Monoprints

Page 3 of 6
Dana Zivanovits, Amanda Coakley, Tamara Sorkin, Donna Gallant offering original Monoprints artworks.


Contemporary Art / Monoprints / Previous / Next
Dana Zivanovits: 'BUTTONS', 2005 Monoprint, People.  This is a mono type pulled from a painted glass plate with watercolor additions. Done on all cotton acid free Arche' s paper- a signed and dated zivanovits original. Image 9 1/ 2
, 2005
People - Monoprint
16 x 18 inches (40.6 x 45.7 cm)
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Amanda Coakley: '50 off', 2017 Monoprint, Christian.
, 2017
Christian - Monoprint
16 x 19 inches (40.6 x 48.3 cm)
Amanda Coakley: 'shopping cart jesus', 2017 Monoprint, Undecided.
Undecided - Monoprint
16 x 20 inches (40.6 x 50.8 cm)
Amanda Coakley: 'seraphim', 2017 Monoprint, Christian.
, 2017
Christian - Monoprint
22 x 24 inches (55.9 x 61.0 cm)
Amanda Coakley: 'window shopper', 2017 Monoprint, Christian.
Christian - Monoprint
16 x 19 inches (40.6 x 48.3 cm)
Tamara Sorkin: 'pastel monoprint', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
35 x 45 cm (13.8 x 17.7 inches)
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Tamara Sorkin: 'human imprint 4', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
20 x 15 cm (7.9 x 5.9 inches)
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Tamara Sorkin: 'double monoprint', 2009 Monoprint, Abstract.
Abstract - Monoprint
18 x 25 cm (7.1 x 9.8 inches)
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Tamara Sorkin: 'nude monoprint 2009', 2009 Monoprint, Figurative.
Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'abstract monoprint 2009', 2009 Monoprint, Abstract.
Abstract - Monoprint
20 x 15 cm (7.9 x 5.9 inches)
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Donna Gallant: 'sleeping kittens', 1987 Monoprint, Animals. Working with the sleeping cats and kittens provides a homey atmosphere and these active little creatures cab crash as fast as they can wake. This a very colourful piece and lively just like the two black and white kittens are. ...
Animals - Monoprint
12 x 16 inches (30.5 x 40.6 cm)
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Donna Gallant: 'two asleep', 1987 Monoprint, Animals. Coloured pencil was layered on top of the mono print to change the colour in specified places to create contrast and focal points. Very textured with a red background. ...
, 1987
Animals - Monoprint
12 x 16 inches (30.5 x 40.6 cm)
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Donna Gallant: 'the skull in my garden 1', 1993 Monoprint, Still Life. The first of a series based on a cow skull that I moved around my yard. The flowers represent the skull being slowly going back into the earth. ...
Still Life - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'skull in my garden 4', 1993 Monoprint, Still Life. Part of my skull series, this time the skull is placed on a ledge beside the flowers. ...
Still Life - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'mother andy kitten', 1987 Monoprint, Animals. Very similar application to another piece using coloured pencil on specific areas to create interest. ...
Animals - Monoprint
12 x 16 inches (30.5 x 40.6 cm)
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Donna Gallant: 'skull in my garden 11', 1994 Monoprint, Still Life. This piece looks like the skull is lying in a bed of red roses. ...
Still Life - Monoprint
18 x 24 inches (45.7 x 61.0 cm)
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Donna Gallant: 'skull in my garden 9', 1994 Monoprint, Still Life. The strong contrast of this piece has a nice balance and composition. ...
Still Life - Monoprint
18 x 24 inches (45.7 x 61.0 cm)
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Donna Gallant: 'movement', 2010 Monoprint, Abstract. The key to this piece is the free flowing nature of marking on a mono print. ...
, 2010
Abstract - Monoprint
5 x 7 inches (12.7 x 17.8 cm)
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Donna Gallant: 'little flower impression', 2010 Monoprint, Floral. This piece is influenced by the textures created from the geli plate. Very subtitle. ...
Floral - Monoprint
4 x 5 inches (10.2 x 12.7 cm)
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Donna Gallant: 'golden pears', 2008 Monoprint, Food. Another series based on a simple subject but the concentration is on color and texture. ...
Food - Monoprint
16 x 12 inches (40.6 x 30.5 cm)
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Donna Gallant: '5 little green apples', 1986 Monoprint, Food. This is one of my early mono prints done on glass in oil paint. I love playing with textures...
Food - Monoprint
10 x 8 inches (25.4 x 20.3 cm)
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Donna Gallant: 'iris', 1987 Monoprint, Floral. I like the unpredictable effects of mono- printing. This l piece is very delicate at the same time but it impressionistic and seems very fluid...
, 1987
Floral - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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Donna Gallant: 'Pelican', 2015 Monoprint, Animals.            First impression are the most important and this little guy shows us exactly what I mean. ...
, 2015
Animals - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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Donna Gallant: 'Fragmented Bouquet', 2009 Monoprint, Abstract.         An abstract floral filled with color and shapes. ...
Abstract - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Surrounded movement', 2009 Monoprint, Abstract.    Mono print ontop of mono print.  Interesting and incaptulating. ...
Abstract - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Fragmented Reflection', 2009 Monoprint, Abstract Landscape.     Playing with mixed media and color this piece explores reflections. ...
Abstract Landscape - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Red Tree', 2009 Monoprint, Abstract Landscape.      This piece plays some hid and seek aspects that are fun and unique. ...
, 2009
Abstract Landscape - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Primary Movement 1', 2009 Monoprint, Abstract.       The primary colors are used to create this piece against a black/ grey background. ...
Abstract - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Floating Fragments', 2009 Monoprint, Abstract Landscape.        Soft and suttle, this piece represent looking under water.  ...
Abstract Landscape - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Light Fragments 2', 2009 Monoprint, Abstract.       What would light look like - bright and airy.  This piece certainly covers a varitey of meanings. ...
Abstract - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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(Page 3 of 6) - MORE ARTWORKS

Artists Describing Their Art:

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Amanda Coakley - As an atheist I have always looked at religion from the position of an observer rather than a practitioner. When I was younger, I grew up in a predominantly religious area and had felt out of place. My friends would try to get me to join bible school, received sideways looks for purchasing the newest fantasy book series, and needless to say I didnt know the words to prayers when I joined summer camp. My family was mostly atheist and growing up, I didnt know much else. The push towards religion was something I didnt understand as a child. However despite my experiences with religion, my hope is to not denigrate religion but draw light upon the chaos of consumption. Advertisements and the rush to Black Friday events at malls feel similar to me. I havent felt the need to run out and buy the latest I-phone or I-pod, or the latest in fashion trends. Nor have I wanted to find myself in large crowds of people waiting outside malls to get a plethora of stuff at fraction of the cost. Aside from the occasional indulgence into a few well loved book series, I didnt feel like I ...

Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....