Contemporary Art For Sale Price Range: $900 - $999

Page 4 of 58
Over 1667 works of original contemporary art for sale in the price range $900 - $999. On this page you can find works by David Larkins, Lorrie Williamson, Eric Jacobson, Roz Zinns, Martin Glick, Manuela Facchin Varalda, Micha Nussinov, Edem Elesh, Luise Andersen, Lynda Lehmann, Judith Smith Wilson, Becky Soria, Rosalyn M. Gaier, Judith Fritchman, Franziska Turek, Gordon Mcglothlin, Ted Schaal, Kichung Lizee for the follwing mediums: 1. Links to more artwork and 58 pages for works in the price range $900 - $999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Lorrie Williamson: 'The ConchShell Man', 2011 Acrylic Painting, Undecided.  Figurative; Seascape; An interesting portrait of a young man delivering conch shells to sell at the water taxi stand; his way of making a living in the Bahamas.  ...
Undecided - Painting
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lorrie Williamson: 'Relics from the Past', 2008 Oil Painting, Still Life.  A Still Life painting of objects made from earth products; iron, glass, and clay. Oil glazed and rubbed to give the effect of an antique painting. ...
Still Life - Painting
18 x 14 inches (45.7 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Eric Jacobson: 'Brass Mobile V', 2011 Other Sculpture, Abstract.      This organic sculpture is made of brass tubing, has a mobile, creates clanging sounds when the elements hit one another, and could be part of a small water feature.                 ...
Abstract - Sculpture
19 x 35 inches (48.3 x 88.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Roz Zinns: 'Meteora', 2011 Oil Painting, Religious.  Monasteries on hilltops in Greece    ...
, 2011
Religious - Painting
24 x 36 inches (61.0 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.   This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau.  ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.  This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau. ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Manuela Facchin Varalda: 'Reflect 7', 2010 Mixed Media, Figurative.   original artworkunique piecemixed nedia on canvas cm 70 x 70  ...
, 2010
Figurative - Mixed Media
28 x 28 inches (71.1 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Micha Nussinov: 'Umbrella Girl', 2008 Other Photography, Fantasy.  An image that arose uplifting sensation from a real to fantasy world of child.It is printed on canvas,' Giclee print' , can be printed on other materials, in different sizes  ...
Fantasy - Photograph
80 x 120 cm (31.5 x 47.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Edem Elesh: 'atomic elevator', 2009 Mixed Media, Undecided.
Undecided - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Luise Andersen: 'Deep', 2004 Acrylic Painting, Abstract.  So much joy to explore possibilities of Acrylic Inks. . . So bold in colors. . .  yet often fragile to work with. .  The temptation of just laying another color glaze. . .  to create all- over different hue. . .  I can notresist. . and carry it to new heigths. .  depth. . . luscious depth. . .  ever heard of this...
, 2004
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lynda Lehmann: 'Damariscotta Dream', 2008 Acrylic Painting, Abstract.  Blues, oranges, and violets float in and out of each other, and form lots of pretty grays in this active, colorful painting. Acrylic on gallery- wrapped canvas, 24 x 30 inches. Image c Lynda Lehmann. ...
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lynda Lehmann: 'The Texture of Life', 2008 Acrylic Painting, Abstract Landscape.  Active organic composition, suggestive of the flow of life and growth of living things. Image c Lynda Lehmann. Acrylic on gallery- wrapped canvas. Please view the enlarged image to see all the detail....
Abstract Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lynda Lehmann: 'Sojourn, Hills and Sky', 2008 Acrylic Painting, Abstract Landscape.  Active organic composition, suggestive of the flow of life and growth of living things. Image c Lynda Lehmann. Acrylic on gallery- wrapped canvas. Please view the enlarged image to see all the detail....
Abstract Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lynda Lehmann: 'Untitled Gray', 2008 Acrylic Painting, Abstract. Abstract acrylic painting in black, gray and white, with active forms and gestures and a somewhat humorous or whimsical feeling to it.  On gallery- wrapped canvas, 20 x 24 inches. Image c Lynda Lehmann. ...
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Judith Smith Wilson: 'Lake Tuskanas Hyena', 2007 Watercolor, Wildlife.  Spotted Hyena peering from the grass.  Original painting done from one of Judith Smith Wilson' s photos from Kenya East Africa.  Original' s Price reduced from $l, 800. 00, to 950. 00.  Open Edition Prints Available.  $45. 00 ...
Wildlife - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Judith Smith Wilson: 'The Florida Panther', 2000 Watercolor, Wildlife.  Florida Panther in reeds watching pray. Open Edition Prints Available, $35. 00.  Original $985. 00 ...
Wildlife - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Becky Soria: 'Vinculum III', 2007 Acrylic Painting, Abstract.  Vinculum ( isthmus, Link, connection)series ...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rosalyn M. Gaier: 'Katrina Friend and Foe', 2007 Other Printmaking, Abstract.
Abstract - Other Printmaking
38 x 28 inches (96.5 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lorrie Williamson: 'Mystery of the Red Canoe', 2003 Oil Painting, Scenic.  A narrative that' s best unspoken.  A South Florida land and sea scape for the viewer' s pleasure. ...
Scenic - Painting
24 x 20 inches (61.0 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Judith Fritchman: 'Good Night Moon', 2006 Oil Painting, Children.  Big sister and younger brother enjoy a bed time story together.  ...
Children - Painting
36 x 48 inches (91.4 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'early', 2007 Other Painting, Abstract.
, 2007
Abstract - Painting
38 x 28 cm (15.0 x 11.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
Gordon Mcglothlin: 'Fortress', 2003 Giclee, Abstract.  Fortress is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 19
, 2003
Abstract - Giclee
30 x 30 inches (76.2 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'after flood', 2006 Other Painting, Abstract.
Abstract - Painting
51 x 22 cm (20.1 x 8.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Ted Schaal: 'Forget me not', 1994 Steel Sculpture, Floral.  Stainless steel keepsake treasury. Blank area for engraving. Sacred space for a special gift. Please allow 3 months for production and delivery....
Floral - Sculpture
4 x 4 inches (10.2 x 10.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Gordon Mcglothlin: 'Summer Light', 2004 Giclee, Abstract.  Summer Light by Gordon McGlothlin is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 19
Abstract - Giclee
30 x 30 inches (76.2 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Gordon Mcglothlin: 'Autumn Light', 2004 Giclee, Abstract.  Autumn Light by Gordon McGlothlin is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 19
Abstract - Giclee
30 x 30 inches (76.2 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Kichung Lizee: 'East and West Bamboo', 2011 Mixed Media, Culture.  done on mulberry paper, using Chinese ink, Eastern calligraphy brush andwater color.  presented as a traditional Asian scroll. ...
Culture - Mixed Media
36 x 100 inches (91.4 x 254.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Kichung Lizee: 'Bodhisattva', 2005 Mixed Media, Buddhism.  done on mulberry paper, using Chinese ink, Eastern calligraphy brush, water color and oil. ...
Buddhism - Mixed Media
34 x 70 inches (86.4 x 177.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Kichung Lizee: 'Enchanted Jade Garden Series M Pine', 2005 Mixed Media, Botanical.  done on mulberry paper, using Chinese ink, Eastern calligraphy brush, water color and oil....
Botanical - Mixed Media
32 x 69 inches (81.3 x 175.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Gordon Mcglothlin: 'Moment of Fame', 2003 Giclee, Abstract. Moment of Fame by Gordon McGlothlin is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 19x19 and 30x30. Each piece is personally printed, signed, and numbered by the artist. For pricing information on sizes or material not shown here, please call 410- 730- ...
Abstract - Giclee
30 x 30 inches (76.2 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 4 of 58) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Judith Smith Wilson - Welcome to the world of exotic animals and culture as seen through the eyes of this extraordinary artist. Follow the mood as Ms. Wilson leads you to the darkest regions of Africa and beyond.....She has been specializing in Animal Wildlife Paintings and portraits of people for over 40 years. She is a will known animal ecologist, and belongs to many wildlife organizations, including the East African Wildlife Society. Ms. Wilson has traveled to Kenya East Africa, and Rwanda East Africa, three times. She also has had the privilege to observe the endangered Mountain Gorillas in the Virunga Mountains, and all of Africa's wonderful wildlife. Ms. Wilson has cared for many injured wild animals, eventually releasing them back to their native habitat. One of these animals, a bobcat named "Precious" was not able to be released, and remained a beloved friend to her family for over twenty years. She has shown her work in Nairobi and Rwanda East Africa, and many Galleries in the United States over her 40 year career. Her work is currently being shown in San Diego, Los Angeles California and The Fine Art museum in Owensboro Kentucky. Also in Owensboro at'Gallery 412' and'Grey ...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Rosalyn M. Gaier - Beauty. Meditative thought. Nuance. These are subjects of my collagraphs. They take on important implications when examined in light of today's American instant gratification culture. While convenience, speed and availability have become hallmarks of our American way of life and our society's progress, there remains a need for something more meaningful. That something is beauty. From my frame of personal artistic reference, "beauty" involves the viewer by initiating the response of taking pause, suddenly, unawares. Arousing the response from deep within, beauty disarms and fulfills at one and the same time. This elusive beauty is vital nourishment for mind and soul. Does today's American art disarm and fulfill? How well are our minds and souls being nourished? Unfortunately, Americans' appreciation and awareness of beauty are partially numbed by their frenzy experience of instant gratification. Beauty falls prey to the mindset of fast food, "Shop till you drop" and instant access to just about everything. We sacrifice refined taste, uniqueness and rewarded perseverance for what often is ephemeral and not quite satisfying. What this means for artists is that their best pieces can be easily overlooked. Unless relevance and nuance of an artwork can be realized immediately, instant ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...