Contemporary Art For Sale Price Range: $700 - $799

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Over 1575 works of original contemporary art for sale in the price range $700 - $799. On this page you can find works by Larysa Uvarova, Everet Lucero, C. A. Hoffman, Mac Worthington, Tom Lund-lack, Austen Pinkerton, Harry Weisburd, Becky Soria, Daniel Clarke, Youri Messen-jaschin, Harris Gulko, Paulo Medina, Azhar Shemdin, Valda Fitzpatrick, Denise Dalzell, Jim Lively for the follwing mediums: 1. Links to more artwork and 55 pages for works in the price range $700 - $799 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Everet Lucero: 'looks like you aint seen', 2019 Oil Painting, Abstract. Looks Like You Ain t Seen Yourself In AwhileJazz abstraction. Mental- body- deformation. Acrylic   Charcoal   Pencil on wallpaper...
Abstract - Painting
33 x 40 inches (83.8 x 101.6 cm)
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Everet Lucero: '16 roses', 2019 Oil Painting, Abstract. 16 Roses and One Long Slow BreathBeloved abstraction. This one I keep feeling as though it was inspired by a walk I took one night in the botanical gardens of San Jose about a two or three years before this paining. When I look at it I hear jazz, ...
, 2019
Abstract - Painting
33 x 32 inches (83.8 x 81.3 cm)
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C. A. Hoffman: 'reflections in color', 2020 Digital Painting, Abstract. This is an original photo that has been digitally enhanced to create a new and exciting piece of art. ...
Abstract - Digital Painting
14 x 20 inches (35.6 x 50.8 cm)
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Mac Worthington: 'premonition', 2020 Acrylic Painting, Abstract. Acrylic on stretched canvas.  Available.  Signed dated.  Certificate of Authenticity.  Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email macwartist aol.  com	...
Abstract - Painting
21 x 48 inches (53.3 x 121.9 cm)
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Tom Lund-lack: 'energy 30', 2019 Pastel, Equine. An expression of colour and movement, is what is intended in this series of chalk pastels of which this30.  Chalk pastel on Mi- Teinte 300 gsm coloured pastel paper. ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Austen Pinkerton: 'h g wells', 2020 Pencil Drawing, Portrait.  New drawing just finished:  H G Wells , 28 x 42cm, pencil and blender. I wanted to do a drawing of Wells, whose work I ve always admired. I still don t think he s properly appreciated, perhaps because he s so difficult to pigeonhole. Huge body of work, but like...
, 2020
Portrait - Drawing
42 x 28 cm (16.5 x 11.0 inches)
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Austen Pinkerton: 'statue of liberty', 2020 Crayon Drawing, World Culture. Just finished:    Statue of Liberty , Ink, Crayon and White Gouache, 30 x 42 cm...
World Culture - Drawing
42 x 30 cm (16.5 x 11.8 inches)
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Harry Weisburd: 'selfiewith red iphone', 2019 Watercolor, Figurative. Selfie With Red iPhone  Figurative Abstractin ...
Figurative - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Harry Weisburd: 'happy hour black dress', 2019 Watercolor, Figurative. Figurative Abstraction Happy Hour woman in black dress collage of nude ...
Figurative - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Becky Soria: 'vasa pretiosa', 2019 Acrylic Painting, Abstract Figurative. Looking at the long tradition between humans and plants...
Abstract Figurative - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Daniel Clarke: 'eagle rock hillside', 2019 Acrylic Painting, Landscape. Eagle Rock Hillside. In the Northeast Los Angeles lies the charming district known as Eagle Rock. Hills and valleys with houses nestled on hilltops. A Plein Air marvel to be sure. Acrylic is the magic fluid bringing this work alive ...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Tom Lund-lack: 'energy 28', 2019 Pastel, Equine. Pastel on Mi- Teinte Touch paper.  a snap shot of the colour and movement of horse racing. ...
, 2019
Equine - Pastel
50 x 70 inches (127.0 x 177.8 cm)
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Harry Weisburd: 'exiting car', 2019 Watercolor, Figurative. Sensual woman exiting car ...
Figurative - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Youri Messen-jaschin: 'autoroute', 1977 Other Photography, Abstract. Polaroid | Highway | near Bern Switzerland A(r) Prolitteris ZA1/4rich, many exhibition Switzerland...
, 1977
Abstract - Photograph
9 x 11 cm (3.5 x 4.3 inches)
Youri Messen-jaschin: 'autoroute', 1977 Other Photography, Abstract. Polaroid | Highway | near Bern Switzerland A(r) Prolitteris ZA1/4rich, many exhibition Switzerland...
, 1977
Abstract - Photograph
9 x 11 cm (3.5 x 4.3 inches)
Youri Messen-jaschin: 'autoroute', 1977 Other Photography, Abstract. Polaroid | Highway | near Bern Switzerland A(r) Prolitteris ZA1/4rich, many exhibition Switzerland...
, 1977
Abstract - Photograph
9 x 11 cm (3.5 x 4.3 inches)
Youri Messen-jaschin: 'autoroute', 1977 Other Photography, Abstract. Polaroid | Highway | near Bern Switzerland A(r) Prolitteris ZA1/4rich, many exhibition Switzerland...
, 1977
Abstract - Photograph
9 x 11 cm (3.5 x 4.3 inches)
Youri Messen-jaschin: 'autoroute', 1977 Other Photography, Abstract. Polaroid | Highway | near Bern Switzerland A(r) Prolitteris ZA1/4rich, many exhibition Switzerland...
, 1977
Abstract - Photograph
9 x 11 cm (3.5 x 4.3 inches)
Youri Messen-jaschin: 'autoroute', 1977 Other Photography, Abstract. Polaroid | Highway | near Bern Switzerland A(r) Prolitteris ZA1/4rich, many exhibition Switzerland...
, 1977
Abstract - Photograph
9 x 11 cm (3.5 x 4.3 inches)
Harris Gulko: 'A Childish View of Downtown', 2004 Oil Painting, Fantasy. I guided and supervised a grandchild who said she wants to i? 1/2paint like a grown- upi? 1/2...
Fantasy - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Paulo Medina: 'Crisol', 2019 Acrylic Painting, Abstract. pouring technique...
, 2019
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Azhar Shemdin: 'sailing the seven seas', 2019 Acrylic Painting, Abstract. Liquid acrylic on stretched canvas, using gold under- paint, covered with resist materials and lifted in due time to reveal the full coloured composition. ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Harris Gulko: 'Kids on the Bridge', 2015 Oil Painting, Kids. aEURoe Knowledge of other people s beliefs and ways of thinking must be used to build bridges, not to create conflicts.  Kjell Magne BondevikaEURoeWe can cross the rivers of doubt and discouragement on the bridge of faith even before we get to them. aEUR Sterling W SillaEURoeA bridge can still...
Kids - Painting
19 x 15 inches (48.3 x 38.1 cm)
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Harris Gulko: 'Anger Subdued', 2004 Oil Painting, Abstract. I painted this one day after I had become so very angry.  It took me years to realize I cannot eliminate anger and must not permit this destructive emotion get the better of me.  To quote Mark Twain aEURoeAnger is an acid that can do more harm to the vessel ...
Abstract - Painting
15 x 27 inches (38.1 x 68.6 cm)
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Harris Gulko: 'I Had A Dream', 2008 Oil Painting, Ethereal. I was always impressed by the work of Jackson Pollack aEUR
Ethereal - Painting
15 x 19 inches (38.1 x 48.3 cm)
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Valda Fitzpatrick: 'swiss alps in the spring', 2019 Oil Painting, Landscape. This is a spring scene of the Swiss alpsthat I often visited.  I love the alps and the beautiful scenery, where I did many sketches and photos.  I triedto capture the moving clouds flanked by giant mountains which are accented with spring flowers, evergreen trees and rocks by the flowing ...
Landscape - Painting
16 x 20 ( x )
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Denise Dalzell: 'Within Sight', 2019 Acrylic Painting, People. painting, within sight, illustration, expressionism, pop art, modern, realism, people.  A scene of emerging from a subway into an unknown event. ...
People - Painting
21 x 24 inches (53.3 x 61.0 cm)
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Denise Dalzell: 'Watch', 2019 Acrylic Painting, People. painting, watch, illustration, expressionism, pop art, modern, realism, city, policemen.  A scene of three looking over an urban protest...
, 2019
People - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Jim Lively: 'burnt orange relevance', 2019 Acrylic Painting, Abstract.
Abstract - Painting
16 x 16 inches (40.6 x 40.6 cm)
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Jim Lively: 'burnt orange complex', 2019 Acrylic Painting, Abstract.
Abstract - Painting
16 x 16 inches (40.6 x 40.6 cm)
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(Page 2 of 55) - MORE ARTWORKS
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  • Artists Describing Their Art:

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Harris Gulko - Rather than giving technical details concerning my paintings, I take the liberty to convey, in fewer than 150 words, the philosophy of life that influences all my paintings. My artwork cuts across artistic barriers, displaying many themes landscapes, seascapes, cloud formations, abstracts, childhood games, religious compositions and more. If there is one constant in my work, it is my inconsistency When I am at my easel I try to create on canvas what I am seeing. But often I go off on a tangent, and what ends up often bears little resemblance to what I was attempting to paint. My formula for success consists of ambition, drive, hard work, effort, energy, fear of failure, patience, perspiration and persistence. Life and love are made of time. Privileged those who find love in time. Wise those who express love, before life runs out of time....

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Valda Fitzpatrick - In earlier years, my dream was to become a doctor, or an artist, unfortunately I was unable to tolerate the site of blood. In order to save the patents , I made a wise decision to study art . I love every aspect of art and explore with all medias. my favorite is the French artist Monet, who was my inspiration with his incredible impressionistic style which I love to paint with oils. For a change , designing contemporary art with paper, ,interesting found objects to let my imagination go. When I am in my large studio I am in heaven. When I was still a student , I went to many art shows and did commissions. Which I financed 1 000 percent of my college expenses, and my own studios , which my husband build through the sale of my art work, a career experience that demonstrates the great practical worth of art studies and education. EDUCATION The Ohio State University , master of Arts, Supervision and Education Administration, December 1986 . The Ohio State University, Bachelor of art Education , August 1980 . The Ohio State University, Bachelor of Fine Arts, Painting And Drawing, June 1978. I further followed up my education at the Columbus of Art ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...