Contemporary Art For Sale Price Range: $5000 - $10000

Page 5 of 132
Over 3808 works of original contemporary art for sale in the price range $5000 - $10000. On this page you can find works by Franziska Turek, Youri Messen-jaschin, Geo Sipp, Marie-france Busset, Plamen Yordanov, Cathy Dobson, Hans-ruedi Kammermann, Andrew Bartosz, Nancy Bechtol, Dennis Duncan, Lou Posner, Andrew Mclaughlin, Marcia Freedman, Micha Nussinov, James Gwynne for the follwing mediums: 1. Links to more artwork and 132 pages for works in the price range $5000 - $10000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Franziska Turek: 'vision', 2013 Other Painting, Abstract.
, 2013
Abstract - Painting
120 x 120 cm (47.2 x 47.2 inches)
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Youri Messen-jaschin: 'SYMPHONY I', 2014 , Optical.  Op art | Plexiglas i? 1/2 2014 | Packaging, insurance, transport not include in the price.Youri Messen- Jaschini? 1/2 2014 | photography | Sarah Duboisi? 1/2 by Prolitteris 8033 Zurich Switzerland ...
, 2014
Optical -
142 x 120 cm (55.9 x 47.2 inches)
Geo Sipp: 'Firefight in the Casbah', 2014 Oil Painting, War.  Image depicts a firefight in the Casbah of Algiers.         ...
War - Painting
72 x 44 inches (182.9 x 111.8 cm)
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Marie-france Busset: 'LE COQ REVE DU TAJ MAHAL', 2012 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
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Marie-france Busset: 'LE COQ AU PAYS DU SOLEIL LEVANT', 2013 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
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Plamen Yordanov: 'Big Red House', 2009 Acrylic Painting, Abstract.  Big Red House ( small) , 2009, acrylic on canvas                 ...
Abstract - Painting
56 x 38 inches (142.2 x 96.5 cm)
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Cathy Dobson: 'Magic Unicorn', 2013 Oil Painting, Magical. Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection. Rare Magic Unicorn in the snow Glows in the dark.Incredible gold and white wooden frame.      ...
Magical - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Hans-ruedi Kammermann: 'WATERSHINE', 2013 Oil Painting, People.
, 2013
People - Painting
180 x 150 cm (70.9 x 59.1 inches)
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Hans-ruedi Kammermann: 'PINK AFTERNOON', 2012 Oil Painting, Gestalt.
Gestalt - Painting
100 x 90 cm (39.4 x 35.4 inches)
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Andrew Bartosz: '1796', 2012 Other Painting, Abstract Landscape.              Figurative art             ...
, 2012
Abstract Landscape - Painting
114 x 106 cm (44.9 x 41.7 inches)
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Andrew Bartosz: '1788', 2012 Other Painting, Abstract Landscape.             Figurative art            ...
, 2012
Abstract Landscape - Painting
114 x 102 cm (44.9 x 40.2 inches)
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Andrew Bartosz: '1790', 2012 Other Painting, Abstract Landscape.            Figurative art           ...
, 2012
Abstract Landscape - Painting
114 x 102 cm (44.9 x 40.2 inches)
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Andrew Bartosz: '1794', 2012 Other Painting, Abstract Landscape.           Figurative art          ...
, 2012
Abstract Landscape - Painting
114 x 104 cm (44.9 x 40.9 inches)
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Nancy Bechtol: 'DIGITAL MINDSET SERIES THE painted', 2013 Color Photograph, Figurative.  durst lambda print, archival on aluminum substrate, matte finish, ready to hang. abstract, face, digitalDIGITAL MINDSET SERIES, BECHTOL, psycho, lights, GRID, MODERN FIGUREstatue purple...
Figurative - Photograph
26 x 21 inches (66.0 x 53.3 cm)
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Dennis Duncan: 'INTERMEZZO', 2012 Acrylic Painting, Dance.  INTERMEZZO. . . a light dramatic musical or other performance inserted between the acts of a play. Inspired by KABUKI a form of traditional Japanese drama as my setting, I' ve tried to capture on canvas Strength through the male dancer, and Grace through the female adding Balance through movement. KABUKI...
, 2012
Dance - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Lou Posner: 'Helen of Troy', 1985 Oil Painting, History.  Helen of Troy is a main character in Homers The Iliad, and her abduction by Paris led to the Trojan War.  There is no reliable sculpture or painting to indicate what she looked like, but she was considered the most beautiful woman in the world.  The most beautiful woman in...
History - Painting
28 x 36 inches (71.1 x 91.4 cm)
Cathy Dobson: 'Dual Stars   Moon', 2012 Oil Painting, Astronomy. Original Illuminated Oil Painting ! One of a set of 2 paintings to be sold together for $20000. Gemini Mermaids ! Must be Sold as a Set.  ...
Astronomy - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Cathy Dobson: 'Dual   Stars    Sun', 2011 Oil Painting, Astronomy. Original Illuminated Oil Painting. One of a set of 2 paintings to be sold together for a total of $20000. Gemini Mermaids ! Must be Sold Together.High Quality matching dark wooden frames. ...
Astronomy - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Dennis Duncan: 'DREAMING WIDE AWAKE', 2013 Acrylic Painting, Meditation.  A glimpse into our imagination. A stimulation of the cerebral cortex. Memories past, present, and  future our own private picture show. Daydreaming of new horizons, creativity and aspirations becoming one common thread.     ...
Meditation - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Dennis Duncan: 'NIGHT  IN TUNISIA', 2006 Acrylic Painting, Surrealism.      A Night in Tunisia a Charlie Parker jazz classic was my musical muse for this piece. Images I  photographed at the ODUNDE festival in 2004 here in Philadelphia Pennsylvania of a MASAI dance troupe inspired me to take a mystical journey, beginning in S. Africa and ending on an isle...
Surrealism - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Andrew Mclaughlin: 'In the Sweat of the Sun, On the Flesh of the Gods ', 2012 Collage, Surrealism.
Surrealism - Collage
36 x 28 inches (91.4 x 71.1 cm)
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Marcia Freedman: 'JT 8', 2010 Oil Painting, Abstract.    JT_ 8 is an abstract oil painting that was informed by landscape.  Not Yet is an abstract oil painting on canvas that was informed by the figure.                             ...
, 2010
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Marcia Freedman: 'JT 16', 2012 Oil Painting, Abstract.   JT_ 16 is an abstract oil painting that was informed by landscape. .                            ...
, 2012
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Micha Nussinov: 'Waking dreams', 2012 Acrylic Painting, Fantasy.   Being transient, as if we drift, in between various states of minds, as if in a waking dream. ...
Fantasy - Painting
230 x 130 cm (90.6 x 51.2 inches)
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Marcia Freedman: 'Not Yet', 2012 Oil Painting, Abstract Figurative.   Not Yet is an abstract oil painting that was informed by the figure.                         ...
, 2012
Abstract Figurative - Painting
84 x 72 inches (213.4 x 182.9 cm)
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Marcia Freedman: 'CUZ', 2012 Oil Painting, Abstract Figurative.   CUZ is an abstract oil painting on canvas that was informed by the figure.                          ...
, 2012
Abstract Figurative - Painting
96 x 72 inches (243.8 x 182.9 cm)
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Cathy Dobson: 'The Moons of Saturn', 1994 Oil Painting, Astronomy. Original Blacklight Oil Painting. Cosmic Collection ! Glows in the dark....
Astronomy - Painting
48 x 48 inches (121.9 x 121.9 cm)
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James Gwynne: 'Asleep on Blue Drape', 2005 Oil Painting, nudes. Nude asleep on blue drapery with arm and hand extended ...
nudes - Painting
70 x 75 inches (177.8 x 190.5 cm)
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James Gwynne: 'Misty Sky', 2000 Oil Painting, Landscape. Distant clouds barely visible with one white- edged cloud as a focal point of this subtle arrangement ...
, 2000
Landscape - Painting
60 x 65 inches (152.4 x 165.1 cm)
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James Gwynne: 'Evening Fog with Telephone Pole', 2012 Oil Painting, Landscape.  Foggy grey conditions with silhouettes of telephone pole and roof tops and highlighted background clouds ...
Landscape - Painting
42 x 48 inches (106.7 x 121.9 cm)
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(Page 5 of 132) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Plamen Yordanov - I share the idea of an art that creates reality instead of offering its conventional model. I want to provoke the birth of view that go beyond the boundary of reality itself. These viewpoints stress an order that exist "a priory" in nature and can be developed again and again. This aspect makes the picture exist as a signal that gives the onlooker a chance to go deep into his/her life experience and mind. This is a universal signal to which the individual responds in un unique manner and creates his/her own reality. ...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Andrew Bartosz - One of the critics wrote: 'Andrew's gift for portraying the woman's body is inspiring. With master strokes Andrew captures both the beauty and complexity of a woman's nature. Andrew strikes us first with the evocative, soft, dreamy and colourful expression of a woman's body. But then he skilfully contrasts it, through structured elements and toned down colours of the background, with sharper, less perfect and darker images or moods. As result we have a unique experience of a sensual fusion between the abstract and the real. This theme of contrast continues in Andrew's stunning impressions of Australian majestic rock landscapes.' ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Dennis Duncan - A lifelong student of contemporary realism, I utilize various mediums to create art that stimulates the mind , body, and soul of each individual. By incorporating these three basic principles into each subject matter , at times the imagery takes on a "surrealist" aspect , "meditative", even "spiritual"... I've tried incorporating industrial products and textured mediums into my presentations, adding an "urban edge" to my body of work. . ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 350 each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postageshipping. Selection of cover art offered but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more or later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not work. There are...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....