Woodcut Prints (158)

Page 5 of 6
Maria Lucia Pacheco, Amanda Tallcot, Tamara Sorkin, Theo Radic, Natalie Johnston, Richard Pitts, Josef Hlavacek, Andrew Christen, Pygoya Rodney Chang-phd, Youri Messen-jaschin offering original Woodcut Prints artworks.


Contemporary Art / Woodcut Prints / Previous / Next
Amanda Tallcot: 'Handy', 2008 Woodcut, Figurative.
, 2008
Figurative - Woodcut
0 x 0 inches (0.0 x 0.0 cm)
Tamara Sorkin: 'Haggada woodcut 1', 2008 Woodcut, Judaic. Artist Description:    woodcut & collage on handmade ( recycled) paper ...
Judaic - Woodcut
25 x 35 cm (9.8 x 13.8 inches)
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Tamara Sorkin: 'Haggada woodcut 2', 2008 Woodcut, Judaic. Artist Description:   woodcut & collage on handmade ( recycled) paper...
Judaic - Woodcut
25 x 35 cm (9.8 x 13.8 inches)
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Theo Radic: 'Eucalyptus', 2000 Woodcut, Landscape. Artist Description: Woodblock print inspired by eucalyptus trees. Hand printed. ...
, 2000
Landscape - Woodcut
24 x 18 cm (9.4 x 7.1 inches)
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Tamara Sorkin: 'young olive tree', 2007 Woodcut, Trees. Artist Description:  This is a young olive tree from my olive grove, that was used as a logo for my olive oil press ...
Trees - Woodcut
15 x 20 cm (5.9 x 7.9 inches)
Natalie Johnston: 'Why Ohio', 2007 Woodcut, Abstract Figurative. Artist Description: Man dancing in a fire.  Printed on Newspaper.  Orange and yellow w/ black & white contrast....
, 2007
Abstract Figurative - Woodcut
13 x 18 inches (33.0 x 45.7 cm)
Richard Pitts: 'installation', 2007 Woodcut, Abstract. Artist Description:  This installation  represents a  colllection of three dimensional prints in Totem format.  All are experimental woodcuts forming a unique sculptural element to printmaking. This particular installation was dedicted to the nine classical muses. Their names and specialties are listed on google. ...
Abstract - Woodcut
8 x 96 inches (20.3 x 243.8 cm)
Josef Hlavacek: 'The Flames', 1992 Woodcut, Abstract. Artist Description:  Very often I use separate woodblocks and print them together with different colors. The colors are selected individually, depending on my state of mind at the moment. This process is also influenced by the season of the year, the quality of daylight, sounds, and music. Prints made by ...
, 1992
Abstract - Woodcut
70 x 100 cm (27.6 x 39.4 inches)
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Josef Hlavacek: 'The Nocturno', 2000 Woodcut, Abstract.
Abstract - Woodcut
120 x 70 inches (304.8 x 177.8 cm)
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Josef Hlavacek: 'The Waterfall', 1991 Woodcut, Abstract. Artist Description:  woodblockprint ...
Abstract - Woodcut
120 x 70 inches (304.8 x 177.8 cm)
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Andrew Christen: 'South St', 2003 Woodcut, Architecture.
, 2003
Architecture - Woodcut
8 x 13 inches (20.3 x 33.0 cm)
Pygoya Rodney Chang-phd: 'Picasso s  Bullfight', 1989 Woodcut, Abstract. Artist Description: WHAT WOULD YOU PAY TO OWN THE WORLD' S FIRST COMPUTER DESIGNED WOODCUT PRINT? Image from monitor used as design for manual carving into wood to serve as template for pulling paper prints.  Computer used was the Commodore Amiga 1000 ( now obsolete) and software was Deluxe Paint I ( ...
Abstract - Woodcut
15 x 14 inches (38.1 x 35.6 cm)
Youri Messen-jaschin: 'Danse', 1974 Woodcut, Undecided. Artist Description: 1/ 15 Xylography (r) by 1966 Prolitteris Postfach CH. - 8033 Zurich (c) by 1966 Youri Messen- Jaschin Switzerland...
, 1974
Undecided - Woodcut
10 x 24 cm (3.9 x 9.4 inches)
Youri Messen-jaschin: 'Recherche du mouvement II', 1976 Woodcut, Undecided. Artist Description: Xylography 1/ 15(r) 1976 by Prolitteris Po. Box CH. - 80330 Zurich(c) 1976 by Youri Messen- Jaschin Switzerland...
Undecided - Woodcut
13 x 25 cm (5.1 x 9.8 inches)
Youri Messen-jaschin: 'Danse III', 1976 Woodcut, Undecided. Artist Description: Xylography 1/ 15(r) 1976 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1976 by Youri Messen- Jaschin Switzerland...
, 1976
Undecided - Woodcut
22 x 15 cm (8.7 x 5.9 inches)
Youri Messen-jaschin: 'Danse', 1976 Woodcut, Undecided. Artist Description: Xylography 1/ 15(r) 1976 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1976 by Youri Messen- Jaschin Switzerland...
, 1976
Undecided - Woodcut
26 x 21 cm (10.2 x 8.3 inches)
Youri Messen-jaschin: 'Recherche du Mouvement ', 1976 Woodcut, Undecided. Artist Description: Xylography 1/ 15(r) 1976 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1976 by Youri Messen- Jaschin Switzerland...
Undecided - Woodcut
13 x 27 cm (5.1 x 10.6 inches)
Youri Messen-jaschin: 'Danse IV', 1978 Woodcut, Undecided. Artist Description: Xylography 1/ 15 (r) 1978 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1978 by Youri Messen- Jaschin Switzerland...
, 1978
Undecided - Woodcut
39 x 20 cm (15.4 x 7.9 inches)
Youri Messen-jaschin: 'Sacre du Printemps II', 1978 Woodcut, Undecided. Artist Description: Xylography 16/ 15 (r) 1978 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1978 by Youri Messen- Jaschin Switzerland...
Undecided - Woodcut
33 x 19 cm (13.0 x 7.5 inches)
Youri Messen-jaschin: 'Danse II', 1978 Woodcut, Undecided. Artist Description: Xylography 1/ 15(r) 1978 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1978 by Youri Messen- Jaschin Switzerland...
, 1978
Undecided - Woodcut
39 x 17 cm (15.4 x 6.7 inches)
Youri Messen-jaschin: 'Danse V', 1978 Woodcut, Undecided. Artist Description: Xyolography 1/ 15(r) 1978 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1978 by Youri Messen- Jaschin Switzerland...
, 1978
Undecided - Woodcut
17 x 32 cm (6.7 x 12.6 inches)
Youri Messen-jaschin: 'Apocalypse', 1972 Woodcut, Undecided. Artist Description: Illustration for the book Alighieri Dante Divine Comedie. 1/ 15 Xylography(r) by 1972 Prolitteris Po. Box CH. - 8033 Zurich(c) by 1972 Youri Messen- Jaschin Switzerland...
, 1972
Undecided - Woodcut
16 x 18 cm (6.3 x 7.1 inches)
Youri Messen-jaschin: 'Paradis II', 1972 Woodcut, Undecided. Artist Description: Illustration for the book Alighieri Dante Divine Comedie. 1/ 15 Xylography(r) by 1972 Prolitteris Po. Box CH. - 8033 Zurich(c) by 1972 Youri Messen- Jaschin Switzerland...
, 1972
Undecided - Woodcut
14 x 25 cm (5.5 x 9.8 inches)
Youri Messen-jaschin: 'Danse I b', 1972 Woodcut, Undecided. Artist Description: Xylography 1/ 153' 000 Us $ 2 prints(r) 1972 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1972 by Youri Messen- Jaschin Switzerland...
, 1972
Undecided - Woodcut
38 x 28 cm (15.0 x 11.0 inches)
Youri Messen-jaschin: 'Danse I a', 1972 Woodcut, Undecided. Artist Description: Xylography 1/ 153' 000. - 2 print' s(r) 1972 by ProLitteris Po. Box CH. - 8033 Zurich(c) 1972 by Youri Messen- Jaschin Switzerland...
, 1972
Undecided - Woodcut
21 x 27 cm (8.3 x 10.6 inches)
Youri Messen-jaschin: 'Sacre du Printemps', 1972 Woodcut, Undecided. Artist Description: Xylography 1/ 15(r) 1972 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1972 by Youri Messen- Jaschin...
Undecided - Woodcut
40 x 24 cm (15.7 x 9.4 inches)
Youri Messen-jaschin: 'Leda', 1978 Woodcut, Undecided. Artist Description: xylography 1/ 15(r) 1978 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1978 by Youri Messen- Jaschin Switzerland...
, 1978
Undecided - Woodcut
36 x 36 cm (14.2 x 14.2 inches)
Youri Messen-jaschin: 'Theatre II', 1978 Woodcut, Undecided. Artist Description: Print xylography 1/ 15(r) 1978 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1978 by Youri Messen- Jaschin Switzerland...
, 1978
Undecided - Woodcut
17 x 18 cm (6.7 x 7.1 inches)
Youri Messen-jaschin: 'Theatre Moliere II', 1977 Woodcut, Undecided. Artist Description: xylography 1/ 15(r) 1977 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1977 by Youri Messen- Jaschin Switzerland...
Undecided - Woodcut
49 x 22 cm (19.3 x 8.7 inches)
Youri Messen-jaschin: 'Planete Folle New York', 1972 Woodcut, Undecided. Artist Description: xylography 1/ 15(r) 1972 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1972 by Youri Messen- Jaschin Switzerland...
Undecided - Woodcut
24 x 30 cm (9.4 x 11.8 inches)
(Page 5 of 6) - MORE ARTWORKS

Artists Describing Their Art:

Amanda Tallcot - I MUST CREATE - my business is to create, it doesn't matter what you do. Create Something! Then it's you--in the world. My hope for you is that you may find the pride in the processes put into my work as well as find pleasure and peace in the pieces you so choose. ...

Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

Theo Radic - Everyone experiences drawing and painting as children. I was perhaps one year old therefore when I was first initiated into the painter's craft. I continued these universal beginnings throughout my school years and sporadic courses in college (which gave me few insights into this art). [...] I had only myself as a teacher in the art of painting. My evolution as a painter paralleled that of art history in general, beginning with my prehistoric period as a one-year-old-clutcher-of-crayolas, groping through Egyptian and Greek periods; a Renaissance period; and then neo-classicism, romanticism and naturalism; impressionism and fauvism; cubism and abstract expressionism. At nineteen I went to Europe, thirsty for scope and depth in Art which America lacks. Having established myself in the south of France, I absorbed the emanations of the modern masters who had lived and painted there. I was profoundly moved by the bizarre snow storm over La Cote d'Azur on the night of Picasso's death. No such storm had ever been seen before in April, as old-timers in Nice told me. [...] Fully acknowledging my debt to 'abstract expressionism', I nonetheless do not consider my art'abstract' - a word ...

Natalie Johnston - I want you to form your own un-biased opinion. My work is a representation of what is going on in my life at the time. However, if you do have any questions I would be happy to answer them. Thanks, Natalie...

Richard Pitts - My work ,as the totem format may indicate, digs deep withing certain traditional forms of art. Ancient cave art forms a space orientation not dissimilar to the space of a temple or of a cathedral. The sculptural direction in my work establish and reflect a felt environment and evoke a staged space. Like columns in a temple or cathedral, they make space for a kind of thought. My totems reflect space. They are about making viable the invisible that surround them. A single fragment of sculpture like a single Greek column makes visible the wonder of a whole building. This wonder is the space, the building block of scared thoughts not just about making visable the invisible but emphasizing that which is not seen as most important and without boundaries. In fact this obelisk, totem like format condenses and implodes, drawing in the invisible and showing for a brief moment the visible cathedral of natural forms within a new pictorial format without boundaries and briefly holding time still. www.richardpitts.com ...

Josef Hlavacek - WOODBLOCK PRINTS Very often I use separate woodblocks and print them together with different colors. The colors are selected individually, depending on my state of mind at the moment. This process is also influenced by the season of the year, the quality of daylight, sounds, and music. Prints made by this method have a very delicate and graceful structure. Beautiful colors give any space relaxing and leisurely feeling, basically because of a return to natural lines, colors and shapes. Prints are made on japanese high quality paper. The style and color gives the imression of action painting, rather than traditional graphics. Each print is slightly different, and though they resemble monotypes, they are not traditional graphic editions. The first woodblock prints were made around 1989-1990 (i.e. WINGS) as a special edition for my personal exhibition at the Museo de la Estampa. Woodblock printing has been my favorite technique for the last few years. The Artist woodblock ArtPrint are present at the National Gallery of Art in Washington LINOCUTS All linocuts are works from the 80's created as a part of my postgradual studies at the Academy of Art in Prague. A great collection of linocuts from this ...

Andrew Christen - My decision to focus on printmaking has a lot to do with my upbringing in central Nebraska, where I grew up on a small farm. I spent most of my time playing, fishing, and working outdoors. I learned to drive a tractor at age six and began to pick up pipe, cut grass, hoe beans - typical farmboy work. I learned to appreciate hard work and working with my hands. Printmaking allows me to relive that experience--the physical exertion of rubbing and pulling a print by hand is some of the most rewarding work I do. My upbringing taught me to appreciate not just the product of work, but the process itself. At 18, I went to work in a slaughterhouse in Lexington, where I learned plumbing, welding, electrical and mechanical systems, and honed my carpentry skills. This craftsmanship--the ability to appreciate both the result of a hard day's work and the experience of the work itself--translates to the materials, tools and processes of printmaking today. This is especially true when I cut my blocks for my prints. Understanding how certain woods will react to being carved allows me to enhance the visual experience, and at the ...

Pygoya Rodney Chang-Phd - Rodney Chang, better known as the Internet's Pygoya, Webist, was the first digital artist to exhibit in Honolulu, back in 1985. He has exhibited around the world, including Paris, New York City, Chicago, Las Vegas, the U.S.S.R., England, Vienna, Budapest, Frankfurt, Australia, Seoul, Japan, China and India. His 1988 solo show at Shangahi Art Museum was China's historic first computer art exhibition. He organized India's first ever international digital art exhibition (1999). In the 1980s and 1990s he promoted his concept of Pixelism, or the conversion of pixels into paint, by hand and on canvas, to mirror (as art history) the digital quality of crude early low resolution monitor imaging. He also co-founded Webism, the art movement to create and exhibit art online for the sake of the global cyber-culture and audience. In the 1980's Dr. Rodney Chang gained national notoriety as NBC's Real People Show's "Disco Doc" - filmed dancing in his Honolulu dental clinic's discotheque reception area, complete with staff DJ. He danced on syndicated TV (NBC "Real People Show") around the world. The artist is also recognized in Who's Who in America and Ripley's ...

Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...