Bronze Sculptures

Page 10 of 21
Venelin Ivanov, Ahmed Al Safi, Tim Holmes, Richard Becker, Alexander Bluvshteyn, Don Dougan, Zahava Sherez, Vadim Kirillov, Michael Sharpe, Phil Parkes, Albert Wein, Yoshihito Une, Jorge Llaca offering original Bronze Sculptures artworks.


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Venelin Ivanov: 'woman owl', 1992 Bronze Sculpture, undecided.
, 1992
undecided - Sculpture
10 x 35 cm (3.9 x 13.8 inches)
Venelin Ivanov: 'woman with child', 1983 Bronze Sculpture, Figurative.
Figurative - Sculpture
12 x 52 cm (4.7 x 20.5 inches)
Venelin Ivanov: 'over the grave', 1989 Bronze Sculpture, undecided.
undecided - Sculpture
10 x 30 cm (3.9 x 11.8 inches)
Venelin Ivanov: 'blossom2', 1995 Bronze Sculpture, undecided.
, 1995
undecided - Sculpture
9 x 11 cm (3.5 x 4.3 inches)
Venelin Ivanov: 'zoomorph motif', 1989 Bronze Sculpture, Abstract.
Abstract - Sculpture
30 x 17 cm (11.8 x 6.7 inches)
Venelin Ivanov: 'face', 1979 Bronze Sculpture, undecided.
, 1979
undecided - Sculpture
7 x 38 cm (2.8 x 15.0 inches)
Venelin Ivanov: 'seated woman', 1982 Bronze Sculpture, Figurative.
Figurative - Sculpture
12 x 30 cm (4.7 x 11.8 inches)
Ahmed Al Safi: '2men', 1999 Bronze Sculpture, Figurative.
, 1999
Figurative - Sculpture
40 x 40 cm (15.7 x 15.7 inches)
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Tim Holmes: 'Within Be Fed', 2002 Bronze Sculpture, Dance. Fantastic anatomy combines with a deep sense of transformative tension in a paean to the nourishment of the spirit. Each of us is fed from our internal connection with the divine....
Dance - Sculpture
10 x 18 inches (25.4 x 45.7 cm)
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Richard Becker: 'Relax ', 2001 Bronze Sculpture, Figurative. RELAX / MEDITATIVE MAN~July 2001This piece to me is about taking time to relax. To enjoy the instant. To contemplate, to meditate. To become one with the higher powers.This is the first piece where I explored fragments and the more complex human emotions. Letting my expressions, tools and ...
, 2001
Figurative - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
Richard Becker: 'Serenity ', 2002 Bronze Sculpture, Figurative.
, 2002
Figurative - Sculpture
16 x 36 inches (40.6 x 91.4 cm)
Alexander Bluvshteyn: 'The Mask back view', 2002 Bronze Sculpture, undecided.
undecided - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
Alexander Bluvshteyn: 'The Mask', 2002 Bronze Sculpture, Culture.
, 2002
Culture - Sculpture
17 x 16 inches (43.2 x 40.6 cm)
Alexander Bluvshteyn: 'Harmony', 2001 Bronze Sculpture, Fantasy.
, 2001
Fantasy - Sculpture
19 x 12 inches (48.3 x 30.5 cm)
Don Dougan: 'STRETCHED TRUTH POETIC LICENSE', 2002 Bronze Sculpture, Representational. cast bronze and Chinese black marbleThe lipworks are an on- going series of sculptures using the imagery of the human mouth.  Lips, conditional to so many human activities, can imply a diversity of meanings, shifting with the life experience that colors each viewer' s particular perceptions.  Throughout the series, ...
Representational - Sculpture
12 x 7 inches (30.5 x 17.8 cm)
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Zahava Sherez: 'Flower Arrangement', 1993 Bronze Sculpture, Figurative.
Figurative - Sculpture
22 x 17 inches (55.9 x 43.2 cm)
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Richard Becker: 'unitled', 2003 Bronze Sculpture, Figurative. Jan 2003 shown in progress. I wanted to capture the wonderful journey thru life with a sole- mate, as a couple. The love, comfort, companionship, the friendship. ...
, 2003
Figurative - Sculpture
24 x 24 inches (61.0 x 61.0 cm)
Vadim Kirillov: 'Adam and Eve ', 2001 Bronze Sculpture, Life.
Life - Sculpture
90 x 50 cm (35.4 x 19.7 inches)
Vadim Kirillov: 'The royal hanter', 2002 Bronze Sculpture, Fantasy. bronz Art...
Fantasy - Sculpture
35 x 70 cm (13.8 x 27.6 inches)
Richard Becker: 'Serenity', 2002 Bronze Sculpture, Figurative.
, 2002
Figurative - Sculpture
16 x 36 inches (40.6 x 91.4 cm)
Vadim Kirillov: 'Eve', 2002 Bronze Sculpture, Christian.
, 2002
Christian - Sculpture
75 x 45 cm (29.5 x 17.7 inches)
Vadim Kirillov: 'A Boat', 2002 Bronze Sculpture, Sports. mainstrim. ...
, 2002
Sports - Sculpture
30 x 170 cm (11.8 x 66.9 inches)
Vadim Kirillov: 'motodor', 2002 Bronze Sculpture, Dance.
, 2002
Dance - Sculpture
47 x 60 cm (18.5 x 23.6 inches)
Michael Sharpe: 'The Embrace', 2001 Bronze Sculpture, Love. Two nude bodies, a male and female, in a warm affectionate embrace.  The two figures consist of bonded bronze and beautifully detailed. ...
Love - Sculpture
5 x 12 inches (12.7 x 30.5 cm)
Phil Parkes: 'Spring Dancer', 2001 Bronze Sculpture, Figurative. Spring dancer captures the energy of the dancer in amomentary pause, this lively study portrays in its art an artist at work...
Figurative - Sculpture
6 x 19 inches (15.2 x 48.3 cm)
Phil Parkes: 'Spring Dancer', 2001 Bronze Sculpture, Figurative. Spring dancer captures the energy of the dancer in a momentary pause, this lively study portrays in its art an artist at work...
Figurative - Sculpture
6 x 19 inches (15.2 x 48.3 cm)
Albert Wein: 'Diana', 1984 Bronze Sculpture, undecided.
, 1984
undecided - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
Yoshihito Une: 'small Mon', 2001 Bronze Sculpture, Culture. This is a model of MON.  ...
, 2001
Culture - Sculpture
10 x 10 inches (25.4 x 25.4 cm)
Jorge Llaca: 'Cinco Hombres', 2000 Bronze Sculpture, Figurative.
Figurative - Sculpture
40 x 45 cm (15.7 x 17.7 inches)
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Jorge Llaca: 'Cuatro Hombres Clouse UP', 1999 Bronze Sculpture, Figurative.
Figurative - Sculpture
40 x 90 cm (15.7 x 35.4 inches)
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(Page 10 of 21) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ahmed Al Safi - -Born in Diwanya / Iraq 1971 Bachelor sculpture College Of Fine Arts /Baghdad University One man show: - French Cultural Centre/ Baghdad 1999 Abbaye de La Pree /France 2006 Exhibition and movie-show about the daily life of the artist in the "espace culturel Acerma" 2006 Exhibition during live concert - Abbaye de La Pree July 2007 Exhibition in the Hospital of Issoudun from 17th of Nevember to 1st of December 2007 Co-exhibitions - exhibition of Fine Art College/ Baghdad 1994 - exhibition of Babylon Festival 1995 - exhibition of Mohr Al Dain for youth artists/ Athar Gallery 1998 - Most exhibitions held in Hewar gallery including:- 1- Miniatures exhibition 2002 2- The exhibition of the sculptors paint 2002 - Most exhibitions held in Al Mizzan gallery including: - The exhibition of the Iraqi graphic .2001 - The exhibition of the forgotten country Paris/ Paris Municipality 2000 - The 44th Annual international Awarded Exhibition.sanDiego.2000 - The exhibition of the wounded country Amman /Jordon 2000 - Biennial Al Sharja. U.A.E /2001 - Narrow Space Gallery, Clonmel Ireland ,June,18th ,2004 - The Annual Art Ireland International Art Fair, Dublin 19 to 21 November. 2004 Exhibition of "ancients residents of the Abbaye de La Pree" in the "L'association...

    Tim Holmes - A good work of art should be startling every time one sees it. Such a work begins a dialogue between the viewer and the art, and the more meaning that is implanted in the art, the deeper that dialogue can be. The value of any work of art is not in its price or its history, but in the inherent energy, its ability to act as a catalyst of responses in the viewer. Likewise, the most successful viewer is not one with the best education or the finest taste, but one who can respond to the work with the greatest sensitivity. Hopefully, my art provides no answers and removes no doubts. My intent, rather, is to ask tough questions - to comfort the afflicted and afflict the comfortable - to plunge the viewer into that wondrous process of dialogue. The interaction is usually not a verbal or even a conscious one, but often one that continues, at various levels of awareness, as long as the viewer and the artwork are within range of each other. (Incidentally, a similar dialogue occurs between me and each of my works, sometimes over a long period of time.) I believe every artist has a responsibility to ...

    Richard Becker - I believe in the positive potential of humankind and art's role in making the world a better place. And I am committed to do important things with this gift -- to make significant contributions where I can. I also enjoy creating works that just flow from my head. I believe that my progressing deafness plays a profound role; in what I see and how I communicate ideas thru this art. Right now my time is split between these head-works and the exhilarating world of commissions. Perhaps this is all in preparation for my "Hanging Heart," a modern day Trevi Fountain -- and a medal that inspires a great deed. -- rb 2008...

    Don Dougan - My work comprises both abstracted and figurative imagery executed in a variety of mixed materials, with stone being the predominate medium. Other materials used (usually in conjunction with stone) include foundry cast metals, carved and joined wood, cast and fabricated plastics, cold-worked and kiln-formed glass, cast and carved hydraulic cements, cast/formed paper, welded/fabricated metals, gilding, and found/assembled objects. The more abstracted imagery is worked in pedestal pieces, large freestanding sculptures, and in wall-mounted relief sculptures. The figurative lip series is usually presented in wall-mounted reliefs, deep shadowbox framing, and occasionally as either a pedestal piece or a large freestanding work. The most recently begun series of work comprises pedestal-sized pieces using the imagery of the ship or the boat hull. Each series or each type of work allows me to express aspects of the human condition - the more abstracted works tend to reveal a more universal emotional/rational characterization of subject matter, the lip series tends to allow sensuality, humor, and more visceral expressions, while the ship series delves into personal/cultural memories and emotional journeys. For more images and information on myself, my work, and my working methods please visit my ...

    Zahava Sherez - Perfect Moment December 2009 My definition of a Perfect Moment: when two entities, be they human, object, animal, or nature, are able to hold on to their inner core, to the integrity of their identity, yet find a place of connection where they mold to each other creating mutual support. Why vessels? I have been attracted to vessels since an early age. I grew up in a country where archeology is everywhere, where holding a piece of clay from a broken vessel awakens the imagination. Who was that person that created that container hundreds or thousands of years ago? What was stored in this vessel? Food, coins, stories? What secrets? To me vessels are a metaphor for anything that contains a treasure, be it tangible or emotional, spiritual. Here are two entities captured in a perfect moment of connection sharing, if only for that brief moment, their inner treasures. Technique I work with clay as a carver. I mix various clays, of different textures and colors, to achieve the look of an archeological vessel that has been reassembled. I begin with a solid mound of clay and use my body, a mallet and knives to rough the form. When I'...

    Michael Sharpe - Michael Sharpe is a self-taught artist and his artwork ranges from many, many, many nudes, to landscapes, flowers and dancers. Michael has a fascination with the human body, which is the most natural of beauties. An array of pastels, oils, pencil, watercolours and acrylics will greet you as you enter his world. His sculptures, again diverse, range from natural abstracts in wood to complex figure studies in a variety of media. ...

    Michael Sharpe - Yoshihito Une - "Mon" is a gate or a gateway in English. Mon in general are situated between two spaces, typically private property and public property. In some cultures a Mon also has a spiritual meaning. Growing up in Japan I still remember being taught to always refresh my mind when entering the Mon into a temple or a shrine. This element of "mind refreshing" is a major theme of this particular work. By using Japanese caligraphic strokes into a three-dimensional object the front and the back have slight altered forms. Furthermore, it has always been of great importance to me to include the element of actual physical experience into my works. I have tried to make a work of large dimensions without the overpowering atmosphere typically created by enormous works. ...

    Jorge Llaca - Introduction. The main features that best describe my work, are closely related to the unconscious images of death and eroticism. Both present as methaphors of life and death, and a clearly intended physical resolution of the symbolos behind the myth of "Eros & Thanatos". "Our existence is embedded in an endless circle of life and death. We are forced into the conflict, surrounded by metaphors of beginnings and endings". "Today, we find the real truth of our existence in recycling and composting: giving to the universe that which has been given to us in life, with the payment of our own death, so life can emerge again." Life-death-life. (Jorge Llaca, winter 2001) Professional career. The first period starts back in early 70's, as a fine arts student. Times in which I was involved working in private workshops and art centres, with an extense list of teachers and mentors. Some of which had a long course experience and recognition within the national art circles in Mexico, as it is the case of Teresa Citto a well known Italian painter. Also as part of this learning period, I attended private Universities such as the University of the Claustro de Sor ...