Etchings / Artist Prints

Page 5 of 25
Naima Neidre, David Larson Evans, Rick Ratliff, Heinz Sterzenbach, Jing Dong, Jerry Di Falco offering original Etchings artworks.


Contemporary Art / Etchings / Previous / Next
Naima Neidre: 'Games of the landscapes', 1990 Etching, Other.
Other - Etching
64 x 48 cm (25.2 x 18.9 inches)
David Larson Evans: 'spotted owl', 2003 Etching, Birds. limited to 30 prints, hand printed by the artist, signed and numbered in pencil, framed size would be 15 x 14...
Birds - Etching
9 x 7 inches (22.9 x 17.8 cm)
David Larson Evans: 'morte', 2006 Etching, Landscape. limited to 25 prints , hand printed by the artist, signed and numbered in pencil framed size would be 19 x 26...
, 2006
Landscape - Etching
19 x 26 inches (48.3 x 66.0 cm)
Rick Ratliff: 'Vicky7', 1999 Etching, Portrait. the color and number fit the subject...
, 1999
Portrait - Etching
11 x 14 inches (27.9 x 35.6 cm)
Heinz Sterzenbach: 'Brandenburger Tor  Gate of Brandenburg', 1989 Etching, Architecture. This is the day of the opening ( 22. 12. 1989) . The place befor the Brandenburger Tor is the Pariser Platz ( Paris place) . The gate was constructed by Langhans 1788 - 1789 in classicisme style after the exemple of the antique propylaen in Athene. On the top of the gate you find ...
Architecture - Etching
12 x 9 inches (30.5 x 22.9 cm)
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Heinz Sterzenbach: 'Lake of Tegel', 1998 Etching, Landscape. Is one of the biggest lakes in Berlin- North. ...
Landscape - Etching
12 x 9 inches (30.5 x 22.9 cm)
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Heinz Sterzenbach: 'Cafe Kranzler', 1991 Etching, Architecture. This is one of the famoust cafes in Berlin. The first cafe excisted already 150 years ago in Berlin- Mitte ( Old City of Berlin) . Meanwhile this picture is historic. The background has been rebuilt with a huge business center and the owner of the cafe Kranzler has changed also. ...
Architecture - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Heinz Sterzenbach: 'Castle of Charlottenburg', 1994 Etching, Cityscape. The park of the castle has his origin in a little castle built for the Kurfurstin Sophie Charlotte. The prussian kings were living at this place until the late 19. century. They changed the castle and the park. After serious destructions by the war the reconstruction began 1948. This ...
Cityscape - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jing Dong: 'The Concert', 1997 Etching, Animals. Etching on paper...
Animals - Etching
10 x 25 cm (3.9 x 9.8 inches)
Jerry  Di Falco: 'camden new jersey rag blues', 2020 Etching, Transportation. This artist s proofaEUR
Transportation - Etching
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'the lady of pink mist', 2020 Etching, Magical. This puzzling work was adapted from a 1990 photo that the artist shot at the Archaeological MuseumaEURtms gift shop in Madrid.  His interest in the ancient Goddess cults, begun in 1974, inspired many works of art over the past four decades.  DiFalco employed the studio techniques of aquatint and ...
Magical - Etching
11 x 10 inches (27.9 x 25.4 cm)
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Jerry  Di Falco: 'a sculpture in havana', 2020 Etching, Landmarks. This etching was hand printed and published by the artist at The Center for Works on Paper in Philadelphia, Pennsylvania.  Please note it ships to the collector with both a frame and archival mat.  A sturdy cardboard box is employed for shipping the work. The price includes all handling costs, ...
Landmarks - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'mother goddess two', 2020 Etching, Nature. This intaglio and aquatint etching- - EDITION II of IV, PRINT NUMBER 1 of 5- - was inspired by an engraving by Philips Galle who was born in Haarlem in the Netherlands.  DiFalco employed a zinc plate that was etched in three Nitric acid bathsmoreover, the plate measured six inches high by ...
Nature - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'elemental mother', 2020 Etching, Spiritual. This intaglio and aquatint etching was inspired by an engraving by Philips Galle  c. 1585- 1590 , who was born in Haarlem in the Netherlands.  DiFalco employed a zinc plate that was etched in three Nitric acid baths  moreover, the plate measured six inches high by nine inches wide, or 15. ...
Spiritual - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'theater lara night ghosts', 2020 Etching, Theater. This intimate hand- printed etching, executed on a Charles Brand hand build press that was manufactured in New York City, incorporates the studio techniques of intaglio, aquatint, and drypoint. I blended Parisian, oil base etching inks  Charbonnel brand  and Stonehenge black etching paper.  The size of the zinc plate measured ...
Theater - Etching
10 x 12 inches (25.4 x 30.5 cm)
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Jerry  Di Falco: 'admiral wilson boulevard', 2020 Etching, Automotive. This etchingaEUR
Automotive - Etching
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'baroque lara', 2020 Etching, Theater. This intimate hand- printed etching, executed on a Charles Brand hand build press manufactured in New York City, incorporates the studio techniques of intaglio, aquatint, and Chine colleChinese pasting.  I blended Parisian, oil base etching inksCharbonnel brandand RivesBFK white etching paper.  The process of Chine colle required Thai mulberry bark ...
Theater - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'admiral wilson boulevard nj', 2020 Etching, Cityscape. This Di Falco etchingaEUR
Cityscape - Etching
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'teatro lara en madrid', 2020 Etching, Travel. Edition TWO of FIVE.  Print Number 2 of 5.  This meticulous hand- printed etching was executed on a Charles Brand press, which was manufactured in New York City.  It employed studio techniques of intaglio, aquatint, and Chine colle.  I blended Parisian, oil base etching inks Charbonnel brand and RivesBFK white ...
Travel - Etching
11 x 14 inches (27.9 x 35.6 cm)
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Jerry  Di Falco: 'mi barrio en madrid', 2020 Etching, Cityscape. This intimate hand- printed etching, executed on a Charles Brand hand build press that was manufactured in New York City, incorporates the studio techniques of intaglio, aquatint, and Chine colleChinese pasting.  I blended Parisian, oil base etching inksCharbonnel brandand RivesBFK white etching paper.  The process of Chine colle required Thai ...
Cityscape - Etching
13 x 15 inches (33.0 x 38.1 cm)
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Jerry  Di Falco: 'philadelphia 1920', 2020 Etching, Political. This intaglio and aquatint etching was inspired by several of the artistaEURtms original drawings, all of which were based on an archived photograph from the Temple University Libraries, Special Collections Research Center in Philadelphia, Pennsylvania, USA.  Di Falco used French, oil base inkCharbonnel Brand, Parisand printed on Stonehenge brand ...
Political - Etching
16 x 13 inches (40.6 x 33.0 cm)
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Jerry  Di Falco: 'big easy blues three', 2020 Etching, Representational. This intaglio etching was enhanced with the technique of Chine colle via the use of Thai mulberry bark paper treated with methylcellulose. It was executed on a zinc plate and etched in several Nitric acid baths. The inspiration was based on a photograph taken by the artistaEURtms grandfather, and ...
Representational - Etching
10 x 13 inches (25.4 x 33.0 cm)
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Jerry  Di Falco: 'big easy blues four', 2020 Etching, Architecture. This intaglio etching was enhanced with the technique of Chine colle via the use of Thai mulberry bark paper treated with methylcellulose.  It was executed on a zinc plate and etched in several Nitric acid baths.  The inspiration was based on a photograph taken by the artistaEURtms grandfather, and ...
Architecture - Etching
10 x 13 inches (25.4 x 33.0 cm)
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Jerry  Di Falco: 'big easy blues two', 2020 Etching, Cityscape. This intaglio etching, executed on a zinc plate and etched in several Nitric acid baths, was inspired by several original drawings by DiFalco, all based on a photograph taken by his grandfather.  The scene depicts the architectural elements found in New Orleans circa 1940.  Di Falco used French, oil base ...
Cityscape - Etching
10 x 13 inches (25.4 x 33.0 cm)
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Jerry  Di Falco: 'green man minotaur', 2020 Etching, Erotic. This unique etching was inspired by the myth of the Minotaur, a beast that was half man and half bull, in Ancient Cultures. I executed this etching using a zinc plate that measured five inches high by seven inches wide, or 13 cm x 18 cm.  The print size is ...
Erotic - Etching
11 x 10 inches (27.9 x 25.4 cm)
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Jerry  Di Falco: 'poverty in italian ghetto', 2020 Etching, History. This intaglio and aquatint etching was inspired by several of original drawings by DiFalco, all based on an archived photograph from the Temple University Libraries, Special Collections Research Center in Philadelphia, Pennsylvania, USA.   DiFalco used French, oil base ink and printed on Stonehenge brand etching paper, Color Cream.  He etched ...
History - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'dome in malta', 2020 Etching, Cosmic. This print is from the final edition of this work and has only five etching. The zinc plate employed for this work measured 6 inches high by 8 inches wide. The etching size is 11. 25 inches high by 15 inches wide. The media include oil based black ink, RivesBFK ...
Cosmic - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'italian imp', 2020 Etching, Fantasy. This is my second edition of an etching based on a drawing by author, folklorist, and linguist CHARLES LELAND.  Print measures 10 inches wide by 11 inches high, or 25. 40 cm x 27. 94 cm.  TheMedia include a blend of colored oil base etching Inks from Paris, Charbonnel ...
Fantasy - Etching
11 x 13 inches (27.9 x 33.0 cm)
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Jerry  Di Falco: 'lucy in black and blue', 2020 Etching, Humor. This is the third and final edition of this double plate etching, which was printed manually in 2020 by the artist at The Center For Works on Paper, 705 Christian Street in Philadelphia Pennsylvania, at the Fleisher Art School Campus, 700 Block of Catharine Street.  The edition is limited to ...
Humor - Etching
18 x 24 inches (45.7 x 61.0 cm)
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Jerry  Di Falco: 'opal nera', 2020 Etching, Fetish. This detailed and intimate dreamlike etching, entitled OPAL NERA, translates as Black Opal.  It is the second edition of the work entitled, GUARDIANS OF PARIS, an edition printed in 2013.  The delay between editions relates to astrological readings from 2013.  The studio techniques included aquatint, intaglio, and drypoint on one ...
, 2020
Fetish - Etching
10 x 8 inches (25.4 x 20.3 cm)
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(Page 5 of 25) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Naima Neidre - IN HER OWN WORDS: "As a person of feelings I make neither plans nor sketches of the things I want to see in my works. I use the line which follows the hand. Where is the beginning - where is the end? Of that I have no idea. I give absolute freedom to the line. For me it is interesting that the lines in my recent works are moving closer together - sometimes creating a nearly black surface. It is like a journey into an unknown depth which is fascinating, exciting and at the same time dangerous. I have no idea of where I am going. But yet I have to control myself and stop for a moment at the right moment (when the work is finished) - before I set out on a new journey in a new work. I feel very great joy when people gain strenght from my works, strenght to go on - to create or to feel something. Sensitivity is in the eyes of the beholder. We see, we feel, we live together". Naima Neidre...

    David Larson Evans - Without question drawing is the heart and soul of art.Becoming a trained draftsman helps to make us capable of mastering any medium.Studying Art for a lifetime ,from New York to Europe. I have many people to thank for helping make it a lifelong quest.In these etchings I am in search of something simple yet hopefully vital, even perhaps elemental(everyone can respond to something elemental). Clarity is important but by adding a hint of mystery i find it makes a more compelling and pleasing work of art. As a Printmaker it is often most difficult to force a piece of flat metal into a negative of an image that matches the original idea (whats in the had). It is a challenge to say the least. My etchings are always limited to 5o prints or less at which time the plates are defaced(keeping the low edtion size). One excitement of being an artist comes with the start of a new piece. Artist can often find inspiration in the other arts. Lately the opera has peaked some interest along with portrait painting in oils.It is wonderful when we find things that move us. The heart controls many ...

    Heinz Sterzenbach - Sterzenbach is a painter who creates self-willed dream figures (men, animals, sculptures, rock formations, etc.). Strange and bewitched creatures come into existence, which defy description. Theese magical, surrealistic images have a suggestive effect on the spectator. Sterzenbach about his practice: "I don't know theese creatures, before I see them appearing on paper or canvas. I am often surprised about my own creations. By different techniques like frottage, decalcomany, imprimitation etc. structures come into existence, which Sterzenbach assembles into fantasy figures, without having an exact imagination of what is emerging. Little faces and forms, which Sterzenbach inserts finally in the coarse structures, increase the dreamlike surrealistic radiation of the pictures. You may not try to understand or conceive. It is quite a different world where you have to engage in as a spectator. ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...