Contemporary Art For Sale Price Range: $900 - $999

Page 4 of 61
Over 1757 works of original contemporary art for sale in the price range $900 - $999. On this page you can find works by Jose Freitascruz, Geo Sipp, Nancy Bechtol, David Larkins, Lorrie Williamson, Eric Jacobson, Roz Zinns, Martin Glick, Micha Nussinov, Edem Elesh, Luise Andersen, Lynda Lehmann, Judith Smith Wilson, Becky Soria, Rosalyn M. Gaier, Jack Earley, Franziska Turek, Gordon Mcglothlin, Ted Schaal for the follwing mediums: 1. Links to more artwork and 61 pages for works in the price range $900 - $999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Geo Sipp: 'DeGaulle in Algiers', 2011 Other Printmaking, Military.  DeGaulle in Algiers is a drawing on drafting film, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.         ...
Military - Other Printmaking
14 x 10 inches (35.6 x 25.4 cm)
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Nancy Bechtol: 'seagull and buildings IV', 2013 Black and White Photograph, Animals. bird, seagull, Chicago, river, buildings, black white, photo, nancy bechtol, stellarstatue purple...
Animals - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Nancy Bechtol: 'seagull and buildings II', 2013 Black and White Photograph, Animals. Framed at 16x 20
Animals - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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David Larkins: 'Rolled Oats', 2012 Acrylic Painting, Americana.    One of the hottest days of this year was around July 4th, which is also when the winter wheat and oats are harvested. The temperature was 104 degrees when I did my study for
Americana - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Lorrie Williamson: 'The ConchShell Man', 2011 Acrylic Painting, Undecided.  Figurative; Seascape; An interesting portrait of a young man delivering conch shells to sell at the water taxi stand; his way of making a living in the Bahamas.  ...
Undecided - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Lorrie Williamson: 'Relics from the Past', 2008 Oil Painting, Still Life.  A Still Life painting of objects made from earth products; iron, glass, and clay. Oil glazed and rubbed to give the effect of an antique painting. ...
Still Life - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Eric Jacobson: 'Brass Mobile V', 2011 Other Sculpture, Abstract.      This organic sculpture is made of brass tubing, has a mobile, creates clanging sounds when the elements hit one another, and could be part of a small water feature.                 ...
Abstract - Sculpture
19 x 35 inches (48.3 x 88.9 cm)
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Roz Zinns: 'Meteora', 2011 Oil Painting, Religious.  Monasteries on hilltops in Greece    ...
, 2011
Religious - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.   This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau.  ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.  This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau. ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Micha Nussinov: 'Umbrella Girl', 2008 Other Photography, Fantasy.  An image that arose uplifting sensation from a real to fantasy world of child.It is printed on canvas,' Giclee print' , can be printed on other materials, in different sizes  ...
Fantasy - Photograph
80 x 120 cm (31.5 x 47.2 inches)
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Edem Elesh: 'atomic elevator', 2009 Mixed Media, Undecided.
Undecided - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
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Luise Andersen: 'Deep', 2004 Acrylic Painting, Abstract.  So much joy to explore possibilities of Acrylic Inks. . . So bold in colors. . .  yet often fragile to work with. .  The temptation of just laying another color glaze. . .  to create all- over different hue. . .  I can notresist. . and carry it to new heigths. .  depth. . . luscious depth. . .  ever heard of this...
, 2004
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Lynda Lehmann: 'Damariscotta Dream', 2008 Acrylic Painting, Abstract.  Blues, oranges, and violets float in and out of each other, and form lots of pretty grays in this active, colorful painting. Acrylic on gallery- wrapped canvas, 24 x 30 inches. Image c Lynda Lehmann. ...
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Lynda Lehmann: 'The Texture of Life', 2008 Acrylic Painting, Abstract Landscape.  Active organic composition, suggestive of the flow of life and growth of living things. Image c Lynda Lehmann. Acrylic on gallery- wrapped canvas. Please view the enlarged image to see all the detail....
Abstract Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Lynda Lehmann: 'Sojourn, Hills and Sky', 2008 Acrylic Painting, Abstract Landscape.  Active organic composition, suggestive of the flow of life and growth of living things. Image c Lynda Lehmann. Acrylic on gallery- wrapped canvas. Please view the enlarged image to see all the detail....
Abstract Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Lynda Lehmann: 'Untitled Gray', 2008 Acrylic Painting, Abstract. Abstract acrylic painting in black, gray and white, with active forms and gestures and a somewhat humorous or whimsical feeling to it.  On gallery- wrapped canvas, 20 x 24 inches. Image c Lynda Lehmann. ...
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Judith Smith Wilson: 'Lake Tuskanas Hyena', 2007 Watercolor, Wildlife.  Spotted Hyena peering from the grass.  Original painting done from one of Judith Smith Wilson' s photos from Kenya East Africa.  Original' s Price reduced from $l, 800. 00, to 950. 00.  Open Edition Prints Available.  $45. 00 ...
Wildlife - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Judith Smith Wilson: 'The Florida Panther', 2000 Watercolor, Wildlife.  Florida Panther in reeds watching pray. Open Edition Prints Available, $35. 00.  Original $985. 00 ...
Wildlife - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Becky Soria: 'Vinculum III', 2007 Acrylic Painting, Abstract.  Vinculum ( isthmus, Link, connection)series ...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Rosalyn M. Gaier: 'Katrina Friend and Foe', 2007 Other Printmaking, Abstract.
Abstract - Other Printmaking
38 x 28 inches (96.5 x 71.1 cm)
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Lorrie Williamson: 'Mystery of the Red Canoe', 2003 Oil Painting, Scenic.  A narrative that' s best unspoken.  A South Florida land and sea scape for the viewer' s pleasure. ...
Scenic - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Jack Earley: 'Ride the Wind', 2005 Acrylic Painting, Other.  I call this a poem painting. Varnished acrylic on the highest quality Antwerp linen canvas. ...
Other - Painting
48 x 38 inches (121.9 x 96.5 cm)
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Franziska Turek: 'early', 2007 Other Painting, Abstract.
, 2007
Abstract - Painting
38 x 28 cm (15.0 x 11.0 inches)
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Gordon Mcglothlin: 'Fortress', 2003 Giclee, Abstract.  Fortress is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 19
, 2003
Abstract - Giclee
30 x 30 inches (76.2 x 76.2 cm)
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Jack Earley: 'In the Garden Alone', 2006 Acrylic Painting, Landscape.  This banner style painting,  evokes a meditative mood. As I enter the painting through the gold and watery steps, I lose myself in the lush and tranquil surroundings.  The painting is mounted on a piece of wood across the top back with wall hangers and no stretcher bars. ...
Landscape - Painting
20 x 62 inches (50.8 x 157.5 cm)
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Franziska Turek: 'after flood', 2006 Other Painting, Abstract.
Abstract - Painting
51 x 22 cm (20.1 x 8.7 inches)
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Ted Schaal: 'Forget me not', 1994 Steel Sculpture, Floral.  Stainless steel keepsake treasury. Blank area for engraving. Sacred space for a special gift. Please allow 3 months for production and delivery....
Floral - Sculpture
4 x 4 inches (10.2 x 10.2 cm)
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Gordon Mcglothlin: 'Summer Light', 2004 Giclee, Abstract.  Summer Light by Gordon McGlothlin is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 19
Abstract - Giclee
30 x 30 inches (76.2 x 76.2 cm)
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Gordon Mcglothlin: 'Autumn Light', 2004 Giclee, Abstract.  Autumn Light by Gordon McGlothlin is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 19
Abstract - Giclee
30 x 30 inches (76.2 x 76.2 cm)
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(Page 4 of 61) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Judith Smith Wilson - Welcome to the world of exotic animals and culture as seen through the eyes of this extraordinary artist. Follow the mood as Ms. Wilson leads you to the darkest regions of Africa and beyond.....She has been specializing in Animal Wildlife Paintings and portraits of people for over 40 years. She is a will known animal ecologist, and belongs to many wildlife organizations, including the East African Wildlife Society. Ms. Wilson has traveled to Kenya East Africa, and Rwanda East Africa, three times. She also has had the privilege to observe the endangered Mountain Gorillas in the Virunga Mountains, and all of Africa's wonderful wildlife. Ms. Wilson has cared for many injured wild animals, eventually releasing them back to their native habitat. One of these animals, a bobcat named "Precious" was not able to be released, and remained a beloved friend to her family for over twenty years. She has shown her work in Nairobi and Rwanda East Africa, and many Galleries in the United States over her 40 year career. Her work is currently being shown in San Diego, Los Angeles California and The Fine Art museum in Owensboro Kentucky. Also in Owensboro at'Gallery 412' and'Grey ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Rosalyn M. Gaier - Beauty. Meditative thought. Nuance. These are subjects of my collagraphs. They take on important implications when examined in light of today's American instant gratification culture. While convenience, speed and availability have become hallmarks of our American way of life and our society's progress, there remains a need for something more meaningful. That something is beauty. From my frame of personal artistic reference, "beauty" involves the viewer by initiating the response of taking pause, suddenly, unawares. Arousing the response from deep within, beauty disarms and fulfills at one and the same time. This elusive beauty is vital nourishment for mind and soul. Does today's American art disarm and fulfill? How well are our minds and souls being nourished? Unfortunately, Americans' appreciation and awareness of beauty are partially numbed by their frenzy experience of instant gratification. Beauty falls prey to the mindset of fast food, "Shop till you drop" and instant access to just about everything. We sacrifice refined taste, uniqueness and rewarded perseverance for what often is ephemeral and not quite satisfying. What this means for artists is that their best pieces can be easily overlooked. Unless relevance and nuance of an artwork can be realized immediately, instant ...

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...