Etchings / Artist Prints

Page 6 of 23
Jerry Di Falco offering original Etchings artworks.


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Jerry  Di Falco: 'pomegranate magi', 2019 Etching, New Age. This etching depicts a Romanesque stone carving from the Cathedral of Saint Lazare in Autun, France.  Di Falco based his work on a slide he photographed in 1987 to use in his art history lectures.  He projected the slide directly onto blank white paper and created two individual drawings on ...
New Age - Etching
12 x 9 inches (30.5 x 22.9 cm)
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Jerry  Di Falco: 'mandarin orange moon', 2019 Etching, Vintage. ABOUT THE ARTISTaEURtmS ETCHINGS:  DiFalco first creates a number of original drawings, which are usually based upon the narrative and documentation- centric images, which he discovers through his research into the photographic and digital archives of universities, libraries, governments, and historical societies.  Herein now, the artist outlines some details ...
Vintage - Etching
16 x 20 inches (40.6 x 50.8 cm)
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Jerry  Di Falco: 'water dragon lilac moon', 2019 Etching, Cityscape. ABOUT THE ARTISTaEURtmS ETCHINGS:  DiFalco first creates a number of original drawings, which are usually based upon the narrative and documentation- centric images, which he discovers through his research into the photographic and digital archives of universities, libraries, governments, and historical societies.  Herein now, the artist outlines some details ...
Cityscape - Etching
16 x 20 inches (40.6 x 50.8 cm)
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Jerry  Di Falco: 'philadelphia chinatown 1948', 2019 Etching, History. ABOUT THE ARTISTaEURtmS ETCHINGS: Di Falco first creates a number of original drawings, which are usually based upon the narrative and documentation- centric images, which he discovers through his research into the photographic and digital archives of universities, libraries, governments, and historical societies.  Herein now, the artist outlines some ...
History - Etching
16 x 20 inches (40.6 x 50.8 cm)
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Jerry  Di Falco: 'gold magi', 2019 Etching, Spiritual. This etching depicts a Romanesque stone carving from the Cathedral of Saint Lazare in Autun, France. Di Falco based his work on a slide he photographed in 1987 to use in his art history lectures. He projected the slide directly onto blank white paper and created two individual drawings on ...
, 2019
Spiritual - Etching
12 x 10 inches (30.5 x 25.4 cm)
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Jerry  Di Falco: 'water dragon moon 1948', 2019 Etching, Landmarks. ABOUT THE ARTISTaEURtmS ETCHINGS - - DiFalco first creates a number of original drawings, which are usually based upon photographic images that he finds via research into university, library, or historical archives.  He presents here some details about the ETCHING process, in order to explain to you about the complexities and ...
Landmarks - Etching
16 x 20 inches (40.6 x 50.8 cm)
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Jerry  Di Falco: 'magi wake', 2019 Etching, Christian. This etching depicts a Romanesque stone carving from the Cathedral of Saint Lazare in Autun, France. Di Falco based his work on a slide he photographed in 1987 to use in his art history lectures. He projected the slide directly onto blank white paper and created two individual drawings on ...
, 2019
Christian - Etching
12 x 9 inches (30.5 x 22.9 cm)
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Jerry  Di Falco: 'magi awaken', 2019 Etching, Famous People. The actual title for this intimate and complicated work is, aEURoeMagi.  .  .  Awaken aEURThe etching, which depicts a Romanesque stone carving from the Cathedral of Saint Lazare in France, is based upon a slide Di Falco photographed in 1987 to use in his art history lectures.  The sacred building is located ...
Famous People - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'chinatown 1948', 2019 Etching, Urban. Actual title for this etching isFULL WATER DRAGON MOON OVER CHINATOWN, 1948 .This etching employs the studio techniques of aquatint, intaglio, and drypoint.  The zinc etching plate used measured ten inches high by eight inches wide, which is consequently also the image size.  French, oil base inkCharbonnel brand from Pariswas ...
Urban - Etching
20 x 28 inches (50.8 x 71.1 cm)
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Jerry  Di Falco: 'violet herbalist', 2019 Etching, History. This etching is print number one of five from the third and final edition.  The scene is based on several original pencil drawings by the artist, which all depict a black and white photograph from the Temple University Libraries, Special Records Research Center.  The narrative involves an elderly woman standing ...
History - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'kater street 1914', 2019 Etching, Representational. This sceneaEUR
Representational - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'vampiric view french quarter', 2019 Etching, Optical. Jerry Mazur- DiFalco created this distinctive etching - - print number two of four, Edition III of V - - via the employment of four separate zinc plates, which were placed simultaneously on the printing press bedaEUR
Optical - Etching
18 x 24 inches (45.7 x 61.0 cm)
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Jerry  Di Falco: 'orpheus trilogy in emerald', 2019 Etching, Movies. The studio techniques of Chine Colle, Drypoint, Intaglio, and Aquatint were employed in this etching.  DiFalco used the media of oil base etching ink from Paris, RivesBFK white paper, and mulberry bark paper from Thailand that was treated with methyl cellulose and infused with kozo threads from Japan.  The work ...
Movies - Etching
14 x 11 inches (35.6 x 27.9 cm)
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Jerry  Di Falco: 'blood moon', 2019 Etching, Cityscape. Jerry Mazur- DiFalco created this distinctive etching via the employment of four separate zinc plates, which were placed simultaneously on the printing press bedaEUR
, 2019
Cityscape - Etching
24 x 18 inches (61.0 x 45.7 cm)
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Jerry  Di Falco: 'window into the french quarter', 2019 Etching, Obsessive. Jerry Di Falco created this unique visual with the employment of four individual zinc etching plates all placed simultaneously on the printing press bed in order to produce one single image.  The scene features an historic building in New Orleans entitled THE CALBILDO.  Moreover, this Di Falco trademark of using ...
Obsessive - Etching
18 x 24 inches (45.7 x 61.0 cm)
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Jerry  Di Falco: 'templar church segovia', 2019 Etching, Magical. This architectural study, an etching on zinc plate, reflects the soul of the Templar Temple that it represents.  The etching was published and hand- printed by the artist printmaker Jerry DiFalco at the Center For Works on Paper, Fleisher Art School, Open Studio in Printmaking, Philadelphia, Pennsylvania.  Four Editions are ...
Magical - Etching
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'segovian grail temple', 2019 Etching, Architecture. Etching.  Hand pulled etching by artist, Jerry Mazur- DiFalco, was created at the Center For Works on Paper, Fleisher Art s Open Studio in Printmaking, in Philadelphia, Pennsylvania.  This is the first of four editions, and each edition is limited to only five works.  The media includes oil base etching ...
Architecture - Etching
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'cocteau trilogy angelic', 2019 Etching, Movies. The artist incorporated the studio techniques of Chine Colle, Drypoint, Intaglio, and Aquatint in this etching.  Its media includes oil base etching ink, RivesBFK white paper, and mulberry bark paper from Thailand that was treated with methylcellulose and infused with kozo threads from Japan.  The work was executed on a ...
Movies - Etching
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'sebastian in quicksilver', 2019 Etching, Christian. EDITION Four of Four.  Saint Sebastian is one of the most portrayed saints in art history.  This etchingaEUR
Christian - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'saint sebastian in blue', 2019 Etching, Movies. THIRD EDITION.  Saint Sebastian is one of the most portrayed saints in art history.  This etchingaEUR
Movies - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'saint sebastian in sepia', 2019 Etching, Erotic. Saint Sebastian is one of the most portrayed saints.  This etchingaEUR
Erotic - Etching
13 x 16 inches (33.0 x 40.6 cm)
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Jerry  Di Falco: 'saint sebastian in rose', 2019 Etching, Zeitgeist. Saint Sebastian is one of the most portrayed saints.  This etching, based on three of my original drawings- - all which were adapted from a publicity photo from a 1976 British film entitled, aEURoeSebastianiaEUR, shows the saint during his supposed execution.  The media include an original blend of colored oil base ...
Zeitgeist - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'web of light victory', 2019 Etching, Surrealism. The price for the artwork includesThe etching, matted in archival materials and a woodframe.All handling costs.Shipment Carton.Packing materials.A Certificate of Authenticity signed by the artist.  The framed and matted artwork arrives already wired and ready to hang.  The framing includes a brown craft paper backing.  Moreover, ...
Surrealism - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'spider in red', 2019 Etching, Mythology. The price for the artwork includesThe etching, matted in archival materials and a woodframe.All handling costs.Shipment Carton.Packing materials.A Certificate of Authenticity signed by the artist.  The framed and matted artwork arrives already wired and ready to hang.  The framing includes a brown craft paper backing.  Moreover, ...
Mythology - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'i am seraph green', 2019 Etching, Kabbalah. This hand printed intaglio etching depicts a Seraph.  The work pictured here is from the LAST EDITION of FOUR, OR IV IV, which is limited to only five prints.  I executed the work on a zinc plate covered with hard ground and etched the plate twice in Nitric acid baths, ...
Kabbalah - Etching
13 x 17 inches (33.0 x 43.2 cm)
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Jerry  Di Falco: 'funeral dance in rasberry', 2019 Etching, Ethereal. This impenetrable etching was inspired by an ancient Etruscan fresco depicting a funeral dance.  It was executed on two zinc plates, and each one required six Nitric Acid baths.  All of these hand pulled editions were printed and published by the artist at The Center for Works on Paper in ...
Ethereal - Etching
17 x 13 inches (43.2 x 33.0 cm)
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Jerry  Di Falco: 'basilagattan dancers', 2019 Etching, Dance. This impenetrable etching was inspired by an ancient Etruscan fresco depicting a funeral dance.  It was executed on two zinc plates, and each one required six Nitric Acid baths.  All of these hand pulled editions were printed and published by the artist at The Center for Works on Paper in ...
Dance - Etching
17 x 13 inches (43.2 x 33.0 cm)
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Jerry  Di Falco: 'saint cocteau', 2019 Etching, Movies. This print uses the etching techniques of intaglio, dry- point, Chine colle, and aquatint.  I used oil base Charbonnel brand ink from France and RivesBFK white paper.  A mulberry bark paper from Thailand, treated with methylcellulose, was used in the Chine colle overlay process.  This etching is from the second ...
Movies - Etching
13 x 18 inches (33.0 x 45.7 cm)
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Jerry  Di Falco: 'i am seraph', 2019 Etching, Archetypal. This hand printed etching of a Seraph employs the studio techniques of intaglio.  The work pictured here is from the FIRST EDITION of FOUR, and all editions are limited to only five prints.  I executed the work on a zinc plate covered with hard ground and etched the plate twice ...
Archetypal - Etching
13 x 17 inches (33.0 x 43.2 cm)
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Jerry  Di Falco: 'i am seraph three', 2019 Etching, Spiritual. This hand printed etching of a Seraph employs the studio techniques of intaglio.  The work pictured here is from the THIRD EDITION of FOUR, and all editions are limited to only five prints.  I executed the work on a zinc plate covered with hard ground and etched the plate twice ...
Spiritual - Etching
13 x 17 inches (33.0 x 43.2 cm)
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(Page 6 of 23) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...