Intaglio Prints (190)

Page 6 of 7
Barbara A. Sloan, Lilly Ames, Lucy Valkury, Martha Hayden, Matthew Solomon, Michael Aldag, Elena Rein, Amanda Tallcot, Mike Kennelly, Jamshed Aziz, Laura Imhoff, Alice Chang, Marco Marz, Michael Semsch, Nahid Navab, Anita Jovanovic, Wieslaw Haladaj, Rachel E Heberling, Taher Hamouda, Ralph Slatton offering original Intaglio Prints artworks.


Contemporary Art / Intaglio Prints / Previous / Next
Lilly Ames: 'nostalgia', 2016 Intaglio, Family.
, 2016
Family - Intaglio
3 x 6 inches (7.6 x 15.2 cm)
Lucy Valkury: 'Work is Death', 2012 Intaglio, Philosophy. Artist Description:  Ghosts of labor wandering miserably, endlessly around the rotting carcass of their former enslaver, while the ghosts of the indigenous lies buried underneath. Every hour on the clock is life consumed by the beast, an hour dead and gone forever. ...
Philosophy - Intaglio
0 x 0 inches (0.0 x 0.0 cm)
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Lucy Valkury: 'Cultivation', 2013 Intaglio, Philosophy. Artist Description:  Civilization plundering, raping the reproductive earth body, a parasite on her back. Outsiders real through the fences, look on to those trapped within the machine, and those living off the refuse, the sickly bile. They come with tools both of cultivation, and destruction, is there a difference? ...
Philosophy - Intaglio
0 x 0 inches (0.0 x 0.0 cm)
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Lucy Valkury: 'Work is Death', 2016 Intaglio, Philosophy. Artist Description: Ghosts of labor wandering miserably, endlessly around the rotting carcass of their former enslaver, while the ghosts of the indigenous lies buried underneath. Every hour on the clock is life consumed by the beast, an hour dead and gone forever....
Philosophy - Intaglio
0 x 0 inches (0.0 x 0.0 cm)
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Lucy Valkury: 'Culmination', 2015 Intaglio, Philosophy. Artist Description:  History of civilization pillaging, raping the reproductive earth body. Monuments to power forcing their way into the earth, starving the future of life. But nature will always reclaim life in the end, her roots and tentacles wrap around its corpse, as the waves come crashing over the fragile ...
Philosophy - Intaglio
0 x 0 inches (0.0 x 0.0 cm)
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Martha Hayden: 'F Train at Smith and Ninth', 2005 Intaglio, Abstract Landscape. Artist Description:      etching, acquatint, Smith and Ninth, Brooklyn, MTA, New York city Transit, landscape, urban,  perception, woman artist, Wisconsin artist    ...
Abstract Landscape - Intaglio
8 x 10 inches (20.3 x 25.4 cm)
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Matthew Solomon: 'Red and Green Abstract', 2006 Intaglio, Abstract. Artist Description:  Drypoint and open- bite reverse etching with water colour. ...
Abstract - Intaglio
6 x 9 inches (15.2 x 22.9 cm)
Matthew Solomon: 'Doorway', 2004 Intaglio, Architecture. Artist Description:  Drypoint etching. ...
, 2004
Architecture - Intaglio
17 x 12 inches (43.2 x 30.5 cm)
Michael Aldag: 'Estranger A House Divided ', 2007 Intaglio, Spiritual. Artist Description: Intaglio mezzotint print...
Spiritual - Intaglio
10 x 15.5 inches (25.4 x 39.4 cm)
Elena Rein: 'Woman and Birds', 1994 Intaglio, Undecided.
Undecided - Intaglio
10 x 12 inches (25.4 x 30.5 cm)
Amanda Tallcot: 'seashore', 2007 Intaglio, Seascape.
, 2007
Seascape - Intaglio
0 x 0 inches (0.0 x 0.0 cm)
Mike Kennelly: 'Spirit', 2008 Intaglio, Activism. Artist Description:  Spirit is a unique fumed copper panel. I used local plants, leaves and other techniques. Spirit speaks to our hearts it do more to wake up! ...
, 2008
Activism - Intaglio
25 x 22 inches (63.5 x 55.9 cm)
Jamshed Aziz: 'Surah Falaq', 2007 Intaglio, Conceptual. Artist Description:  Surah Falaq ( The Daybreak) : Holy Quran 113: 1- 5In the name of Allah, the Most Beneficent, the Most MercifulSay: I seek refuge in the Lord of the Daybreak From the evil of that which He created; From the evil of the darkness when it is intense, ...
Conceptual - Intaglio
13 x 19 inches (33.0 x 48.3 cm)
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Jamshed Aziz: 'Birth', 2007 Intaglio, Abstract. Artist Description:  Birth is an aquatint etching mix medium original hand pulled print. In this artwork I conveyed a message to the whole world. Please be aware to save your environment by planting trees and don't destroy the birth of a beautiful planet ...
, 2007
Abstract - Intaglio
8 x 10 inches (20.3 x 25.4 cm)
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Laura Imhoff: 'Origins', 2006 Intaglio, History. Artist Description: An Image- On print from my series titled,
, 2006
History - Intaglio
9 x 12 inches (22.9 x 30.5 cm)
Alice Chang: 'Daruma', 2001 Intaglio, Religious.
, 2001
Religious - Intaglio
8 x 10 inches (20.3 x 25.4 cm)
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Marco Marz: 'you never sell sun', 2018 Intaglio, Abstract.
Abstract - Intaglio
20.2 x 20 inches (51.3 x 50.8 cm)
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Michael Semsch: 'Blueprint', 2012 Intaglio, Fantasy. Artist Description:  Blueprint is an intaglio print depicting towers and scaffolding against a star- filled background in this fantasy world where the universe is a work in progress. ...
, 2012
Fantasy - Intaglio
7.5 x 11.5 inches (19.1 x 29.2 cm)
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Nahid Navab: 'Love Story', 2011 Intaglio, Love. Artist Description:  Hand made print  A/ P on BFK paper. Colograph/ Etching and intaglio.   ...
, 2011
Love - Intaglio
20 x 10 inches (50.8 x 25.4 cm)
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Anita Jovanovic: 'The night', 2006 Intaglio, undecided. Artist Description:   mezzotint    ...
, 2006
undecided - Intaglio
18.5 x 26.5 cm (7.3 x 10.4 inches)
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Anita Jovanovic: 'Paysage I', 2006 Intaglio, undecided. Artist Description:  mezzotint   ...
, 2006
undecided - Intaglio
20.5 x 41.5 cm (8.1 x 16.3 inches)
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Anita Jovanovic: 'Happiness', 2005 Intaglio, undecided. Artist Description:  dry point ...
, 2005
undecided - Intaglio
30.7 x 42.5 cm (12.1 x 16.7 inches)
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Wieslaw Haladaj: 'APPEARANCEDP5', 2013 Intaglio, Abstract Figurative. Artist Description:         BLACK AND WHITE        ...
Abstract Figurative - Intaglio
100 x 70 cm (39.4 x 27.6 inches)
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Wieslaw Haladaj: 'APPEARANCEDP7', 2013 Intaglio, Abstract Figurative. Artist Description:          BLACK AND WHITE         ...
Abstract Figurative - Intaglio
100 x 70 cm (39.4 x 27.6 inches)
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Rachel E Heberling: 'The Divide', 2013 Intaglio, Figurative. Artist Description:  Female figure divided, etching with softground and chine colle of diagrams in background ...
, 2013
Figurative - Intaglio
6 x 9.5 inches (15.2 x 24.1 cm)
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Rachel E Heberling: 'Wooden Zoo', 2012 Intaglio, Animals. Artist Description:   Etching and mezzotint of carousel animals on steel plate  ...
, 2012
Animals - Intaglio
6 x 4.8 inches (15.2 x 12.2 cm)
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Taher Hamouda: 'Feelings buried', 2011 Intaglio, Abstract Figurative.
Abstract Figurative - Intaglio
15 x 20 cm (5.9 x 7.9 inches)
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Rachel E Heberling: 'Empty Grove', 2011 Intaglio, Landscape. Artist Description:  Etching and mezzotint of abandoned theme park rollercoaster ...
Landscape - Intaglio
3.7 x 5 inches (9.4 x 12.7 cm)
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Ralph Slatton: 'Asphinxohymenotra', 1996 Intaglio, Animals. Artist Description:   A primative representation of lion guards a portal. Foot is placed on abstrated snake.  ...
Animals - Intaglio
18 x 24 inches (45.7 x 61.0 cm)
Ralph Slatton: 'Friends', 1999 Intaglio, Animals. Artist Description:  Two dogs face each other entraped in spherical twig cages.   ...
, 1999
Animals - Intaglio
18 x 24 inches (45.7 x 61.0 cm)
(Page 6 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Barbara A. Sloan - It does not matter to me what other artists are selling. I create images that come from my heart and soul. I apply the same philosophy to my writings and music. I must be true to myself. Otherwise, for me, it is simply not worth doing. ...

Martha Hayden - My painting is both realistic and abstract, it is on that elusive edge between there and not there. On first look everything is in place, then all dissolves. I want realism and abstraction to take turns. I want a painting sometimes very evocative of time and place, sometimes overwhelming in abstract, structural logic. I look for a surprise, a drama, a different way of seeing. I try not to see anything for itself alone, but as a part of the whole. In this context, my subjects take on meanings other than the accustomed ones. They are more than still life and landscape; they are comments on thinking and seeing. ...

Michael Aldag - Issues of contemporary spirituality drive my artistic vision. Images of church edifices, crosses, and stained glass windows pervade my work, with overtones of sobriety, nostalgia, and brokenness. This body of work sheds a unique light on modern-day spirituality, provoking the viewer to reflect on its influence on religious faith. ...

Amanda Tallcot - I MUST CREATE - my business is to create, it doesn't matter what you do. Create Something! Then it's you--in the world. My hope for you is that you may find the pride in the processes put into my work as well as find pleasure and peace in the pieces you so choose. ...

Jamshed Aziz - I am texturing the `Herf `(words) of holy book (Ouran) which has all solutions for humanity. Calligraphy in Islam therefore is not just a matter of script it is considered a mystic process of Self discovery, exploring the true geometry of the sprit. I am an artist of modern approach and my art work is embedded in the rich tradition of holy craft. The letters and words are not indistinct, though at places due to the principals color and tone and emphasis, they more from readable to elusive finally letters turn into an image textured by an inner rhythm. ...

Laura Imhoff - My name is Laura Imhoff and I am the owner and photographer of Perception Studio. I graduated magna cum laude from the Myers School of Art, University of Akron in 2006 with a BFA in photography, and minors in painting, art history, and professional photography. While in school, my goal was to practice as many disciplines and approaches to art as possible so that I could gain a true understanding of what it meant to be an artist. But what did that require? It meant, "eat, breathe, and sleep" art. So, that is exactly what I did. While my classes offered technical advice for each discipline I tried, I learned the most from the artists of past decades and my colleagues. Sharing my life and art with them, and vice versa, showed me a world of possibilities and gave me a real appreciation for art in all its forms (and people, too). I decided that art school really wasn't about learning how to BE an artist, but instead about how to defend why YOU are an artist. Being an artist isn't about being techinically the best, which is what I had always strived for...its about the ideas ...

Alice Chang - I was from Taipei, Taiwan. I graduated from the Department of Editorial Design in Tokyo Designer Gakuin College. After my graduation, I came to New York and went to School of Visual Arts for getting some credits. I graduated from Adelphi University and received a Bachelor of Arts Degree in graphic design in 2001. I have designed over hundreds of books and periodicals, as well as organizing and supervising many of Asian Culture and Art Programs of Tao's Culture, Inc. (nonprofit incorporation) also as a graphic designer in Zen Palate vegetarian restaurant in New York. ...

Nahid Navab - My goal in the creative process of drawing, painting and print-making,is to visualize my feelings, my thoughts and my dreams. I like to produce joy and freedom and bring a moment of comfort to my environment. I work with different medias including watercolor, acrylic and pastels. Recently I work with hand pulled prints like etching and silkscreen. I feel this is a road never ends. In every step I learn new concepts and feel new joy. Peace for all...

Rachel E Heberling - I walked up the dirt road before leaving the mountains. Fall was creeping in. I thought a car had driven by, but there remained a strange banging and rattling noise. I turned around and listened, yet nobody was there. I looked again; it was just a 25 mile-an-hour sign caught up in a tree. With the winds kicking up, I ran back down the hill. There were always strange machines in the basement. A Victrola, oil lamps, and car transmissions sat in the dark, collecting dust by the coal furnace. I grew up in a log home on a mountainside in Pennsylvania's coal regions, where black slag piles were poised to swallow one-street towns: a landmark of the Industrial Revolution's demise. When I would pass just over the ridge and wander through abandoned factories, I could feel the heavy air inside: damp and laden with an eerie silence. My childhood existed at the tail end of an era of typewriters and rotary phones: forms of communication that demand a physical connection. These fragmented memories still exist in the tactility of ink embedded into a surface, whether rolled through a press or fed through a typewriter. ...

Ralph Slatton - I enjoy working with animal imagery. My animals love to wear disguises as they romp throught the mazes and ropes that bind them. They are sometimes unaware of their plight, happily frolicking along in a surreal world of dangers. Each movement implies tighter binds. My animals embrase the attributes given to humans. In fact, they are a kind of stand-in for people and life's events. In one of my intaglios entitled, "Friends," I explore the idea of mobile entrapment, where our prisons move with us. Sometimes my creatures lose limbs, yet compensate with new growth. All the while, my intention is not for sadistism or torture to dominate the concept. Rather, I use these as tools to motivate and narrate the human condition. I explore those cages we create for ourselves and do this in a safe way, by disguising these issues as the icons of the animal world. ...