Etchings / Artist Prints

Page 2 of 23
Tinko Dimov, Cecilia Sassi, Rachel E Heberling, Bert Menco, Laura Gamboa, Anita Jovanovic, Michel Zavalniy, Matthew Solomon, Bradford D. Branch, Lucha Rodriguez offering original Etchings artworks.


Contemporary Art / Etchings / Previous / Next
Tinko Dimov: 'fish on to the stone', 2013 Etching, undecided.
undecided - Etching
25 x 30 cm (9.8 x 11.8 inches)
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Tinko Dimov: 'high pressure', 2013 Etching, undecided.
undecided - Etching
70 x 50 cm (27.6 x 19.7 inches)
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Tinko Dimov: 'balance', 2013 Etching, undecided.
, 2013
undecided - Etching
30 x 30 cm (11.8 x 11.8 inches)
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Tinko Dimov: 'balance', 2013 Etching, undecided.
, 2013
undecided - Etching
30 x 30 cm (11.8 x 11.8 inches)
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Cecilia Sassi: 'Party at Night at 0:05 AM', 2011 Etching, Surrealism.   Party in the Salt Desert                ...
Surrealism - Etching
9 x 6 inches (22.9 x 15.2 cm)
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Cecilia Sassi: 'Party at 1 AM', 2011 Etching, Surrealism.  Party in Beach               ...
Surrealism - Etching
9 x 6 inches (22.9 x 15.2 cm)
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Cecilia Sassi: 'In the Park', 2011 Etching, Surrealism.  Central Park               ...
Surrealism - Etching
9 x 6 inches (22.9 x 15.2 cm)
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Cecilia Sassi: 'Courtship', 2011 Etching, Surrealism.   Trees engaged              ...
, 2011
Surrealism - Etching
9 x 6 inches (22.9 x 15.2 cm)
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Cecilia Sassi: 'Salt Desert', 2011 Etching, Surrealism.  New life in the desert?            ...
Surrealism - Etching
7 x 2 inches (17.8 x 5.1 cm)
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Rachel E Heberling: 'Strained Connection', 2011 Etching, Technology.   Etching and spit bite of of typing hands, based on interactive installation   ...
Technology - Etching
7 x 11.7 inches (17.8 x 29.7 cm)
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Bert Menco: 'The Visit', 1989 Etching, Fantasy.  A visitor from beyond, a room walled with some famous people ...
, 1989
Fantasy - Etching
12 x 19 inches (30.5 x 48.3 cm)
Bert Menco: 'Dream', 1978 Etching, Fantasy.  An elderly person dream of his past? The past? ...
, 1978
Fantasy - Etching
9 x 13 inches (22.9 x 33.0 cm)
Laura Gamboa: 'No Title', 2010 Etching, undecided.
, 2010
undecided - Etching
25.5 x 50 cm (10.0 x 19.7 inches)
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Laura Gamboa: 'No Title', 2010 Etching, undecided.
, 2010
undecided - Etching
25.5 x 50 cm (10.0 x 19.7 inches)
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Laura Gamboa: 'No Title', 2010 Etching, undecided.
, 2010
undecided - Etching
32.5 x 51 cm (12.8 x 20.1 inches)
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Laura Gamboa: 'No Title', 2010 Etching, undecided.
, 2010
undecided - Etching
32.5 x 51 cm (12.8 x 20.1 inches)
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Laura Gamboa: 'No Title', 2010 Etching, undecided.
, 2010
undecided - Etching
50 x 69 cm (19.7 x 27.2 inches)
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Laura Gamboa: 'Place connecting with time', 2008 Etching, undecided.
undecided - Etching
50 x 69 cm (19.7 x 27.2 inches)
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Laura Gamboa: 'Makom', 2008 Etching, undecided.
, 2008
undecided - Etching
25 x 49.5 cm (9.8 x 19.5 inches)
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Laura Gamboa: 'Inner Geography', 2008 Etching, undecided.
undecided - Etching
36 x 51 cm (14.2 x 20.1 inches)
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Anita Jovanovic: 'View through the curtain', 2006 Etching, undecided.  aquatint and linocut  ...
undecided - Etching
48 x 31 cm (18.9 x 12.2 inches)
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Michel Zavalniy: 'The beast of prey', 2009 Etching, Undecided.  Illustration for
Undecided - Etching
30 x 26 cm (11.8 x 10.2 inches)
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Michel Zavalniy: 'Iggy', 2009 Etching, Undecided.  Illustration for
, 2009
Undecided - Etching
41 x 49 cm (16.1 x 19.3 inches)
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Matthew Solomon: 'Wall of Machines', 2007 Etching, Abstract.  This is a Photo- etching with aquatint. ...
Abstract - Etching
15 x 15 inches (38.1 x 38.1 cm)
Matthew Solomon: 'Prisca Theologia', 2007 Etching, Abstract Figurative.  Photo- etching with drypoint drawing. ...
Abstract Figurative - Etching
15 x 11 inches (38.1 x 27.9 cm)
Bradford D. Branch: 'Stone Arch, Central Park NYC', 1993 Etching, Figurative.
Figurative - Etching
5.1 x 8.2 inches (13.0 x 20.8 cm)
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Lucha Rodriguez: 'Twinned Apparatus II', 2008 Etching, Undecided.  The aim of the work is to create windows that allow viewers to contemplate the body as a place. Where not only involuntary processes like digestion, respiration and blood flow continuously happens, but also the gathering of their very own imaginative creations. There is an underlying sense of connectivity between...
Undecided - Etching
22 x 30 inches (55.9 x 76.2 cm)
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Lucha Rodriguez: 'Voices Creatturette', 2008 Etching, Undecided.  The aim of the work is to create windows that allow viewers to contemplate the body as a place. Where not only involuntary processes like digestion, respiration and blood flow continuously happens, but also the gathering of their very own imaginative creations. There is an underlying sense of connectivity between...
Undecided - Etching
8.5 x 10 inches (21.6 x 25.4 cm)
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Lucha Rodriguez: 'Digesting Creatturette', 2008 Etching, Undecided.  The aim of the work is to create windows that allow viewers to contemplate the body as a place. Where not only involuntary processes like digestion, respiration and blood flow continuously happens, but also the gathering of their very own imaginative creations. There is an underlying sense of connectivity between...
Undecided - Etching
8.5 x 10 inches (21.6 x 25.4 cm)
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Bob Filbey: 'Basilisk', 1989 Etching, Fantasy.   Also available tinted by watercolor ( $275) ....
, 1989
Fantasy - Etching
9 x 12 inches (22.9 x 30.5 cm)
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(Page 2 of 23) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Rachel E Heberling - I walked up the dirt road before leaving the mountains. Fall was creeping in. I thought a car had driven by, but there remained a strange banging and rattling noise. I turned around and listened, yet nobody was there. I looked again; it was just a 25 mile-an-hour sign caught up in a tree. With the winds kicking up, I ran back down the hill. There were always strange machines in the basement. A Victrola, oil lamps, and car transmissions sat in the dark, collecting dust by the coal furnace. I grew up in a log home on a mountainside in Pennsylvania's coal regions, where black slag piles were poised to swallow one-street towns: a landmark of the Industrial Revolution's demise. When I would pass just over the ridge and wander through abandoned factories, I could feel the heavy air inside: damp and laden with an eerie silence. My childhood existed at the tail end of an era of typewriters and rotary phones: forms of communication that demand a physical connection. These fragmented memories still exist in the tactility of ink embedded into a surface, whether rolled through a press or fed through a typewriter. ...

    Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...

    Lucha Rodriguez - The aim of the work is to explore the various definitions and conceptions of the internal, not only as related to the human body but also its relationship to the mind. The work exists within the play of interpreting the internal as the inside of the body represented by the essence of human organs and a more metaphysical idea of the internal as related to the mind. It defines and constructs a place for meditation, creativity and self-examination, all actions encompassing private dialogue that claims the body as an intimate private space....