My etching, CHARTRES WINDOW IN EMERALD LIGHT-- NORTH, is adapted from a Nineteenth Century photograph of the Rose Window in the North Transept of Chartres Cathedral in France. The window itself, as an architectural element, holds many secrets in its various design details moreover, this window alone without even considering the colors or imagery involved has a mystical geometry of its own composed of circles, squares, arches, and four-leaf clovers. This etching was executed as a meditative tool a sort of mandala in a blend of colored inks to resemble a male peacocks open tail to help the viewer understand both the Sacred Feminine within all Life, as well as the optical rhythms with the sacred architecture of Gothic Europe. THIS INTAGLIO ETCHING WAS EXECUTED ON A ZINC PLATE 9 INCHES HIGH BY 6 INCHES WIDE or 22.860cm x 15.240cm. I used a blend of Charbonnel-brand, oil-based inks and printed the etching on Rives BFK white paper both manufactured in France. I hand printed the works myself at The Center for Works on Paper, Fleisher Art Memorial Philadelphia Museum of Art in the Open Printmaking Studio. This specific work is from the THIRD EDITION of FOUR and, each edition is limited to only FIVE prints therefore only twenty prints of this image exist. The print measures 11.2 inches by 15 inches 28 cm x 38.100 cm. Keywords include Stained Glass, France, Gothic, french, cathedral, Sacred Geometry, design, Chartres Cathedral, architecture, emerald color, Rose window, and Optical Illusions. Please note that this etching is shipped to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped in two layers of acid free glassine and then placed between two archival boards. This is next placed into the shipping box and securely packed with bubble wrap. The price does not include any shipment costs.