Contemporary Art For Sale Price Range: $700 - $799

Page 2 of 68
Over 1956 works of original contemporary art for sale in the price range $700 - $799. On this page you can find works by C. A. Hoffman, Terri Higgins, Mac Worthington, Tom Lund-lack, Austen Pinkerton, Harry Weisburd, Becky Soria, Denise Dalzell, Michael Schaffer, Daniel Clarke, Youri Messen-jaschin, James Johnson, Harris Gulko, Azhar Shemdin, Muberra Bulbul for the follwing mediums: 1. Links to more artwork and 68 pages for works in the price range $700 - $799 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Terri Higgins: 'marie antoinettes chicken 4', 2020 Oil Painting, Birds. This is painting number 4 and part of a series of  Marie Antoinette s chickens in Versailles. Oil on Linen. ...
Birds - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Terri Higgins: 'marie antoinettes chicken 3', 2020 Oil Painting, Birds. This is painting number 3 and part of a series of Marie Antoinette s chickens. Oil on Linen. ...
Birds - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Mac Worthington: 'premonition', 2020 Acrylic Painting, Abstract. Acrylic on stretched canvas.  Available.  Signed dated.  Certificate of Authenticity.  Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email macwartist aol.  com	...
Abstract - Painting
21 x 48 inches (53.3 x 121.9 cm)
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Tom Lund-lack: 'energy 30', 2019 Pastel, Equine. An expression of colour and movement, is what is intended in this series of chalk pastels of which this30.  Chalk pastel on Mi- Teinte 300 gsm coloured pastel paper. ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Austen Pinkerton: 'h g wells', 2020 Pencil Drawing, Portrait.  New drawing just finished:  H G Wells , 28 x 42cm, pencil and blender. I wanted to do a drawing of Wells, whose work I ve always admired. I still don t think he s properly appreciated, perhaps because he s so difficult to pigeonhole. Huge body of work, but like...
, 2020
Portrait - Drawing
42 x 28 cm (16.5 x 11.0 inches)
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Mac Worthington: 'heartthrob', 2020 Acrylic Painting, Abstract Figurative. Acrylic on stretched canvas.Available. Signed   dated. Certificate of Authenticity. Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2020
Abstract Figurative - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Austen Pinkerton: 'statue of liberty', 2020 Crayon Drawing, World Culture. Just finished:    Statue of Liberty , Ink, Crayon and White Gouache, 30 x 42 cm...
World Culture - Drawing
42 x 30 cm (16.5 x 11.8 inches)
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Harry Weisburd: 'selfiewith red iphone', 2019 Watercolor, Figurative. Selfie With Red iPhone  Figurative Abstractin ...
Figurative - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Harry Weisburd: 'happy hour black dress', 2019 Watercolor, Figurative. Figurative Abstraction Happy Hour woman in black dress collage of nude ...
Figurative - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Becky Soria: 'vasa pretiosa', 2019 Acrylic Painting, Abstract Figurative. Looking at the long tradition between humans and plants...
Abstract Figurative - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Denise Dalzell: 'players', 2019 Acrylic Painting, People. a graphic illustration of a baseball game...
, 2019
People - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Michael Schaffer: 'out of control', 2019 Mixed Media, Abstract. Action Art style work.  Power abstract. ...
Abstract - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
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Daniel Clarke: 'eagle rock hillside', 2019 Acrylic Painting, Landscape. Eagle Rock Hillside. In the Northeast Los Angeles lies the charming district known as Eagle Rock. Hills and valleys with houses nestled on hilltops. A Plein Air marvel to be sure. Acrylic is the magic fluid bringing this work alive ...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Tom Lund-lack: 'energy 28', 2019 Pastel, Equine. Pastel on Mi- Teinte Touch paper.  a snap shot of the colour and movement of horse racing. ...
, 2019
Equine - Pastel
50 x 70 inches (127.0 x 177.8 cm)
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Harry Weisburd: 'exiting car', 2019 Watercolor, Figurative. Sensual woman exiting car ...
Figurative - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Youri Messen-jaschin: 'autoroute', 1977 Other Photography, Abstract. Polaroid | Highway | near Bern Switzerland A(r) Prolitteris ZA1/4rich, many exhibition Switzerland...
, 1977
Abstract - Photograph
9 x 11 cm (3.5 x 4.3 inches)
Youri Messen-jaschin: 'autoroute', 1977 Other Photography, Abstract. Polaroid | Highway | near Bern Switzerland A(r) Prolitteris ZA1/4rich, many exhibition Switzerland...
, 1977
Abstract - Photograph
9 x 11 cm (3.5 x 4.3 inches)
Youri Messen-jaschin: 'autoroute', 1977 Other Photography, Abstract. Polaroid | Highway | near Bern Switzerland A(r) Prolitteris ZA1/4rich, many exhibition Switzerland...
, 1977
Abstract - Photograph
9 x 11 cm (3.5 x 4.3 inches)
Youri Messen-jaschin: 'autoroute', 1977 Other Photography, Abstract. Polaroid | Highway | near Bern Switzerland A(r) Prolitteris ZA1/4rich, many exhibition Switzerland...
, 1977
Abstract - Photograph
9 x 11 cm (3.5 x 4.3 inches)
James Johnson: 'why', 2019 Steel Sculpture, Figurative. Free will, choice, or predetermination  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch. These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number. Each piece may appear ...
, 2019
Figurative - Sculpture
4 x 6 inches (10.2 x 15.2 cm)
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Harris Gulko: 'A Childish View of Downtown', 2004 Oil Painting, Fantasy. I guided and supervised a grandchild who said she wants to i? 1/2paint like a grown- upi? 1/2...
Fantasy - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Azhar Shemdin: 'sailing the seven seas', 2019 Acrylic Painting, Abstract. Liquid acrylic on stretched canvas, using gold under- paint, covered with resist materials and lifted in due time to reveal the full coloured composition. ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Harris Gulko: 'Kids on the Bridge', 2015 Oil Painting, Kids. aEURoe Knowledge of other people s beliefs and ways of thinking must be used to build bridges, not to create conflicts.  Kjell Magne BondevikaEURoeWe can cross the rivers of doubt and discouragement on the bridge of faith even before we get to them. aEUR Sterling W SillaEURoeA bridge can still...
Kids - Painting
19 x 15 inches (48.3 x 38.1 cm)
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Harris Gulko: 'Anger Subdued', 2004 Oil Painting, Abstract. I painted this one day after I had become so very angry.  It took me years to realize I cannot eliminate anger and must not permit this destructive emotion get the better of me.  To quote Mark Twain aEURoeAnger is an acid that can do more harm to the vessel ...
Abstract - Painting
15 x 27 inches (38.1 x 68.6 cm)
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Harris Gulko: 'I Had A Dream', 2008 Oil Painting, Ethereal. I was always impressed by the work of Jackson Pollack aEUR
Ethereal - Painting
15 x 19 inches (38.1 x 48.3 cm)
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Terri Higgins: 'marie antoinettes chicken 2', 2019 Oil Painting, Birds. Marie Antoinette s Chicken number 2, Chicken, Marie Antoinette s chickens, French chickens, poultry, birds, Actual background color is more blue than it photographed as a gray. ...
Birds - Painting
13 x 21 inches (33.0 x 53.3 cm)
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Michael Schaffer: 'On The Way To The Ball', 2019 Mixed Media, Abstract Figurative. Based on a dream I had of ancient islander royals on their way to a big social event.  Good amount of coppered used in this work. ...
Abstract Figurative - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Muberra Bulbul: 'my gauguin', 2019 Collage, Abstract Figurative. Mix technical on canvas, collage and aycrilic, lavi...
, 2019
Abstract Figurative - Collage
60 x 80 cm (23.6 x 31.5 inches)
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Denise Dalzell: 'Within Sight', 2019 Acrylic Painting, People. painting, within sight, illustration, expressionism, pop art, modern, realism, people.  A scene of emerging from a subway into an unknown event. ...
People - Painting
21 x 24 inches (53.3 x 61.0 cm)
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Muberra Bulbul: 'starting', 2018 Other Painting, Abstract. Mix technical on canvas, acrylic, verious materials...
, 2018
Abstract - Painting
35 x 50 cm (13.8 x 19.7 inches)
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(Page 2 of 68) - MORE ARTWORKS
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  • Artists Describing Their Art:

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

    Harris Gulko - Rather than giving technical details concerning my paintings, I take the liberty to convey, in fewer than 150 words, the philosophy of life that influences all my paintings. My artwork cuts across artistic barriers, displaying many themes landscapes, seascapes, cloud formations, abstracts, childhood games, religious compositions and more. If there is one constant in my work, it is my inconsistency When I am at my easel I try to create on canvas what I am seeing. But often I go off on a tangent, and what ends up often bears little resemblance to what I was attempting to paint. My formula for success consists of ambition, drive, hard work, effort, energy, fear of failure, patience, perspiration and persistence. Life and love are made of time. Privileged those who find love in time. Wise those who express love, before life runs out of time....

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Muberra Bulbul - My art life that I started with realist oil painting in university years changed over time and became original. I couldnt get myself from the production of realistic work for a long time. I started to use collage technique in my years of masters, I have diversified it with watercolors and ink. I first worked on paper. Mythological stories and myths occurred in my head while making them. I tried to transfer them to my pictures. The myths had existed in every civilization, each society and faith reflected its own subjective existence. Different races and nations thought. Our essence was the same. We all believe in similar things and behave similarly. In my collages I tried to make a connection between the past and the present. I opened a personal exhibition that can exhibit their recognition. Later these collages became increasingly abstracted and turned into stains. Different painting techniques began to form tissue on the surface. In those tissues I caught the inner world of human. I, you, she or he. We have similar emotions, no matter who we are and wherever we are....