Contemporary Art For Sale Price Range: $800 - $899

Page 5 of 69
Over 1979 works of original contemporary art for sale in the price range $800 - $899. On this page you can find works by Lynda Lehmann, Ron Ogle, Judith Smith Wilson, Michael Pickett, Jose Freitascruz, Donna Gallant, Judith Fritchman, Lorrie Williamson, Manuela Facchin Varalda, Gordon Mcglothlin, Kichung Lizee, Stephen Mead, Lou Posner, Luise Andersen, Asbjorn Lonvig for the follwing mediums: 1. Links to more artwork and 69 pages for works in the price range $800 - $899 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Ron Ogle: 'Home Of Lian Pi', 2008 Oil Painting, Abstract Landscape.  I can relate to the small works Pollock made around 1945. ...
Abstract Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Judith Smith Wilson: 'Portrait of Miss Kitty', 2007 Watercolor, Cats.  My cat Miss Kitty sitting looking out the window at the birds.  Painting done from a photograph by Juith Smith Wilson.  Original Price $750. 00.  Open Edition Prints  $35. 00. ...
Cats - Watercolor
8 x 10 inches (20.3 x 25.4 cm)
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Judith Smith Wilson: 'The black Rhino', 1997 Watercolor, Wildlife.  The Black Rhino, Pen ink with Watercolor.  Original $875. 00.  Open Edition Prints  $45. 00. ...
Wildlife - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Judith Smith Wilson: 'Cardinal in the Snow', 2006 Watercolor, Wildlife.  Elegant Red Cardinal on branch in Kentucky snowstorm. Painting done from photograph taken by Judith Smith Wilson, outside her office window. Original $850. 00.  Open Edition Prints available $35. 00 ...
Wildlife - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Michael Pickett: 'Covered Bridge', 2005 Acrylic Painting, Landscape.  This painting will glow in the dark as a night scene. ...
Landscape - Painting
20 x 24 inches (50.8 x 61.0 cm)
Michael Pickett: 'Indian Graveyard', 1991 Acrylic Painting, Abstract. In this painting you can see an Eagle on the right upper corner of the painting and if you turn the painting upside down you can see a skull....
Abstract - Painting
24 x 20 inches (61.0 x 50.8 cm)
Jose Freitascruz: 'galungan x', 2007 Acrylic Painting, Abstract Landscape. Brunei period - The Galungan, a holiday symbolizing the victory of Virtue Dharma over Evil Adharma, is Balis major feast.  During this ten day period all the gods come down to earth for the festivities.  The holiday is specialized by the fitting of penjor, a tall bamboo pole splendidly decorated with ...
, 2007
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jose Freitascruz: 'kanopi II', 2007 Acrylic Painting, Abstract Landscape.
, 2007
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jose Freitascruz: 'biru blue', 2007 Acrylic Painting, Abstract Landscape. Brunei inspired - Tree...
, 2007
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jose Freitascruz: 'kabus', 2007 Acrylic Painting, Abstract Landscape. Brunei inspired - from the borneo batik series...
, 2007
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Donna Gallant: 'Spring Irises', 2001 Oil Painting, Floral.  A lovely delicate iris is executed in this piece. ...
Floral - Painting
30 x 38 inches (76.2 x 96.5 cm)
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Judith Fritchman: 'Profile of Rebecca', 2004 Oil Painting, Portrait.  Another view of a lovely young woman. ...
Portrait - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Lorrie Williamson: 'Growing Up', 2001 Oil Painting, Figurative.  A little girl no longer - - now becoming a woman. ...
, 2001
Figurative - Painting
18 x 36 inches (45.7 x 91.4 cm)
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Judith Fritchman: 'Catch Me if You Can', 2007 Oil Painting, Children. Who can resist an exuberant race with the waves?...
Children - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Manuela Facchin Varalda: 'Reflect 3', 2004 Mixed Media, Figurative.  original artwork unique piece ...
, 2004
Figurative - Mixed Media
28 x 28 inches (71.1 x 71.1 cm)
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Ron Ogle: 'HORSE SERIES number 10', 1999 Oil Painting, Abstract. Of very great importance for the development of the student is the way in which he listens to others when they speak. He must accustom himself to do this in such a way that, while listening, his inner self is absolutely silent. [ RUDOLF STEINER - KNOWLEDGE OF HIGHER WORLDS AND ITS ...
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Ron Ogle: 'HORSE SERIES number 9', 1999 Oil Painting, Abstract. Truth waits for eyes unclouded by longing....
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Gordon Mcglothlin: 'Moonlit Dreams II', 2005 Giclee, Abstract.  Moonlit Dreams II, while part of a diptych, can be purchased as a separate print. It is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 18
Abstract - Giclee
24 x 36 inches (61.0 x 91.4 cm)
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Gordon Mcglothlin: 'Moonlit Dreams', 2005 Giclee, Abstract.  Moonlit Dreams I, while part of a diptych, can be purchased as a separate print. It is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 18
Abstract - Giclee
24 x 36 inches (61.0 x 91.4 cm)
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Gordon Mcglothlin: 'Night Flower', 2001 Giclee, Geometric.  Night Flower by Gordon McGlothlin is available in limited editions of 150 on canvas and Somerset Watercolor paper and measures 23 x 34. Each piece is personally printed, signed, and numbered by the artist. For pricing information on sizes or material not shown here, please call 410- 730- 7033 ...
Geometric - Giclee
34 x 23 inches (86.4 x 58.4 cm)
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Gordon Mcglothlin: 'Under Currents', 1995 Giclee, Abstract.  Under Currents by Gordon McGlothlin is available in limited editions of 150 on canvas and Somerset Watercolor paper and measures 23
Abstract - Giclee
34 x 23 inches (86.4 x 58.4 cm)
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Kichung Lizee: 'Enchanted Jade Garden Series F Pine', 2005 Mixed Media, Botanical.  done on mulberry paper, using Chinese ink, Eastern calligraphy brush, water color and oil....
Botanical - Mixed Media
33 x 60 inches (83.8 x 152.4 cm)
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Stephen Mead: 'Remembering Mom', 2004 Mixed Media, Portrait. This is a Flag Day memory piece for my mother, Marie, incorporated into the series
Portrait - Mixed Media
36 x 28 inches (91.4 x 71.1 cm)
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Lou Posner: 'Eggplant and Green Pepper', 2000 Oil Painting, Still Life. Vegetables in motion.  Oil on canvas board.  Custom frame is wood with gold tone. ...
Still Life - Painting
8 x 10 inches (20.3 x 25.4 cm)
Luise Andersen: 'WIND  SWEPT YOU ACROSS MY MIND', 2006 Charcoal Drawing, Other. Jn. 22, 2006- - Stormy. . . .  Was Out . .  Returned To The House. . .  Still In My Coat, Reached For The Charcoals. . Hit By Strong' Lonely' Feeling. .  Drew It On This White Watercolor Paper. .  Consciously Not Aware What' Inside' Recognized. . .  I Guess. . . . . . . I Was' Somewhere Else'  While Drawing- - - - -  Left From There, With' Essence' . . . . . . .  Smiling. . . . . . . . . . . . . . . . . . . . . . . . . . ....
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Asbjorn Lonvig: 'Denmark Twenty Seven Oooooohhhhhhh', 2005 Collage, Abstract. I have been asked to consider smaller sizes - sizes under 1 meter.Over the years I have made lots of paper cut- outs. I have developed a very secure technique when it comes to color fastness.I have chosen 4 specific colors - red, yellow, green and blue, supplemented with black/ ...
Abstract - Collage
60 x 60 cm (23.6 x 23.6 inches)
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Asbjorn Lonvig: 'Denmark Twenty Six Number 7 in the pee queue', 2005 Collage, Abstract. I have been asked to consider smaller sizes - sizes under 1 meter.Over the years I have made lots of paper cut- outs. I have developed a very secure technique when it comes to color fastness.I have chosen 4 specific colors - red, yellow, green and blue, supplemented with black/ ...
Abstract - Collage
60 x 60 cm (23.6 x 23.6 inches)
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Asbjorn Lonvig: 'Denmark Twentythree Mansardhuset gul', 2005 Collage, Abstract. Inspired by The mansard house 1600/ 1650 in The Old Town, Aarhus, Denmark.The warehouse is a renaissance building from Jomfru Anegade in Aalborg. It is built with a heavy timber frame and thick carved brackets. Around 1800 a mansard roof was added. This building was originally part of the ...
Abstract - Collage
60 x 86 cm (23.6 x 33.9 inches)
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Asbjorn Lonvig: 'Denmark Twentytwo Mansardhuset ', 2005 Collage, Abstract. Inspired by The mansard house 1600/ 1650 in The Old Town, Aarhus, Denmark.The warehouse is a renaissance building from Jomfru Anegade in Aalborg. It is built with a heavy timber frame and thick carved brackets. Around 1800 a mansard roof was added. This building was originally part of the ...
Abstract - Collage
60 x 86 cm (23.6 x 33.9 inches)
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Youri Messen-jaschin: 'Planete Folle New York', 1972 Woodcut, Undecided. xylography 1/ 15(r) 1972 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1972 by Youri Messen- Jaschin Switzerland...
Undecided - Woodcut
24 x 30 cm (9.4 x 11.8 inches)
(Page 5 of 69) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Lynda Lehmann - Judith Smith Wilson - Welcome to the world of exotic animals and culture as seen through the eyes of this extraordinary artist. Follow the mood as Ms. Wilson leads you to the darkest regions of Africa and beyond.....She has been specializing in Animal Wildlife Paintings and portraits of people for over 40 years. She is a will known animal ecologist, and belongs to many wildlife organizations, including the East African Wildlife Society. Ms. Wilson has traveled to Kenya East Africa, and Rwanda East Africa, three times. She also has had the privilege to observe the endangered Mountain Gorillas in the Virunga Mountains, and all of Africa's wonderful wildlife. Ms. Wilson has cared for many injured wild animals, eventually releasing them back to their native habitat. One of these animals, a bobcat named "Precious" was not able to be released, and remained a beloved friend to her family for over twenty years. She has shown her work in Nairobi and Rwanda East Africa, and many Galleries in the United States over her 40 year career. Her work is currently being shown in San Diego, Los Angeles California and The Fine Art museum in Owensboro Kentucky. Also in Owensboro at'Gallery 412' and'Grey ...

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 350 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more or later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...