Intaglio Prints

Page 6 of 7
Jerry Di Falco, Geo Sipp, Andre Nod, Jane Daniell, Taher Hamouda offering original Intaglio Prints artworks.


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Jerry  Di Falco: 'WAITING FOR MARIUS IN VENICE', 2012 Intaglio, Landmarks. This etchingt, from my series entitled MY VAMPIRIC DESIRES, was inspired by the novels of Anne Rice, especially BLOOD AND GOLD. The etching techniques include intaglio, aquatint, and drypoint. The work was hand printed and published by the artist at The Center for Works on Paper in Philadelphia, Pennsylvania. Please ...
Landmarks - Intaglio
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'HAVANA ANGEL', 2012 Intaglio, Beauty. The work was hand printed and published by the artist at The Center for Works on Paper in Philadelphia, Pennsylvania. Please note that this etching is shipped to the collector without a frame or mat. This keeps the price low and allows the collector personal choice in mat selection and ...
Beauty - Intaglio
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'Cocteau Number One', 2013 Intaglio, Movies. I employed the etching technique of intaglio, dry- point, and aquatint for this work and used oil based, Charbonnel metallic ink on STONEHENGE black paper.  The image is based on two original drawings I did of a press still taken to promote the 1960 Cocteau film entitled, Le testament dOrphe.  ...
Movies - Intaglio
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'Strega By Durer with Flesh Color Overlays', 2012 Intaglio, Spiritual. This image, inspired by a Durer etching, shows a witch riding a goat in reverse. I drew four studies of the Durer work to prepare for my original etching on zinc plate. My techniques include intaglio and Chine colle. This is the SECOND of Three Editions, and each edition is ...
Spiritual - Intaglio
15 x 16 inches (38.1 x 40.6 cm)
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Jerry  Di Falco: 'Stonehenge In Six Views And Two Colors', 2012 Intaglio, Landmarks. Please note that this etching is shipped to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped in two layers of ...
Landmarks - Intaglio
22 x 7 inches (55.9 x 17.8 cm)
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Jerry  Di Falco: 'Venice from the Palace of the Doge', 2011 Intaglio, Landmarks. Title is, 1890 Venice View of San Gorgio from the Palace of the Doge. For this etching I employed the printmaking techniques of intaglio, aquatint, and drypoint and executed the work on two individual zinc plates to constitute one printed image. The scene was adapted from an 1890 photograph in ...
Landmarks - Intaglio
16 x 15 inches (40.6 x 38.1 cm)
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Jerry  Di Falco: 'Laurel Hill Black Angel', 2010 Intaglio, Mystical. This print is from a visual study I did in Laurel Hill Cemetery, Philadelphia, Pennsylvania, famous for its gothic and Victorian atmosphere and tomb sculptures. I did three limited editions of only ten prints each. This is the BLACK edition, which uses metallic ink on STONEHENGE BLACK printers paper the ...
Mystical - Intaglio
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'Triune Christ in Black', 2010 Intaglio, Mystical. This work is from two very limited editions of only ten prints per edition. The image represents one of the most unusual icons of the Christian faith, The Triune Head of Christ. Print size is 11 inches high by 10 inches wide, or 28 x 25. 4 cm. There is ...
Mystical - Intaglio
10 x 11 inches (25.4 x 27.9 cm)
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Jerry  Di Falco: 'TRIUNE CHRIST', 2010 Intaglio, Mystical. This work is from two very limited editions of only ten prints per edition. The image represents one of the most unusual icons of the Christian faith, The Triune Head of Christ. Print size is 11 inches high by 10 inches wide, or 28 x 25. 4 cm. There is ...
Mystical - Intaglio
10 x 11 inches (25.4 x 27.9 cm)
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Jerry  Di Falco: 'THE RABBIT HOLE APOCALYPSE', 2010 Intaglio, Optical. title is, RIDERS OF THE APOCALYPSE GO THROUGH THE RABBIT HOLE. One should study this hand pilled intaglio carefully to see the optical illusion within it. The revelations you find may make you wonder if the left and right sides of the brain are really separate hemispheres. This is a ...
Optical - Intaglio
15 x 22 inches (38.1 x 55.9 cm)
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Jerry  Di Falco: 'George Washington Slept Here', 2012 Intaglio, Architecture. This intaglio and aquatint etching is from my MYSTERIOUS PLACES SERIES and uses a created blend of colored oil base inks, Charbonnel brand from France, printed on American Masters Natural printmaking paper. There are two editions of nine prints. I believe that humor and art go hand in hand, like ...
Architecture - Intaglio
10 x 8 inches (25.4 x 20.3 cm)
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Jerry  Di Falco: 'KEY TO ATLANTIS IN BLACK', 2012 Intaglio, Architecture. Media includes metallic, oil base ink on Stonehenge Black printmaking paper. There are three editions to this work, each one with 12 prints. The print size is 11. 25 inches by 10 inches. The work was hand printed and published by the artist at The Center for Works on Paper ...
Architecture - Intaglio
11 x 10 inches (27.9 x 25.4 cm)
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Jerry  Di Falco: 'ATLANTEAN MAP IN BLACK', 2012 Intaglio, Ethereal. Media includes a special mix of oil base inks on Canson black etching paper. There are three editions to this work, each one with 12 prints. The print size is 11. 25 inches by 10 inches. The work was hand printed and published by the artist at The Center for ...
Ethereal - Intaglio
11 x 10 inches (27.9 x 25.4 cm)
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Jerry  Di Falco: 'MAP TO ATLANTIS', 2012 Intaglio, Magical. Media includes black, oil base ink on RivesBFK white paper. There are three editions to this work, each one with 12 prints. The print size is 11. 25 inches by 10 inches. The work was hand printed and published by the artist at The Center for Works on Paper in ...
Magical - Intaglio
11 x 10 inches (27.9 x 25.4 cm)
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Jerry  Di Falco: 'Key To Atlantis', 2012 Intaglio, Pop. Media includes black, oil base ink on RivesBFK white paper. There are three editions to this work, each one with 12 prints. The print size is 11. 25 inches by 10 inches. The work was hand printed and published by the artist at The Center for Works on Paper in ...
Pop - Intaglio
11 x 10 inches (27.9 x 25.4 cm)
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Jerry  Di Falco: 'Quito Cathedral in Black', 2010 Intaglio, Architecture. This print is taken from a photo detailing the unusual roof of Quito Cathedral in Ecuador, which is adorned with pelicans. I only used intaglio to enable the lines to become the only optical language and visual means of expression in the print. The edition size is limited to only ...
Architecture - Intaglio
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'Church In Lama dei Peligni Abruzzo with Cherry Sky', 2010 Intaglio, Architecture. FULL TITLE IS, Church In Lama dei Peligni Abruzzo with Cherry Sky. This intaglio etching also uses the Chine colle, or Chinese pasting, technique to add color to the print via the use of mulberry bark paper from Thailand treated with methyl cellulose. Media include black oil- based etching ink, ...
Architecture - Intaglio
10 x 9 inches (25.4 x 22.9 cm)
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Jerry  Di Falco: 'Kiln of the Alchemist', 2010 Intaglio, Kabbalah. This etching used the studio techniques of intaglio, dry point, and aquatint. It is executed using a hand blended color of oil base etching inks, all Charbonnel brand from Paris, on Italian mould made grey paper called Magnani Pescia, which is from the town of Cartiera Magnani where the same ...
Kabbalah - Intaglio
8 x 10 inches (20.3 x 25.4 cm)
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Jerry  Di Falco: 'Church of my Grandfather in Abruzzo ', 2010 Intaglio, Cityscape. This intaglio etching uses oil base etching ink on white RivesBFK paper. The print size is 9 inches high by 10 inches wide. I hand printed and published this edition at The Center for Works on Paper in Philadelphia, Pennsylvania, USA. Please note that this etching is shipped to the ...
Cityscape - Intaglio
12 x 9 inches (30.5 x 22.9 cm)
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Jerry  Di Falco: 'Parameters of an Angelic Trip', 2009 Intaglio, Cosmic. This etching was executed on RivesBFK white paper and black ink, Charbonnel brand imported from France. The image is taken from a work that hangs in The National Gallery in London entitled, The Wilton Diptych. Rright panel, by an unknown English or French artist c. 1395. Egg tempera on oak. ...
Cosmic - Intaglio
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'Dionecian Initiates in Smoke and Mirrors ', 2009 Intaglio, Ethereal. This etching employed hard and soft grounds with the studio techniques of aquatint, drypoint, and intaglio. It is part of a series dealing with images from Pompeii in the VILLA OF THE MYSTERIES. The image size is 10 inches high by 8 wide. Media included French, oil base ink on ...
Ethereal - Intaglio
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'Montsegur and the Tower of Magdalene', 2009 Intaglio, Magical. Montsegur and the Tower of Magdalene, is the full title of this etching.  This scene from the South of France highlights the mystery and magic of Montsegur, especially under a full moon.  I adapted this from a photograph I took in 19878 while hiking around the Cathar country.  Etching techniques ...
Magical - Intaglio
18 x 24 inches (45.7 x 61.0 cm)
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Geo Sipp: 'Untitled', 2008 Intaglio, War.  Untitled is a 3- plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                    ...
, 2008
War - Intaglio
5 x 3.8 inches (12.7 x 9.7 cm)
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Geo Sipp: 'Algerian patrol', 2008 Intaglio, War.  Algerian patrol is a 3- plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                     ...
War - Intaglio
5 x 3 inches (12.7 x 7.6 cm)
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Andre Nod: 'two', 2017 Intaglio, Atmosphere. love...
, 2017
Atmosphere - Intaglio
13 x 17 inches (33.0 x 43.2 cm)
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Jane Daniell: 'Taking the Fish for a Walk', 2013 Intaglio, Fish.  A limited edition signed and numbered out of 20. It is made on a zinc plate using aquatint and acid then inked up individually and printed on a heavy etching paper.This is pure fantasy - landscape, houses and floating fish are improbable!  ...
Fish - Intaglio
8.5 x 11.5 inches (21.6 x 29.2 cm)
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Jane Daniell: 'King of the Castle', 2013 Intaglio, Fantasy.  This is an image of a rather precocious child seated on a dodo. It doesn't belong to any story ( that I know of) and is a limited edition aquatint etching. The zinc plate has received several dips in acid to produce the contrast where it' bites' the surface and...
Fantasy - Intaglio
8.5 x 11 inches (21.6 x 27.9 cm)
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Jane Daniell: 'Hey Presto', 2013 Intaglio, Fantasy.  In this image the boy has woefully created all this magic and doesn't know how to stop it a bit like the Sorcerer' s Apprentice. Especially as the rabbit is making off with his wand. It is one of 10 limited edition aquatint etchings and is inked individually. I...
, 2013
Fantasy - Intaglio
8.5 x 11 inches (21.6 x 27.9 cm)
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Taher Hamouda: 'Feelings buried', 2011 Intaglio, Abstract Figurative.
Abstract Figurative - Intaglio
15 x 20 cm (5.9 x 7.9 inches)
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Michael Semsch: 'Blueprint', 2012 Intaglio, Fantasy.  Blueprint is an intaglio print depicting towers and scaffolding against a star- filled background in this fantasy world where the universe is a work in progress. ...
, 2012
Fantasy - Intaglio
7.5 x 11.5 inches (19.1 x 29.2 cm)
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(Page 6 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Andre Nod - Born 1962 in Alma-Ata now aEUR" Almaty, Kazakhstan, graduated in 1988 from the Alma-Ata State Theatrical and Artistic Institute in 1988 BMF MFA. Over the course of 30 years of active creative work has authored thousands of works of art, including paintings, sculpture, drawings, etchings, photographs, ceramics and contemporary art. Has participated in more than 200 group exhibitions and held more than 30 solo shows. Has published poetry in periodicals, participated in literary seminars and also acted in films. His works have been shown at such major international forums as ArtExpo New York International, AFA Rosemalen, Art Manege Moscow, Accessible de Arte Brussels, Asia Art Tashkent, Art Market Budapest, Art Expo SPb International, Saint. aEUR"Petersburg, Art Shanghai, at Kolner Liste Discovery Art Faire, Cologne, Germany, at the Central ArtistsaEURtm House in Moscow, at UNESCO, Paris, France and also at Sothebys and Christies. His works can be seen in permanent exhibitions at the Kasteyev State Museum of Fine Arts in Almaty, Kazakhstan, at the Museum of Modern Art in Astana, Kazakhstan, at the Museum of Art in Karaganda, Kazakhstan, at the Nevzorov Art Museum in Semipalatinsk, Kazakhstan, at the Pavlodar Art Museum, Pavlodar, Kazakhstan, at the Regional Museum of Art ...