Artists Describing Their Art:
Sandra Bryant - For us, mosaic is a form of magic. The process of breaking down large sheets of glass, finding that perfect glass for each small piece, that just right hue, level of transparency and surface texture that will speak to what IaEURtmm trying to say with this glass aEURoebrush stroke.aEUR The medium is always a joy and a challenge, cutting the perfect shape and size tesserae to create that feeling. The overall theme of our artwork is a resolute celebration of this life of our world, both our own creations and of natural things. Mosaic carries a message of wonder, not only in the monuments and architecture of our surroundings, but also of the hope intrinsic in this celebration...
Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...
Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....
Iva Kalikow - My first love was interior design which I studied at the School of Visual Arts in NYC. I went on to study drawing and color at the Art Center College of Design in Pasadena, CA. At first, I thought I wanted to design furniture, but while living in L.A. I took a class in stained glass and I was hooked. My approach is one of the overall interior design of the room as well as the architectural aspects. My stained glass art panels are created in the traditional lead technique seen for centuries in churches and cathedrals. Using a wide array of both handmade and manufactured glass in every conceivable color and texture, I am constantly visualizing how natural light will illuminate the work. In selecting my palette of glass, do I use a rough wavy glass or a smooth texture, do I want it translucent or opaque I then meticulously hand cut each individual piece of glass, grind the edges and wrap it in malleable lead came strips, then solder and cement to create my original custom designed interpretations. My most recent collection is inspired by the Masters of Impressionism, Post-Impressionism, Fauvism, and Cubist periods of Art - ...
Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...
Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...
Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...
Tracy Brown - The photographer, Tracy Brown, has a wide range of photographic subject matter in her portfolio.A Life has many paths which she has explored.A She started her passion in photography while doing medical and humanitarian work many years ago. The joy of capturing the people and places visited by the few, inspired the concept of sharing these things with the world. She plans to continue her medical and humanitarian work by financing projects through her photography endeavors. She looks forward to you joining her on the new Poetry In Pictures website coming online the beginning of 2020. TracyA is excited to share the stories of the people and places which have blessed her life, to be featured on the website.A The birth of this dream would not have been possible without the whole team at Poetry In Pictures. From everyone at Poetry In Pictures, thank you for sharing with us lifes journey in pictures. ...
Johann Van Den Noort - Dutch native, painter and artist JOHANN VAN DEN NOORT (Kampen 1940) has an undeniable bond with the sea and therefore maintains a unique position within the modern art world. His passion for the sea and the way this passion is visualized through his original art form, secures him a position in the ranks of today's art world. JOHANN VAN DEN NOORT's paintings summon feelings of sovereignty. An exuberance arising from meeting the elements and visually capturing an abstract image into an emotoinal reality. Wim van der Beek, arteditor. JOHANN VAN DEN NOORT dominates all technics in the art like: oilpaintings, watercolours, gouache, graphics, ceramics and sculptures. His total oeuvre consists of over 5000 pieces of art. There are a lot of publications from him by radio, TV, newspapers, artmagazines and catalogues. Most of his work found a way to important art-collections all over the world. In 2005 Johann van den Noort was decorated by the Dutch Queen as Knight of the Dutch Lion for his complete works ...
Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...
Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....
Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<
> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...
Youri Messen-Jaschin -