Etchings / Artist Prints

Page 3 of 25
Frederick Jones, Zoja Trofimiuk, Bert Menco, Aekkachai Ninlapat, Martha Hayden, Juergen W.d. Stieler, Gonzalo Di Paolo, Agnieszka Sukiennik, Tina Browder, David Larson Evans, Jim Haldane offering original Etchings artworks.


Contemporary Art / Etchings / Previous / Next
Frederick Jones: 'waterlooplein', 2007 Etching, Figurative.  figure crossing field of vision by canal ...
Figurative - Etching
20 x 25 cm (7.9 x 9.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Zoja Trofimiuk: 'YOUNG SOCIALIST', 1996 Etching, Abstract Figurative.
Abstract Figurative - Etching
30 x 15 cm (11.8 x 5.9 inches)
Zoja Trofimiuk: 'PAPARATZZO', 2008 Etching, Undecided.
, 2008
Undecided - Etching
30 x 20 cm (11.8 x 7.9 inches)
Bert Menco: 'Deluge', 2004 Etching, Fantasy.
, 2004
Fantasy - Etching
5 x 12 inches (12.7 x 30.5 cm)
Bert Menco: 'Flying Dutchman', 1996 Etching, Fantasy. Title self- explicatory...
Fantasy - Etching
18 x 24 inches (45.7 x 61.0 cm)
Bert Menco: 'Centiment', 2008 Etching, Undecided.
, 2008
Undecided - Etching
3 x 14 inches (7.6 x 35.6 cm)
Bert Menco: 'Golem', 1988 Etching, Fantasy.
, 1988
Fantasy - Etching
12 x 18 inches (30.5 x 45.7 cm)
Bert Menco: 'Behind Walls', 1977 Etching, Fantasy.
Fantasy - Etching
10 x 11 inches (25.4 x 27.9 cm)
Aekkachai Ninlapat: 'wansook', 2005 Etching, Undecided.
, 2005
Undecided - Etching
45 x 68 cm (17.7 x 26.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Aekkachai Ninlapat: 'o', 2005 Etching, Undecided.
, 2005
Undecided - Etching
67 x 42 cm (26.4 x 16.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Frederick Jones: 'doorway', 2008 Etching, Urban.  doorway and steps, Helsinki ...
, 2008
Urban - Etching
10 x 12 cm (3.9 x 4.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Martha Hayden: 'The Gurzon Valley', 2008 Etching, Abstract Landscape.  color acquatint of Rochefort- en- terre, Breton ...
Abstract Landscape - Etching
12 x 12 inches (30.5 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Juergen W.d. Stieler: 'Traces of Buncefield 2005', 2006 Etching, undecided.  Inspired by the blast of the Buncefield oil depot ( Hemel Hempstead, England) desaster in 2005, I let firefighters collect traces and scratch CDs I sent them ON THE SCENE. the CDs were incorporated as additional printing plates into the copper etching plate. The black ink on the CDs is homebrew...
undecided - Etching
60 x 50 cm (23.6 x 19.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Gonzalo Di Paolo: 'Illay in the forrest', 1999 Etching, Romance. This etching has multiple layers of complexity and shades.Looks beautiful once framed. It could be yours!...
Romance - Etching
10 x 15 inches (25.4 x 38.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Frederick Jones: 'green', 2005 Etching, Abstract.  various intensities and striations of green; aquatint ...
, 2005
Abstract - Etching
5 x 8 inches (12.7 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Frederick Jones: 'bowl', 2007 Etching, Still Life.  bowl in morning light, cabin in Swedish archipelago; burnished aquatint and spit- bite and sugar lift etching ...
, 2007
Still Life - Etching
3 x 3 inches (7.6 x 7.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Agnieszka Sukiennik: 'my space', 2007 Etching, Other.
, 2007
Other - Etching
210 x 100 cm (82.7 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Agnieszka Sukiennik: 'my place', 2007 Etching, Other.
, 2007
Other - Etching
210 x 100 cm (82.7 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Tina Browder: 'Looking Glass', 2007 Etching, Figurative.
Figurative - Etching
6 x 8 inches (15.2 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
David Larson Evans: 'ertica', 2007 Etching, Abstract Figurative.  limited edtion . . hand pulled by the artist ...
, 2007
Abstract Figurative - Etching
24 x 25 inches (61.0 x 63.5 cm)
David Larson Evans: 'mr suthers', 2007 Etching, Landscape.  limited edtion etching. . . hand pulled by artist ...
, 2007
Landscape - Etching
12 x 9 inches (30.5 x 22.9 cm)
David Larson Evans: 'good citizens', 2007 Etching, Abstract Figurative.  limited edtion. . . hand pulled by artist ...
Abstract Figurative - Etching
22 x 9 inches (55.9 x 22.9 cm)
David Larson Evans: 'the clearing', 2007 Etching, Landscape.  limited edtion. . . hand pulled by artist ...
Landscape - Etching
24 x 26 inches (61.0 x 66.0 cm)
David Larson Evans: 'the canopy', 2007 Etching, Animals.  hand pulled by the artist ...
, 2007
Animals - Etching
23 x 9 inches (58.4 x 22.9 cm)
Jim Haldane: 'Cherry Blossom', 2007 Etching, Botanical.  A simple and classic image that captures the ephemeral cherry blossom. This print was inspired by a visit by Jim to Japan in 2005. ...
Botanical - Etching
225 x 180 mm ( x )
Jim Haldane: 'Monster Kills Frankenstein', 2002 Etching, Portrait.  An etching from the Frankenstein series, which one London critic suggested is perhaps a self- portrait of the artist! ...
Portrait - Etching
250 x 300 mm ( x )
Jim Haldane: 'Owl with a blue pencil in its ear', 1971 Etching, Humor.  A small etching from the early' seventies that Jim made following a visit to the Natural History museum in London. In one of the cases was an owl and, in order to demonstrate where the ears were, a curator had placed a blue pencil in one!    ...
Humor - Etching
120 x 160 mm ( x )
Jim Haldane: 'Police Van', 1969 Etching, Satire.  An old favourite from the sixties, an etching depicting a bus full of English
, 1969
Satire - Etching
500 x 400 inches (1270.0 x 1016.0 cm)
Jim Haldane: 'Bandstand', 1997 Etching, Music.  An extremely detailed print that would be ideal for music lovers, with an old red seaside bandstand on the right side of the print and a multicoloured impression of a score on the left.  ...
, 1997
Music - Etching
500 x 350 mm ( x )
Jim Haldane: 'Day trip', 1992 Etching, Travel.  A black and white print that shows the vaulted roof and large clock of a Victorian- era train station. ...
, 1992
Travel - Etching
500 x 350 mm ( x )
(Page 3 of 25) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Frederick Jones - On the surface my etchings are representational. The content is chiefly urban and/or figurative, and they aim to catch the texture of the everyday world - places, times, effects of light and weather. I am very concerned with the abstract geometries which remain visible within, or arise from, the world of appearances. Most of my prints are monochrome, although red makes an occasional appearance. The main influences on my etching have been the etchings of Rembrandt, and modern Dutch etchers - Aat Veldhoen, Charles Donker, Willem den Ouden ... ...

    Zoja Trofimiuk - Artisti?1/2s Statement My Art is my Statement. Volume and Space are concepts that have influenced my art. I am particularly fascinated by their appearance in the human body. I am interested in exploring dialogue both internal dialogue, which exists within oneself, and external connection that moves between two people or objects. My art explores i?1/2contradictionsi?1/2 which are attracted to each other and create a new whole. The human figure appeals to me as an adequate form for expressing these ideas. Working with glass has given me the opportunity to stretch the boundaries of these concepts to new limits, as well as offering me the joyful experience of playing with colour. I would like to concentrate my attention on capturing absence, an impression, commemorate memory, fleeing presence, give physical form to a spiritual value. The absence transferred into visual terms, long after it ceased to exist. In both instances, when working with bronze or glass, I apply a casting technique called i?1/2Lost Waxi?1/2. ...

    Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...

    Martha Hayden - My painting is both realistic and abstract, it is on that elusive edge between there and not there. On first look everything is in place, then all dissolves. I want realism and abstraction to take turns. I want a painting sometimes very evocative of time and place, sometimes overwhelming in abstract, structural logic. I look for a surprise, a drama, a different way of seeing. I try not to see anything for itself alone, but as a part of the whole. In this context, my subjects take on meanings other than the accustomed ones. They are more than still life and landscape; they are comments on thinking and seeing. ...

    Juergen W.d. Stieler - Born 1955 in the town of the pied piper in Lower Saxony, Germany. I left my home town when I was 21 and live in Flensburg, the most northern German city, next to the Danish border. Drawing, painting and printmaking are the techniques I work in. Recently I experimented upon "collecting traces" and converted them in prints to achieve authentic references of everyday occurrences or remarkable events, e.g. the Buncefield oil depot desaster in England Nov 2005....

    David Larson Evans - Without question drawing is the heart and soul of art.Becoming a trained draftsman helps to make us capable of mastering any medium.Studying Art for a lifetime ,from New York to Europe. I have many people to thank for helping make it a lifelong quest.In these etchings I am in search of something simple yet hopefully vital, even perhaps elemental(everyone can respond to something elemental). Clarity is important but by adding a hint of mystery i find it makes a more compelling and pleasing work of art. As a Printmaker it is often most difficult to force a piece of flat metal into a negative of an image that matches the original idea (whats in the had). It is a challenge to say the least. My etchings are always limited to 5o prints or less at which time the plates are defaced(keeping the low edtion size). One excitement of being an artist comes with the start of a new piece. Artist can often find inspiration in the other arts. Lately the opera has peaked some interest along with portrait painting in oils.It is wonderful when we find things that move us. The heart controls many ...