Etchings / Artist Prints

Page 5 of 23
Gay O_neill, Mahoumd A_elkader, Nikki Bonner, Gonzalo Di Paolo, Naima Neidre, David Larson Evans, Rick Ratliff, Heinz Sterzenbach, Jing Dong, Jerry Di Falco offering original Etchings artworks.


Contemporary Art / Etchings / Previous / Next
Gay O_neill: 'Mr Joyce', 2005 Etching, Figurative.
, 2005
Figurative - Etching
13 x 18 inches (33.0 x 45.7 cm)
Mahoumd A_elkader: 'ambition', 2005 Etching, Abstract.
, 2005
Abstract - Etching
70 x 90 inches (177.8 x 228.6 cm)
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Nikki Bonner: 'Toytown', 2003 Etching, Landscape. A coloured etching/ monoprint...
, 2003
Landscape - Etching
53 x 25 cm (20.9 x 9.8 inches)
Nikki Bonner: 'Eastern Pink', 2003 Etching, Architecture. A coloured etching/ monoprint...
Architecture - Etching
53 x 25 cm (20.9 x 9.8 inches)
Nikki Bonner: 'Shell Chic', 2003 Etching, Fantasy. A coloured etching...
, 2003
Fantasy - Etching
47 x 47 cm (18.5 x 18.5 inches)
Nikki Bonner: 'water spirit', 2003 Etching, Mythology. A monoprint/ etching...
Mythology - Etching
210 x 297 mm ( x )
Gonzalo Di Paolo: 'Atardecer', 2003 Etching, Architecture.
, 2003
Architecture - Etching
19 x 27 cm (7.5 x 10.6 inches)
Naima Neidre: 'Receding glow', 1992 Etching, Other.
Other - Etching
64 x 48 cm (25.2 x 18.9 inches)
Naima Neidre: 'On the border of the blue', 1995 Etching, Other.
Other - Etching
64 x 48 cm (25.2 x 18.9 inches)
Naima Neidre: 'Games of the landscapes', 1990 Etching, Other.
Other - Etching
64 x 48 cm (25.2 x 18.9 inches)
David Larson Evans: 'spotted owl', 2003 Etching, Birds. limited to 30 prints, hand printed by the artist, signed and numbered in pencil, framed size would be 15 x 14...
Birds - Etching
9 x 7 inches (22.9 x 17.8 cm)
David Larson Evans: 'morte', 2006 Etching, Landscape. limited to 25 prints , hand printed by the artist, signed and numbered in pencil framed size would be 19 x 26...
, 2006
Landscape - Etching
19 x 26 inches (48.3 x 66.0 cm)
Rick Ratliff: 'Vicky7', 1999 Etching, Portrait. the color and number fit the subject...
, 1999
Portrait - Etching
11 x 14 inches (27.9 x 35.6 cm)
Heinz Sterzenbach: 'Brandenburger Tor  Gate of Brandenburg', 1989 Etching, Architecture. This is the day of the opening ( 22. 12. 1989) . The place befor the Brandenburger Tor is the Pariser Platz ( Paris place) . The gate was constructed by Langhans 1788 - 1789 in classicisme style after the exemple of the antique propylaen in Athene. On the top of the gate you find ...
Architecture - Etching
12 x 9 inches (30.5 x 22.9 cm)
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Heinz Sterzenbach: 'Lake of Tegel', 1998 Etching, Landscape. Is one of the biggest lakes in Berlin- North. ...
Landscape - Etching
12 x 9 inches (30.5 x 22.9 cm)
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Heinz Sterzenbach: 'Cafe Kranzler', 1991 Etching, Architecture. This is one of the famoust cafes in Berlin. The first cafe excisted already 150 years ago in Berlin- Mitte ( Old City of Berlin) . Meanwhile this picture is historic. The background has been rebuilt with a huge business center and the owner of the cafe Kranzler has changed also. ...
Architecture - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Heinz Sterzenbach: 'Castle of Charlottenburg', 1994 Etching, Cityscape. The park of the castle has his origin in a little castle built for the Kurfurstin Sophie Charlotte. The prussian kings were living at this place until the late 19. century. They changed the castle and the park. After serious destructions by the war the reconstruction began 1948. This ...
Cityscape - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jing Dong: 'The Concert', 1997 Etching, Animals. Etching on paper...
Animals - Etching
10 x 25 cm (3.9 x 9.8 inches)
Jerry  Di Falco: 'mist rennes le chateau', 2019 Etching, Mystical. This original DiFalco etching is based on a photograph he took in 1987, which he then and adapted it for etching by executing three graphite drawings.  He took the photo in the village of Rennes le Chateau, France, within the Church of Mary Magdalene.  This mystical siteaEURtms fascinating history ...
Mystical - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'st micheles in pumpkin', 2019 Etching, Landmarks. This hand pulled etching is based on an antique photo take by the artist s paternal grandfather in France at Mon San Michele.  The artist executed two drawingsin graphite before etching onto his zinc plate, which was then developed in Nitric acid.  The price includes shipment costs, frame, archival mat, ...
Landmarks - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'tower of magdalen', 2019 Etching, Landmarks. This architectural image is adapted from a photograph that I shot in 1987, which I then translated into three pencil drawings before beginning my etching on a zinc plate.  The work features the mysterious Tower Of Mary Magdalene in the South of France.  It highlights the mesmerizing magic of Rennes ...
Landmarks - Etching
11 x 14 inches (27.9 x 35.6 cm)
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Jerry  Di Falco: 'st micheles in pink', 2019 Etching, Travel. Etching is based on a photograph by the patrenal grandfather of the artist.  Etching of RivesBFK white paper with oil base ink.  Intaglio, Drypoing and Chine colle.  Frame size is 9x12.  Frame and mat included in price. ...
Travel - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'grotesque', 2019 Etching, Architecture. The intimate size of this etching by Di Falco projects a rather imposing mood.  The etching, inspired by a photo that the artist shot in 1987, was based on two of his own pencil drawings.  This specific print is from the FIRSTR Edition of Four, and each edition is limited ...
, 2019
Architecture - Etching
8 x 10 inches (20.3 x 25.4 cm)
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Jerry  Di Falco: 'statue rennes le chateau', 2019 Etching, Landmarks. This original DiFalco etching is based on a photograph he took in 1987 and adapted it for etching by first executing three graphite drawings.  He took the photo in the village of Rennes- le- ChAC/teau, France, within the Church of Mary Magdalene.  This mystical siteaEURtms fascinating history encompasses ...
Landmarks - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'pink grotesque', 2019 Etching, Archetypal. The intimate size of this etching by Di Falco projects a rather imposing mood.  The etching, inspired by a photo that the artist shot in 1987, was based on two of his own pencil drawings.  This specific print is from the Second Edition of Four, and each edition is limited ...
Archetypal - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'magdalen in emerald city', 2019 Etching, Famous People. This hand printed etching by Di Falco, based on three of his pencil and powdered graphite drawings, was originally inspired by an illustration in THE SFORZA HOURS, which is from the British Library Collection, London, Add.  MS 34294.  Media for this Second Edition includes a created blend of oil base ...
Famous People - Etching
16 x 20 inches (40.6 x 50.8 cm)
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Jerry  Di Falco: 'mary magdalene ascends', 2019 Etching, Mystical. This etching by Jerry Mazur Di Falco was based on three of his drawings that were all inspired by an illustration in THE SFORZA HOURSfrom the British Library, London, Add.  MS 34294.  Media for this First Edition etching includes oil base etching ink on RivesBFK white paper.  The image size, ...
Mystical - Etching
16 x 20 inches (40.6 x 50.8 cm)
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Jerry  Di Falco: 'hear no evil', 2019 Etching, Landmarks. The intimate size of this etching by Di Falco projects a rather imposing mood.  The etching, inspired by a photo that the artist shot in 1987, was based on two of his own pencil drawings.  The zinc plate was etched in four baths of Nitric acid, and Di Falco employed ...
Landmarks - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'mandarine death', 2019 Etching, Death. EDITION 5 of 5, Print Number 2 of 5.  The image is this intaglio etching is based on a detail within an 1851 engraving by Alfred Rethel, who created the work based on the poetry of Heinrich Heine.  Ethels inspiration to portray Death in this manner was related to the ...
Death - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'red death', 2019 Etching, Outsider. EDITION 4 of 5, Print Number 2 of 5. The image is this intaglio etching is based on a detail within an 1851 engraving by Alfred Rethel, who created the work based on the poetry of Heinrich Heine.  Ethels inspiration to portray Death in this manner was related to the ...
, 2019
Outsider - Etching
9 x 12 inches (22.9 x 30.5 cm)
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(Page 5 of 23) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Gay O_Neill - Gay O'Neill was born in Ireland and educated in Dublin and Switzerland. She studied at the National College of Art before joining the Graphic Studio in the late 60s, where she began etching under the guidance of Patrick Hickey and John Kelly. Her etchings are figurative and linear, using aquatint for tonal effect. Her drawings have been exhibited in the Women's Association, London and along with her etchings she has exhibited throughout Ireland and the U.K. Work includes: producing large paintings for private collections, prints for interior design projects (both private and commercial). Her works also hang in various private collections in London, New York, Spain, Germany, Australia and Brussels. ...

    Naima Neidre - IN HER OWN WORDS: "As a person of feelings I make neither plans nor sketches of the things I want to see in my works. I use the line which follows the hand. Where is the beginning - where is the end? Of that I have no idea. I give absolute freedom to the line. For me it is interesting that the lines in my recent works are moving closer together - sometimes creating a nearly black surface. It is like a journey into an unknown depth which is fascinating, exciting and at the same time dangerous. I have no idea of where I am going. But yet I have to control myself and stop for a moment at the right moment (when the work is finished) - before I set out on a new journey in a new work. I feel very great joy when people gain strenght from my works, strenght to go on - to create or to feel something. Sensitivity is in the eyes of the beholder. We see, we feel, we live together". Naima Neidre...

    David Larson Evans - Without question drawing is the heart and soul of art.Becoming a trained draftsman helps to make us capable of mastering any medium.Studying Art for a lifetime ,from New York to Europe. I have many people to thank for helping make it a lifelong quest.In these etchings I am in search of something simple yet hopefully vital, even perhaps elemental(everyone can respond to something elemental). Clarity is important but by adding a hint of mystery i find it makes a more compelling and pleasing work of art. As a Printmaker it is often most difficult to force a piece of flat metal into a negative of an image that matches the original idea (whats in the had). It is a challenge to say the least. My etchings are always limited to 5o prints or less at which time the plates are defaced(keeping the low edtion size). One excitement of being an artist comes with the start of a new piece. Artist can often find inspiration in the other arts. Lately the opera has peaked some interest along with portrait painting in oils.It is wonderful when we find things that move us. The heart controls many ...

    Heinz Sterzenbach - Sterzenbach is a painter who creates self-willed dream figures (men, animals, sculptures, rock formations, etc.). Strange and bewitched creatures come into existence, which defy description. Theese magical, surrealistic images have a suggestive effect on the spectator. Sterzenbach about his practice: "I don't know theese creatures, before I see them appearing on paper or canvas. I am often surprised about my own creations. By different techniques like frottage, decalcomany, imprimitation etc. structures come into existence, which Sterzenbach assembles into fantasy figures, without having an exact imagination of what is emerging. Little faces and forms, which Sterzenbach inserts finally in the coarse structures, increase the dreamlike surrealistic radiation of the pictures. You may not try to understand or conceive. It is quite a different world where you have to engage in as a spectator. ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...