Bronze Sculptures

Page 2 of 21
Harry Weisburd, Bob Hill, Robert Pulley, Mark Dedrie, Gabor Bertalan, Rufus Adeniyi, Yves Goyatton offering original Bronze Sculptures artworks.


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Bob Hill: 'Joy of Spring', 2000 Bronze Sculpture, Dance. This piece was originally done in terracotta, then a mold was made and it was cast in bronze. ( The original is available at a reduced price. ) This piece was judged the best sculpture at The Kent Art Association' s President' s Show in Connecticutin the Summer of 2000....
Dance - Sculpture
12 x 26 inches (30.5 x 66.0 cm)
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Bob Hill: 'Chapeau', 1999 Bronze Sculpture, Figurative. This bronze casting was made from the original terracotta version ( which is also for sale at $600, picture available upon request. )...
, 1999
Figurative - Sculpture
6 x 13 inches (15.2 x 33.0 cm)
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Robert Pulley: 'Orator', 2006 Bronze Sculpture, Abstract Figurative. This table scale bronze sculpture mounted on a black marble block has a simple elegance and is made from a single twisting, rolling plane intersected by a smaller, flat geometric plane.  Two small organic found wax chips suggest the figure.  A beautiful, mottled warm patina adds to the uplifting gesture ...
, 2006
Abstract Figurative - Sculpture
9 x 11 inches (22.9 x 27.9 cm)
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Robert Pulley: 'Icarus Wing', 2015 Bronze Sculpture, Abstract. Sculpture, Bronze, Patinated, Basalt, partially formed and polished, combined, black, grey, green. ...
Abstract - Sculpture
17 x 4 inches (43.2 x 10.2 cm)
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Robert Pulley: 'Little Grace', 2012 Bronze Sculpture, Abstract Figurative. Abstract Bronze sculpture on a black marble base.  Table or pedestal scale.  Modern.  black and brown patina.  ...
Abstract Figurative - Sculpture
7 x 12 inches (17.8 x 30.5 cm)
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Robert Pulley: 'Listener', 2011 Bronze Sculpture, Abstract.  Abstract Bronze sculpture on a black marble base.  Table or pedestal scale.  Modern.  black and brown patina.  A very active, but balanced play of intersecting plates. ...
, 2011
Abstract - Sculpture
5 x 14 inches (12.7 x 35.6 cm)
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Mark Dedrie: 'woodland kingfisher', 2020 Bronze Sculpture, Birds. The bronze kingfisher stands on a bronze palm leaf. This whole sculpture is on a granite. ...
Birds - Sculpture
25.5 x 19.3 inches (64.8 x 49.0 cm)
Mark Dedrie: 'take a bath', 2019 Bronze Sculpture, Birds. Robin on a bronze palm leaf...
Birds - Sculpture
45.5 x 7.7 inches (115.6 x 19.6 cm)
Mark Dedrie: 'green woodpecker', 2018 Bronze Sculpture, Birds. Green woodpecker...
Birds - Sculpture
7.7 x 16.1 inches (19.6 x 40.9 cm)
Gabor Bertalan: 'ballerina', 2015 Bronze Sculpture, Figurative. Dancing ballerina in an abstract sculpture...
, 2015
Figurative - Sculpture
10 x 22 cm (3.9 x 8.7 inches)
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Rufus Adeniyi: 'ogboni staff', 1972 Bronze Sculpture, Culture. Yoruba culture. The Ologboni s are secret cult members and the Staff is for invoking the spirit of the Ancestors. ...
Culture - Sculpture
2 x 11 inches (5.1 x 27.9 cm)
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Rufus Adeniyi: 'ogboni staff', 1977 Bronze Sculpture, Culture. Yoruba Culture in the western part of Nigeria.  The Ologboni s are a secrete cult and the Staff is one of their paraphernalia for invoking the spirit of the ancestors. ...
Culture - Sculpture
3 x 9 inches (7.6 x 22.9 cm)
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Rufus Adeniyi: 'bangles', 1974 Bronze Sculpture, Culture. Bangles worn as part of the Queen s Paraphernalia in the Ancient Benin Kingdom. Western Nigeria. ...
, 1974
Culture - Sculpture
4 x 6 inches (10.2 x 15.2 cm)
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Rufus Adeniyi: 'warrior', 1976 Bronze Sculpture, Culture. Warrior in the Ancient Benin Kingdom...
, 1976
Culture - Sculpture
3 x 7 inches (7.6 x 17.8 cm)
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Rufus Adeniyi: 'warrior', 1975 Bronze Sculpture, Culture. Warrior in the Ancient Benin Kingdom. Western Nigeria. ...
, 1975
Culture - Sculpture
4 x 9 inches (10.2 x 22.9 cm)
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Rufus Adeniyi: 'head of an oba', 1975 Bronze Sculpture, Culture. Head representing the departed soul of an Oba in the Ancient Benin Kingdom. Western Nigeria. ...
Culture - Sculpture
9 x 19 inches (22.9 x 48.3 cm)
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Rufus Adeniyi: 'queen mother head', 1977 Bronze Sculpture, Culture. Queen mother head. Ancient Benin Kingdom, Western Nigeria...
Culture - Sculpture
4 x 10 inches (10.2 x 25.4 cm)
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Rufus Adeniyi: 'leopard', 1995 Bronze Sculpture, Culture. Leopard always come in a pair of male and female. It is a symbol of power in the Ancient Benin Kingdom, Western Nigeria. ...
, 1995
Culture - Sculpture
6 x 9 inches (15.2 x 22.9 cm)
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Rufus Adeniyi: 'headdress', 1965 Bronze Sculpture, Culture. Headdress ...
, 1965
Culture - Sculpture
12 x 19 inches (30.5 x 48.3 cm)
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Rufus Adeniyi: 'ritual vessel', 1953 Bronze Sculpture, Life. Ritual Vessel is mostly used by Ifa Priest for ritual purposes.  WESTERN NIGERIA ...
Life - Sculpture
8 x 15 inches (20.3 x 38.1 cm)
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Yves  Goyatton: 'Intersection', 2007 Bronze Sculpture, Figurative.
Figurative - Sculpture
5 x 12 inches (12.7 x 30.5 cm)
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Yves  Goyatton: 'Ashlar', 2016 Bronze Sculpture, Figurative. bronze contemporary sculpture  created in 2016...
, 2016
Figurative - Sculpture
7 x 12 inches (17.8 x 30.5 cm)
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Yves  Goyatton: 'Aspiration', 2015 Bronze Sculpture, Undecided. 2015 figurative bronze sculpture by Yves Goyatton...
, 2015
Undecided - Sculpture
6 x 15 inches (15.2 x 38.1 cm)
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Yves  Goyatton: 'The Weight of Time', 2017 Bronze Sculpture, Figurative. Contemporary bronze sculpture created in 2017 The Weight of time refer to the duality and complexity of life and death symbolized by this two parallel shapes. It won an award at the Palo Alto Pacific Art league in 2017....
Figurative - Sculpture
12 x 15 inches (30.5 x 38.1 cm)
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Yves  Goyatton: 'Architectonic', 2016 Bronze Sculpture, Figurative. Contemporary bronze sculpture created in 2016...
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Yves  Goyatton: 'Untitled III', 2008 Bronze Sculpture, Abstract Figurative. Untitled III is part of a series of architectural legs made around that era in 2008 ...
Abstract Figurative - Sculpture
8 x 23 inches (20.3 x 58.4 cm)
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Yves  Goyatton: 'Weighless', 2016 Bronze Sculpture, Figurative. Yves Goyatton bronze contemporary sculpture was created in 2016 Weightless is a tribute to life. This body is floating but remains strong defying gravitational pull. Like an imaginary line who can represent the good bad of human spirit. ...
, 2016
Figurative - Sculpture
7 x 14 inches (17.8 x 35.6 cm)
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Yves  Goyatton: 'Gaze Upon', 2018 Bronze Sculpture, Figurative.  Yves Goyatton contemporary bronze sculpture was created in 2018 ...
, 2018
Figurative - Sculpture
7 x 15 inches (17.8 x 38.1 cm)
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Gabor Bertalan: 'girl with curls', 2017 Bronze Sculpture, Figurative. Abstract...
Figurative - Sculpture
10 x 40 cm (3.9 x 15.7 inches)
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Gabor Bertalan: 'Salome', 2017 Bronze Sculpture, Figurative. Dance of Salome...
, 2017
Figurative - Sculpture
10 x 41 cm (3.9 x 16.1 inches)
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(Page 2 of 21) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Harry Weisburd - Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

    Mark Dedrie - Mark Dedrie, an artist in motion by Robin d'Arcy Shillcock The first things you notice when confronted by work of Belgian sculptor Mark Dedrie (1962) are the stylized shapes and their highly polished finish. Although working within the tradition in which colour is omitted in favour of form, his approach is not so much classical an literal as turning a refined distillation of visual reality into a sculptural statement. He transforms a world of colour and movement into a world of presences, of volumes and elegant lines, and manages weightlessness in heavy bronze. This results in tactile, visually attractive sculptures. There aren't too many sculptors who know how to stylize animal shapes well, and even fewer that seek the degree of refinement Dedrie is striving for. It results in soft and sensual surfaces that underline the exquisite grace of birds like ducks and long-legged waders. There are honestly merely a few I can name. Francois Pompon (France 1855-1933) worked on Rodin's marble sculptures before becoming one of the greatest animal sculptors of the modern era. His work instigated what I call the Movement of Form, comprising the sculptors who preferred to distance themselves from ...

    Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

    Rufus Adeniyi - I am a widely traveled Nigerian Aesthetics consultant. A graduate of University of London, Goldsmith. I believed in Art as a way of life and a reflection of the spiritual and socio-economic life of the people. My flair for natural things of beauty has no measure. Apart from my Art gallery, I also run a consultancy firm in all forms of artistic embellishment in fine furnishing for corporate bodies, private individuals and diplomatic missions. Married and strongly believe in modesty and fair play....

    Yves Goyatton - My current body of work represents my fascination with the mystery of abstract shapes and their juxtaposition with human form.A My work has taken this concept most literally by combining the human form and the abstracted shapes of modern landscapes. aEUR"I am a process-oriented artist. The process is what drives my work from one piece to the next. I am constantly exploring my personal boundaries. I am inspired by all the steps in which art is made I am not afraid to face the difficulties the process requires of myself, so long as I continue to learn and grow from it.A The process allows me to conquer problems these challenges allow new points of departure for the next works. aEUR"I enjoy composing in a fusion between these two elements. I conceive my workA primarily as abstract with anthropomorphic elements.A It is important for me to begin with an idea, but remain malleable to the end result. It is most important to me that the piece reflects a refined aesthetic, which I can only describe when I am visually satisfied. This becomes my new boundary for the next work to exceed what I have done before without duplication. aEUR"The work ...