Contemporary Art For Sale Price Range: $600 - $699

Page 4 of 69
Over 1981 works of original contemporary art for sale in the price range $600 - $699. On this page you can find works by Sheri Smith, Isaac Brown, Shoshannah Brombacher, William Dick, Daniel Clarke, Tom Lund-lack, Lora Vannoord, Tiziana Fejzullaj, Marino Chanlatte, Claudia Nierman, Azhar Shemdin, Shelly Leitheiser, Rhoda Taylor for the follwing mediums: 1. Links to more artwork and 69 pages for works in the price range $600 - $699 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Sheri Smith: 'Kurt Elling at the Green Mill', 2014 Giclee, Music. Giclee print of my Capturing Culture series...
Music - Giclee
17 x 22 inches (43.2 x 55.9 cm)
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Sheri Smith: 'preservation hall jazz band', 2015 Giclee, Music. Giclee print from my Capture Culture series...
Music - Giclee
23 x 19 inches (58.4 x 48.3 cm)
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Isaac Brown: 'spring forward', 2018 Acrylic Painting, Abstract.
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Shoshannah Brombacher: 'the purim angel', 2016 Pastel Drawing, History. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the  Shpoler Zayda and i made pastel drawings, like this one, and oil paintings. They will be included in the book, but the originals are ...
History - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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William Dick: 'MAIRCH IV', 2016 Other Drawing, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
64 x 45 cm (25.2 x 17.7 inches)
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William Dick: 'MAIRCH III', 2016 Other Drawing, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
64 x 45 cm (25.2 x 17.7 inches)
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William Dick: 'MAIRCH II', 2016 Other Drawing, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
64 x 45 cm (25.2 x 17.7 inches)
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William Dick: 'MAIRCH I', 2016 Other Drawing, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2016
Abstract - Drawing
64 x 45 cm (25.2 x 17.7 inches)
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Daniel Clarke: 'capistrano vista no 3', 2017 Watercolor, Landscape. Capistrano Vista no 3 San Juan Capistrano Mission courtyard fountain view watercolor on paper...
Landscape - Watercolor
12 x 18 inches (30.5 x 45.7 cm)
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Tom Lund-lack: 'energy 16', 2017 Pastel, Equine. A pastel sketch, these are harder to do than they look, no mistakes allowed The title reflects the energy of the sport of horse racing and the execution of the sketch. The support is 300 GSM Mi Teintes white pastel paper. ...
, 2017
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Shoshannah Brombacher: 'the angels of destruction', 2005 Other Drawing, Biblical. The artist made many drawings about the Roman bridge of Maastricht  The Netherlands  which she visited often in her childhood. The coat of arms of maastricht shows and angels, which appears in many of her Maastricht drawings as well. ...
Biblical - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Shoshannah Brombacher: 'the terrors of war', 2017 Pastel Drawing, War. War is a consuming fire that destroys all parties, winners and losers alike. In the background are the artist s memories of Europe. ...
War - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Shoshannah Brombacher: 'jacob and the angel', 2016 Pastel Drawing, Biblical. Yaakov wrestled with the angel, his hip got dislocated, but he did not let go before he received a blessing and received his new name, Israel, as described in Genesis  Bereshit chapter 32. I have many drawings of biblical stories...
Biblical - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Lora Vannoord: 'Blue Train', 2016 Oil Painting, Trains. Original oil painting of the 1046 Train in upstate New York. . . 2 inch gold frame included.  ...
, 2016
Trains - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Tiziana Fejzullaj: 'Finding the Way', 2015 Acrylic Painting, Figurative.  Acrylic  Oil ...
Figurative - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Tiziana Fejzullaj: 'The Man with Corset', 2015 Oil Painting, Figurative.
Figurative - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Tiziana Fejzullaj: 'Lying Nude', 2015 Oil Painting, nudes. OilAcrylic...
, 2015
nudes - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Marino Chanlatte: 'Ocean 23', 2015 Oil Painting, Abstract.  This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been...
, 2015
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Claudia Nierman: 'Relativity', 2009 Other Photography, Mystical.   This image can be printed in several seizes including47
, 2009
Mystical - Photograph
24 x 24 inches (61.0 x 61.0 cm)
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Claudia Nierman: 'Tiziano', 2009 Other Photography, Urban.  This image can be printed in severa sizes and materials like cotton archival photography paper or metallic photographic paper.Images can be framed or mounted on sintra with or with out acrylic ( no frame) . I am happy to custom made for each person's need. ...
, 2009
Urban - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Claudia Nierman: 'The Sleep Walkrs', 2011 Other Photography, Magical.   Printed on cotton archival photography paper or metallic photographic paper.mages can be framed or mounted on sintra with or with out acrylic. I am happy to custom made for each person's need. ...
Magical - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Azhar Shemdin: 'Fish Meeting Point', 2015 Acrylic Painting, Abstract.   Liquid acrylic on stretched canvas. Original painting.    ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Shelly Leitheiser: '600 ppm Ocean', 2015 Acrylic Painting, Abstract.  This is an acrylic abstract, blues and other cool colors. Painted in 2015, it is 24 x 24 unframed on a gallery wrapped canvas....
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Azhar Shemdin: 'Energy', 2014 Acrylic Painting, Abstract.  Liquid acrylic on stretched canvas.   ...
, 2014
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Rhoda Taylor: 'Nothing in life is just black or white', 2015 Illustration, Fantasy.  Fantasy, imagination of life.Ivory mount around picture is two and a half inches wide.The painting is on firm, high quality artboard.            ...
Fantasy - Illustration
12 x 18 inches (30.5 x 45.7 cm)
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Rhoda Taylor: 'Pipe Dream', 2015 Ink Painting, Fantasy.    Detailed fantasyEveryone dreams and this 1920's mermaid is no exception.Flowers penned from life, everything else is imagination.Ivory mount around picture is two and a half inches wide.The painting is on firm, high quality artboard.           ...
, 2015
Fantasy - Painting
12 x 19 inches (30.5 x 48.3 cm)
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Rhoda Taylor: 'Michief Afoot', 2015 Illustration, Fantasy.  Ladies love to gossip, cats always wish for undivided attention, but dogs, always seem to await patiently for their allotted time. Detailed pen work with colour wash, the more you look the more you see. Flowers penned from life, the rest is pure imagination.       ...
Fantasy - Illustration
13 x 30 inches (33.0 x 76.2 cm)
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Azhar Shemdin: 'Intensity', 2014 Acrylic Painting, Abstract Landscape.   Original painting for sale.  Liquid acrylic on stretched canvas.  Painting can be taken off the stretcher, rolled up and shipped to the art collector....
, 2014
Abstract Landscape - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Lora Vannoord: 'Fall Colors', 2015 Oil Painting, Landscape. Original oil painting on canvas board. Trees with their fall colors and reflections in the stream. Inspired by a park scene in upstate New York. INCLUDES a 4 inch dark brown wooden frame....
Landscape - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Michael Garr: 'Kamchatka 1', 2015 Oil Painting, Abstract Landscape.       From above. ...
Abstract Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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(Page 4 of 69) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Sheri Smith - For the past fifteen years, I have worked on my Capturing Culture series, a body of works on paper, drawn from the audience of live music performances. Sketched in Caran dAche crayon on suede board or with a sharp implement into scratch-board. The pieces portray the performers and often their instruments and parts of the venue. Though ultimately a visual record, the work emerges from a ritualistic creative process which serves to address my feelings about time, creative skill, and visual imagery. The fleeting nature of these performances is central to the work. It is often hard not to see the passing of time as an enemy, but in the case of my work the opposite is true. The impending end of a song, set, or evening offers a sense of freedom, allowing me to work quickly. This rapid pace also dictates my choice of materials. Caran dAche crayons or scratch-boards function best when used quickly and confidently. A darkened venue limits my color palette on the suede board to just what I can see. Additionally, a confined seating space constrains the size of my boards and therefore the number of details I can include. Performances and process ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visited, like Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association and NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor FL, Tampa FL Art Museum, Miami FL...

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...