Etchings / Artist Prints

Page 22 of 25
Peter Tovar, Andre Nod, Jim Haldane, George Kofas, Olivia Mailloux, Magdalena Kalinowska, Robin Richard Emrich offering original Etchings artworks.


Contemporary Art / Etchings / Previous / Next
Andre Nod: 'rain keeper', 1996 Etching, Abstract Figurative. good...
Abstract Figurative - Etching
6 x 9 inches (15.2 x 22.9 cm)
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Jim Haldane: 'Camera', 2006 Etching, Science.  A detailed print ideal for a camera enthusiast. ...
, 2006
Science - Etching
250 x 300 mm ( x )
Jim Haldane: 'night light', 2001 Etching, Sceanic.  An atmospheric print of the pier at night. ...
Sceanic - Etching
500 x 350 mm ( x )
Jim Haldane: 'Lady on Fire', 2006 Etching, Figurative.  A small print that is a dark tribute to Whistler. ...
Figurative - Etching
150 x 100 mm ( x )
Jim Haldane: 'Figurine Brandywood', 2006 Etching, History.  A tribute to the great naval hero, Nelson, who was killed at sea and then preserved in a barrel of Brandy. ...
History - Etching
150 x 300 mm ( x )
Jim Haldane: 'Star Moon', 2000 Etching, Landscape.  The moon and a solitary star can be seen through the trees in the park at night in this atmospheric print. ...
, 2000
Landscape - Etching
350 x 500 mm ( x )
Jim Haldane: 'Day trip', 1992 Etching, Travel.  A black and white print that shows the vaulted roof and large clock of a Victorian- era train station. ...
, 1992
Travel - Etching
500 x 350 mm ( x )
Jim Haldane: 'Traveller in the Snow', 2006 Etching, Peace.  This print is clearly inspired by Japanese print artists such as Hokusai and Hiroshige. ...
Peace - Etching
200 x 300 mm ( x )
Jim Haldane: 'London Bus', 1967 Etching, Transportation.  This image is one of Jim's most popular prints and recalls London in the Swinging sixties and is a typically British subject, with the iconic routemaster bus and the bowler- hatted travellers, each with cigarette in mouth. ...
, 1967
Transportation - Etching
500 x 350 mm ( x )
Jim Haldane: 'wakey wakey', 2006 Etching, Life.  Part of a series of Mr Grimm prints ...
Life - Etching
240 x 300 mm ( x )
Jim Haldane: 'Wet and Windy', 2004 Etching, Seascape.  The West Pier in a stormy sea ...
Seascape - Etching
500 x 350 mm ( x )
Jim Haldane: 'the ten ropes', 2006 Etching, Mystical.  Part of a series of Mr Grimm prints ...
Mystical - Etching
220 x 300 mm ( x )
Jim Haldane: 'glasses', 2006 Etching, Optical.  A dark print of some broken spectacles, part of a series of Mr Grimm prints ...
, 2006
Optical - Etching
200 x 170 mm ( x )
Jim Haldane: 'polish those boots', 2006 Etching, Outsider.  Part of a series of Mr Grimm prints ...
Outsider - Etching
300 x 370 mm ( x )
George Kofas: 'Oracle', 2011 Etching, Abstract Landscape.                          RomanticismSymbolist ArtAbstractFigurativeabstract figurativeMysticalReligiousChristianInspirational                          ...
, 2011
Abstract Landscape - Etching
8 x 12 cm (3.1 x 4.7 inches)
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George Kofas: 'Sefa Utaki', 2009 Etching, Abstract Figurative.                      RomanticismSymbolist ArtAbstractFigurativeabstract figurativeMysticalReligiousChristianInspirational                      ...
, 2009
Abstract Figurative - Etching
9 x 16 cm (3.5 x 6.3 inches)
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George Kofas: 'Kamakura', 2010 Etching, Abstract Figurative.                       RomanticismSymbolist ArtAbstractFigurativeabstract figurativeMysticalReligiousChristianInspirational                       ...
, 2010
Abstract Figurative - Etching
8 x 12 cm (3.1 x 4.7 inches)
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George Kofas: 'The Blood of Cain', 2011 Etching, Abstract Figurative.                        RomanticismSymbolist ArtAbstractFigurativeabstract figurativeMysticalReligiousChristianInspirational                        ...
Abstract Figurative - Etching
14 x 22 cm (5.5 x 8.7 inches)
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Olivia Mailloux: 'untitled', 2021 Etching, . mountain print ...
, 2021
- Etching
10 x 15 inches (25.4 x 38.1 cm)
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Magdalena Kalinowska: 'Flamenco', 2012 Etching, Dance.
, 2012
Dance - Etching
50 x 66 cm (19.7 x 26.0 inches)
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Robin Richard Emrich: 'Boston', 1996 Etching, Cityscape. Boston Circa 1977, Hancock Towers, Prudential and the Ritz, with footbridge in foreground. 5th burn, with aquitint. ...
, 1996
Cityscape - Etching
24 x 18 inches (61.0 x 45.7 cm)
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Robin Richard Emrich: 'House of Seven Gables', 2000 Etching, History. Another view of the House of Seven Gables.  This includes a part of the 150 year old Chinese Chestnut tree recently deceased. ...
History - Etching
10 x 8 inches (25.4 x 20.3 cm)
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Robin Richard Emrich: 'Third Meeting House', 2000 Etching, Cityscape. North Reading ( Massachusetts) historic Third Meeting House.  The First and Second Meeting hourse bruned down.  Th Copula on this one also caught fire at the turn of the century and was rebuilt.  This historic building now is called the Edith O' Leary Senior Center and supports many ongoing services for ...
Cityscape - Etching
22 x 18 inches (55.9 x 45.7 cm)
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Robin Richard Emrich: 'Brooksby Farm', 2003 Etching, Landscape. Peabody' s Brooksby Farm.  Pictured with new barn.  Available unframed and also with as a hand Water Colored piece at $275. 00 US.  This piece shows the direction of the artist merging the tight intricate lines of manmade objects ( tha barn) juxtaposed against the random expressive lines of nature ( the ...
Landscape - Etching
20 x 16 inches (50.8 x 40.6 cm)
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Robin Richard Emrich: 'North Woods', 2002 Etching, Landscape. The North Woods, highly detailed done inthe field using a mirror....
Landscape - Etching
22 x 18 inches (55.9 x 45.7 cm)
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Robin Richard Emrich: '54 Turner Street', 1999 Etching, History. The building that was the centerpiece of Nathaniel Hawthorne' s Novel House of Seven Gables.  Second burn....
History - Etching
18 x 22 inches (45.7 x 55.9 cm)
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Robin Richard Emrich: 'Salem Witch House', 1999 Etching, History. The Salem Witch House.  Home to the judge responsible for the the witch craft trial in the 1600' s.  3rd Burn ( no pun intended) ....
History - Etching
8 x 6 inches (20.3 x 15.2 cm)
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Robin Richard Emrich: 'Old South Meeting House', 1998 Etching, History. Boston' s Old South Meeting House.  Where a handful of revolutionists embibed in a hearty draught of ale and decided to have a Tea Party....
History - Etching
8 x 10 inches (20.3 x 25.4 cm)
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Robin Richard Emrich: 'Hancock Towers', 1999 Etching, Cityscape. Boston' s John Hancock Towers.  This is the ghost of a three color print.  The original colors are subtly suggested and much less intense then the original proof.  The Boston Public Gardens and a Swan Boat is in the foreground. This is a unique example from a run that will ...
Cityscape - Etching
18 x 22 inches (45.7 x 55.9 cm)
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Robin Richard Emrich: 'Charles River Boat Club', 2001 Etching, Marine. Boats laid up for their winter rest at the Community Boating Center at Charles River in Boston.  Etching with aquatint....
Marine - Etching
18 x 22 inches (45.7 x 55.9 cm)
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(Page 22 of 25) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Peter Tovar - Peter Tovar is a seminal artist in the Chicano Art movement of Los Angeles. He was the founder of"Colores"an on-site gallery boutique at Self Help Graphics in East Los Angeles. He has also designed book covers for authors such as Gary Soto, Aurturo Hernandez and Daniel Sanchez. Peter Tovar was born at Children's Hospital in San Francisco. Second oldest son of five children, Peter grew up in Campbell Calif., a small area outside San Jose. His summers would be spent with his grandmother and cousins in the orchards. When they would break for lunch, his grandmother spun stories about the rich history of Mexico and her eventual journey to California.. " We are the people of the earth, " she would tell them. For Peter the colors of the watermelon symbolize his childhood memories of those cherished summers.In 1964 his family moved to LA where he finished high school. Peter began painting after serving in Vietnam. He continued to paint while working at SHG, and in February 1994, had his first exhibit at Self Help Graphics' Galeria Otra Vez. The exhibit consisted of a series of acrylic painting. Currently Peter lives in the downtown area of Los ...

    Andre Nod - Born 1962 in Alma-Ata now aEUR" Almaty, Kazakhstan, graduated in 1988 from the Alma-Ata State Theatrical and Artistic Institute in 1988 BMF MFA. Over the course of 30 years of active creative work has authored thousands of works of art, including paintings, sculpture, drawings, etchings, photographs, ceramics and contemporary art. Has participated in more than 200 group exhibitions and held more than 30 solo shows. Has published poetry in periodicals, participated in literary seminars and also acted in films. His works have been shown at such major international forums as ArtExpo New York International, AFA Rosemalen, Art Manege Moscow, Accessible de Arte Brussels, Asia Art Tashkent, Art Market Budapest, Art Expo SPb International, Saint. aEUR"Petersburg, Art Shanghai, at Kolner Liste Discovery Art Faire, Cologne, Germany, at the Central ArtistsaEURtm House in Moscow, at UNESCO, Paris, France and also at Sothebys and Christies. His works can be seen in permanent exhibitions at the Kasteyev State Museum of Fine Arts in Almaty, Kazakhstan, at the Museum of Modern Art in Astana, Kazakhstan, at the Museum of Art in Karaganda, Kazakhstan, at the Nevzorov Art Museum in Semipalatinsk, Kazakhstan, at the Pavlodar Art Museum, Pavlodar, Kazakhstan, at the Regional Museum of Art ...

    George Kofas - Throughout history and in all cultures and civilizations, art has reflected either the Earthly or the Spiritual. Specifically in the art of painting, certain artists have attempted to address Spiritual issues and their interrelationship with the Physical, or Natural World. Caspar David Friedrich, Wassily Kandinsky and Mark Rothko were among such artists. All three of these artists were involved in exploratory aesthetic journeys. Such journeys attempted to discover answers relating to questions of origin and state of existence and they sought out such answers within the Spiritual Realm. It is within this tradition, of attempting to explore the Spiritual Realm that my work belongs. It is only through such exploration that answers to fundamental questions related to existence will be found. Art is a vehicle of exploration. It has the capability of exploring the Spiritual and possibly providing for us a greater understanding of our existence. If the only thing art teaches us is related to the world in which we are already aware of, it teaches us nothing. The artist must be capable of discovering aspects of Reality which others are not aware of. Consequently, the artist acts as an intermediary between humanity and the Spiritual. ...

    Olivia Mailloux - As a painter I work with a variety of materials, exploring a range in scale, and applying different techniques to the canvas. Currently, acrylic and watercolor paint are the main mediums I use flowing and spreading easily across the surface in which I paint. They are easy to blend and to manipulate and for an impatient artist like myself, very forgiving. The nature of this material best expresses my subject matter of flowing water and of vast mountainscapes, evoking in the viewer a memory or the feeling of being in this place before....