Etchings / Artist Prints (650)

Page 10 of 23
Jerry Di Falco, Giffin Ted, Peter Tovar offering original Etchings artworks.


Contemporary Art / Etchings / Previous / Next
Jerry  Di Falco: 'BATH ABBEY AWAKES IN DAWN ANGELIC', 2015 Etching, Cityscape. Artist Description:  This etching was inspired by an albumin print created between 1890 and 1910 in Bath, England. It is from The Detroit Publishing Company Collection, Library of Congress Prints and Photographs Division Washington, D. C. , Call Number LC- D428- 905 PP. The scene shows the area near the Abbey ...
Cityscape - Etching
15 x 12 inches (38.1 x 30.5 cm)
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Jerry  Di Falco: 'BLUE PORTAL TO JOY AND MADNESS', 2015 Etching, Biblical. Artist Description: Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped ...
Biblical - Etching
12 x 15 inches (30.5 x 38.1 cm)
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Jerry  Di Falco: 'The Night of Lestat in Peach', 2015 Etching, Architecture. Artist Description: This vertical designed and triptych plate etching is executed in French, oil- based etching ink on Stonehenge black paper from U. K. The Full Moons are done in hand- cut mulberry bark paper from Thailand in a Chine colle process. Please note that this etching is shipped and ...
Architecture - Etching
9 x 15 inches (22.9 x 38.1 cm)
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Jerry  Di Falco: 'LUCY THE ELEPHANY IN MARGATE NEW JERSEY', 2015 Etching, Popular Culture. Artist Description: This extremely limited edition etching represents the famous Jersey Shore Icon by the Atlantic Ocean of Lucy the Elephant in Margate, New Jersey just south of Atlantic City, a place where I spent many summers in my childhood with my family. This photo was taken by the artist ...
Popular Culture - Etching
15 x 22 inches (38.1 x 55.9 cm)
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Jerry  Di Falco: 'The Third Hour of Lestat the Vampire', 2015 Etching, Architecture. Artist Description: My STUDIO TECHNIQUES included Aquatint Chine colle, Drypoint, and, Intaglio. This triple zinc plate etching is executed in oil- basedink on Rives BFK white paper. The ink and paper were made in France. TheFull Moons are done in mulberry bark paper from Thailand. Each zinc plate measures 3 ...
Architecture - Etching
9 x 15 inches (22.9 x 38.1 cm)
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Jerry  Di Falco: 'PAN IN BUDAPEST WITH PURPLE MIST', 2015 Etching, Cityscape. Artist Description: One zinc plate of six- inches wide by nine inches high, or 15. 24cm by 22. 86cm, was used to create this work in conjunction with seven nitric acid baths. My methods included INTAGLIO, AQUATINT, DRYPOINT, and CHINE COLLE. The overall size of the print measures 11 inches ...
Cityscape - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: ' Bath England for Professor Elaine Pagels', 2015 Etching, Surrealism. Artist Description: This work was inspired by an archival print in the U. S. Library of Congress, Prints and Photographs Division, Washington, D. C, Collection PHOTOCHROME PRINTS, Detroit Publishing Co. , Catalogue J, Foreign Section.  I employed the printmaking techniques of INTAGLIO, AQUATINT, CHINE COLLE, and DRYPOINT to create this limited ...
Surrealism - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'CEILING OF BATH ABBEY IN SHADES OF SUNSET', 2015 Etching, Geometric. Artist Description: I used three zinc plates for this work, which was inspired by a photograph of the Cathedral Abbey ceiling taken by a friend in 2013. She obtained the unique view by pointing her camera and focusing on the ceiling while laying on the abbey floor. Mulberry bark paper ...
Geometric - Etching
20 x 12 inches (50.8 x 30.5 cm)
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Jerry  Di Falco: 'VOLCANIC SCULPTURES OF CAPPADOCIA ', 2015 Etching, Landmarks. Artist Description: Title with Punctuation is VOLCANIC ROCK SCULPTURES OF CAPPADOCIA or THE DANCING FAIRIES IN PEACH. Each zinc plate measures seven inches high by five inches wide. Media My own blend of four colored, oil- based etching inks  on Stonehenge cream colored paper.  Inspired by a photograph taken by ...
Landmarks - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'Madama de Oro     The Fortune Teller Machine', 2015 Etching, Circus. Artist Description: The title of this etching is, Fortune Teller. This is from the FIRST Edition of FOUR, and the editions are limited to SEVEN etchings each. This etching was published as print number FOUR of SEVEN. The zinc plate employed for this work measured SIX inches wide by NINE ...
Circus - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'ROCK SCULPTURES OF CAPPADOCIA', 2015 Etching, Landmarks. Artist Description: Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped ...
Landmarks - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'BATH ENGLAND UNDER WOLF CALL ', 2015 Etching, Surrealism. Artist Description: This work was inspired by an archival print in the U. S. Library of Congress, Prints and Photographs Division, Washington, D. C, Collection PHOTOCHROME PRINTS, Detroit Publishing Co. , Catalogue J, Foreign Section. I employed the printmaking techniques of INTAGLIO, AQUATINT, CHINE COLLE, and DRYPOINT to create this limited ...
Surrealism - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'IMAGES OF ANCIENT PERSIA WITH GOLD COVERS ', 2015 Etching, World Culture. Artist Description: This etching employs four individual zinc plates to produce one single image and, all four were aligned and positioned on the printing press bed in a two- over- two design height by width. Techniques for this four- plated etching included aquatint, intaglio, Chine colle, and drypoint. The work ...
World Culture - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'THE FORTUNE TELLING MACHINE', 2015 Etching, Circus. Artist Description: The title of this etching is, Fortune Teller. This is from the FIRST Edition of FOUR, and the editions are limited to SEVEN etchings each. The zinc plate employed for this work measured SIX inches wide by NINE inches high, or 15. 24cm by 22. 86cm. The etching ...
Circus - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'ANCIENT PERSIA IN BLACK', 2015 Etching, History. Artist Description: This etching employs four individual zinc plates to produce one single image and, all four were aligned and positioned on the printing press bed in a two- over- two design height by width. Techniques for this four- plated etching included aquatint, intaglio, Chine colle, and drypoint. I used ...
History - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'BATH CATHEDRAL ', 2015 Etching, Architecture. Artist Description: This three plate etching is entitled, BATH CATHEDRAL LOOKING TOWARD THE SKY BATHED IN THE BLOOD- WINE OF YESHUA. It was inspired by a photograph of the Cathedral Abbey ceiling taken by a friend in 2013. She obtained the unique view by pointing her camera and focusing on ...
Architecture - Etching
18 x 10 inches (45.7 x 25.4 cm)
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Jerry  Di Falco: 'BATH ENGLAND UNDER GOLD MOON', 2015 Etching, Architecture. Artist Description: This ETCHING was inspired by a Photochrom print entitled, Roman Baths and Abbey, IV, Bath, England, taken around 1890, from the U. S. Library of Congress, Prints and Photographs Division, Washington, D. C, Collection PHOTOCHROME PRINTS, Detroit Publishing Co. , Catalogue J Foreign Section. I used the printmaking techniques ...
Architecture - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'IMAGES OF ANCIENT PERSIA', 2015 Etching, History. Artist Description: This etching employs four individual zinc plates, aligned on the printing press bed in a two- over- two design, to produce one single image. STONEHENGE brand cream paper was then placed over the inked plates before I ran them through the press. I also used a blend of ...
History - Etching
12 x 15 inches (30.5 x 38.1 cm)
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Jerry  Di Falco: 'Taxi Zum Pompeii', 2015 Etching, Surrealism. Artist Description: Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped ...
Surrealism - Etching
17 x 15 inches (43.2 x 38.1 cm)
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Giffin Ted: 'Hendrix was an Elephant', 1990 Etching, Music.
Music - Etching
8 x 11 inches (20.3 x 27.9 cm)
Jerry  Di Falco: 'THE HOUR OF LESTAT', 2014 Etching, Cityscape. Artist Description: Techniques include Aquatint, Chine colle, drypoint, and intaglio. This vertically designed triptych uses three zinc etching plates. The work is executed in oil based, French etching ink from Paris, Charbonnel brand, and is printed onto British fawn colored paper, brand Stonehenge. The Moons are done in circular cut ...
Cityscape - Etching
9 x 15 inches (22.9 x 38.1 cm)
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Jerry  Di Falco: 'Father Time from Iona Isle', 2014 Etching, Death. Artist Description: Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped ...
Death - Etching
20 x 10 inches (50.8 x 25.4 cm)
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Jerry  Di Falco: 'ANGELIC FUSION', 2014 Etching, Mystical. Artist Description: ANGELIC FUSION OF VIOLET SPECTRUM OR CAUSE AND EFFECT OF LIGHT UPON A BLOOD DRINKER. This etching is executed in oil based etching inks on RivesBFK white paper. The printmaking techniques used included aquatint, drypoint, and intaglio. TEN zinc plates were used in this diptych style design the ...
Mystical - Etching
18 x 15 inches (45.7 x 38.1 cm)
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Jerry  Di Falco: 'Parable of the Blood of the Poet', 2014 Etching, Psychedelic. Artist Description: NOTE: ONLY FIVE REMAIN Actual Title: PARABLE OF THE POET' S BLOODPrintmaking: Aquatint, Drypoint, Etching, Ink and Paper on Paper and Other. Size: 9 H x 12 W x 1 in Genre: Printmaking ( ZINC PLATE ETCHING) aEUR
Psychedelic - Etching
12 x 9 inches (30.5 x 22.9 cm)
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Jerry  Di Falco: 'WINDOWS INTO FERENCZY KAROLY', 2014 Etching, Archetypal. Artist Description: ARCHAEOLOGY AND THE RUSTED WINDOWS OF FERENCZY KAROLY, NUMBER TWO. aEUR
Archetypal - Etching
15 x 18 inches (38.1 x 45.7 cm)
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Jerry  Di Falco: 'GHOSTS OF AVILA IN VIOLET', 2014 Etching, Surrealism. Artist Description: This four plate etching entitled, THE FOUR GHOSTS OF AVILA IN SHADES OF VIOLET PINK SYMPHONY is FROM the Second Edition of the work entitled LAS DAMAS DE AVILA THE LADIES OF AVILA. I used the etching aEUR
Surrealism - Etching
15 x 16 inches (38.1 x 40.6 cm)
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Jerry  Di Falco: 'THE SOUL OF FERENCZY KAROLY ', 2014 Etching, Culture. Artist Description:  Title is ARCHAEOLOGY AND WINDOWS INTO THE SOUL OF FERENCZY KAROLY aEUR
Culture - Etching
15 x 18 inches (38.1 x 45.7 cm)
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Peter Tovar: 'Sad Girl', 2008 Etching, Abstract Figurative.
, 2008
Abstract Figurative - Etching
18 x 22 inches (45.7 x 55.9 cm)
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Jerry  Di Falco: 'Father Time on a Tombstone in Salem Massachusetts', 2014 Etching, Death. Artist Description: Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped ...
Death - Etching
11 x 20 inches (27.9 x 50.8 cm)
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Jerry  Di Falco: 'AVILA with The Elemental Ghosts', 2014 Etching, Architecture. Artist Description: The full title is, LAS DAMAS DE AVILA or THE LADIES OF AVILA, A PREMONITION OF CIVIL WAR WITH THE ELEMENTAL GHOSTS OF EARTH, AIR, FIRE, AND WATER. The studio                     techniques used included Intaglio, Aquatint, and Drypoint. I etched four separate zinc plates to create one image. Each ...
Architecture - Etching
15 x 16 inches (38.1 x 40.6 cm)
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(Page 10 of 23) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Giffin Ted - I have made several treatise concerning the nature of my art during my career. At times, the words that I have used to justify or describe my images bore no relation to the actual work. In effect, I had deceived myself. My goal in Art is not for the viewers to stand in awe of my skill or have the subject matter dictated to them in narrow terms. I would rather the viewers subjectively participate discerning the meaning and content as it relates to themselves. I suppose this is an outdated, modernist view. So be it. I will state that my subject matter roughly consists of the female form and the emotions that can be expressed through it. Thank you for your time and enjoy!...

    Peter Tovar - Peter Tovar is a seminal artist in the Chicano Art movement of Los Angeles. He was the founder of"Colores"an on-site gallery boutique at Self Help Graphics in East Los Angeles. He has also designed book covers for authors such as Gary Soto, Aurturo Hernandez and Daniel Sanchez. Peter Tovar was born at Children's Hospital in San Francisco. Second oldest son of five children, Peter grew up in Campbell Calif., a small area outside San Jose. His summers would be spent with his grandmother and cousins in the orchards. When they would break for lunch, his grandmother spun stories about the rich history of Mexico and her eventual journey to California.. " We are the people of the earth, " she would tell them. For Peter the colors of the watermelon symbolize his childhood memories of those cherished summers.In 1964 his family moved to LA where he finished high school. Peter began painting after serving in Vietnam. He continued to paint while working at SHG, and in February 1994, had his first exhibit at Self Help Graphics' Galeria Otra Vez. The exhibit consisted of a series of acrylic painting. Currently Peter lives in the downtown area of Los ...