Aluminum Sculptures (79)

Page 2 of 3
Gary Brown, James Johnson, Amber Marley Padilla, Jon Grauman, Catarina Hosler, Vincenzo Montella, Sylvia Volpi, Roland Boren, Piotr Pietrasiewicz, Phil Parkes, George Hart, Layla Somerset De Brontė, Lavih Serfaty, David Raine, Michael Leyton, Esmoreit Koetsier offering original Aluminum Sculptures artworks.


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James Johnson: 'Torso Rhythm', 2009 Aluminum Sculpture, Abstract Figurative. Artist Description:          archetype, nude, male, beauty, dance, erotic, fantasy, figurative, mystical, meditation, mythology, new age, spiritual, nudes         ...
Abstract Figurative - Sculpture
7 x 19 inches (17.8 x 48.3 cm)
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James Johnson: 'Stance', 2010 Aluminum Sculpture, nudes. Artist Description: archetype, nude, male, beauty, dance, erotic, fantasy, figurative, mystical, meditation, mythology, new age, spiritual, nudes...
, 2010
nudes - Sculpture
7.5 x 26 inches (19.1 x 66.0 cm)
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James Johnson: 'Erebos', 2009 Aluminum Sculpture, nudes. Artist Description:        archetype, nude, male, beauty, dance, erotic, fantasy, figurative, mystical, meditation, mythology, new age, spiritual, nudes       ...
, 2009
nudes - Sculpture
11 x 14 inches (27.9 x 35.6 cm)
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Amber Marley Padilla: 'Baby', 2006 Aluminum Sculpture, Abstract. Artist Description:   Cast Aluminum  ...
, 2006
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Jon Grauman: 'peace sign', 2009 Aluminum Sculpture, Americana.
, 2009
Americana - Sculpture
16 x 16 inches (40.6 x 40.6 cm)
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Catarina Hosler: 'Evolution', 2009 Aluminum Sculpture, Science. Artist Description:  Brushed aluminum has been carefully hand cut with a plasma torch and metal working tools to create images in metal which are then carefully back lit with LED lights to create irridescent and beautifully subtle colors that glow through the metal work.  ...
, 2009
Science - Sculpture
9 x 54 inches (22.9 x 137.2 cm)
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Vincenzo Montella: 'Lady', 2009 Aluminum Sculpture, Abstract.
, 2009
Abstract - Sculpture
22 x 48 cm (8.7 x 18.9 inches)
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Jon Grauman: 'Americana Heart 2', 2009 Aluminum Sculpture, Automotive. Artist Description:   Aluminum Heart Mounted on Anodize aluminum Back...
Automotive - Sculpture
16 x 24 inches (40.6 x 61.0 cm)
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Jon Grauman: 'Metal Heart Rose Quarts', 2009 Aluminum Sculpture, Love. Artist Description:   patina copper and quartz...
Love - Sculpture
5 x 7 inches (12.7 x 17.8 cm)
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Jon Grauman: 'License to Love Heart', 2009 Aluminum Sculpture, Love. Artist Description:   Brass Heart mounted on Aluminum Back pan.  License plates from vaious states...
Love - Sculpture
16 x 16 inches (40.6 x 40.6 cm)
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Jon Grauman: 'License Love', 2009 Aluminum Sculpture, Love. Artist Description:   License plates from various states,  cut,  and nut and bolted on aluminum Pan...
Love - Sculpture
8 x 14 inches (20.3 x 35.6 cm)
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Jon Grauman: 'License XOX', 2009 Aluminum Sculpture, Love. Artist Description:   License plates from various states nut and bolted on aluminum pan...
Love - Sculpture
8 x 14 inches (20.3 x 35.6 cm)
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Vincenzo Montella: 'Alien zoology 1', 2008 Aluminum Sculpture, Abstract. Artist Description:  folden aluminium ...
Abstract - Sculpture
26 x 28 cm (10.2 x 11.0 inches)
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Vincenzo Montella: 'Alien zoology 2', 2008 Aluminum Sculpture, Abstract. Artist Description:  folden aluminium ...
Abstract - Sculpture
28 x 25 cm (11.0 x 9.8 inches)
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Vincenzo Montella: 'Alien zoology 3', 2008 Aluminum Sculpture, Abstract. Artist Description:  folden aluminium ...
Abstract - Sculpture
25 x 20 cm (9.8 x 7.9 inches)
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Vincenzo Montella: 'Alien zoology 4', 2008 Aluminum Sculpture, Abstract. Artist Description:  folden aluminium ...
Abstract - Sculpture
23 x 16 cm (9.1 x 6.3 inches)
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Vincenzo Montella: 'Alien zoology 5', 2008 Aluminum Sculpture, Abstract. Artist Description:  folden aluminium ...
Abstract - Sculpture
20 x 10 cm (7.9 x 3.9 inches)
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Vincenzo Montella: 'Alien zoology 6', 2008 Aluminum Sculpture, Abstract. Artist Description:  folden aluminium ...
Abstract - Sculpture
20 x 54 cm (7.9 x 21.3 inches)
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Sylvia Volpi: 'ROOTS AND THORNS  III', 2006 Aluminum Sculpture, Conceptual.
Conceptual - Sculpture
30 x 95 cm (11.8 x 37.4 inches)
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Roland Boren: 'Ftlj', 2000 Aluminum Sculpture, Figurative.
, 2000
Figurative - Sculpture
104 x 78 cm (40.9 x 30.7 inches)
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Piotr Pietrasiewicz: 'Project', 2006 Aluminum Sculpture, undecided. Artist Description:  Example for competition projects. This one was made for Omagh Community House Sculpture Competition ( Northern Ireland) in 2006 ...
, 2006
undecided - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
Phil Parkes: 'Preening    Cast Aluminium and Granite', 2007 Aluminum Sculpture, Abstract. Artist Description:  Solid cast aluminium sculpture, abstract design with a representational twist as I see bird preening its tail feathers - perhaps others see something completely different - that is great too. ...
Abstract - Sculpture
19 x 14 inches (48.3 x 35.6 cm)
George Hart: 'Whoville', 1998 Aluminum Sculpture, Geometric. Artist Description:  Whoville can be seen as 60 identical
, 1998
Geometric - Sculpture
35 x 35 inches (88.9 x 88.9 cm)
Layla Somerset De Brontė: 'Lolita', 1997 Aluminum Sculpture, undecided. Artist Description:
, 1997
undecided - Sculpture
34 x 12 inches (86.4 x 30.5 cm)
Lavih Serfaty: 'green', 2006 Aluminum Sculpture, Abstract. Artist Description: This two dimentional sculpture is made of aluminum nailed to a wooden frame. the forms of the sculpture change with the light direction. The work is a reflection of a paper first folded and then opened. ...
, 2006
Abstract - Sculpture
100 x 70 cm (39.4 x 27.6 inches)
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Lavih Serfaty: 'orange chakra', 2006 Aluminum Sculpture, Healing. Artist Description: The Orange Chakra, is related to the emotions and sexuality. It connects us to desire, sensation, and movement. The Orange Chakra brings us fluidity and grace, sexual fulfillment, and the ability to accept change.This two dimentional sculpture is made of aluminum glued to a wooden frame. the ...
Healing - Sculpture
100 x 70 cm (39.4 x 27.6 inches)
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David Raine: 'Rosa Exotica', 2005 Aluminum Sculpture, undecided. Artist Description: Large cast aluminium bowl with cherry wood and silk inserted...
undecided - Sculpture
60 x 20 cm (23.6 x 7.9 inches)
Michael Leyton: 'Night Monument', 1999 Aluminum Sculpture, Architecture.
Architecture - Sculpture
100 x 75 inches (254.0 x 190.5 cm)
Esmoreit Koetsier: 'Injection', 2002 Aluminum Sculpture, Abstract. Artist Description: Located at Riverside Community CollegeNorco, Ca...
, 2002
Abstract - Sculpture
32 x 168 inches (81.3 x 426.7 cm)
Lavih Serfaty: 'red', 2004 Aluminum Sculpture, Abstract. Artist Description: Red ChakraThe Red chakra is active in all humans. The red chakra gives us the ability to experience the basics. Such as wanting to survive, hunger, finding food, reproduction, physical instincts, taking care of our offspring.This two dimentional sculpture is made of aluminum nailed to a ...
, 2004
Abstract - Sculpture
100 x 70 cm (39.4 x 27.6 inches)
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(Page 2 of 3) - MORE ARTWORKS

Artists Describing Their Art:

James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

Amber Marley Padilla - A common thread runs though my work: themes of loss, protection, religion, tenderness, fragility, power and paradox. As I build my abstract tools, vessels and structures they begin to take on their own personality- some are sharp, some ridiculous, some failing, some untouchable. Their true purpose is often elusive. A bronze Fate Device, comfortably cradled, awaits its task tied too tightly to be moved, fate yet to be determined. A cart constructed of fragile reeds, guarded by a creature- or perhaps the cart guards the creature? Wife of Epimetheus entices one to peer into the slotted window, but the bronze lid prevents a closer look. The window has done its job--one need not lift the lid to release the contents. Nests, towers and snares explore ill-conceived intentions of protection. In Undetermined Danger, an unidentified object has been captured and bound to calm fear of the unknown. Snare with Attached Illusion is a fragile toy where one might become trapped in endless repetitions. Remains is a protective tower for ashes of an idea or soul. ...

Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

Sylvia Volpi - PHILOSOPHY: To be an artist is to be creative, autonomous, conscious, bold... It is to dare and allow yourself the delirium, reach the imaginary, the fantasy, the pleasure, the beauty ... To wish for the real and to wish for the impossible. It's to open wide, through your work, desires, fights and sorrows in a disclosure. The creative process is the product of the hand , the mind, the imagination and of the work, which is motivated by the search for a conquer: THE CONSTRUCTION OF YOUR OWN SELF. ...

George Hart - As a sculptor of constructive geometric forms, my work deals with patterns and relationships derived from classical ideals of balance and symmetry. Mathematical yet organic, these abstract forms invite the viewer to partake of the geometric aesthetic. I use a variety of media, including paper, wood, plastic, and metal. Classical forms are pushed in new directions, so viewers can take pleasure in their Platonic beauty yet recognize how they are updated for our complex high-tech times. I share with many artists the idea that a pure form is a worthy object, and select for each piece the materials that best carry that form. Because my works invite contemplation, slowly revealing their content, some viewers see them as meditation objects. A lively dancing energy moves within each piece and flows out to the viewer. The integral wholeness of each self-contained sculpture presents a crystalline purity, a conundrum of complexity, and a stark simplicity....

Lavih Serfaty - Lavih Serfaty is a multicultural artist. The works are on canvas, paper and aluminum. The painting are in acrilyc and water color. The latest painting are painted on aluminum with acrylic color. The use of bright and mono color is a result of a deep learning and understanding the power of the colors as it's affect people. The color can change the atmosphere of the environment, can heal our soul. The use of the right color in the right place can bring new and pure energy in our home. "I use the theories of color therapy, "feng shui" and "chakra energy" in my painting. The idea of making those painting is a result of long period of meditation and listening to music. Then I decided to paint with just one color according to state of mood I am, after I meditate. The aluminum is folded before I put the color on. When the painting is hanging on the wall, the color change as the light is changing during the day, the shade accentuate the color and change them to deep, darker or lighter. It's fill the room with bright and clear energy. The colors I choose are from ...

David Raine - Are dreams just our confused brains de-fragmenting when we rest, just scraps of picture images racing back and forth through the maze of neuron connections seeking to be correctly filed, occasionally flashing up as a partially recognizable scene that we erroneously feel significant? And in the day another overload of thoughts, and facts and images assails our conscious and unconscious minds until we hit the pillow to get them sorted. Shapes come to me in the daytime. Sculptural shapes and sculptural ideas emerge complete from nowhere. At least that's how it appears on the surface of things. But like the process of nightly de-fragmentation and neat filing, that process of re-organizing the blitz of images into a form that is pleasing to my mind and to my set of emotions is what I do. It's totally personal, it is a physical expression of how my arrangement of emotions copes with the world around me. It's entirely possible that sculptural shapes that warm me and give me a degree of satisfaction are not universal and mean nothing to anyone else. ...

Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...

Esmoreit Koetsier - Sculpture for me has been redefined by where life has taken me. When I started in my early twenties, I had no idea that my simple flat pieces of steel were going to lead to mixed-materials and colorful fluid shapes. With each piece I challenge myself and push the envelope just a little more. I look outside of the traditional materials and discover new techniques. What has stayed true is that my work is an experiment with shapes, forms, objects, colors, arrangements, and materials. IaEURtmm inspired by my surroundings and journeys as well as artists working with different medias. ...