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Ceramic Sculptures (276)

Page 5 of 10
Dan Woodard, Jen Pratt, Martin Glick, Basarab Nataly, David Rocky Aguirre, Judyta Bil, Maddalena Di Gregorio, Austen Pinkerton, Tyler Karr, Daniel Janssens, Terry Mollo, Avner Levinson, Paul Freeman offering original Ceramic Sculptures artworks.


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Dan Woodard: 'Anguished Man with Broken Nose', 2010 Ceramic Sculpture, Figurative. Artist Description:   Sculptor Dan Woodard's
Figurative - Sculpture
13.5 x 9.5 inches (34.3 x 24.1 cm)
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Jen Pratt: 'Journey Original Clay Horse Sculpture', 2009 Ceramic Sculpture, Equine. Artist Description:  This sculpture is fired clay on a wooden base and measures 20
Equine - Sculpture
20 x 13 inches (50.8 x 33.0 cm)
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Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology. Artist Description:     Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate    ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology. Artist Description:    Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate   ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology. Artist Description:   Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate  ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology. Artist Description:  Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Basarab Nataly: 'Sophie Loren', 2001 Ceramic Sculpture, Portrait. Artist Description:   Nataly Basarab, Sophie Loren, celebrity dolls    ...
Portrait - Sculpture
0 x 35 cm (0.0 x 13.8 inches)
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David Rocky Aguirre: ' Matador study ', 2009 Ceramic Sculpture, Figurative. Artist Description:   Matador study- wire test. This has wire inside, as the clay shrunk the head was partly detached and in the process giving it a more realistic tilt. The left arm has been detached and reset, has wire frame inside, you can see the molten metal drips on the ...
Figurative - Sculpture
7 x 11 inches (17.8 x 27.9 cm)
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Judyta Bil: 'Nefrettiti II', 1991 Ceramic Sculpture, Portrait. Artist Description:  Polychromed and gilded red, fired terracotta.Life size ( h=24inches) . Inspired by Italian renaissance portraits. ...
Portrait - Sculpture
0 x 24 inches (0.0 x 61.0 cm)
Maddalena Di Gregorio: 'EAT ME', 2008 Ceramic Sculpture, Fetish. Artist Description:  Are you a demanding woman able to conquest ? Then EAT ME is a must have. Neo Gothic model to be worn on naked skin. Only for those who dare. ...
, 2008
Fetish - Sculpture
32 x 36 cm (12.6 x 14.2 inches)
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Jen Pratt: 'Wandering Soul', 2009 Ceramic Sculpture, Wildlife. Artist Description:  This panther sculpture is finished in dark spanish copper with silver highlights and ebony shadowing. High- polished finish. Fired clay sculpture with a black base.This is an original, one- of- a- kind wildlife sculpture. ...
Wildlife - Sculpture
13.5 x 16.5 inches (34.3 x 41.9 cm)
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Jen Pratt: 'Spirited', 2006 Ceramic Sculpture, Wildlife. Artist Description:
, 2006
Wildlife - Sculpture
16 x 16 inches (40.6 x 40.6 cm)
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Jen Pratt: 'Silver Grace', 2009 Ceramic Sculpture, Equine. Artist Description:  This sculpture is finished in a bright silver overlaying a dark copper shadowing. The dark copper accents the mane and areas around the eyes. High- polished finish. Clay sculpture on a dark walnut base.This is an original, one- of- a- kind horse head sculpture. ...
Equine - Sculpture
8.5 x 7.3 inches (21.6 x 18.5 cm)
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David Rocky Aguirre: 'Male missing 3', 1997 Ceramic Sculpture, Nudes. Artist Description:  Missing from the Fullerton Calif area 1997. D. Aguirre stamped on side. ...
Nudes - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
David Rocky Aguirre: 'Male missing 2', 1997 Ceramic Sculpture, Nudes. Artist Description:  Missing from the Fullerton Calif area 1997. D. Aguirre stamped on side. ...
Nudes - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
David Rocky Aguirre: 'Male missing', 1997 Ceramic Sculpture, Nudes. Artist Description:  Missing from fullerton calif. area 97. ...
Nudes - Sculpture
7 x 11 inches (17.8 x 27.9 cm)
David Rocky Aguirre: 'work in progress matador study 1', 2009 Ceramic Sculpture, Figurative. Artist Description:  Matador study- wire test ...
Figurative - Sculpture
7 x 11 inches (17.8 x 27.9 cm)
David Rocky Aguirre: 'work in progress liberia', 2008 Ceramic Sculpture, Figurative. Artist Description:  Liberian woman. Update- this was a clay test, the sculpture was ruined in the kiln along with a few others. I was testing backyard clay, the smaller test seemed good....
Figurative - Sculpture
6 x 6 inches (15.2 x 15.2 cm)
David Rocky Aguirre: 'work in progress bull close up', 2009 Ceramic Sculpture, Figurative. Artist Description:  Close up of bull form 2 piece set.  ...
Figurative - Sculpture
11 x 7 inches (27.9 x 17.8 cm)
David Rocky Aguirre: 'work in progress matador and bull 2', 2009 Ceramic Sculpture, Figurative. Artist Description:  Two piece set, matador and bull. Update- this was a clay test, the sculpture was ruined in the kiln along with a few others. I was testing backyard clay, the smaller test seemed good....
Figurative - Sculpture
20 x 12 inches (50.8 x 30.5 cm)
David Rocky Aguirre: 'work in progress matador and bull', 2009 Ceramic Sculpture, Figurative. Artist Description:  Two piece set, matador and bull.  Update- this was a clay test, the sculpture was ruined in the kiln along with a few others. I was testing backyard clay, the smaller test seemed good....
Figurative - Sculpture
20 x 12 inches (50.8 x 30.5 cm)
Austen Pinkerton: 'Robot', 2006 Ceramic Sculpture, Figurative.
, 2006
Figurative - Sculpture
8 x 19 inches (20.3 x 48.3 cm)
Tyler Karr: 'Elephant Tea Pot', 2007 Ceramic Sculpture, Animals. Artist Description:  As a project that I created on my own last year, I wanted to challenge myself by doing something I had never done: ceramics. It was difficult, but creating this tea pot allowed me to recognize how talented ceramic artists are. ...
Animals - Sculpture
0.1 x 0.1 inches (0.3 x 0.3 cm)
Daniel Janssens: 'Five headed female bust', 2008 Ceramic Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
60 x 50 cm (23.6 x 19.7 inches)
Terry Mollo: 'Rage', 2008 Ceramic Sculpture, World Conflict. Artist Description:  A woman raises her fists in rage. ( front view)...
, 2008
World Conflict - Sculpture
9 x 32 inches (22.9 x 81.3 cm)
Terry Mollo: 'Rage', 2008 Ceramic Sculpture, World Conflict. Artist Description:  A woman raises her fists in rage. ( rear view)...
, 2008
World Conflict - Sculpture
9 x 32 inches (22.9 x 81.3 cm)
Avner Levinson: 'The Journey I', 2006 Ceramic Sculpture, undecided. Artist Description:   15. 5 ...
undecided - Sculpture
15.5 x 7 inches (39.4 x 17.8 cm)
Avner Levinson: 'The Journey II', 2007 Ceramic Sculpture, undecided. Artist Description:   16. 0 ...
undecided - Sculpture
16 x 7 inches (40.6 x 17.8 cm)
Paul Freeman: 'Skyward', 2006 Ceramic Sculpture, undecided.
, 2006
undecided - Sculpture
6 x 10 cm (2.4 x 3.9 inches)
Paul Freeman: 'Abstract Clay at Enmore', 1996 Ceramic Sculpture, undecided.
undecided - Sculpture
8 x 11 cm (3.1 x 4.3 inches)
(Page 5 of 10) - MORE ARTWORKS
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Artists Describing Their Art:

Dan Woodard - Archetypes...Myths...Rituals. I have long been intrigued and fascinated by these concepts. In my sculptures, both figurative and abstract, I employ these aspects of a collective unconscious to evoke an emotional state within the viewer. In my figurative work, my goal is to capture the myriad changing state of the human condition through subtle changes in facial countenance and body language. The end result shows how the inner condition is expressed by the outward form while also conveying a sense of this expression transcending both time and history. In my abstract sculptures, I have recreated the numinous quality of subconsciously shared images, stories, and ceremonial rites. The sculptures, themselves, are composed of abstract forms that are covered with a rich, textural surface. The end result is a complex organic piece that evokes a sense of ancient artifacts, of ritualistic objects from some unknown culture, or of imagined landscapes. However, be it figurative or abstract, my ultimate goal is to have the viewer feel a sense of familiarity with the work...a sense of having experienced this before. I believe this feeling of deja vu arises from both the collective unconscious and a mystical center we all share. ...

Jen Pratt - There is a certain type of elegance to nature, and to all living things. It's almost possible to find a meaning to existence, to find God himself, through the things that He has created. Thus my work could be considered an homage, a tribute to the things that I find to be beautiful in this world. I create my sculptures from clay because of the exceptional attributes of this medium. Clay is an inviting, earthy material; it's also quite durable. It's perfectly suited to figurative sculptures because of the wide range of emotion and movement that can be captured. A finished clay sculpture is unique from other sculptures - when you touch the surface, your hand follows a path that was not created by a tool, or by machine, or transferred from another medium; it's the exact paths and grooves that the artist's hands created....

Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

David Rocky Aguirre - ************** To me, Art seems to be a universal language. It can be used to portray something beautiful and uplifting, or to portray a tragedy to motivate and move people to act. To motivate them to help in some way as in Picasso's "Guernica 1937". I have a wide range in creative interests, from most forms of painting- oil to watercolor and on to print forms, sculpture, photography, film and computer animation. Contact me for any creative projects you may have....

Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

Daniel Janssens - "It is the woman's beauty and mystery that have made me paint and sculpt in the first place." The artist, who previously painted only one human figure per painting, has recently begun to represent several figures, and these figures are no longer exclusively women. In sculpture also, the single human figures of the beginning are gradually replaced by intertwined figures, that go by two, by couple, or even by trio or quartet. "Previously, it was the individual that questioned me. Now, increasingly, I paint and sculpt attitudes and relationships." Painting and sculpture are based on different relationships: that between the sculptor-painter and his painting or sculpture, that between colors and shapes, that between the spectator and the work of art, and finally, the possible relationship between the different spectators. "However, I have not become a narrative artist, even if the spectator can invent stories about the human figures they see depicted." - But why only one subject? - Because the more one concentrates on one - and only one - subject, the deeper one can go, and the more style and technique can speak freely. If one always seeks to change subjects, it becomes difficult to specialize in it." It is the...

Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

Avner Levinson - www.avnerlevinson.com I am currently working with plaster on abstract forms that are inspired by existentialist themes. These works lend themselves to figurative interpretations, sometimes reminding the viewer of landscapes, animals and other forms. ...

Paul Freeman - I am an artist working in ceramic and metal on a small scale of size. The works are lyrical and convey an interest in the benevolent character of human beings. The morality of the represented people conveys a feeling of pleasant engagement. I am inspired by people's everyday interactions, the good attitude that keeps society running. There is nothing that people of goodwill cannot resolve. I also paint and do computer art and have a degree in Master of Studio Art from Sydney College of the Arts (University of Sydney)....