Contemporary Art For Sale Price Range: $600 - $699

Page 1 of 88
Over 2551 works of original contemporary art for sale in the price range $600 - $699. On this page you can find works by Jerry Di Falco, C. A. Hoffman, Judith Fritchman, Mac Worthington, Vladimir Volosov, Austen Pinkerton, Tracy Brown, Becky Soria, Luiz Henrique Azevedo, Michael Schaffer, Carmen Gonzalez, Steven Fleit, Johann Van Den Noort, Pol Ledent for the follwing mediums: 1. Links to more artwork and 88 pages for works in the price range $600 - $699 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Jerry  Di Falco: '13 st is a jungle cranberry', 2020 Etching, Landmarks. This triple zinc- plate etching, entitled aEURoeTHIRTEENTH STREET IS A JUNGLE IN CRANBERRY LIGHTaEUR, was laid out on the printing press in a vertical format.  This etching is from the SECOND of FOUR EDITIONS, and the editions are limited to only four etchings each.  Each of the four editions is ...
Landmarks - Etching
16 x 20 inches (40.6 x 50.8 cm)
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Jerry  Di Falco: 'thirteenth street is a jungle', 2020 Etching, Outsider. This triple zinc- plate etching, entitled aEURoeTHIRTEENTH STREET IS A JUNGLEaEUR, was laid out on the printing press in a vertical format.  This etching is from the FIRST of FOUR EDITIONS, and the editions are limited to only four etchings each.  Each of the four editions is executed in a ...
Outsider - Etching
16 x 20 inches (40.6 x 50.8 cm)
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C. A. Hoffman: 'blue mood cactus', 2020 Digital Painting, Abstract. This is an original photo that has been digitally enhanced to create a new and exciting piece of original art. ...
Abstract - Digital Painting
20 x 10 inches (50.8 x 25.4 cm)
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Judith Fritchman: 'spring greening', 2018 Oil Painting, Landscape. The long awaited promise of April in the village. ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Mac Worthington: 'alone', 2019 Acrylic Painting, Abstract. Heavy acrylic on stretched canvas. For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com	...
, 2019
Abstract - Painting
20 x 48 inches (50.8 x 121.9 cm)
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Vladimir Volosov: 'together under the rain', 2019 Oil Painting, Impressionism. A<< Color and light is always the main principal in my work. My goal is  vibrant, bold and intuitive painting with great texture and lots of layersA>> .This is an original unique textured oil painting on stretched canvas. Original Artist Style aEUR
Impressionism - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Vladimir Volosov: 'forest elegy', 2019 Oil Painting, Impressionism. A<< Color and light is always the main principal in my work. My goal is  vibrant, bold and intuitive painting with great texture and lots of layersA>> .This is an original unique textured oil painting on stretched canvas. Original Artist Style aEUR
Impressionism - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Vladimir Volosov: 'the wave', 2019 Oil Painting, Marine. A<< Color and light is always the main principal in my work. My goal is  vibrant, bold and intuitive painting with great texture and lots of layersA>> .This is an original unique textured oil painting on stretched canvas. Original Artist Style aEUR
, 2019
Marine - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Vladimir Volosov: 'pink avenue', 2018 Oil Painting, Impressionism. A<< Color and light is always the main principal in my work. My goal is  vibrant, bold and intuitive painting with great texture and lots of layersA>> .This is an original unique textured oil painting on stretched canvas. Original Artist Style aEUR
Impressionism - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Mac Worthington: 'sudden impulse', 2019 Acrylic Painting, Abstract Figurative. Heavy knifed acrylic on stretched canvas.MacaEURtms original expressionistic abstract paintings can be described as supremely brilliant. You will be swept away by his interior design, home decor   wall decor abstract art. His prolific contemporary art abstract landscapes   cityscapes wall art will inspire the viewer to visualize their own ...
Abstract Figurative - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Austen Pinkerton: 'reclining nude', 2019 Acrylic Painting, Life. Not sure if this is worth posting, but it s an acrylic painting on canvas  40 x 50 cm , started at Narberth Life Drawing group and completed at home last week. ...
Life - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Tracy Brown: 'lone sunflower', 2012 Other Photography, Floral. Signed fine art work with certificate of authenticity.  Printed on Hahnemuhle Museum Etching paper with HDX Inks, archival certified.  The image isprinted without watermark and is signed.  There is a 3 inch diameter white boarder surrounding the 16 x 20 inch image for framing. A ...
Floral - Photograph
12 x 18 inches (30.5 x 45.7 cm)
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Tracy Brown: 'cabin in the wheat field', 2009 Color Photograph, Landscape. Signed piece of artwork with certificate of authenticity.  Printed on Hahnemuhle Museum Etching paper with HDX Inks, archival certified.  Image printed without watermark and is signed.  There is a 3 inch diameter white boarder surrounding the 18 x 12 inch image for framing. A ...
Landscape - Photograph
18 x 12 inches (45.7 x 30.5 cm)
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Mac Worthington: 'miracle grow', 2019 Other Painting, Abstract. Metal painted Centari automotive enamel. Shadowbox framed.Signed   dated. Certificate of Authenticity. Ready to hang. ...
Abstract - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Austen Pinkerton: 'sally seated', 2019 Acrylic Painting, Portrait. New painting just finished   Sally seated . . . . . in what they call  en grisaille  , Acrylic on canvas, 40 x 50 cm. Started off as a painting from life but worked it up at home later  from memory . ...
Portrait - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Becky Soria: 'cimera virginem', 2019 Acrylic Painting, Abstract Figurative.  Looking at the relation the relation between plants and humans...
Abstract Figurative - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Becky Soria: 'arborescent', 2019 Acrylic Painting, Abstract Figurative. Looking at the long tradition of the feminine and relation with flowers and plants...
Abstract Figurative - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Luiz Henrique Azevedo: 'reclining nude', 2019 Oil Painting, Nudes. This work first was inspired by David Leiffel technique. As a matter of fact I will make several others nudes to explore more my oil painting technique under flesh tones.I work to make the viewers see a well done work, under the limits of my performance, not only art ...
Nudes - Painting
30 x 40 cm (11.8 x 15.7 inches)
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Michael Schaffer: 'Hopeful Bird', 2019 Mixed Media, Abstract Figurative. A caged bird sees the light from his cage and feels hopeful he can escape.  Mixed media on Paper...
Abstract Figurative - Mixed Media
11 x 14 inches (27.9 x 35.6 cm)
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Luiz Henrique Azevedo: 'lying nude', 2019 Oil Painting, Nudes. A lying nude sun exposed depicted first in charcoal and then in oil painting over board. ...
, 2019
Nudes - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Carmen Gonzalez: 'elvis called no 2', 2019 Acrylic Painting, Vintage. Painted in acrylic on canvas.Objects trigger significant emotions or memories for each of us.  I love exploring the inner significance of objects from one person to another.  I am lured to objects that are nostalgic.  Vintage items are one of my favorite subject matters to paint.  For each person, ...
Vintage - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Carmen Gonzalez: 'una cerveza', 2015 Oil Painting, Food. My goal was to stimulate the vieweraEURtms senses of sight, taste, smell, and touch through realism and amplified colours.  I wanted my viewers to aEURoetaste it with their eyesaEUR which then triggers physical and emotional sensations causing thirst, hunger, joy, excitement, comfort, and perhaps guilt or regret. ...
Food - Painting
12 x 36 inches (30.5 x 91.4 cm)
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Carmen Gonzalez: 'diner dinner', 2017 Oil Painting, Food. Most people are obsessed with good food and get so excited when they discover an amazing dinner or restaurant.  Eating in restaurants is very difficult for me.  I have IBS so I am not able to eat so many things.  This may be one of the reasons why I paint ...
Food - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Carmen Gonzalez: 'bessghetti', 2016 Oil Painting, Food. My goal was to stimulate the vieweraEURtms senses of sight, taste, smell, and touch through realism and amplified colours.  I wanted my viewers to aEURoetaste it with their eyesaEUR which then triggers physical and emotional sensations causing hunger, thirst, joy, excitement, comfort, and perhaps guilt or regret...
, 2016
Food - Painting
24 x 24 yards ( x )
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Steven Fleit: 'south beach palms', 2019 Acrylic Painting, Nature. The varied color and richness of palm fronds found in South Beach, Miami, Florida...
Nature - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Johann Van Den Noort: 'abstarct 19118', 2019 Other Painting, Abstract. Abstract expressionistic gouache painting...
Abstract - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Johann Van Den Noort: 'abstract 19117', 2019 Mixed Media, Abstract. Abstract expressionist mixed media painting...
Abstract - Mixed Media
22 x 30 inches (55.9 x 76.2 cm)
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Pol Ledent: 'spring 459170', 2019 Oil Painting, Impressionism. nature, flowers, garden,spring, ...
Impressionism - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Johann Van Den Noort: 'abstract 19116', 2019 Mixed Media, Abstract. Abstract expressionistic gouache painting mixed media gouache and oil pastel. ...
Abstract - Mixed Media
22 x 30 inches (55.9 x 76.2 cm)
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Harris Gulko: 'tel aviv coastline', 2005 Oil Painting, Travel. File 1126 There were not very many places in Tel Aviv to which I was attracted, but I was really taken with this seashore scene and enjoyed painting it.  On my frequent visits to Israel, starting in 1955, I would always have occasion to visit both Tel Aviv and Jerusalem, ...
Travel - Painting
20 x 16 inches (50.8 x 40.6 cm)
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(Page 1 of 88) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as "Little Chicago", Mac was privileged to be molded around a family of artists. His father John "Jack" Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60's era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Tracy Brown - The photographer, Tracy Brown, has a wide range of photographic subject matter in her portfolio.A Life has many paths which she has explored.A She started her passion in photography while doing medical and humanitarian work many years ago. The joy of capturing the people and places visited by the few, inspired the concept of sharing these things with the world. She plans to continue her medical and humanitarian work by financing projects through her photography endeavors. She looks forward to you joining her on the new Poetry In Pictures website coming online the beginning of 2020. TracyA is excited to share the stories of the people and places which have blessed her life, to be featured on the website.A The birth of this dream would not have been possible without the whole team at Poetry In Pictures. From everyone at Poetry In Pictures, thank you for sharing with us lifes journey in pictures. ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Carmen Gonzalez - One of the roots of my inspiration can perhaps be found in a quote from Aristotle - The aim of art is to not represent the outward appearance of things, but their inward significance. I am attracted to painting simple everyday objects. My attraction is not only for the beautiful shape, color, and texture of an object but also its essence. Simple objects have the ability to triggers strong memories or emotions transporting the mind of a viewer into the past. My compositions are happy, playful, and nostalgic with the use of color and patterns. I love incorporating patterns into my paintings. Patterned backgrounds take the eyes of my viewer on a journey to all corners of the canvas. Different patterns stir up different feelings or emotions which adds to the character of each painting. I strive to create paintings that make everyone joyously smile. ...

    Steven Fleit - I am a self taught artist. I have been painting for over twenty years and approximately four years ago I declared myself an Artist in the professional sense. Prior to my declaration as an artist, I built a portfolio of thematic collections. I started with Caribbean tropical paintings. I have expanded my subject matter to, Vineyard, architectural reflection, and travel sight e.g. Venice Series paintings. When I felt that I had put together a substative portfolio, I identified as an artist. I am serious about my craft and I hope you enjoy viewing my work. Thank you....

    Johann Van Den Noort - Dutch native, painter and artist JOHANN VAN DEN NOORT (Kampen 1940) has an undeniable bond with the sea and therefore maintains a unique position within the modern art world. His passion for the sea and the way this passion is visualized through his original art form, secures him a position in the ranks of today's art world. JOHANN VAN DEN NOORT's paintings summon feelings of sovereignty. An exuberance arising from meeting the elements and visually capturing an abstract image into an emotoinal reality. Wim van der Beek, arteditor. JOHANN VAN DEN NOORT dominates all technics in the art like: oilpaintings, watercolours, gouache, graphics, ceramics and sculptures. His total oeuvre consists of over 5000 pieces of art. There are a lot of publications from him by radio, TV, newspapers, artmagazines and catalogues. Most of his work found a way to important art-collections all over the world. In 2005 Johann van den Noort was decorated by the Dutch Queen as Knight of the Dutch Lion for his complete works ...

    Pol Ledent - I am a self-taught artist. I was born in Belgium o, 23rd October 1952. I started painting in 1995 . I took some drawing lessons in the art academy in Dinant. I try to paint the landscapes of the countryside where I am living : the southern part of Belgium. Firts I took part in many collective exhibitions . Than, I had personal exhibitions in Rochehaut (Galerie La Potele), in Dinant (Galerie L'impression), in Paris (Rive Gauche Galerie Artimus) in Brussels (Galerie G-Loft).In 2004, I had three exhibitions, again In Rochehaut, galerie La Potele in May. Then, in September Exhibition Libr'art in Libramont. In November, Galerie Impression in Dinant. What people like most in my paintings are the colours. My art doesn't speak to the intellect but to the soul and to the feelings. Talink the risk to seem old fashioned , I would say it is rather romantic. I wish you much pleasure looking at my paintings. Pol Ledent ...