Etchings / Artist Prints

Page 5 of 25
David Larson Evans, Rick Ratliff, Heinz Sterzenbach, Jing Dong, Jerry Di Falco offering original Etchings artworks.


Contemporary Art / Etchings / Previous / Next
Rick Ratliff: 'Vicky7', 1999 Etching, Portrait. the color and number fit the subject...
, 1999
Portrait - Etching
11 x 14 inches (27.9 x 35.6 cm)
Heinz Sterzenbach: 'Brandenburger Tor  Gate of Brandenburg', 1989 Etching, Architecture. This is the day of the opening ( 22. 12. 1989) . The place befor the Brandenburger Tor is the Pariser Platz ( Paris place) . The gate was constructed by Langhans 1788 - 1789 in classicisme style after the exemple of the antique propylaen in Athene. On the top of the gate you find ...
Architecture - Etching
12 x 9 inches (30.5 x 22.9 cm)
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Heinz Sterzenbach: 'Lake of Tegel', 1998 Etching, Landscape. Is one of the biggest lakes in Berlin- North. ...
Landscape - Etching
12 x 9 inches (30.5 x 22.9 cm)
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Heinz Sterzenbach: 'Cafe Kranzler', 1991 Etching, Architecture. This is one of the famoust cafes in Berlin. The first cafe excisted already 150 years ago in Berlin- Mitte ( Old City of Berlin) . Meanwhile this picture is historic. The background has been rebuilt with a huge business center and the owner of the cafe Kranzler has changed also. ...
Architecture - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Heinz Sterzenbach: 'Castle of Charlottenburg', 1994 Etching, Cityscape. The park of the castle has his origin in a little castle built for the Kurfurstin Sophie Charlotte. The prussian kings were living at this place until the late 19. century. They changed the castle and the park. After serious destructions by the war the reconstruction began 1948. This ...
Cityscape - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jing Dong: 'The Concert', 1997 Etching, Animals. Etching on paper...
Animals - Etching
10 x 25 cm (3.9 x 9.8 inches)
Jerry  Di Falco: 'gullah baptism', 2021 Etching, History. DiFalcoaEURtms inspiration for this enigmatic work began during his research into the Gullah People, a community of freed and escaped African American slaves that settled on islands off South CarolinaaEURtms Coast long before slaveryaEURtms was end.  These people developed their own Creole culture and language, and their ...
History - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'hit the road jack', 2021 Etching, Famous People. Jerry DiFalco created this intaglio and aquatint etching using a zinc plate that was etched in several baths of nitric acid.  It is from the First Edition of Four Editions, and each edition is limited to only five etchings.  The work depicts Jack Kerouac and a friend standing outside The ...
Famous People - Etching
10 x 13 inches (25.4 x 33.0 cm)
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Jerry  Di Falco: 'big easy purple mist', 2021 Etching, Architecture. Gerard Di Falco created this original, one of a kind work by combining the genres of printmaking and painting.  He began the process by taking an artistaEURtms proof from a new intaglio and aquatint etchings and then enhancing it with watercolors.The intaglio etching, executed on a zinc plate ...
Architecture - Etching
11 x 13 inches (27.9 x 33.0 cm)
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Jerry  Di Falco: 'betrayal at nicea', 2021 Etching, Christian. Jerry Mazur- DiFalco created this original, one of a kind mixed media work while suffering from the extreme pain of spinal deformity and full body arthritis.  It depicts the unending and throbbing pain of chaos via the image of a reference to VeronicaaEURtms Veil.  This veil relates to the ...
Christian - Etching
15 x 22 inches (38.1 x 55.9 cm)
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Jerry  Di Falco: 'snow in lama dei peligni', 2021 Etching, Rural. A blend of oil based, French inks were employed in this etching, which was printed on RivesBFK white paper.  The techniques of intaglio, aquatint, and Chine collA
Rural - Etching
24 x 18 inches (61.0 x 45.7 cm)
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Jerry  Di Falco: 'snow and spring sky', 2021 Etching, Rural. The full title is SNOW AND SPRING SKY IN LAMA DEI PELIGNI.  A blend of oil based, French inks were employed in this etching, which was printed on RivesBFK white paper.  The techniques of intaglio and Chine colle combine to give this winter scene a poignant mood.  The work, printed ...
Rural - Etching
24 x 18 inches (61.0 x 45.7 cm)
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Jerry  Di Falco: 'snow in abruzzi', 2021 Etching, Representational. A blend of oil based, French inks were employed in this etching, which was printed on RivesBFK white paper.  The techniques of intaglio and Chine colle combine to give this winter scene a poignant mood.  The work, printed on a zinc plate that measured nine inches high by twelve inches ...
Representational - Etching
24 x 18 inches (61.0 x 45.7 cm)
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Jerry  Di Falco: 'south jersey mill', 2021 Etching, History. SIZE GIVEN IS FOR FRAMED WORK.Di FalcoaEURtms original etching on zinc plate employs the printmaking techniques of intaglio, drypoint, and Chine colle, pronounced Shin- KA- lay.  His media for this Print Number Two of Five in Edition Two of FouraEUR
History - Etching
11 x 14 inches (27.9 x 35.6 cm)
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Jerry  Di Falco: 'tbisili in lines red moon', 2021 Etching, Architecture. Printmaking Etching, Drypoint, Oil, Ink, Paper on Paper, Other.This intaglio and drypoint printwhich also uses Chine colle , was executed on three individual zinc plates and printed on French RivesBFK white papermeasuring about fifteen inches wide by eleven inches high, or 38. 100cm by 27. 940cmwith a blended mixture of ...
Architecture - Etching
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'Tbilisi in Lines One', 2021 Etching, Landmarks. This intaglio and drypoint print, executed on three individual zinc plates, was printed on Stonehenge cream colored paper, measuring about fifteen inches wide by eleven inches high or 38. 100cm by 27. 940cm, with a blended mixture of three colored inks from Paris, Charbonnel brand and oil base.  Di Falco ...
Landmarks - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'batso mill pine boggs', 2021 Etching, Americana. BATSTO VILLAGEThis original etching by Jerry Di Falco employed the printmaking techniques of intaglio, drypoint, and Chine collA(c).  Media included Charbonnel brand inkaEUR
Americana - Etching
11 x 14 inches (27.9 x 35.6 cm)
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Jerry  Di Falco: 'camden new jersey rag blues', 2020 Etching, Transportation. This artist s proofaEUR
Transportation - Etching
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'the lady of pink mist', 2020 Etching, Magical. This puzzling work was adapted from a 1990 photo that the artist shot at the Archaeological MuseumaEURtms gift shop in Madrid.  His interest in the ancient Goddess cults, begun in 1974, inspired many works of art over the past four decades.  DiFalco employed the studio techniques of aquatint and ...
Magical - Etching
11 x 10 inches (27.9 x 25.4 cm)
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Jerry  Di Falco: 'a sculpture in havana', 2020 Etching, Landmarks. This etching was hand printed and published by the artist at The Center for Works on Paper in Philadelphia, Pennsylvania.  Please note it ships to the collector with both a frame and archival mat.  A sturdy cardboard box is employed for shipping the work.  The price includes all handling costs, ...
Landmarks - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'mother goddess two', 2020 Etching, Nature. This intaglio and aquatint etching- - EDITION II of IV, PRINT NUMBER 1 of 5- - was inspired by an engraving by Philips Galle who was born in Haarlem in the Netherlands.  DiFalco employed a zinc plate that was etched in three Nitric acid bathsmoreover, the plate measured six inches high by ...
Nature - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'elemental mother', 2020 Etching, Spiritual. This intaglio and aquatint etching was inspired by an engraving by Philips Gallec.  1585- 1590 , who was born in Haarlem in the Netherlands.  DiFalco employed a zinc plate that was etched in three Nitric acid bathsmoreover, the plate measured six inches high by nine inches wide, or 15. 240 cmx22. ...
Spiritual - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'theater lara night ghosts', 2020 Etching, Theater. This intimate hand- printed etching, executed on a Charles Brand hand build press that was manufactured in New York City, incorporates the studio techniques of intaglio, aquatint, and drypoint. I blended Parisian, oil base etching inks  Charbonnel brand  and Stonehenge black etching paper.  The size of the zinc plate measured ...
Theater - Etching
10 x 12 inches (25.4 x 30.5 cm)
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Jerry  Di Falco: 'admiral wilson boulevard', 2020 Etching, Automotive. This etchingaEUR
Automotive - Etching
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'baroque lara', 2020 Etching, Theater. This intimate hand- printed etching, executed on a Charles Brand hand build press manufactured in New York City, incorporates the studio techniques of intaglio, aquatint, and Chine colleChinese pasting.  I blended Parisian, oil base etching inksCharbonnel brandand RivesBFK white etching paper.  The process of Chine colle required Thai mulberry bark ...
Theater - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'admiral wilson boulevard nj', 2020 Etching, Cityscape. This Di Falco etchingaEUR
Cityscape - Etching
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'teatro lara en madrid', 2020 Etching, Travel. Edition TWO of FIVE.  Print Number 2 of 5.  This meticulous hand- printed etching was executed on a Charles Brand press, which was manufactured in New York City.  It employed studio techniques of intaglio, aquatint, and Chine colle.  I blended Parisian, oil base etching inks Charbonnel brand and RivesBFK white ...
Travel - Etching
11 x 14 inches (27.9 x 35.6 cm)
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Jerry  Di Falco: 'mi barrio en madrid', 2020 Etching, Cityscape. This intimate hand- printed etching, executed on a Charles Brand hand build press that was manufactured in New York City, incorporates the studio techniques of intaglio, aquatint, and Chine colleChinese pasting.  I blended Parisian, oil base etching inksCharbonnel brandand RivesBFK white etching paper.  The process of Chine colle required Thai ...
Cityscape - Etching
13 x 15 inches (33.0 x 38.1 cm)
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Jerry  Di Falco: 'philadelphia 1920', 2020 Etching, Political. This intaglio and aquatint etching was inspired by several of the artistaEURtms original drawings, all of which were based on an archived photograph from the Temple University Libraries, Special Collections Research Center in Philadelphia, Pennsylvania, USA.  Di Falco used French, oil base inkCharbonnel Brand, Parisand printed on Stonehenge brand ...
Political - Etching
16 x 13 inches (40.6 x 33.0 cm)
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Jerry  Di Falco: 'big easy blues four', 2020 Etching, Architecture. This intaglio etching was enhanced with the technique of Chine colle via the use of Thai mulberry bark paper treated with methylcellulose.  It was executed on a zinc plate and etched in several Nitric acid baths.  The inspiration was based on a photograph taken by the artistaEURtms grandfather, and ...
Architecture - Etching
10 x 13 inches (25.4 x 33.0 cm)
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(Page 5 of 25) - MORE ARTWORKS
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  • Artists Describing Their Art:

    David Larson Evans - Without question drawing is the heart and soul of art.Becoming a trained draftsman helps to make us capable of mastering any medium.Studying Art for a lifetime ,from New York to Europe. I have many people to thank for helping make it a lifelong quest.In these etchings I am in search of something simple yet hopefully vital, even perhaps elemental(everyone can respond to something elemental). Clarity is important but by adding a hint of mystery i find it makes a more compelling and pleasing work of art. As a Printmaker it is often most difficult to force a piece of flat metal into a negative of an image that matches the original idea (whats in the had). It is a challenge to say the least. My etchings are always limited to 5o prints or less at which time the plates are defaced(keeping the low edtion size). One excitement of being an artist comes with the start of a new piece. Artist can often find inspiration in the other arts. Lately the opera has peaked some interest along with portrait painting in oils.It is wonderful when we find things that move us. The heart controls many ...

    Heinz Sterzenbach - Sterzenbach is a painter who creates self-willed dream figures (men, animals, sculptures, rock formations, etc.). Strange and bewitched creatures come into existence, which defy description. Theese magical, surrealistic images have a suggestive effect on the spectator. Sterzenbach about his practice: "I don't know theese creatures, before I see them appearing on paper or canvas. I am often surprised about my own creations. By different techniques like frottage, decalcomany, imprimitation etc. structures come into existence, which Sterzenbach assembles into fantasy figures, without having an exact imagination of what is emerging. Little faces and forms, which Sterzenbach inserts finally in the coarse structures, increase the dreamlike surrealistic radiation of the pictures. You may not try to understand or conceive. It is quite a different world where you have to engage in as a spectator. ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...