Mixed Media Sculptures / Multi Media Sculptures

Page 6 of 37
Catarina Hosler, Mark Porter, Jill M. Armstrong, Elena Osterwalder, Louise Parenteau, Gary Chris Christopherson, John Northington, Rajyaguru Devdoot, William Nelson, Jynja Calderon, Richard Hinger, Milton Thompson, Lila Goldner, Ana Marin, Ivan Kosta offering original Mixed Media Sculptures artworks.


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Mark Porter: 'Internal External', 2009 Mixed Media Sculpture, undecided.  Internal/ ExternalMaterials: Aluminum, steel, plastic, pigmented/ fragranced soap water, air pump, nylon tubingFunction: Expels a scented and colored soap mixture onto wall. A scented soap mixture is used for the mix. An aroma builds up which smells of artificial fragrance, which is similar, and also in contrast to...
undecided - Sculpture
4 x 3 feet (1.22 x 0.91 m)
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Jill M. Armstrong: 'sublime', 2003 Mixed Media Sculpture, Other.  pair of women's shoes bound together with black hockey tape and finished with paraffin wax ...
, 2003
Other - Sculpture
5 x 11 inches (12.7 x 27.9 cm)
Jill M. Armstrong: 'serendipity', 2003 Mixed Media Sculpture, Other.  pair of women's shoes bound with black hockey tape and finished with paraffin wax ...
Other - Sculpture
8 x 10 inches (20.3 x 25.4 cm)
Elena Osterwalder: 'La Torre', 2009 Mixed Media Sculpture, Abstract.  Hand made amate, cloth , clothes'pins, dyed with organic colors. ...
, 2009
Abstract - Sculpture
20 x 71 cm (7.9 x 28.0 inches)
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Louise Parenteau: 'INNU', 2009 Mixed Media Sculpture, Cosmic.
, 2009
Cosmic - Sculpture
68 x 139 cm (26.8 x 54.7 inches)
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Gary Chris Christopherson: 'creative blackspace', 2008 Mixed Media Sculpture, Abstract.  Providing space that is void and both linear andnonlinear and providing the basic building blocks of line, curve, and circle, challenges us to creatively act.Acquire GChris sculpture and 100 of Chris payment goes for Thrive Scholarships at University of Wisconsin - Madison. ...
Abstract - Sculpture
2 x 4 feet (0.61 x 1.22 m)
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Gary Chris Christopherson: 'change we believe in', 2008 Mixed Media Sculpture, Abstract.  Against dark forces resistant to change, we are challenged to slice through for the change we believe in.  Calls upon us all to make the change in American and world that we believe in and that will benefit and sustain both.Acquire GChris sculpture and 100 of Chris payment goes...
Abstract - Sculpture
1 x 3 feet (0.30 x 0.91 m)
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John Northington: 'Untitled Concrete with Tempered glass', 2009 Mixed Media Sculpture, undecided.
undecided - Sculpture
31 x 95 inches (78.7 x 241.3 cm)
John Northington: 'Core Sample', 2008 Mixed Media Sculpture, Abstract.
Abstract - Sculpture
96 x 76 inches (243.8 x 193.0 cm)
John Northington: 'Blade Runner', 2008 Mixed Media Sculpture, Abstract.   Soapstone, Glass, Steel...
Abstract - Sculpture
41 x 40 inches (104.1 x 101.6 cm)
John Northington: 'The Bridge', 2008 Mixed Media Sculpture, Abstract.
, 2008
Abstract - Sculpture
57 x 31 inches (144.8 x 78.7 cm)
John Northington: 'Ray Gun', 2008 Mixed Media Sculpture, Abstract.
, 2008
Abstract - Sculpture
74 x 57 inches (188.0 x 144.8 cm)
Rajyaguru Devdoot: 'AATMA,soul', 2008 Mixed Media Sculpture, Mythology.  about brathing life, carnal body may be holding that breathing life temporarily but that lives within many unending sensitive boundaries. ...
, 2008
Mythology - Sculpture
24 x 26 inches (61.0 x 66.0 cm)
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William Nelson: 'Sun Flower', 2009 Mixed Media Sculpture, Abstract Figurative.
, 2009
Abstract Figurative - Sculpture
3 x 8 feet (0.91 x 2.44 m)
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Jynja Calderon: 'Columbina the Cat as Trophy', 2007 Mixed Media Sculpture, Clowns.   Cement sculpture with ceramic tile and glass and solar lighting  ...
Clowns - Sculpture
12 x 48 inches (30.5 x 121.9 cm)
Jynja Calderon: 'Harlequin Hound and his Cat as Trophies', 2007 Mixed Media Sculpture, Clowns.    Cement sculpture with ceramic tile and glass.   ...
Clowns - Sculpture
12 x 36 inches (30.5 x 91.4 cm)
Richard Hinger: 'Coupled ShopAround', 1999 Mixed Media Sculpture, World Culture.  ShopAround 1999 ...
World Culture - Sculpture
123 x 54 inches (312.4 x 137.2 cm)
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Milton Thompson: 'Magick Show', 2006 Mixed Media Sculpture, Visionary.
Visionary - Sculpture
56 x 18 inches (142.2 x 45.7 cm)
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Milton Thompson: 'Giza Machine', 2007 Mixed Media Sculpture, Visionary.   Mixed media sculpture depicting an abstract Egyptiantheme on a non- moving mechanical puzzle cube.      ...
Visionary - Sculpture
35 x 11 inches (88.9 x 27.9 cm)
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Lila Goldner: 'Powerplant', 2003 Mixed Media Sculpture, Visionary.  construction on weels, transformation from one pattern of life to another ...
, 2003
Visionary - Sculpture
0 x 1.9 m (0.00 x 6.23 feet)
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Lila Goldner: 'point of research', 2006 Mixed Media Sculpture, undecided.
undecided - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Lila Goldner: 'roza', 2004 Mixed Media Sculpture, Abstract Figurative.
, 2004
Abstract Figurative - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Lila Goldner: 'earth and water', 2006 Mixed Media Sculpture, Visionary.  mural. two parts, presents the finest touch and borderline between to worlds, made of alabaster, wood, stone and ready mades. . ...
Visionary - Sculpture
1.5 x 0.9 m (4.92 x 2.95 feet)
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Lila Goldner: ' point of research', 2006 Mixed Media Sculpture, Visionary.  lamp. presents rising up and flourishing of mind from apstract to figurative, from ignorance to knowledge ...
Visionary - Sculpture
0.4 x 1.3 m (1.31 x 4.27 feet)
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Lila Goldner: 'north and south wind', 2004 Mixed Media Sculpture, Visionary.  two female figures construction of mixed materials and implants / tubes, wheels, rubber, parts of various engines, with light within ...
Visionary - Sculpture
3.9 x 2.9 m (12.80 x 9.51 feet)
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Ana Marin: 'COSMOS', 2006 Mixed Media Sculpture, Cosmic.  little jewel for a wall ...
, 2006
Cosmic - Sculpture
10 x 10 cm (3.9 x 3.9 inches)
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Elena Osterwalder: 'The Red Bag', 2008 Mixed Media Sculpture, Fashion.  Dyed woven cotton cloth with cochineal dyed paper tied with sisal twine.  ...
Fashion - Sculpture
16 x 13 inches (40.6 x 33.0 cm)
Ivan Kosta: 'Ying and Yeng', 1997 Mixed Media Sculpture, Abstract.
Abstract - Sculpture
60 x 96 inches (152.4 x 243.8 cm)
Ivan Kosta: 'Double Flip', 2001 Mixed Media Sculpture, Abstract.  Stainless steel on marble base ...
Abstract - Sculpture
10 x 4 feet (3.05 x 1.22 m)
Ivan Kosta: 'Calderon II', 2008 Mixed Media Sculpture, Abstract.  See
Abstract - Sculpture
1 x 1 inches (2.5 x 2.5 cm)
(Page 6 of 37) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Mark Porter - Artist webpage: www.markportersculpture.com Fusing found objects and his own custom-made creations, Mark Porter produces one-of-a-kind pieces that gradually transform themselves -- and the gallery -- as the show progresses. The mechanical-drawings-turned-sculptures in Nurture/Alter mimic the irregularity of human actions and portray narratives through a series of projected images, videos, and fluid expulsions. Porter places his project blueprints next to the sculptures to aid in the understanding of their development, which continues free of his influence for the duration of the exhibition. Check out the show sooner than later, though, so you can observe the counterproductive movements of Porter's work before it slowly self-destructs. - Morgan Phelps...

    Jill M. Armstrong - I love the poetic image and a satisfying leap of imagination. My work is based largely on this premise and for my mixed media sculpture, I juxtapose materials and language with loaded objects (with an existing identity or history), much the same way a poet juxtaposes nouns and verbs. My work often references the body, or suggests its presence. I pull other design forms from plants and animals, but the resulting effect is usually seen as surreal, perhaps because most of the work is made from found objects. Even so, many of my more successful works often look like they grew or evolved organically as opposed to being manufactured. I've often thought that my found-object sculptures are like surreal trinkets. They might be evidence of an unknown culture or someone's personal and private collection of emotionally charged objects. I am inspired by the traditions of Surrealism, Dada, and Arte Povera. As well as building visual art works, I also write poetry. I sometimes merge the two of them and they work well together. ...

    Elena Osterwalder - When people leave their homeland, their home memories freeze in that instant, and without them realizing it both the country and the people progress in divergent directions. The external influences of the new country tend to be assimilated with the old ones and in "The Arts" form a new esthetic with components of both cultures. Years later the yearning for what was left behind takes a hold of them and forces them to look back. In my case using components that have historical and spiritual value in the Mexican tradition, I strive to converge the various cultures that have influenced me and create a 21st century aesthetic. Cuando uno deja a su pais , el recuerdo de su pais se congela en ese instante y no se da cuenta que tanto el pais como el mismo progresan en direcciones divergentes. Las influencias del nuevo se asimilan con las antiguas y en "Las Artes" forman una nueva estetica con componentes de las dos culturas. Anos mas tarde cuando cree que ha incorporado ambas culturas, la anoranza de lo que ha dejado detras toma mucha fuerza y lo empuja a mirar atras. En mi caso...

    Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

    Gary Chris Christopherson - Abstract sculpture by GChris is what he terms "progressive art" and is mission-driven. Progressive art is art with a purpose and artist as advocate. "Art as advocacy; advocacy as art." The call to artists and people generally is to embrace both art and advocacy, use their synergy, and advance progressive values. Advanced by the art are core progressive values - reducing human vulnerability, maximizing human potential, saving our environment, and living at "peace on and with the earth." Underlying it all is the driving desire to "save the world", as best as we as people can. Toward that end, GChris abstract mobiles and stabiles help drive toward a positive progressive vision of the future. They portray strong driving forces -- the desire for knowledge, spirit and justice. High level thought, being, and positive interrelationships are not ends but new foundations from which progress springs. Progressive art supports the continuous striving for absolute knowledge, absolute spirit and perfected being with full recognition this is an inevitable, unending, inspiring and liberating human enterprise. To achieve the vision, they also help explore threats of vulnerability, conflict, and chaos. The mobiles and stabiles address these threats, glean whatever positives they contain, and advocate major progression...

    John Northington - I have always looked at materials as a representation of a place in time. This idea about materials comes directly from the way I have learned to organize history. I place stone in the far past or in ancient times , I look at metal and consider it to be now and I put glass or plastic as future materials, Wood seems to be linked with history. I feel I have to link materials to a time period to better understand them, this idea is a way for me to understand what I am looking at. I have always found inspiration by the way sculpture moves or changes over time. I have always been fascinated by the Archeological find, to uncover something to never been seen in modern times or forgotten until it was discovered . I have always seemed to find a way to use something that has been overlooked and recycle the material over and over. My work develops from Geology, the Archeological discovery and the work ethic from Ancient Times. ...

    William Nelson - The Corporate Lease Program, initiated in 1994, leases one of a kind fine art and limited addition fine art prints to the Washington D.C., Maryland and Virginia community on a monthly basis. Businesses may choose from a variety of works or have custom art created for them. The works vary from realism to abstraction, reflecting in its variety of techniques and styles the evolution in fine art. Leasing has many benefits. While businesses obtain quality art at a fraction of the cost of purchasing their own, the lease fees are used to purchase supplies each year, helping the struggling artist community stay creative. In addition, by placing art in the community, businesses help our collection serve as an outreach program to educate and familiarize the D.C., Maryland, and Virginia community with America's leading contemporary artists and the Where Art Thou family. The lease fees of the matted and framed prints range from $25 to $500 per month including insurance, delivery and installation in the company's office. After the 23-month leasing period, the works are collected and returned to the Where Art Thou gallery where the entire collection is again made available for lease to businesses ...

    Jynja Calderon - I have always lived spontaneously and with passion in all things that I do. My mother said it best, "You can do or be anything you want, as long as you put your mind to it." Armed with this knowledge, and my parents support throughout my life, whenever I wanted something, if I couldn't afford it, I would make it. I love the challenge of those who doubt my creativity. It only fuels my passion from making animal sculpture and furniture to installing floors and walls. And above all I love to challenge myself. In art, as in nature, I find the beauty is in the flaw. For without it, there is no conversation. Even with perfection, one is always looking for some small incongruent subtilties, and admires even more, if there are none to be found. It is human nature and spirit that makes us question, learn and focus on that which interests us. And it is our passion that brings interest to any canvas, medium or subject that we choose to explore. I believe that there is an artistic nature in each us, and given opportunity, one can bring forth that passion and expression. What I love ...

    Richard Hinger - As a self-taught assemblagist/sculptor, I create vibrant and provocative works of art from the products of man's throw-away culture. I search for commonplace discarded objects and discover unique resources containing collectibles and relics to utilize in the sculptures which then become part of a thematic series. Like the objects I work with, my themes vary considerably, but the common thread of my work is the urgency of visual statements concerning American consumerism, environmental awareness, political icons, and the media's steady search for the newest sensation. Though my work is serious in nature, with the infusion of color, texture, and content, it maintains a whimsical and seductive perspective on Western culture. ...

    Milton Thompson - My art represents images and visions derived from my interest in sacred geometry, Egyptian mysticism, alchemy and occult themes. The Eye of Horus is the guiding force behind my artistic and spiritual quest. It has led me to some very powerful revelations about the mysteries of human history and my own spiritual connections. Thank you for your interest in my work. Milton J. Thompson III ...

    Lila Goldner - "When faced with a lack of purposeand direction,let us expand capacity of observance,increase possibility of learning and understanding,let us be ready to face the moment when the tasks set before us will be beyond our power.Let us rob the moment of eternity that belong to us and sink into oblivion" ...

    Ivan Kosta - My mission? To give some resemblance of our lives, to touch our fears,concerns, evoke dreams and give hope in time of dispair... ...