Monoprints

Page 3 of 7
Dana Zivanovits, Daya Bonnie Astor, Alessandro Passerini, Carmine Santaniello, Sarah Hauser, Amanda Coakley, Tamara Sorkin offering original Monoprints artworks.


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Daya Bonnie Astor: 'Gondola Due', 2007 Monoprint, undecided.
undecided - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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Daya Bonnie Astor: 'Gondola', 2007 Monoprint, Abstract.
, 2007
Abstract - Monoprint
10 x 8 inches (25.4 x 20.3 cm)
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Alessandro Passerini: '2mila6', 2006 Monoprint, Portrait.  A portrait for my friend Mila. ...
, 2006
Portrait - Monoprint
70 x 50 cm (27.6 x 19.7 inches)
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Alessandro Passerini: 'AliCiccirinella', 2007 Monoprint, Portrait.  A portrait for my friend Alice. ...
Portrait - Monoprint
70 x 50 cm (27.6 x 19.7 inches)
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Alessandro Passerini: 'EliSogna', 2007 Monoprint, Portrait.  A portrait for my friend Elisa. ...
, 2007
Portrait - Monoprint
70 x 50 cm (27.6 x 19.7 inches)
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Alessandro Passerini: 'FedeMaterna', 2007 Monoprint, Portrait.  A portrait for my friend Federica. ...
Portrait - Monoprint
50 x 70 cm (19.7 x 27.6 inches)
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Dana Zivanovits: 'TELEPHONE', 2004 Monoprint, nudes.  This is a mono type pulled from a painted glass plate with watercolor additions. Done on all cotton acid free Arche's paper- a signed and dated zivanovits original. Image 6
, 2004
nudes - Monoprint
9 x 6 inches (22.9 x 15.2 cm)
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Dana Zivanovits: 'EVE', 2004 Monoprint, Judaic.  This a monotype impression pulled from a painted glass plate and ink drawing on Arches all cotton archival paper- a one of a kind original signed and dated. Image size; 5
, 2004
Judaic - Monoprint
9 x 10 inches (22.9 x 25.4 cm)
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Dana Zivanovits: 'WARM SEA', 2004 Monoprint, Fantasy.  This a monotype impression pulled from a painted glass plate and ink drawing on Japenese Rice paper mounted on Arches all cotton archival paper- a one of a kind original signed and dated. Image size; 8
, 2004
Fantasy - Monoprint
14 x 12 inches (35.6 x 30.5 cm)
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Carmine Santaniello: 'Blue Mosaic', 2007 Monoprint, Abstract.  From my altered monoprint Mosaic Series ...
Abstract - Monoprint
30 x 16 inches (76.2 x 40.6 cm)
Carmine Santaniello: 'Mosaic Grid IV', 2007 Monoprint, Abstract.  Mosaic Grid of four 12 x 12 inch works.  ...
Abstract - Monoprint
24 x 24 inches (61.0 x 61.0 cm)
Carmine Santaniello: 'Soft Flames', 2007 Monoprint, Abstract.  From my Mosaic Series an altered monoprint. ...
Abstract - Monoprint
20 x 20 inches (50.8 x 50.8 cm)
Carmine Santaniello: 'Terracotta', 2007 Monoprint, Abstract. From my Mosaic series of altered monoprints. ...
, 2007
Abstract - Monoprint
20 x 20 inches (50.8 x 50.8 cm)
Dana Zivanovits: 'SEDUCTION', 2005 Monoprint, Erotic.   This is a mono type pulled from a painted glass plate with watercolor additions on Arches all cotton acid free paper. A signed and dated Zivanovits original. Image size 4
, 2005
Erotic - Monoprint
8 x 8 inches (20.3 x 20.3 cm)
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Sarah Hauser: 'Burro in a Room V', 2006 Monoprint, Animals.  This is a strappo monotype, which is created by painting w/ acrylics on glass, layer by layer and then transferring the entire image to paper. ...
Animals - Monoprint
9 x 12 inches (22.9 x 30.5 cm)
Sarah Hauser: 'Humphrey Knows Things I', 2006 Monoprint, Animals.  This is a strappo monotype, which is created by painting w/ acrylics on glass, layer by layer and then transferring the entire image to paper. ...
Animals - Monoprint
9 x 12 inches (22.9 x 30.5 cm)
Dana Zivanovits: 'DOCTOR', 2004 Monoprint, People.   One of a kind monotype pulled from a painted glass plate with watercolor. A signed and dated Zivanovits original. 1/ 1 on all cotton acid free Arches paper. Image 5
, 2004
People - Monoprint
9 x 8 inches (22.9 x 20.3 cm)
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Dana Zivanovits: 'APRODITE AND THE GOLDEN APPLE', 2006 Monoprint, Mythology.   According to Greek myth Paris, at that time an exiled shepard, is chosen to select  between Aphrodite, Athena and Hera and award the golden apple to the fairest. He choses Aphrodite and hence the start of the Trojan war. One of a kind monotype pulled from a painted glass plate...
Mythology - Monoprint
6 x 8 inches (15.2 x 20.3 cm)
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Dana Zivanovits: 'THE TEMPLE', 2004 Monoprint, Religious.   One of a kind monotype pulled from a painted glass plate with watercolor. A signed and dated Zivanovits original. 1/ 1 on all cotton acid free Arches paper. Image 5
, 2004
Religious - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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Dana Zivanovits: 'TRIUMPHANT APHRODITE', 2004 Monoprint, Mythology.   The golden apple inscribed
Mythology - Monoprint
7 x 10 inches (17.8 x 25.4 cm)
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Dana Zivanovits: 'BUTTONS', 2005 Monoprint, People.  This is a mono type pulled from a painted glass plate with watercolor additions. Done on all cotton acid free Arche' s paper- a signed and dated zivanovits original. Image 9 1/ 2
, 2005
People - Monoprint
16 x 18 inches (40.6 x 45.7 cm)
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Amanda Coakley: '50 off', 2017 Monoprint, Christian.
, 2017
Christian - Monoprint
16 x 19 inches (40.6 x 48.3 cm)
Amanda Coakley: 'shopping cart jesus', 2017 Monoprint, Undecided.
Undecided - Monoprint
16 x 20 inches (40.6 x 50.8 cm)
Amanda Coakley: 'seraphim', 2017 Monoprint, Christian.
, 2017
Christian - Monoprint
22 x 24 inches (55.9 x 61.0 cm)
Amanda Coakley: 'window shopper', 2017 Monoprint, Christian.
Christian - Monoprint
16 x 19 inches (40.6 x 48.3 cm)
Tamara Sorkin: 'human imprint 1', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'human imprint', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'pastel monoprint', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
35 x 45 cm (13.8 x 17.7 inches)
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Tamara Sorkin: 'human imprint 4', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
20 x 15 cm (7.9 x 5.9 inches)
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Tamara Sorkin: 'double monoprint', 2009 Monoprint, Abstract.
Abstract - Monoprint
18 x 25 cm (7.1 x 9.8 inches)
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(Page 3 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Daya Bonnie Astor - Summer 2009 Venezia- I am exploring movement. This is a play on words of "women's movement". I examine legs as a symbol of women moving forward to a goal. Legs can dance, walk, take steps (physical and mental); legs move in space. I am using mixed media (fabrics, canvas, paper, paints). The body of work is title "La Gambe che Supports" (the leg which supports). My series of fourteen works shows legs not interacting with any artifacts which would describe place, home or activity, besides movement. I sue color and texture to show variations and emotions within the legs. Another level of complexity for my artwork is site specific: Venice is fragile. Venice is a pedestrian city. Everyone walks, moves on fragile land. Workers commute to the lagoon, even the indigent and street vendors commute to select places to interact with the tourists. Since the ground is uneven here, one must pay attention to stones, concrete and the elements which make up our pedestrian surface. One must also pay attention to our support, our legs. Legs have expression, perhaps not as refined as hands and arms, and one can red expressions in legs. My subjects, women, walk through unifying ...

Carmine Santaniello - MOSAICS: Altered Monoprints: A multi-faceted series of new works create hybrids from an earlier process. Original monotypes are merged to form artworks that are handcrafted mosaic-like weaves of color, shape, texture and movement. Final images are transformed into art on paper with greater depths of aesthetic consistency. ...

Sarah Hauser - My working process involves moving ideas from one medium to another. A drawing may become a print which will become a sculpture -- then the sculpture can inspire drawings which are collaged with printed backgrounds, which gives me further ideas for creating environments composed of many sculpted objects. An important aspect of my work reflects a very direct connection I feel with animals. I am inspired by their emotional transparency and their fascination with any new object or situation: our cat who can be sleeping but becomes fully alert when anything new is brought into the apartment; the squirrel who comes to our fire escape every day to taunt our cat; the tiny sparrow who steals the large chunk of bread in mid-air as it's being thrown to a duck; the dogs that are so delighted to be out on a walk. Since the mid-nineties, I have pursued an ongoing series of drawings, paintings and prints of animals. Some of my newest works are strappo monotypes. Strappo is a process which was developed and taught to me by artist Harold Garde. The image is created by painting with acrylics on glass, then strengthening the surface using many layers ...

Amanda Coakley - As an atheist I have always looked at religion from the position of an observer rather than a practitioner. When I was younger, I grew up in a predominantly religious area and had felt out of place. My friends would try to get me to join bible school, received sideways looks for purchasing the newest fantasy book series, and needless to say I didnt know the words to prayers when I joined summer camp. My family was mostly atheist and growing up, I didnt know much else. The push towards religion was something I didnt understand as a child. However despite my experiences with religion, my hope is to not denigrate religion but draw light upon the chaos of consumption. Advertisements and the rush to Black Friday events at malls feel similar to me. I havent felt the need to run out and buy the latest I-phone or I-pod, or the latest in fashion trends. Nor have I wanted to find myself in large crowds of people waiting outside malls to get a plethora of stuff at fraction of the cost. Aside from the occasional indulgence into a few well loved book series, I didnt feel like I ...

Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...