Monoprints

Page 5 of 7
Donna Gallant, Andrew Cain, Dana Zivanovits, Elizabeth Ames, James Mayor, Peter Tovar, Tracey Datsi Pennell offering original Monoprints artworks.


Contemporary Art / Monoprints / Previous / Next
Donna Gallant: 'Kitchen pear', 2008 Monoprint, Still Life.  This print reminds one of a kitchen because of the pattern used on the edge.  Wonderful textures and definately kitchen colors. ...
Still Life - Monoprint
5 x 7.5 inches (12.7 x 19.1 cm)
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Donna Gallant: 'Pears', 2008 Monoprint, Still Life.  A pair of pears.  How fun and interesting.  Dark greens and rich textures create this image. ...
, 2008
Still Life - Monoprint
16 x 12 inches (40.6 x 30.5 cm)
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Andrew Cain: 'hell', 2009 Monoprint, Abstract Figurative.       narative         ...
, 2009
Abstract Figurative - Monoprint
70 x 50 cm (27.6 x 19.7 inches)
Andrew Cain: 'mass confusion', 2009 Monoprint, Abstract Figurative.        narative          ...
Abstract Figurative - Monoprint
70 x 50 cm (27.6 x 19.7 inches)
Dana Zivanovits: 'BATH', 2005 Monoprint, nudes. This is a mono type pulled from a painted glass plate on Arches all rag printing paper. One version 1/ 1 - a signed and dated Zivanovits original. Image size is 2
, 2005
nudes - Monoprint
5 x 5 inches (12.7 x 12.7 cm)
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Dana Zivanovits: 'KITE', 2004 Monoprint, Sports.  One of a kind monotype pulled from a painted glass plate with watercolor. A signed and dated Zivanovits original. 1/ 1 on all cotton acid free Arches paper. Image 4
, 2004
Sports - Monoprint
8 x 9 inches (20.3 x 22.9 cm)
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Dana Zivanovits: 'TRAUMA', 2004 Monoprint, Psychology.  This is a mono type pulled from a painted glass plate and watercolor brushwork. 1/ 1 one version only- a signed and dated Zivanovits original. Sheet; 7 1/ 2 x 7
, 2004
Psychology - Monoprint
7 x 7 inches (17.8 x 17.8 cm)
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Dana Zivanovits: 'POMEGRANATE', 2006 Monoprint, Mythology.  This is a mono type pulled from a painted glass plate with watercolor additions on rives all rag acid free paper. 1/ 1 - a signed and dated Zivanovits original. Image size; 5
Mythology - Monoprint
10 x 12 inches (25.4 x 30.5 cm)
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Dana Zivanovits: 'LOOKING ON', 2004 Monoprint, People.  This is a mono type pulled from a painted glass plate with watercolor and pastel additions. Done on all cotton acid free paper- a signed and dated zivanovits original. Image 6
, 2004
People - Monoprint
9 x 10 inches (22.9 x 25.4 cm)
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Dana Zivanovits: 'RIDING HOOD', 2005 Monoprint, Fantasy.  This is a mono type pulled from a painted glass plate with watercolor additions. Done on all cotton acid free paper- a signed and dated Zivanovits original. SIZE: 9. 5
Fantasy - Monoprint
10 x 11 inches (25.4 x 27.9 cm)
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Dana Zivanovits: 'BATHER', 2004 Monoprint, nudes.  A mono type- a one of a kind print pulled from a glass plate. On acid free all cotton Fabriano paper.  A signed Zivanovits original. Image 6
, 2004
nudes - Monoprint
8 x 11 inches (20.3 x 27.9 cm)
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Dana Zivanovits: 'ANCIENT ARTIST', 2004 Monoprint, History.  This a mono type pulled from a painted glass plate with drawing in ink and wash on Arches all rag acid free paper- one version only. A signed and dated Zivanovits original. Sheet 10 1/ 2
History - Monoprint
9 x 10 inches (22.9 x 25.4 cm)
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Dana Zivanovits: 'THREE TREES', 2004 Monoprint, Landscape.  This is a mono type pulled from a painted glass plate with watercolor additions on rives all rag acid free paper. 1/ 1 - a signed and dated Zivanovits original. Image size; 5
Landscape - Monoprint
10 x 7 inches (25.4 x 17.8 cm)
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Dana Zivanovits: 'SWIMMER', 2004 Monoprint, Sports.  One of a kind monotype pulled from a painted glass plate with watercolor. A signed and dated Zivanovits original. 1/ 1 on all cotton acid free Arches paper. Image 5
, 2004
Sports - Monoprint
9 x 11 inches (22.9 x 27.9 cm)
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Dana Zivanovits: 'PHARAOHS TOMB', 2004 Monoprint, Mythology.  One of a kind monotype pulled from a painted glass plate with watercolor. A signed and dated Zivanovits original. 1/ 1 on all cotton acid free Arches paper. Image 13
Mythology - Monoprint
17 x 9 inches (43.2 x 22.9 cm)
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Dana Zivanovits: 'THIRTIES STILL LIFE', 2004 Monoprint, Still Life.  This is a mono type pulled from a painted glass plate  done on acid free Japanese rice paper paper- a signed and dated Zivanovits original. Image 6 1/ 2
Still Life - Monoprint
18 x 12 inches (45.7 x 30.5 cm)
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Dana Zivanovits: 'DANCE OF THE FLOWERS', 2004 Monoprint, Fantasy.  This is a mono type pulled from a painted glass plate with watercolor additions on Rives all rag acid free paper. 1/ 1 - a signed and dated Zivanovits original. Image size; 5
Fantasy - Monoprint
5 x 6 inches (12.7 x 15.2 cm)
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Dana Zivanovits: 'RENAISSANCE MAN', 2004 Monoprint, History.  This is a monotype pulled from a painted glass plate on all cotton Arches paper. Numbered 1/ 1- a signed and dated Zivanovits original. Image size 5
History - Monoprint
5 x 6 inches (12.7 x 15.2 cm)
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Dana Zivanovits: 'BLUES SINGER', 2005 Monoprint, Music.   This is a mono type pulled from a painted glass plate with watercolor additions. done on all cotton acid free paper- a signed and dated zivanovits original. Image 2 3/ 4
Music - Monoprint
3 x 3 inches (7.6 x 7.6 cm)
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Dana Zivanovits: 'LOVES CAPTIVE', 2004 Monoprint, Fantasy.  This is a very small[ will measure this metrically as well] but powerful image and is a mono type pulled from a painted glass plate with watercolor additions. Done on all cotton acid free paper- a signed and dated zivanovits original. Image 2 1/ 4
Fantasy - Monoprint
3 x 2 inches (7.6 x 5.1 cm)
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Dana Zivanovits: 'MOSES AND PHARAOHS DAUGHTER', 2006 Monoprint, Abstract Figurative.  This is a mono type pulled from a painted glass plate with watercolor and chalk additions on all rag Fabriano paper. A signed and dated Zivanovits original. Image size is 5
Abstract Figurative - Monoprint
7 x 10 inches (17.8 x 25.4 cm)
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Dana Zivanovits: 'PYRAMID', 2004 Monoprint, Architecture.  This is a one of a kind [ 1/ 1] monotype pulled fron an inked glass plate and watercolor added. A signed, dated and numbered Zivanovits original on Arches all cotton acid free paper. Image 4
, 2004
Architecture - Monoprint
4 x 5 inches (10.2 x 12.7 cm)
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Elizabeth  Ames: 'camouflage', 2016 Monoprint, Abstract Landscape.
, 2016
Abstract Landscape - Monoprint
8 x 12 inches (20.3 x 30.5 cm)
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James  Mayor: 'selfless', 2016 Monoprint, War. unframed ...
, 2016
War - Monoprint
10 x 13 inches (25.4 x 33.0 cm)
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James  Mayor: 'sacrifice', 2016 Monoprint, War. Framed...
, 2016
War - Monoprint
12 x 10 inches (30.5 x 25.4 cm)
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Peter Tovar: 'Eye on You', 2012 Monoprint, Abstract.
, 2012
Abstract - Monoprint
11 x 11 inches (27.9 x 27.9 cm)
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Tracey Datsi Pennell: 'Ink Well', 2010 Monoprint, Abstract.
, 2010
Abstract - Monoprint
14 x 7 inches (35.6 x 17.8 cm)
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Tracey Datsi Pennell: 'Koan of Un', 2010 Monoprint, Abstract Figurative.
, 2010
Abstract Figurative - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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Tracey Datsi Pennell: 'Bird on a Wire', 2010 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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Tracey Datsi Pennell: 'Eyes Open', 2010 Monoprint, Abstract Figurative.
, 2010
Abstract Figurative - Monoprint
14 x 7 inches (35.6 x 17.8 cm)
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(Page 5 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

Andrew Cain - My work deals with the human condition, emotions and narratives. I find comfort in the figure, as it represents emotions through its movement and shape that explain stories words cannot tell. Each movement and line becomes something abstract, expressive and beautiful. By the juxtaposition of abstract and expressive mark making I narrate my own anxieties in social situations, and turn stories into pieces. I narrate these tales using lines, colour and the figure, explaining everyday situations. I am inspired by perception and how it creates a new narrative within each piece, how every work of art is a conversation between the viewer and the art work....

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

James Mayor - For years of my life I was used as a tool of destruction. As I drifted farther and farther from decency I found myself closer and closer to death. At the pinnacle of my transformation I found myself balancing on a blades edge. One side was darkness and the other is who I am today. It was at this junction of life and death I sat on my brother in armsaEURtm lifeless corpse, while enemies fell around me by the dozens. In the midst of the bloodshed I took a second to gather my thoughts and settle my trembling hands. The event that transpired, which caused life to course through my veins again, was one where I tasted death where I felt more alive than I ever have or ever will again. It was the moment where I noticed flying above me, a beautiful pair of butterflies, dancing without a care in the world, unaffected by the screams of dying men. It was in this brief moment of tranquility when I realized that I needed to break away from this destructive niche I have embodied and give value to life. I have found that creation is the farthest thing from ...

Peter Tovar - Peter Tovar is a seminal artist in the Chicano Art movement of Los Angeles. He was the founder of"Colores"an on-site gallery boutique at Self Help Graphics in East Los Angeles. He has also designed book covers for authors such as Gary Soto, Aurturo Hernandez and Daniel Sanchez. Peter Tovar was born at Children's Hospital in San Francisco. Second oldest son of five children, Peter grew up in Campbell Calif., a small area outside San Jose. His summers would be spent with his grandmother and cousins in the orchards. When they would break for lunch, his grandmother spun stories about the rich history of Mexico and her eventual journey to California.. " We are the people of the earth, " she would tell them. For Peter the colors of the watermelon symbolize his childhood memories of those cherished summers.In 1964 his family moved to LA where he finished high school. Peter began painting after serving in Vietnam. He continued to paint while working at SHG, and in February 1994, had his first exhibit at Self Help Graphics' Galeria Otra Vez. The exhibit consisted of a series of acrylic painting. Currently Peter lives in the downtown area of Los ...

Tracey Datsi Pennell - The Unformed voice becomes greater than the Mind can grasp and there is release in the rigidity of walls. Solid ground breaks in the Fall. From the Decomposition of previously held truths emerges an aesthetic of salvaging the pieces to reconstruct a whole. - T. Datsi ...