Lithographs (135)

Page 5 of 5
Andrew Cain, Roberto Andreev, Rachel E Heberling, Sheetal Chaudhary offering original Lithograph Prints artworks.


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Andrew Cain: 'belittled', 2011 Lithograph, Abstract Figurative. Artist Description:  figurative narrative ...
, 2011
Abstract Figurative - Lithograph
4 x 3 feet (1.22 x 0.91 m)
Andrew Cain: 'Loss of a loved one', 2009 Lithograph, Abstract Figurative. Artist Description:   figurative narrative abstract ...
Abstract Figurative - Lithograph
1.3 x 1 feet (0.40 x 0.30 m)
Roberto Andreev: 'The night inside', 1992 Lithograph, Figurative. Artist Description:  clasic medium on a Bavarian stone ...
Figurative - Lithograph
25 x 42 cm (9.8 x 16.5 inches)
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Roberto Andreev: 'Autumn puff', 1998 Lithograph, Figurative. Artist Description:  clasic medium on a Bavarian stone ...
Figurative - Lithograph
67 x 45 cm (26.4 x 17.7 inches)
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Roberto Andreev: 'An execution of myth', 1992 Lithograph, Figurative. Artist Description:  classic medium on a Bavarian stone ...
Figurative - Lithograph
33 x 35 cm (13.0 x 13.8 inches)
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Roberto Andreev: 'A pool', 1992 Lithograph, Figurative. Artist Description:  classic medium on a Bavarian stone ...
, 1992
Figurative - Lithograph
47 x 65 cm (18.5 x 25.6 inches)
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Roberto Andreev: 'Walk with lazy panthera', 1994 Lithograph, Figurative. Artist Description:   classic medium on a Bavarian stone  ...
Figurative - Lithograph
47 x 41 cm (18.5 x 16.1 inches)
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Roberto Andreev: 'Bad dreams', 1987 Lithograph, Figurative. Artist Description:    classic medium on a Bavarian stone   ...
, 1987
Figurative - Lithograph
42 x 34 cm (16.5 x 13.4 inches)
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Roberto Andreev: 'The pursuit of the happy fairy', 1999 Lithograph, Figurative. Artist Description:  classic medium on a Bavarian stone    ...
Figurative - Lithograph
42 x 34 cm (16.5 x 13.4 inches)
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Rachel E Heberling: 'Errors Are Prevented Instead of Being Corrected', 2009 Lithograph, Technology. Artist Description:  Stone and plate color lithograph depicting graphs of typewriting contests and studies.  ...
Technology - Lithograph
27 x 18 inches (68.6 x 45.7 cm)
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Rachel E Heberling: 'Under Wood', 2005 Lithograph, Technology. Artist Description:  Stone Lithograph of Royal typewriter found outside of abandoned factory. ...
, 2005
Technology - Lithograph
12 x 16 inches (30.5 x 40.6 cm)
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Rachel E Heberling: 'Industrial Sunset I', 2004 Lithograph, Technology. Artist Description:  Stone lithograph of laundromat scene. ...
Technology - Lithograph
11 x 15 inches (27.9 x 38.1 cm)
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Sheetal Chaudhary: 'blackeyepeas', 2008 Lithograph, Abstract.
Abstract - Lithograph
11 x 15 cm (4.3 x 5.9 inches)
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Rachel E Heberling: 'Zero Sum', 2007 Lithograph, Technology. Artist Description:  Image of old adding machine from office of abandoned coal breaker. Hand- drawn stone lithograph. ...
, 2007
Technology - Lithograph
17.5 x 23.8 inches (44.5 x 60.5 cm)
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Rachel E Heberling: 'World Champion Typists', 2009 Lithograph, Communication. Artist Description:  Dueling typists based on antique typewriting drillbook. Hand- drawn stone lithograph with xerox transfer method for the text below. ...
Communication - Lithograph
21 x 28 inches (53.3 x 71.1 cm)
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(Page 5 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Andrew Cain - My work deals with the human condition, emotions and narratives. I find comfort in the figure, as it represents emotions through its movement and shape that explain stories words cannot tell. Each movement and line becomes something abstract, expressive and beautiful. By the juxtaposition of abstract and expressive mark making I narrate my own anxieties in social situations, and turn stories into pieces. I narrate these tales using lines, colour and the figure, explaining everyday situations. I am inspired by perception and how it creates a new narrative within each piece, how every work of art is a conversation between the viewer and the art work....

Rachel E Heberling - I walked up the dirt road before leaving the mountains. Fall was creeping in. I thought a car had driven by, but there remained a strange banging and rattling noise. I turned around and listened, yet nobody was there. I looked again; it was just a 25 mile-an-hour sign caught up in a tree. With the winds kicking up, I ran back down the hill. There were always strange machines in the basement. A Victrola, oil lamps, and car transmissions sat in the dark, collecting dust by the coal furnace. I grew up in a log home on a mountainside in Pennsylvania's coal regions, where black slag piles were poised to swallow one-street towns: a landmark of the Industrial Revolution's demise. When I would pass just over the ridge and wander through abandoned factories, I could feel the heavy air inside: damp and laden with an eerie silence. My childhood existed at the tail end of an era of typewriters and rotary phones: forms of communication that demand a physical connection. These fragmented memories still exist in the tactility of ink embedded into a surface, whether rolled through a press or fed through a typewriter. ...