Ceramic Sculptures (267)

Page 2 of 10
Irina Maiboroda, Austen Pinkerton, Robert Pulley, Manfred Kielnhofer, Elnaz Nourizadeh, Louise Parenteau, Jacob Carey, Djan Mulderij, Kat Obrien, Roger Hjorleifson, Kelly Blue, Xavier Jarry Lacombe, Agnieszka Parys Kozak offering original Ceramic Sculptures artworks.


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Irina Maiboroda: 'cats family', 2015 Ceramic Sculpture, Animals. Artist Description: cats, funny, toys, ironic, sculpture, animals...
Animals - Sculpture
10 x 5 cm (3.9 x 2.0 inches)
Irina Maiboroda: 'a stroll', 2015 Ceramic Sculpture, Figurative. Artist Description: stroll, walk, ladies, funny, ceramic, sculpture, toys, fashion...
, 2015
Figurative - Sculpture
20 x 18 cm (7.9 x 7.1 inches)
Irina Maiboroda: 'the lady with the dog', 2015 Ceramic Sculpture, Abstract Figurative. Artist Description: lady, dog, animals, funny, color, figurative, 3D, ceramic...
Abstract Figurative - Sculpture
10 x 18 inches (25.4 x 45.7 cm)
Austen Pinkerton: 'URBAN SPACEMAN', 2015 Ceramic Sculpture, Space. Artist Description:    SPACEMAN ROBOT PORTRAIT FIGURE ...
Space - Sculpture
22 x 22 cm (8.7 x 8.7 inches)
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Robert Pulley: 'Cloud Bank', 2015 Ceramic Sculpture, Abstract. Artist Description:     Abstract, hand built, stoneware, clay, sculpture , rose, black, brown, light blue, cream.  ...
, 2015
Abstract - Sculpture
13 x 13 inches (33.0 x 33.0 cm)
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Robert Pulley: 'Blue Canyon', 2013 Ceramic Sculpture, Abstract. Artist Description:     Abstract hand built stoneware clay sculpture with rose, blue, black, brown and burnt orange glazes over copper stain,  ...
Abstract - Sculpture
11.5 x 15 inches (29.2 x 38.1 cm)
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Robert Pulley: 'Portal', 2012 Ceramic Sculpture, Abstract. Artist Description:     Abstract, bronze, sandstone, salmon, teal, burnt umber. ...
, 2012
Abstract - Sculpture
16 x 18 inches (40.6 x 45.7 cm)
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Manfred Kielnhofer: 'Guardians of Time sculpture', 2015 Ceramic Sculpture, Figurative. Artist Description:   Public Art Project on Tour in Basel, Manfred Kielnhofer Shared by Austrian artist and designer Manfred Kielnhofer. The
Figurative - Sculpture
80 x 85 cm (31.5 x 33.5 inches)
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Austen Pinkerton: 'GRIFFIN', 2015 Ceramic Sculpture, Mythology. Artist Description:      animals greeks ancient history beasts   ...
, 2015
Mythology - Sculpture
46 x 28 cm (18.1 x 11.0 inches)
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Elnaz Nourizadeh: 'Punch out', 2015 Ceramic Sculpture, nature. Artist Description:     Earthenware ceramic Sculpture.        ...
, 2015
nature - Sculpture
90 x 28 cm (35.4 x 11.0 inches)
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Elnaz Nourizadeh: 'Avoider', 2014 Ceramic Sculpture, Mask. Artist Description:    Earthenware ceramic Sculpture.       ...
, 2014
Mask - Sculpture
24 x 38 cm (9.4 x 15.0 inches)
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Louise Parenteau: 'OKO', 2014 Ceramic Sculpture, Mask. Artist Description:  Ceramic, wood, leather, found objects. ...
, 2014
Mask - Sculpture
20 x 30 inches (50.8 x 76.2 cm)
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Louise Parenteau: 'AYA', 2014 Ceramic Sculpture, Mask. Artist Description:   Ceramic, wood, leather, found objects.  ...
, 2014
Mask - Sculpture
18 x 26 inches (45.7 x 66.0 cm)
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Louise Parenteau: 'KEBEK', 2014 Ceramic Sculpture, Mask. Artist Description:  Ceramic ( raku) , qood, leather, found objects.    ...
, 2014
Mask - Sculpture
28 x 16 cm (11.0 x 6.3 inches)
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Louise Parenteau: 'Chandu', 2014 Ceramic Sculpture, Mask. Artist Description:  Mixed media: Ceramic, wood, leather.                     mask, african, art, sculpture, ethnic, raku, ceramic, wall sculpture,   ...
, 2014
Mask - Sculpture
35 x 36 cm (13.8 x 14.2 inches)
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Louise Parenteau: 'KABA', 2014 Ceramic Sculpture, Mask. Artist Description: Ceramic. wood, leather, found objects.                   mask, african, art, sculpture, ethnic, raku, ceramic, wall sculpture,  ...
, 2014
Mask - Sculpture
22 x 27 cm (8.7 x 10.6 inches)
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Jacob Carey: 'New millenia Cubism', 2014 Ceramic Sculpture, Geometric.
Geometric - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Djan Mulderij: 'No Wireless Piece II', 2014 Ceramic Sculpture, Figurative. Artist Description:    Also used ceramic wheel. Clay, Glaze, Wire   ...
Figurative - Sculpture
16 x 22 cm (6.3 x 8.7 inches)
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Djan Mulderij: 'No Wireless Piece', 2014 Ceramic Sculpture, Dance. Artist Description:   Also used ceramic wheel. Clay, Glaze, Wire  ...
Dance - Sculpture
12 x 26 cm (4.7 x 10.2 inches)
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Kat Obrien: 'Eight: Abode with copper wiring', 2013 Ceramic Sculpture, Abstract.
Abstract - Sculpture
18 x 11 inches (45.7 x 27.9 cm)
Roger Hjorleifson: 'You are in my Light', 2011 Ceramic Sculpture, Wildlife. Artist Description:   Clay sculpture of a Lace monitor mounted on a mallee stump.  ...
Wildlife - Sculpture
35 x 39 cm (13.8 x 15.4 inches)
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Roger Hjorleifson: 'That is Close Enough', 2013 Ceramic Sculpture, Wildlife. Artist Description:    Clay sculpture of a crocodile monitor lizard ( Varanus Salvadorii) mounted on a mallee stump. Life size. Hand painted.  ...
Wildlife - Sculpture
35 x 70 cm (13.8 x 27.6 inches)
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Kelly Blue: 'Self Portrait Sculpture', 2012 Ceramic Sculpture, Portrait. Artist Description:  This is a self portrait bust in clay. It has been fired and glazed and is life size. I am listing it for the purpose of demonstrating busts I can do for clients upon request.         ...
Portrait - Sculpture
9 x 20 inches (22.9 x 50.8 cm)
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Xavier Jarry Lacombe: 'The Old Blind Guitarist', 2013 Ceramic Sculpture, Figurative. Artist Description:
Figurative - Sculpture
0 x 23 cm (0.0 x 9.1 inches)
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Djan Mulderij: 'Space', 2013 Ceramic Sculpture, undecided. Artist Description:  Also used ceramic wheel. ...
, 2013
undecided - Sculpture
20 x 17 cm (7.9 x 6.7 inches)
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Agnieszka Parys Kozak: 'Beauty of a Mother', 2010 Ceramic Sculpture, Beauty. Artist Description:  goddess, mother, beauty, angel, ceramics, woman, portrait ...
Beauty - Sculpture
39 x 51 cm (15.4 x 20.1 inches)
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Agnieszka Parys Kozak: 'Between Heaven and Earth', 2013 Ceramic Sculpture, Abstract. Artist Description:  ceramics, shape, stylish, vase, interior design, abstract form ...
Abstract - Sculpture
24 x 32 cm (9.4 x 12.6 inches)
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Agnieszka Parys Kozak: 'Can You See Me', 2013 Ceramic Sculpture, Animals. Artist Description:  animals, ceramics, chameleon, colorful, nature, figure ...
Animals - Sculpture
19 x 39 cm (7.5 x 15.4 inches)
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Agnieszka Parys Kozak: 'The Tribal Shaman', 2005 Ceramic Sculpture, Mask. Artist Description:  Colorful, mask, patterned, priestess, relief, tribal, woman, magical, ethinc ...
Mask - Sculpture
22 x 44 cm (8.7 x 17.3 inches)
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Agnieszka Parys Kozak: 'Sea Adventurer', 2013 Ceramic Sculpture, Sea Life. Artist Description:   animals, ceramics, seahorse, nature, figure, sealife  ...
Sea Life - Sculpture
15 x 32 cm (5.9 x 12.6 inches)
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(Page 2 of 10) - MORE ARTWORKS

Artists Describing Their Art:

Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

Elnaz Nourizadeh - Art for me is life. When I create a sculpture or a simple bowl, I feel alive. I like to create things that have feelings, emotions and motion. I create two types of artworks, sculptures and pottery. In my pottery I express my raw ideas in irregular and often asymmetric shapes of vessels and combination of different glazes and colours. This gives me the time to control my emotions and excitement. Each of my sculptures manifests a period in my life; emotions, everything I feel, see and experience. Overtime my sculptures have transitioned from statements about restrictions in my life to ideas of freedom and breaking the barriers. I get my ideas from everyday things I see in the streets, music I listen to, the news I read or a new artwork that catches my eye. I start making samples and experimenting with the idea and reading and researching about it until it becomes mature enough to build a sculpture. I prefer clay as my main medium because it gives me freedom and allows to create any shape I desire and refine the shape as it dries. ...

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

Kelly Blue - My name is Kelly Blue, I have been Painting since 1990 when I learned of a 6 year old girl whose blobs of finger paint won her a M.M.O.M.A. art contest. What started out as a kitschy, tongue in cheek venture soon evolved into one of the great loves of my life. I had always been an admirer of great Art but once my hands were covered in paint and my lungs filled with turpentine, I was hooked. My work grew into an avenue to attempt to express Buddhist concepts, koans, and the formless form. Even though I am a jaded 43 year old, I still cling to the idea that one person can change the world and I hope that my works will be a launching point to convey concepts for a Taoist world peace. My work, if layed end to end, could serve as a representation of the endless river of life, the universal stream of consciousness and Ananda. Currently I study Art Education at S.O.S.U. and plan on getting my M.F.A. before becoming an Art Professor. For 20 years I produced what is termed, "outsider" art and being ...

Agnieszka Parys Kozak - ,,I found I could say things with color and shapes that I couldn't say any other way - things I had no words for." Georgia O'Keeffe It was always difficult for me to write about art. I found usual questions truly challenging. Why art? they ask. Well, it was always inside of me, pulsing and just waiting to emerge, gain a physical form. When it finally does, it is flowing freely and spontaneously, like an unstoppable brisk stream. To be honest, talking about my main medium- clay, makes me the most comfortable. It is profoundly close to me. Thanks to its softness, when i hold it in my hands i interact with it and it interacts with me, it can be subdued to my vision. I see subtle feminine nature in it and at the same time it is rigid and raw. I can never fully tame her, because after shaping it, fire takes control over her. The results are always unpredictable. Clay also gives me the freedom to express myself deeper, because I can merge sculpture with painting and drawing. Working with colors, shapes and patterns keeps me interested all the time. However, there are some limitations, which...