Monoprints (194)

Page 5 of 7
Robert Arnold, Ken Hillberry, Paula Bellacera, Jerry Di Falco, Amanda Toy, Michelle Mendez, Michael Weatherly, Elena Rein, Dana Zivanovits, Rachel Dimicco, Daya Bonnie Astor offering original Monoprints artworks.


Contemporary Art / Monoprints / Previous / Next
Robert Arnold: 'On Being an Artist in America in 2008 2', 2008 Monoprint, Conceptual. Artist Description:  Ink on paper. ...
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ken Hillberry: 'Tree Dimensions 11', 2000 Monoprint, Abstract Landscape. Artist Description:  This piece is one of a body of work, which focused on the appeal of the tree as natural force and its beauty as used in the holiday venue. This is the eleventh proof in the run of 12 hand- pulled prints. ...
Abstract Landscape - Monoprint
12 x 12 inches (30.5 x 30.5 cm)
Ken Hillberry: 'Tree Dimensions 4', 1999 Monoprint, Abstract Landscape. Artist Description:  This is the fourth proof in a series of hand- pulled prints commemorating the tree, as with a previous image, it depicts the awe of it' s natural strength and seasonal beauty. ...
Abstract Landscape - Monoprint
11 x 12 inches (27.9 x 30.5 cm)
Paula Bellacera: 'Iris Study No 8', 2008 Monoprint, Floral. Artist Description:  This is part of a series of abstracted monotypes of iris flowers. More of this series can be viewed on my website at: www. paulawenzl. com ...
Floral - Monoprint
8 x 16 inches (20.3 x 40.6 cm)
Paula Bellacera: 'Iris Study No 14', 2008 Monoprint, Floral. Artist Description:  This is part of a series of abstracted monotypes of iris flowers. More of this series can be viewed on my website at: www. paulawenzl. com ...
Floral - Monoprint
12 x 12 inches (30.5 x 30.5 cm)
Robert Arnold: 'Il papa ha nuova pattini rossi di Prada', 2005 Monoprint, Conceptual. Artist Description:  Ink on paper. ...
Conceptual - Monoprint
8.5 x 10 inches (21.6 x 25.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robert Arnold: 'Letter to Filippo Lippi 4', 2006 Monoprint, Conceptual. Artist Description:  Ink on paper. Fourth of five letters to Filippo Lippi. Sold only as a set of five....
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
Robert Arnold: 'Letter to Filippo Lippi 5', 2006 Monoprint, Conceptual. Artist Description:  Ink on paper.  Fifth of five letters to Filippo Lippi. Sold only as a set of five....
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
Robert Arnold: 'Filippo ha verniciato una pittura di Lucrezia', 2006 Monoprint, Conceptual. Artist Description:  Ink on paper. ...
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robert Arnold: 'Letter to Filippo Lippi 2', 2006 Monoprint, Conceptual. Artist Description:  Ink on paper. Second of five letters to Filippo Lippi. Sold only as a set of five. ...
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
Robert Arnold: 'Letter to Filippo Lippi 3', 2006 Monoprint, Conceptual. Artist Description:  Ink on paper. Third of five letters to Filippo Lippi. Sold only as a set of five. ...
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
Robert Arnold: 'Letter to Filippo Lippi 1', 2006 Monoprint, Undecided. Artist Description:  Ink on paper.  First of five letters to Filippo Lippi.  Sold only as a set of five. ...
Undecided - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
Jerry  Di Falco: 'Children', 2009 Monoprint, Fantasy. Artist Description: I hand printed and published this edition at The Center for Works on Paper in Philadelphia, Pennsylvania, USA. Please note that this etching is shipped to the collector without a frame or mat. This keeps the price low and allows the collector personal choice in matt selection and ...
, 2009
Fantasy - Monoprint
16 x 11 inches (40.6 x 27.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Amanda Toy: 'Its whats inside', 2005 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
18 x 24 inches (45.7 x 61.0 cm)
Amanda Toy: 'Remember Play Misty', 2005 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
18 x 24 inches (45.7 x 61.0 cm)
Michelle Mendez: 'Lemon', 2008 Monoprint, Botanical. Artist Description: Monoprint, ghost print ( 2nd run) is lighter, printed on rice paper...
, 2008
Botanical - Monoprint
16 x 22 inches (40.6 x 55.9 cm)
Michelle Mendez: 'Water Hyacinth 3 Goldfish', 2008 Monoprint, Botanical. Artist Description: 3 goldfish and water hyacinth from sketches done at the Wellesley College greenhouse, printed on rice paper, 1 print only, inspired by Asian printmaking theme...
Botanical - Monoprint
22.5 x 16.5 inches (57.1 x 41.9 cm)
Michael Weatherly: 'Untiltled Monoprint', 2008 Monoprint, Abstract. Artist Description:  Monoprint on paper ...
Abstract - Monoprint
11.5 x 16.5 inches (29.2 x 41.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Michael Weatherly: 'Untiltled Monoprint', 2008 Monoprint, Abstract. Artist Description:  Monoprint on paper ...
Abstract - Monoprint
11.5 x 16.5 inches (29.2 x 41.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Michael Weatherly: 'Untiltled Monoprint', 2008 Monoprint, Abstract. Artist Description:  Monoprint on paper ...
Abstract - Monoprint
16 x 19 inches (40.6 x 48.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Michael Weatherly: 'Untiltled Monoprint', 2008 Monoprint, Abstract. Artist Description:  Monoprint on paper ...
Abstract - Monoprint
16 x 19 inches (40.6 x 48.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Michael Weatherly: 'Untitled', 2008 Monoprint, Abstract. Artist Description:  Untitled monoprint on paper.  ...
, 2008
Abstract - Monoprint
11.5 x 16.5 inches (29.2 x 41.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Michael Weatherly: 'Untitled', 2008 Monoprint, Abstract. Artist Description:  Untiltled monoprint on paper. ...
, 2008
Abstract - Monoprint
11.5 x 16.5 inches (29.2 x 41.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Elena Rein: 'Dancer', 1994 Monoprint, Undecided.
, 1994
Undecided - Monoprint
10 x 12 inches (25.4 x 30.5 cm)
Dana Zivanovits: 'LOOK UP', 2004 Monoprint, nudes. Artist Description:  This is the first of a 2 print edition [ 1/ 2] monotype pulled fron an inked glass plate and watercolor added. A signed, dated and numbered Zivanovits original on Japanese rice paper mounted on Arches all cotton acid free paper. Image 6
, 2004
nudes - Monoprint
12 x 11 inches (30.5 x 27.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rachel Dimicco: 'Ecostructure', 2008 Monoprint, Undecided. Artist Description:  All screen printed. Nothing Painted.Print on Thailand Mulberry PaperMounted on custom made wooden frame.Becomes translucent when placed in front of light. Natural light is best. ...
Undecided - Monoprint
3 x 6 feet (0.91 x 1.83 m)
Elena Rein: 'Faces 1', 1995 Monoprint, Abstract Figurative.
, 1995
Abstract Figurative - Monoprint
12 x 12 inches (30.5 x 30.5 cm)
Daya Bonnie Astor: 'Gondola', 2007 Monoprint, Abstract.
, 2007
Abstract - Monoprint
10 x 8 inches (25.4 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Daya Bonnie Astor: 'Gondola Due', 2007 Monoprint, undecided.
undecided - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Alessandro Passerini: 'FedeMaterna', 2007 Monoprint, Portrait. Artist Description:  A portrait for my friend Federica. ...
Portrait - Monoprint
50 x 70 cm (19.7 x 27.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
(Page 5 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Robert Arnold - For a long time now, I have been interested in squares with five sides. Most people call these pentagons, but I don't because of the obvious political implications. Let's just say that a square with five sides is far more interesting than a square with four sides. My work is often about things involving five; five letters to Filippo Lippi, as well as a variation on the painting that Filippo might have painted after receiving those five letters, five new red Prada pope shoes. Some of those works are here. I am also interested in things that don't involve five, and some of those are also here. Ever since I was a child, I have been very interested in Italy. Although I am not Italian, I grew up in an Italian neighborhood in Buffalo, was heavily influenced by my Italian friends and their parents and worked for a number of years in a restaurant in Buffalo that was owned by an Italian gentleman and frequented by the mafia. I also like to travel to Italy, and very much like the way the Italian people live their lives. Someday I may live there. Although I don't understand ...

Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...

Paula Bellacera - Sacramento native Paula Wenzl-Bellacera is a contemporary artist who is a painter and print maker. Please visit her home websites at: www.paulawenzl.com and www.paulabellacera.com. She works in oil, mixed media, and photography. Ms. Bellacera received her art and training at various colleges and universities in Northern California after completing a Ph.D. in experimental psychology at Tulane University in New Orleans, Louisiana. Since 1990 she has been exhibiting her work domestically and internationally including in Chicago, Katmandu, San Francisco, and Seattle. She has won several awards and has been published in books and magazines. She has received public art grants and been commissioned to create collections of work. Her pieces are included in private and corporate collections throughout the country. Ms. Bellacera comments about her latest series of cactus paintings, "As an artist, I am often aesthetically inspired by the day-to-day world in which I live. I find uncommon beauty in the most ordinary subjects. I spend much time reflecting in my garden, which happens to contain mostly cactus and succulents. After years of observing these hardy denizens of my yard, I found myself drawn to the mystery and primitive aspects of these ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Michael Weatherly - Art speaks to anyone. It can lift your spirits, provoke your thoughts and calm your emotions. A continuing desire to grow and express has driven my creation of original works - The past and the present connect. Creating a work of art is, having traveled various roads through experimentation until reaching the culmination of an organic art form implementing abstract-figurative elements that emphasize textures and non-conventional forms. It is through experimentation and the search of new techniques that I imprint my work with imagery that reminds us of the natural world. For me, creating is a liberating experience - I am always in a happy state even during the times when I struggle with the process. The creative journey starts with a concept - it's just me and the blank canvas, paper or object...my senses awaken...the process is a thrill ...I progress through stages...it becomes. Michael J Weatherly ...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Rachel Dimicco - The concept of my work was conceived from pondering the unexplainable, unrepeatable occurrences in the natural world. This concept was then studied through the spontaneous intuitive processes of interaction between the fragile and irreducible materials and environmental components. The process was motivated by exploring the deterioration of natural elements. My work's intent was to alter how the elements of nature are viewed through conjoining atmospheric elements and natural phenomena. ...

Daya Bonnie Astor - Summer 2009 Venezia- I am exploring movement. This is a play on words of "women's movement". I examine legs as a symbol of women moving forward to a goal. Legs can dance, walk, take steps (physical and mental); legs move in space. I am using mixed media (fabrics, canvas, paper, paints). The body of work is title "La Gambe che Supports" (the leg which supports). My series of fourteen works shows legs not interacting with any artifacts which would describe place, home or activity, besides movement. I sue color and texture to show variations and emotions within the legs. Another level of complexity for my artwork is site specific: Venice is fragile. Venice is a pedestrian city. Everyone walks, moves on fragile land. Workers commute to the lagoon, even the indigent and street vendors commute to select places to interact with the tourists. Since the ground is uneven here, one must pay attention to stones, concrete and the elements which make up our pedestrian surface. One must also pay attention to our support, our legs. Legs have expression, perhaps not as refined as hands and arms, and one can red expressions in legs. My subjects, women, walk through unifying ...