Ceramic Sculptures (267)

Page 8 of 10
Janet Pierre, Terry Mollo, Bob Hill, Julian Vandercook, Ildiko Toth, Bruce Naigles, Alice Buttress, Karen Brown, Nicole Richardson, Emilio Merlina offering original Ceramic Sculptures artworks.


Contemporary Art / Sculpture Categories / Ceramic Sculptures / Previous / Next
Terry Mollo: 'Danzante', 2004 Ceramic Sculpture, Dance. Artist Description: Dancing....
, 2004
Dance - Sculpture
24 x 34 inches (61.0 x 86.4 cm)
Bob Hill: 'Earth Maiden', 2002 Ceramic Sculpture, Ethnic. Artist Description: This serene, earthware figure, with abronze coating, is a strong vision ofa natural woman. ...
Ethnic - Sculpture
10 x 20 inches (25.4 x 50.8 cm)
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Bob Hill: 'Fate', 2003 Ceramic Sculpture, Visionary. Artist Description: This larger- than- life, wall- hung bust is haunting and powerful. . . what vision, what fate, has captured this soul? ...
, 2003
Visionary - Sculpture
8 x 15 inches (20.3 x 38.1 cm)
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Terry Mollo: 'Man', 2000 Ceramic Sculpture, Figurative. Artist Description: The figure of a man emerges from a tree. This original piece is stoneware with a bronze patina and has a marble base. It can be reproduced in various materials....
, 2000
Figurative - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
Terry Mollo: 'Pelvis Model', 2001 Ceramic Sculpture, Figurative. Artist Description: This stoneware piece is the original maquette for the marble pelvis above....
Figurative - Sculpture
8 x 7 inches (20.3 x 17.8 cm)
Terry Mollo: 'Sea Creatures', 2003 Ceramic Sculpture, Abstract. Artist Description: Henry- Moore- like forms in a push- pull configuration; these are two separate formations on one base. They do not touch. The piece is stoneware with a silver- bronze patina. One- of- a- kind....
Abstract - Sculpture
14 x 10 inches (35.6 x 25.4 cm)
Terry Mollo: 'Matters of the Heart', 2003 Ceramic Sculpture, Love. Artist Description: Two hearts in a sensual dance. The original maquette designed for the commissioned ( pink) stone piece called One In Love, this piece is stoneware with a bronze patina. It can be custom reproduced in a variety of materials....
Love - Sculpture
15 x 14 inches (38.1 x 35.6 cm)
Terry Mollo: 'Cannot See The Forest', 2000 Ceramic Sculpture, nudes. Artist Description: A celebration of peopled trees, connected and rooted. Very difficult to depict two- dimensionally in one photograh, but other views ( photographs) are available; contact the artist. The piece is stoneware with a bronze patina but can be custom reproduced in various materials....
nudes - Sculpture
23 x 19 inches (58.4 x 48.3 cm)
Terry Mollo: 'Male Chest', 1998 Ceramic Sculpture, nudes. Artist Description: Male chest; a crucifixion- like pose. Stoneware piece on a marble base. Can be custom- reproduced in various materials....
, 1998
nudes - Sculpture
11 x 9 inches (27.9 x 22.9 cm)
Terry Mollo: 'Autumn Leaves', 2002 Ceramic Sculpture, nature. Artist Description: They look out on the sunset of a late summer evening, stand near each other, enfolded together in a caring way. They resemble the random autumn leaves that fall around them. This piece is stoneware with a bronze patina, another edition is available in cast stone. The piece ...
nature - Sculpture
17 x 20 inches (43.2 x 50.8 cm)
Terry Mollo: 'Hope', 2000 Ceramic Sculpture, Inspirational. Artist Description: A woman emerges from stone. This original shown is stoneware with a bronze/ emerald green patina, but the piece can be ordered in cast stone, bronze, bonded bronze or a variety of materials, some suitable for outdoor placement....
, 2000
Inspirational - Sculpture
11 x 15 inches (27.9 x 38.1 cm)
Terry Mollo: 'Entanglement', 2000 Ceramic Sculpture, Love. Artist Description: Lovers organically entwined and ensnared by their roots, long for each other but barely touch. This is the original stoneware piece with bronze patina. It can be recreated in bronze, bonded bronze, cast stone, and/ or reproduced in a material suitable for outdoors....
Love - Sculpture
22 x 30 inches (55.9 x 76.2 cm)
Julian Vandercook: 'Sprawl', 2003 Ceramic Sculpture, Figurative. Artist Description: Cone 10 fire with stain wash...
, 2003
Figurative - Sculpture
36 x 24 inches (91.4 x 61.0 cm)
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Ildiko Toth: 'Andaluzian Nite', 1994 Ceramic Sculpture, Fantasy. Artist Description: . . . end then the nite came. . . ...
Fantasy - Sculpture
14 x 20 inches (35.6 x 50.8 cm)
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Ildiko Toth: 'Malaga Full Installation', 1994 Ceramic Sculpture, Architecture. Artist Description: Full Powder Room Installation...
Architecture - Sculpture
10 x 10 feet (3.05 x 3.05 m)
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Ildiko Toth: 'Malaga Installation5', 1994 Ceramic Sculpture, Architecture. Artist Description: Lighting Unit for Powder Room...
Architecture - Sculpture
12 x 23 inches (30.5 x 58.4 cm)
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Ildiko Toth: 'Malaga Installation6', 1994 Ceramic Sculpture, Architecture. Artist Description: The Glowing B12all...
Architecture - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Ildiko Toth: 'Glowing Firebird', 1998 Ceramic Sculpture, Fantasy. Artist Description: . . . and the dance continue. . . ...
Fantasy - Sculpture
14 x 20 inches (35.6 x 50.8 cm)
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Ildiko Toth: 'Malaga Installation1', 1994 Ceramic Sculpture, Architecture. Artist Description: Handbuilt Powder Room fantasy, inspired by the beauty of Andaluzia, with sculpturesque accessories for uniquespaces....
Architecture - Sculpture
78 x 52 inches (198.1 x 132.1 cm)
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Ildiko Toth: 'Malaga Installation 2', 1994 Ceramic Sculpture, Architecture. Artist Description: Handbuilt, functional for Powder Room...
Architecture - Sculpture
10 x 10 inches (25.4 x 25.4 cm)
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Ildiko Toth: 'Malaga Installation3', 1994 Ceramic Sculpture, Architecture. Artist Description: Wet wall for Powder Room...
Architecture - Sculpture
78 x 52 inches (198.1 x 132.1 cm)
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Bruce Naigles: 'African Torso', 1994 Ceramic Sculpture, Figurative. Artist Description: : I remember the model, Asta, half Ugandan, half Norwegian, as a wonderful blending of female sensuality and masculine stregnth. The torso is lifesize and is also available in bronze. ...
Figurative - Sculpture
16 x 32 inches (40.6 x 81.3 cm)
Alice Buttress: 'Egyptian Jar', 2001 Ceramic Sculpture, History. Artist Description: Egyptian Pharaoh Canopc Jar. Handthrown and sculpted in stoneware clay. High fired unglazed....
History - Sculpture
4 x 9 inches (10.2 x 22.9 cm)
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Alice Buttress: 'Anubis Jar', 2001 Ceramic Sculpture, History. Artist Description: Anubis Canopic Jar. Handthrown and sculpted from clay, glazed and Raku fired. This piece is enhanced by the lovely copper tones and deep turquoise highlights created in the glaze by the post firing reduction....
, 2001
History - Sculpture
4 x 10 inches (10.2 x 25.4 cm)
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Karen Brown: 'Faceted Biovoid', 2003 Ceramic Sculpture, Technology. Artist Description: Raku ceramic and holography sculpture...
Technology - Sculpture
9 x 12 inches (22.9 x 30.5 cm)
Nicole Richardson: 'The Jester', 2002 Ceramic Sculpture, Fantasy. Artist Description: This piece is part of a series of fantasy pieces.  I find the fantasy theme quite appealing as it allows me a lot of space creatively. ...
, 2002
Fantasy - Sculpture
0 x 20 inches (0.0 x 50.8 cm)
Emilio Merlina: 'wind', 2002 Ceramic Sculpture, Inspirational. Artist Description: sculpture terracotta...
, 2002
Inspirational - Sculpture
17 x 21 cm (6.7 x 8.3 inches)
Emilio Merlina: 'gambler ', 2002 Ceramic Sculpture, Inspirational. Artist Description: sculpture ceramic...
, 2002
Inspirational - Sculpture
16 x 18 cm (6.3 x 7.1 inches)
Emilio Merlina: 'Pugnacious', 1990 Ceramic Sculpture, Inspirational. Artist Description: sculpture terracotta...
, 1990
Inspirational - Sculpture
26 x 31 cm (10.2 x 12.2 inches)
Emilio Merlina: 'conflict', 1992 Ceramic Sculpture, Inspirational. Artist Description: sculpture terracotta...
, 1992
Inspirational - Sculpture
23 x 36 cm (9.1 x 14.2 inches)
(Page 8 of 10) - MORE ARTWORKS

Artists Describing Their Art:

Janet Pierre - The subjects and themes rendered, vary depending upon many different and diverse influences. The consistent approach or philosophy during the creative process is based upon an inherent desire to bring a moment of pleasure into the life of the observer; to uplift and inform, stir up a bit of controversy or conversation, to open closed eyes, to make us question things we take for granted. That being said, Art (or the creative process)can also help us to exorcise our demons and walk away with a brand new perspective on life....

Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

Terry Mollo - Julian Vandercook - As a native Arizonian, growing up in the southwest has given me a desert aesthetic. This includes an emphasis on subtle earth colors, simplicity of form and a heavy focus on texture and material. Consequently, I choose to work with ceramic and metal and tend to be minimal when it comes to adding embellishments. My work has a strong figurative focus because I have always enjoyed the company of other people and have been fascinated by how people interact with each other. I try to distill the human form down only using the elements that I feel relate to my statement. Then I encourage viewers to relate my work to themselves and to add their own personal dialogue and narrative to the piece....

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Bruce Naigles - From a philosophical standpoint, all that we perceive in the world of form is an outer expression of an inner dynamic. Though my work is predominantly figurative, I find it to be the art of giving form to the formless; ideas, emotions, relationships, events. These are by their very nature intangible and essentially abstract, though they continually alter and effect our physical reality. We read them through our intuitive understanding of body language, much as snow blown about on a winter's day reveals the invisible movement and form of the wind. To 'clothe' these subliminal qualities in human figures and bring them forth in a sculpture, whether it be a simple figure inspired by a model's beauty or an allegory of our human condition, is the basic goal and driving force in my work. ...

Alice Buttress - My name is Alice Buttress and I live the lovely highland village of Carrbridge near the Cairngorm Mountains in Scotland. I have been working with clay for the past twenty years and sell my work mainly from my Studio in Carrbridge and at exhibitions. I work in stoneware and porcelain, sculpting, handbuilding and throwing in a traditional representational style. I fire my work in an electric kiln and gas Raku kiln with post firing reduction. Also for the past 7 years I have been chainsaw carving wood sculptures for the garden, most popular carvings are owls, squirrels, and bears. Inspiration for my work comes from historic cultures, legends and my surroundings in the Scottish Highlands....

Nicole Richardson - I have worked as a graphic artist for 25 years and consider myself a jill-of-all-arts. My profolio includes such diverse mediums as mural painting, book illustration, web design, comic book illustration, digital painting/illustration and screen print design. Somewhere along this artistic journey I fell in love with sculpture and it is my primary love at the moment. I work with white stoneware usually and have rakued some pieces but often leave the piece unglazed and use various types of stains to finish it....

Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...