Mixed Media Sculptures / Multi Media Sculptures

Page 5 of 36
Maris Grosbahs, Suzanne Noll, Janice Young, Louise Parenteau, Randall Fox, Stéphane Terrière, Sarah Varacallo, Kat Obrien, Paul Cooper, Depasquale Sculptures, Juan Pablo Cima, Paul Fucci, Max Nushtaev, Catarina Hosler, George Transcender, Mark Porter, Jill M. Armstrong, Elena Osterwalder offering original Mixed Media Sculptures artworks.


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Suzanne Noll: 'Lions Pride', 2009 Mixed Media Sculpture, Wildlife.        Lion's Pride is a high fired, ceramic, Lion & Lioness mask of various glazes. They are inlaid in handmade tiles, gold mirror and broken glass inside of a barnwood frame. The whiskers are of gold toned wire and gold toned balls at the ends.As with all my creations, Lion...
Wildlife - Sculpture
15 x 15 inches (38.1 x 38.1 cm)
Janice Young: 'Untitled', 2010 Mixed Media Sculpture, nature.  ceramic and copper with crushed stone and acrylic  ...
, 2010
nature - Sculpture
12 x 8 inches (30.5 x 20.3 cm)
Louise Parenteau: 'ALANIS', 2010 Mixed Media Sculpture, Ethnic.        Scrap material:wood, metal, found objects sculpture, art, ethnic, tribal, wood, metal, scrap, recycled, contemporary, actual, african                 ...
, 2010
Ethnic - Sculpture
48 x 87 cm (18.9 x 34.3 inches)
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Louise Parenteau: 'EROS', 2005 Mixed Media Sculpture, Erotic.   Recycled material  ...
, 2005
Erotic - Sculpture
0 x 70 cm (0.0 x 27.6 inches)
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Louise Parenteau: 'X', 2007 Mixed Media Sculpture, Representational.       Scrap material: Wood, metal, cloth, found objects.    Scrap material:wood, metal, leather, found objects      ...
, 2007
Representational - Sculpture
0 x 162 cm (0.0 x 63.8 inches)
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Louise Parenteau: 'PABLO', 2007 Mixed Media Sculpture, Representational.      Scrap material: Wood, metal, cloth, found objects.    Scrap material:wood, metal, leather, found objects     ...
, 2007
Representational - Sculpture
0 x 63 cm (0.0 x 24.8 inches)
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Louise Parenteau: 'THE LADY SINGS THE BLUES', 2008 Mixed Media Sculpture, Ethnic.   Scrap material: Wood, metal, leather, found objects.    Scrap material:wood, metal, leather, found objects  ...
Ethnic - Sculpture
0 x 55 cm (0.0 x 21.7 inches)
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Louise Parenteau: 'SITTING BULL', 2010 Mixed Media Sculpture, Ethnic.  Scrap material: Wood, metal, leather, found objects.     ...
Ethnic - Sculpture
0 x 158 cm (0.0 x 62.2 inches)
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Randall Fox: 'RECYCLED MEMORY OF THREE REVOLUTIONS  ', 1995 Mixed Media Sculpture, Conceptual.
Conceptual - Sculpture
10.25 x 9.5 inches (26.0 x 24.1 cm)
Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.   rateau, acier, glycero.   ...
, 2009
undecided - Sculpture
37 x 53 cm (14.6 x 20.9 inches)
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Sarah Varacallo: 'Graceful Three', 2006 Mixed Media Sculpture, undecided.
undecided - Sculpture
16 x 9 inches (40.6 x 22.9 cm)
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Sarah Varacallo: 'Up and Down', 2006 Mixed Media Sculpture, undecided.
undecided - Sculpture
23 x 10 inches (58.4 x 25.4 cm)
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Kat Obrien: 'Earth center wood', 2010 Mixed Media Sculpture, undecided.
undecided - Sculpture
30 x 30 inches (76.2 x 76.2 cm)
Paul Cooper: 'Card Case', 2009 Mixed Media Sculpture, Abstract.  folded playing cards hot glued together in a recycled double hinged picture frame   ...
, 2009
Abstract - Sculpture
16.5 x 10 inches (41.9 x 25.4 cm)
Depasquale Sculptures: 'Island Girl', 2018 Mixed Media Sculpture, Figurative. This sculpture represents the Island Girl, Wahine woman petite.  The top of the torso is sculpted into rose like petals. . .  She emerges from blue marbleindicative of the deep blue Hawaii oceansleaves, representing a tropical birthing. .  California cedar is utilized for the torso.  This is a dePasquale original sculpture , a one ...
Figurative - Sculpture
16 x 17 inches (40.6 x 43.2 cm)
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Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.     balai a gazon, acier, glycero   ...
, 2009
undecided - Sculpture
70 x 74 cm (27.6 x 29.1 inches)
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Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.    elements de balai a gazon, acier, glycero  ...
, 2009
undecided - Sculpture
42 x 52 cm (16.5 x 20.5 inches)
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Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.  dents et virole de balai a gazon, glycero ...
, 2009
undecided - Sculpture
31 x 67 cm (12.2 x 26.4 inches)
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Juan Pablo Cima: 'corrupt nature', 2009 Mixed Media Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
110 x 200 cm (43.3 x 78.7 inches)
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Paul Fucci: 'Morals and Dogma', 1996 Mixed Media Sculpture, Philosophy.  Discordian sculpture...
Philosophy - Sculpture
23 x 96 inches (58.4 x 243.8 cm)
Paul Fucci: 'Regurgatated Flower', 1992 Mixed Media Sculpture, Mythology. Discordian Sculpture ...
Mythology - Sculpture
33 x 71 inches (83.8 x 180.3 cm)
Max Nushtaev: 'Candlestick Teapot', 2009 Mixed Media Sculpture, undecided.  Unusual candlestick in the form of a teapot from old iron  ...
undecided - Sculpture
34 x 20 cm (13.4 x 7.9 inches)
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Catarina Hosler: 'Virgin of Guadalupe', 2009 Mixed Media Sculpture, Archetypal.  Private residential commission completed for client in 2009. Materials used are stainless steel, brass, copper and blue LEDs. ...
Archetypal - Sculpture
32 x 48 inches (81.3 x 121.9 cm)
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George Transcender: 'despite all this', 1979 Mixed Media Sculpture, Philosophy.  despite all this, i will not judge the next by the last- 1979the capacity to love is in direct proportion to the level of negative projection as reflex. . .height - 12 inches - width - 21 inches - depth - 10 inches. . . ...
Philosophy - Sculpture
21 x 12 inches (53.3 x 30.5 cm)
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George Transcender: 'the theist problem 1', 1999 Mixed Media Sculpture, Religious.  the theist problem  1- 1999darrow i am agnostic, i do not pretend to know what ignorant men are sure of an integrated and healthy superego will illumine the righteous path. . . .  height - 26 inches - width - 14 inches - depth - 10 inches. . .  ...
Religious - Sculpture
14 x 26 inches (35.6 x 66.0 cm)
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Mark Porter: 'Internal External', 2009 Mixed Media Sculpture, undecided.  Internal/ ExternalMaterials: Aluminum, steel, plastic, pigmented/ fragranced soap water, air pump, nylon tubingFunction: Expels a scented and colored soap mixture onto wall. A scented soap mixture is used for the mix. An aroma builds up which smells of artificial fragrance, which is similar, and also in contrast to...
undecided - Sculpture
4 x 3 feet (1.22 x 0.91 m)
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Jill M. Armstrong: 'sublime', 2003 Mixed Media Sculpture, Other.  pair of women's shoes bound together with black hockey tape and finished with paraffin wax ...
, 2003
Other - Sculpture
5 x 11 inches (12.7 x 27.9 cm)
Jill M. Armstrong: 'serendipity', 2003 Mixed Media Sculpture, Other.  pair of women's shoes bound with black hockey tape and finished with paraffin wax ...
Other - Sculpture
8 x 10 inches (20.3 x 25.4 cm)
Elena Osterwalder: 'La Torre', 2009 Mixed Media Sculpture, Abstract.  Hand made amate, cloth , clothes'pins, dyed with organic colors. ...
, 2009
Abstract - Sculpture
20 x 71 cm (7.9 x 28.0 inches)
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Louise Parenteau: 'INNU', 2009 Mixed Media Sculpture, Cosmic.
, 2009
Cosmic - Sculpture
68 x 139 cm (26.8 x 54.7 inches)
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(Page 5 of 36) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Maris Grosbahs - By creating my work, I tray to understand, and educate myself and the viewer through my findings, even though I do not really believe in seeking and I do not believe in finding. ...

    Maris Grosbahs - Janice Young - I work in multiple mediums. When I get an idea, I think, how can I express this visually. Sometimes the medium is the inspiration. I reuse materials from demolition, use leftovers from construction, gather raw materials from nature, and experiment with commercially produced materials. I have a drive to create. I would like what I create to provoke thought as to the beauty and importance of all life and the effect our massive appetites have on that life. ...

    Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

    Randall Fox - I am interested in making visual statements about the interaction of time, history, cultures, memory, intellect, intuitions, experiences and the spiritual, in and on the human creative process. "inherent in all manifest in the few" Born: 1960 Education: Bachelor of Science Degree, Industrial Technology (Technical Management) California Polytechnic State University, San Luis Obispo A.S. Degree Canada Collage, Redwood City, California (General Engineering-Pre Med.) Other: Art History/Art Studies - Stanford University, Palo Alto California Collected in: United States, Holland, Norway, Puerto Rico, Germany, Mexico, England, Brazil ...

    Sarah Varacallo - "Every artist dips his brush in his own soul, and paints his owns nature into his pictures." --Henry Ward Beecher My art making is expressed on two levels: the act of creating and creation itself. Stepping into the studio is like listening to a trickling stream. It brings a calming, relaxing sensation to my mind, body and soul. Waking up every day knowing I have a passion, something that brings joy to my life, is an empowering feeling. Every day I try to incorporate my vision of beauty into works of art. I feel I am accomplishing my vision. The creative process of making art, particularly sculpture, comes naturally to me. The sculptures I create come from within my soul. They reflect my essence, my being. Emotion, movement, space and graceful lines are the important elements I put into my sculptures. I enter into the creative process with a specific idea but end with a different, even better piece of work that allows me to push the limits of clay. At times the making of my work can be a physical challenge,but it is the challenge that I look forward to overcoming. It is also something in which I...

    Mark Porter - Artist webpage: www.markportersculpture.com Fusing found objects and his own custom-made creations, Mark Porter produces one-of-a-kind pieces that gradually transform themselves -- and the gallery -- as the show progresses. The mechanical-drawings-turned-sculptures in Nurture/Alter mimic the irregularity of human actions and portray narratives through a series of projected images, videos, and fluid expulsions. Porter places his project blueprints next to the sculptures to aid in the understanding of their development, which continues free of his influence for the duration of the exhibition. Check out the show sooner than later, though, so you can observe the counterproductive movements of Porter's work before it slowly self-destructs. - Morgan Phelps...

    Jill M. Armstrong - I love the poetic image and a satisfying leap of imagination. My work is based largely on this premise and for my mixed media sculpture, I juxtapose materials and language with loaded objects (with an existing identity or history), much the same way a poet juxtaposes nouns and verbs. My work often references the body, or suggests its presence. I pull other design forms from plants and animals, but the resulting effect is usually seen as surreal, perhaps because most of the work is made from found objects. Even so, many of my more successful works often look like they grew or evolved organically as opposed to being manufactured. I've often thought that my found-object sculptures are like surreal trinkets. They might be evidence of an unknown culture or someone's personal and private collection of emotionally charged objects. I am inspired by the traditions of Surrealism, Dada, and Arte Povera. As well as building visual art works, I also write poetry. I sometimes merge the two of them and they work well together. ...

    Elena Osterwalder - When people leave their homeland, their home memories freeze in that instant, and without them realizing it both the country and the people progress in divergent directions. The external influences of the new country tend to be assimilated with the old ones and in "The Arts" form a new esthetic with components of both cultures. Years later the yearning for what was left behind takes a hold of them and forces them to look back. In my case using components that have historical and spiritual value in the Mexican tradition, I strive to converge the various cultures that have influenced me and create a 21st century aesthetic. Cuando uno deja a su pais , el recuerdo de su pais se congela en ese instante y no se da cuenta que tanto el pais como el mismo progresan en direcciones divergentes. Las influencias del nuevo se asimilan con las antiguas y en "Las Artes" forman una nueva estetica con componentes de las dos culturas. Anos mas tarde cuando cree que ha incorporado ambas culturas, la anoranza de lo que ha dejado detras toma mucha fuerza y lo empuja a mirar atras. En mi caso...