Linoleum Cut Prints

Page 4 of 5
Elizabeth Ames, Pilar Martinez Pimart, James Guinevan Seymour, Andre Nod, Ksenija Pecaric, Jamie Boyatsis, Brian Hickey, Jack Mccarthy, Alexander Gubarev, Mark Kimberlin offering original Linoleum Cuts artworks.


Contemporary Art / Linoleum Cuts / Previous / Next
Elizabeth  Ames: 'childhood', 2016 Linoleum Cut, Other.
, 2016
Other - Linoleum Cut
10 x 8 inches (25.4 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Pilar Martinez Pimart: 'Dont be a stranger', 2009 Linoleum Cut, Abstract.  Linocut on Stonehenge Fawn paperPlate size 9
Abstract - Linoleum Cut
15 x 18 inches (38.1 x 45.7 cm)
James Guinevan Seymour: 'The unknown soldier', 2003 Linoleum Cut, Abstract Figurative.  A lino type print created 2003 whilst I was a member of Limerick Printmakers and is based on the inhumanity of war     ...
Abstract Figurative - Linoleum Cut
13 x 19 inches (33.0 x 48.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andre Nod: 'equilibrium', 2012 Linoleum Cut, Culture. dream...
Culture - Linoleum Cut
8 x 12 inches (20.3 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andre Nod: 'your move', 2012 Linoleum Cut, Holidays.
, 2012
Holidays - Linoleum Cut
12 x 7 inches (30.5 x 17.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andre Nod: 'city on the hill', 2014 Linoleum Cut, Geometric. smile...
Geometric - Linoleum Cut
8 x 12 inches (20.3 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andre Nod: 'lyric', 2014 Linoleum Cut, Abstract Figurative. face...
, 2014
Abstract Figurative - Linoleum Cut
8 x 12 inches (20.3 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andre Nod: 'love meeting', 2013 Linoleum Cut, Abstract Figurative. love journey...
Abstract Figurative - Linoleum Cut
11 x 15 inches (27.9 x 38.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ksenija Pecaric: 'Dream', 2001 Linoleum Cut, Religious.  Religious and mystical learning of a Rabbi at night  ...
, 2001
Religious - Linoleum Cut
12 x 16 inches (30.5 x 40.6 cm)
Ksenija Pecaric: 'The Month of Adar', 2004 Linoleum Cut, Fish.  Adar is a Hebrew Month and the symbol is a Fish- a good luck sign.  ...
Fish - Linoleum Cut
12 x 12 inches (30.5 x 30.5 cm)
Jamie Boyatsis: 'sorry i slept with your man', 2016 Linoleum Cut, Figurative. Images and titles from Jerry springer episodes inspired this print ...
Figurative - Linoleum Cut
12 x 12 inches (30.5 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jamie Boyatsis: 'the 6th face', 2016 Linoleum Cut, Abstract Figurative. Inspired by the images in my five Figural faces I created a print using those images. ...
Abstract Figurative - Linoleum Cut
12 x 12 inches (30.5 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Brian Hickey: 'utitled', 2019 Linoleum Cut, Abstract. Linocut, Influenced by themes of New England in the fall season and flash tattoo artwork...
, 2019
Abstract - Linoleum Cut
4.5 x 6 inches (11.4 x 15.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jack Mccarthy: 'Martini Maverick', 2006 Linoleum Cut, Western.  Somerset paper ...
Western - Linoleum Cut
8 x 11 inches (20.3 x 27.9 cm)
Jack Mccarthy: 'Jonah  Day Two', 2006 Linoleum Cut, Religious.  Printed on Japanese Ginwashi paper ...
Religious - Linoleum Cut
12 x 11 inches (30.5 x 27.9 cm)
Jack Mccarthy: 'Listening for the Messiah', 2004 Linoleum Cut, Religious.  Printed on T. Leach, Santa Fe handmade paper. One of a trilogy.  The other two are
Religious - Linoleum Cut
8 x 10 inches (20.3 x 25.4 cm)
Jack Mccarthy: 'The Fish Vomited Out Jonah', 2003 Linoleum Cut, Religious.  Somerset Handmade paper ...
Religious - Linoleum Cut
11 x 8 inches (27.9 x 20.3 cm)
Jack Mccarthy: 'Window Fantasies', 2006 Linoleum Cut, nudes.  Somerset paper ...
nudes - Linoleum Cut
8 x 11 inches (20.3 x 27.9 cm)
Jack Mccarthy: 'Blue Moons Red Hearts', 2004 Linoleum Cut, Erotic.  Somerset ...
Erotic - Linoleum Cut
9 x 9 inches (22.9 x 22.9 cm)
Jack Mccarthy: 'Brothers Keeper', 2005 Linoleum Cut, Religious.  Printed on 1881 bible page ...
Religious - Linoleum Cut
7 x 6 inches (17.8 x 15.2 cm)
Jack Mccarthy: 'Stein of Roses', 2004 Linoleum Cut, Abstract Figurative.  Printed on Japanese paper. ...
Abstract Figurative - Linoleum Cut
8 x 16 inches (20.3 x 40.6 cm)
Jack Mccarthy: 'A Walk with Dad  Abraham and Isaac', 2004 Linoleum Cut, Religious.  Printed on Somerset. ...
Religious - Linoleum Cut
7 x 6 inches (17.8 x 15.2 cm)
Jack Mccarthy: 'Border Light', 2004 Linoleum Cut, World Conflict.
World Conflict - Linoleum Cut
7 x 10 inches (17.8 x 25.4 cm)
Jack Mccarthy: 'Christus II', 2005 Linoleum Cut, Religious.  Printed on 1881 bible page. Handpainted with gold leaf.  ...
Religious - Linoleum Cut
5 x 5 inches (12.7 x 12.7 cm)
Jack Mccarthy: 'Blue Bonnets', 2006 Linoleum Cut, Western.  Linocut on Somerset paper. ...
Western - Linoleum Cut
8 x 11 inches (20.3 x 27.9 cm)
Alexander Gubarev: 'Wise cat', 1962 Linoleum Cut, Cats. Anothers soul is dark, well, and catssoul - even more so. ...
, 1962
Cats - Linoleum Cut
21 x 29 cm (8.3 x 11.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Mark Kimberlin: 'Breeze', 2013 Linoleum Cut, nudes.
, 2013
nudes - Linoleum Cut
6 x 6 inches (15.2 x 15.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Mark Kimberlin: 'Frauline', 2013 Linoleum Cut, nudes.
, 2013
nudes - Linoleum Cut
6 x 6 inches (15.2 x 15.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 4 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Pilar Martinez Pimart - Working with memories has been my way to embrace my Dominican identity while living in the United States as I continue to canalize, through mixed media, the convergence of cultures and recollected experiences. These recollections about childhood, family, relationships, food, melodies and transitions are the ones that have shaped my artistic sensibility and are constantly informing my work and its process. This artistic process is spontaneous and intuitive, yet deliberate with a sense of improvisation. The concept "Nothing is wasted, everything is transformed," was instilled in me by my father since my early years and it is a concept in which my art practice is still enveloped. This merging of the new with the old is present in the artwork in the way I collage fragments of scrap paint from my palette, as well as using old records and elements that I collect through the years. Re-using these elements that have a connection to the past, is also for me a way of returning, of going back. Fragmentation becomes an experience of reuniting different memories and elements on the same surface, in a choreographed composition where there's always going to be a suggestion of a continuation or a ...

Pilar Martinez Pimart - Andre Nod - Born 1962 in Alma-Ata now aEUR" Almaty, Kazakhstan, graduated in 1988 from the Alma-Ata State Theatrical and Artistic Institute in 1988 BMF MFA. Over the course of 30 years of active creative work has authored thousands of works of art, including paintings, sculpture, drawings, etchings, photographs, ceramics and contemporary art. Has participated in more than 200 group exhibitions and held more than 30 solo shows. Has published poetry in periodicals, participated in literary seminars and also acted in films. His works have been shown at such major international forums as ArtExpo New York International, AFA Rosemalen, Art Manege Moscow, Accessible de Arte Brussels, Asia Art Tashkent, Art Market Budapest, Art Expo SPb International, Saint. aEUR"Petersburg, Art Shanghai, at Kolner Liste Discovery Art Faire, Cologne, Germany, at the Central ArtistsaEURtm House in Moscow, at UNESCO, Paris, France and also at Sothebys and Christies. His works can be seen in permanent exhibitions at the Kasteyev State Museum of Fine Arts in Almaty, Kazakhstan, at the Museum of Modern Art in Astana, Kazakhstan, at the Museum of Art in Karaganda, Kazakhstan, at the Nevzorov Art Museum in Semipalatinsk, Kazakhstan, at the Pavlodar Art Museum, Pavlodar, Kazakhstan, at the Regional Museum of Art ...

Jamie Boyatsis - Abstract artist who graduated from Keene State College in 2016 with a Bachelor of Arts in Studio Art. Painting is my medium of choice, though I find myself using mixed media, I like to recycle materials into my artwork and blend realistic and abstract images into my artwork. ...

Jack Mccarthy - I am basically a story-teller who uses prints as my vocabulary. My approach to printmaking is eclectic. On one hand, I use traditional relief printing methods either a baren or a 1947 Vandercook Press, named Ursula. On the other hand, I experiment using brayers, stencils, natural and found objects, anything that has texture. My work is influenced by life experience and, most importantly, my constant amazement of what human beings believe in and how they choose to live their lives! Many of my prints are allegorical in nature and almost all are visual stories. I am presently working on a variety of projects: One is a series of relief prints based on medieval stories, both secular and religious. One edition is comprised of prints depicting religious beliefs and stories of 8th to 14th century Europe, what is normally but erroneously called "The Dark Ages" and/or the Gothic Period. The stories are delightful and, at times, gruesome. Many are Christian stories based on non-Christian (pagan) myths. The second project is a small edition of handmade books with original prints based on the Old Testament. The third is a book which will be a pictorial depiction of the life ...

Mark Kimberlin - Expression is an act of emotion that is indicative of one's feeling or response. Throughout my body of work is a response to things that interest, intrigue, and disgust me. I am aiming to create a fresh energetic response to questions and worries of social dilemmas, religion, and politics of our time. Motive in my work is often derived as a sum of other forms of communications such as music and film that parallel themselves with these questions and how it manifests in our subconscious. The way that music is perceived and moves through us as well as the way that cinematography creates comfort and discomfort is how I intend my paintings to take hold of my audience. Within each piece I create elaborate fictional scenes that are figurative or sometimes non-representational forms of vivid color to create visual translations of a certain idea of feeling to present to my viewer. As I produce these works I am aware of the balance of formal qualities to create a world of space governed through illusionary depth with blended and flat regions. I am also aware that paint is just a tool of mine and I have no interest in ...