cm (55.1 x 23.6 inches)
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Jerry  Di Falco: 'miracle of the rose or', 2017 Mixed Media, Mythology. Mixed Media on primed heavy Dutch, cotton canvas attached to heavy duty wood stretchers.  The media include Liquitex acrylic paints, Liquitex painting gels, water- based gesso, graphite, methylcellulose, hand- dyed mulberry bark paper from Thailand, Windsor Newton watercolor paints, gold leaf, modeling paste for textured surface.  This painting has six ...
Mythology - Mixed Media
36 x 42 inches (91.4 x 106.7 cm)
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Hope Brooks: 'justice denied', 2017 Mixed Media, Political. This painting is a tribute to Millicent Forbes aEUR
Political - Mixed Media
71 x 45 inches (180.3 x 114.3 cm)
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William Christopherson: 'On A Mountain Trail', 2016 Oil Painting, Landscape. Broad brush approach in oil, of the Adirondack hiking experience in the central Adirondack Mountains.  Large sized stretched canvas 36x36, 2 depth.  Wall ready with hangers and wire.  Employing Grumbacher artists professional grade oils.  Award wining oil, 2017 Central Adirondack Art Show.  Enjoy...
Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Robin Antar: 'balancing act 3', 2016 Stone Sculpture, Abstract Figurative. balance, honeycomb calcite, abstract, figure, art...
Abstract Figurative - Sculpture
11 x 11 inches (27.9 x 27.9 cm)
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(Page 3 of 132) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Paul Machalaba - Paul Machalaba is a cutting edge artist specializing in large welded aluminum sculptures with a contemporary cast look. His pieces can be found coast to coast in private estates and in city centers at prominent corporate locations. Growing up in rural Vermont, but spending years in Florida, he is now well known for bringing a youthful fresh style to the northeast. Working from his studio in laid back Woodstock VT, he strives to find the perfect balance of motion and rigidity in a unique blend of sleek calligraphy inspired works with zero visable welds. His portfolio has a wide variety of styles that show a broad range of inspiration in different series, yet are easily identifiable as being from the same artist. He has been quoted as saying I love to explore different styles, from elegant to abstract graffiti. So many artists either have many different variations of designs that look the same, or no consistency. I feel that its the same with many rock bands on the radio. Some bands songs all kind of sound the same, but the legendary bands have a deep rooted consistency, yet every song is a completely new experience. I want all of my ...

    Raphael Perez Israeli Painter - Pride and Prejudice: on Raphael Perez's Artwork Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries. In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films. Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration ...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Environmental Artist Apollo - "The beauty of our planet should be held in respect as well as reverence and awe! As the care takers of this precious jewel called Earth it is our duty to become more harmonious with our environment, for what we hold in our hands is a trust for future generations. What we do today, creates tomorrow." APOLLO Internationally Renowned Environmental Artist. Apollo is one of the World's Leading Environmental Artists. Apollo started painting dolphins and whales when He first moved to Maui in 1980. Since that time he has developed a Worldwide Following and has had the privilege to work with several Environmental Groups to raise both funding and awareness. ...

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...