Contemporary Art For Sale Price Range: $900 - $999

Page 3 of 58
Over 1666 works of original contemporary art for sale in the price range $900 - $999. On this page you can find works by Tom Lund-lack, Shoshannah Brombacher, Austen Pinkerton, David Larkins, Lois Di Cosola, Nancy Bechtol, Daniel Clarke, Harry Weisburd, Peter Seminck, Roz Zinns, Manuela Facchin Varalda, Tiziana Fejzullaj, Van De Ven, Heather Hyatt, Shelly Leitheiser, Jose Freitascruz, Geo Sipp for the follwing mediums: 1. Links to more artwork and 58 pages for works in the price range $900 - $999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Shoshannah Brombacher: 'trial of the shpoler zeide 1', 2017 Oil Painting, History. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the Shpoler Zayda  or: Zeide . I made pastel drawings and oil paintings. They will be included in the book, but the originals are for sale. ...
History - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Shoshannah Brombacher: 'the shpoler zeide', 2017 Oil Painting, Judaic. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the Shpoler Zayda and i made pastel drawings and oil paintings. They will be included in the book, but the originals are for sale. Please ...
Judaic - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Shoshannah Brombacher: 'the twelve tribes', 2012 Pastel Drawing, Biblical. I made a series of the Twelve Tribes of Israel, the sons of Jacob Yaakov who each receive a blessing. You can read more about this series at
Biblical - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Austen Pinkerton: 'dead tree', 2018 Crayon Drawing, Landscape.
, 2018
Landscape - Drawing
28 x 38 cm (11.0 x 15.0 inches)
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David Larkins: 'hoodies lagoon', 2018 Acrylic Painting, Birds. As a Hooded Merganser forages along a Lake Erie lagoon, reflections of the spring foliage create a colorful abstraction in the water.An almost pure abstract painting becomes a realistic one with the addition of the water fowl, yet another example of my interest in abstract realism ...
Birds - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Lois Di Cosola: 'SWING', 2012 Acrylic Painting, Abstract. abstract painting on paper...
, 2012
Abstract - Painting
17 x 17 inches (43.2 x 43.2 cm)
Nancy Bechtol: 'blue flight element air', 2017 Other Photography, Abstract Landscape. framed, archival photo print, limited editionprinted on aluminum substrate, framed  2 of 7  COA...
Abstract Landscape - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Daniel Clarke: 'manarola', 2017 Acrylic Painting, Landscape. Manarola Italy is reputed to be the most colorful city in the world.  Set on a rugged cliff this is a most inspirational city to paint.  Acrylic on board.  Artist will sign the work when sold...
, 2017
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Daniel Clarke: 'phi phi islands south thailand', 2017 Acrylic Painting, Landscape. Phi Phi Islands South Thailand. Acrylic on canvas. South seas islands of mystery for all to see. ...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Harry Weisburd: 'lovers 1', 2014 Watercolor, Figurative. Man and Woman lovers ...
, 2014
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Harry Weisburd: 'laptop 4', 2017 Watercolor, Figurative. Nude in bed looking at a laptop computer ...
, 2017
Figurative - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Austen Pinkerton: 'gorilla', 2017 Graphite Drawing, Animals.
, 2017
Animals - Drawing
30 x 40 cm (11.8 x 15.7 inches)
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Peter Seminck: 'stairway to heaven', 2016 Oil Painting, People. womanstaiarwaybridgeheavenrealism...
People - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Roz Zinns: 'Arenal Volcano', 2016 Acrylic Painting, nature.  Arenal Volcano in Costa Rica         ...
nature - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Manuela Facchin Varalda: 'golden field', 2016 Oil Painting, Landscape.        original artworkunique pieceoil on canvas cm 60 x 80      ...
Landscape - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Tiziana Fejzullaj: 'Nude in Red', 2014 Oil Painting, nudes.  OilAcrylic ...
nudes - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Tiziana Fejzullaj: 'Nude in a Poppy Field', 2014 Oil Painting, nudes.  Oil  Acrylic ...
nudes - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Manuela Facchin Varalda: 'TIBET', 2004 Oil Painting, Figurative.      original artworkunique pieceoil on linen canvas cm 40 x 50    ...
, 2004
Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Harry Weisburd: 'The Judgement of Paris ', 2015 Watercolor, Figurative.     Myth Judgement of Paris, looking for love and romance          ...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Harry Weisburd: 'The Judgement of Paris ', 2015 Watercolor, Figurative.    Myth Judgement of Paris, looking for love and romance         ...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Van De  Ven: 'Rear window digital raster vector', 2015 Digital Art, Abstract Landscape. Rear window is an abstract impression of sun, wind and sky above a garden. Probably my favorite painting. It reflects the joy I feel when I look out of the window at the back of our house. I worked in two programs to combine the calculated gradients and monochrome colors ...
Abstract Landscape - Digital Art
60 x 40 cm (23.6 x 15.7 inches)
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Nancy Bechtol: 'Lost Artist Billy Legs', 2014 Other Photography, Figurative. Photo, available in various sizes/ price dependent on size- materials. from smaller to very large wall scale etc, inquireprint on metal, photo paper, canvas, etc. ...
Figurative - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Heather Hyatt: 'Night', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Shelly Leitheiser: 'River City', 2012 Acrylic Painting, Expressionism.  A river on a city, or a city on a river; expressionistic, abstract, and wild. It' s inspired by this spring' s overflowing rivers and storms. This painting is matted, but not sold framed due to the weight....
, 2012
Expressionism - Painting
30 x 26 inches (76.2 x 66.0 cm)
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Jose Freitascruz: 'Landscapes from Nowhereland 014', 2012 Acrylic Painting, Abstract Landscape. from the series landscapes from now.  hereland on woodthe years spent in japan and inspired by haiku poetry i wrote while i was there...
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jose Freitascruz: 'Landscapes from Nowhereland 015', 2012 Acrylic Painting, Abstract Landscape.  from the series landscapes from now.  hereland on canvas from the years spent in japan an inspired by haiku poetry i wrote while i was there ...
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Geo Sipp: 'DeGaulle in Algiers', 2011 Other Printmaking, Military.  DeGaulle in Algiers is a drawing on drafting film, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.         ...
Military - Other Printmaking
14 x 10 inches (35.6 x 25.4 cm)
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Nancy Bechtol: 'seagull and buildings IV', 2013 Black and White Photograph, Animals. bird, seagull, Chicago, river, buildings, black white, photo, nancy bechtol, stellarstatue purple...
Animals - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Nancy Bechtol: 'seagull and buildings II', 2013 Black and White Photograph, Animals. Framed at 16x 20
Animals - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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David Larkins: 'Rolled Oats', 2012 Acrylic Painting, Americana.    One of the hottest days of this year was around July 4th, which is also when the winter wheat and oats are harvested. The temperature was 104 degrees when I did my study for
Americana - Painting
24 x 18 inches (61.0 x 45.7 cm)
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(Page 3 of 58) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    David Larkins - Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

    Van De Ven - Registration Netherlands Institute for Art History RKD 473520 Painter and graphic artist, fiction writer. Graduated at University of Amsterdam. Quit work as journalist at a national newspaper in 2000 to become fulltime painter and writer. Initially watercolor, linocut and monotype of etching ground on glass. Changed to digital raster painting in 2004. Proceeded through a combination of raster-vector to vector around 2013. Lorenzo Award for digital painting at the 2015 Florence Biennale, several other awards. Author of Digital painting explained and illustrated, 2013-2019, an online source of information on digital painting. Encounters of the heart mind The latest abstract vector works, Particles and Volatiles, are the clearest representations of my lifelong effort to let the mind liberate the heart. I create contrasts. Round and angular, light and dark, concave and convex - there are many. With that I start shifting and turning, enlarging, reducing, eliminating, adding, grouping, loosening, changing color, etc. If I change something in one place the rest usually topples over and everything has to be redone. Ultimately, every action serves the contrast between hard and angular, which symbolizes reason, and soft and round, symbolizing emotion. Aspects like color, placement, size, form, rithm, all play a role. ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...