Monoprints

Artists Describing Their Art:

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

James Mayor - For years of my life I was used as a tool of destruction. As I drifted farther and farther from decency I found myself closer and closer to death. At the pinnacle of my transformation I found myself balancing on a blades edge. One side was darkness and the other is who I am today. It was at this junction of life and death I sat on my brother in armsaEURtm lifeless corpse, while enemies fell around me by the dozens. In the midst of the bloodshed I took a second to gather my thoughts and settle my trembling hands. The event that transpired, which caused life to course through my veins again, was one where I tasted death where I felt more alive than I ever have or ever will again. It was the moment where I noticed flying above me, a beautiful pair of butterflies, dancing without a care in the world, unaffected by the screams of dying men. It was in this brief moment of tranquility when I realized that I needed to break away from this destructive niche I have embodied and give value to life. I have found that creation is the farthest thing from ...

Tracey Datsi Pennell - The Unformed voice becomes greater than the Mind can grasp and there is release in the rigidity of walls. Solid ground breaks in the Fall. From the Decomposition of previously held truths emerges an aesthetic of salvaging the pieces to reconstruct a whole. - T. Datsi ...

Peter Tovar - Peter Tovar is a seminal artist in the Chicano Art movement of Los Angeles. He was the founder of"Colores"an on-site gallery boutique at Self Help Graphics in East Los Angeles. He has also designed book covers for authors such as Gary Soto, Aurturo Hernandez and Daniel Sanchez. Peter Tovar was born at Children's Hospital in San Francisco. Second oldest son of five children, Peter grew up in Campbell Calif., a small area outside San Jose. His summers would be spent with his grandmother and cousins in the orchards. When they would break for lunch, his grandmother spun stories about the rich history of Mexico and her eventual journey to California.. " We are the people of the earth, " she would tell them. For Peter the colors of the watermelon symbolize his childhood memories of those cherished summers.In 1964 his family moved to LA where he finished high school. Peter began painting after serving in Vietnam. He continued to paint while working at SHG, and in February 1994, had his first exhibit at Self Help Graphics' Galeria Otra Vez. The exhibit consisted of a series of acrylic painting. Currently Peter lives in the downtown area of Los ...

Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

Engelina Zandstra - In the labyrinth of my thoughts there are many roads that are leading to the unknown. many roads are leading to the unknown - around every corner a surprise - fata morganas unprecedented views - paintings designed according to laws of their own. ...