Mixed Media Sculptures / Multi Media Sculptures
Page 8 of 36
Osloart Online Gallery, Michal Staszczak, Nicole Morris, John Murphy, Angelo Mazzoleni, Dj Whelan, Daniel Johnson, Catarina Hosler, Gary Chris Christopherson, Augie Nkele, Aykut Oz, Mark Renaud, Serdar Seremet, Kum-thong Ngim, Cecilia Mariel Leiva, Karen Wassmer, Paul Vauchelet, Catherine Auvil, Ben Guess, Steve Kiene, David Raine, Teresa Turner offering original Mixed Media Sculptures artworks.
MORE »
>. We see ourselves as <> between the artists and markets, presenting valuable art that you as an art lover would not likely experience were it not for our gallery. ...
Angelo Mazzoleni - ARTISTS ITALIAN CONTEMPORARY: BIOGRAPHY ESSENTIAL ARTIST Angelo Mazzoleni was born in Florence on June 7, 1952 .. It starts soon his artistic activity, cultivated already in the youth, under the guidance of some teachers and attending courses at the Accademia Carrara Bergamo.In these years, participates in the first exhibitions painting in Lombardy and in other Italian regions. Some travel, particularly in Germany and Paris, enrich his artistic and cultural baggage and affect its first part of pittorica.Si also interested in discovering paleontology in particular some important fossils, donated to museums in Milan and Bergamo, including a erionide a generally still unknown and which was given its name in the relevant publications scientifiche.L'interest in the mystery of the past, for history, especially early in his ancestral size, is one of the other elements that characterize the His research also in the field of painting, even before the foundation, with other artists, the group "NEW ART SINCRETICA." "The evolutionary path of the artist, now thirty years, is marked by a personal search for the origins of the world of its vital forces Which, despite the variety of themes and techniques, appears as a single inner journey through time and ...
Dj Whelan - Through the improvisational ideals of vernacular architecture, I've been exploring issues of loss, necessity, social function and creativity as they pertain to homelessness. The small dwellings I construct from bits of earth and recycled materials are inspired by the creative housing solutions of outsiders, squatters and displaced populations, and suggest the random yet deliberate order of building a home when the means of shelter are left to chance and inspired necessity. In an effort for survival and self-expression, man-made objects are married to nature, form and function overlap by default, and home comes together piece by piece. ...
Daniel Johnson - The geological formations of Arizona, and the relationship the local people have with this piece of earth moved me to focus on ceramic stoneware forms that relate human attributes to stone, and earthen aspects to humans. There I began to incorporate hand building with clay, statue restoration trade secrets, metal, and the use of resins to achieve his high-fired stoneware creations, which range in size from small to heights of ten feet or more. My art is heavily figurative and illustrates 'the distorted realism of the human condition'. They transmit human qualities from compassion and understanding, to degradation and despair. Confronting the gambit of human emotional states and physical conditions, I try to relate my observations honestly. Sometimes it is beautiful, sometimes it is not, but life is not always pretty. I look for simple truths to illustrate that may not be seen by all. I continue to be inspired by observing individuals and their interactions with each other, society and the earth. ...
Gary Chris Christopherson - Abstract sculpture by GChris is what he terms "progressive art" and is mission-driven. Progressive art is art with a purpose and artist as advocate. "Art as advocacy; advocacy as art." The call to artists and people generally is to embrace both art and advocacy, use their synergy, and advance progressive values. Advanced by the art are core progressive values - reducing human vulnerability, maximizing human potential, saving our environment, and living at "peace on and with the earth." Underlying it all is the driving desire to "save the world", as best as we as people can. Toward that end, GChris abstract mobiles and stabiles help drive toward a positive progressive vision of the future. They portray strong driving forces -- the desire for knowledge, spirit and justice. High level thought, being, and positive interrelationships are not ends but new foundations from which progress springs. Progressive art supports the continuous striving for absolute knowledge, absolute spirit and perfected being with full recognition this is an inevitable, unending, inspiring and liberating human enterprise. To achieve the vision, they also help explore threats of vulnerability, conflict, and chaos. The mobiles and stabiles address these threats, glean whatever positives they contain, and advocate major progression...
Augie Nkele - Born: Kisangani, Congo, Africa BFA: Emphasis Painting, 1979, Academie Des Beaux-Arts, Kinshasa and Lubumbashi Additional Studies: Notre Dame de la Sagesse, School of Interior Design, Brussels, Belgium, 1980-82 Currently a US citizen residing in Fort Worth, Texas I am from the Kongo people. Before Columbus sailed to the New World, the Portuguese had already established trade relations with the kingdom of Kongo. Members of the royal court of Kongo attended the university in Lisbon. I speak the Kikongo language, as well as Lingala, Swahili, French and English. Congo is always in my heart although it has been many years since I have been there in person. My country has a rich artistic and cultural history and the Congolese people have made important contributions to art and music. One of my goals with my art is to introduce our history and culture to others. When you know Africa you will love Africa. I love learning about different ethnic and national cultures. I look for links that can unite people rather than divide them. Having lived on three continents has given me a broader interest perhaps than if I had only lived in one community all my life. We must ...
Mark Renaud - Title..."Hope in Desperation" This unique tree represents the artist's reflections on his own life by using nature and his lifelong fasination with tress in an analogy towards the similarities between the human spirit and that of the spirit found around us in nature. Special attention was given in selecting the stone mount for the tree. The artist felt that the mount must define a weather-torn, barren, non-fertile and isolated location to parallel the feelings he was experiencing in his surrounding at the time he concieved this sculpture. (this stone has been dated at being 450 million years old by some of the fossils found embedded in it) Choosing to work with copper as the base, limbs and leaves was mainly due to the metaphysical and physical properties of copper as being a conductor of energy. The artist believes that just as copper is a conductor of energy so are we as human beings. The leadcoating on the bas and limbs of the tree is a protective shell, protecting the tree from the elements and environment much the same as we as human beings wear masks create walls for protect from our environment, to protect our inner-...
Karen Wassmer - Whispering Angels(r) Art Studio by: Karen J. Wassmer These wall relief angel sculptures are comiled from old china and kitchen wares. China plates serve as a body or sometimes a halo for the head which has either a hand painted shell or wood carvedface. Forks, spoons, and various utensils represent arms and legs. All of these objects that the sculpture is created out of are from found objects, recycled materials and hand crafted carvings, paintings and metal work. Old, vintage textiles are used for additional accessories. Formally a Land Surveyor I learned through researching property deeds where old homesteads used to dump their glass and metal, and for years I collected these and in conjunction with other discarded glassware, metal and wood I found Whispering Angels were born. Without any formal art education my work is inspired from my own experiences. What I hope my art work brings to the viewer is a smile, a bit of wonderment, and joy. Each sculpture is unique as the hearts and emotions of each viewer. My efforts are to give unwanted materials a rebirth that awakens the angel in all of us. Sincerely, Karen J. Wassmer, Professional Artist, (c) Whispering Angels(r) Art Studio, 2002...
Paul Vauchelet - Thank you for visiting my portfolio. As far as a brief background, I was an Art major at SBVJC, I then did frelance work for a couple of national magazines and was the Creative Art Director for Robert Keith and Co. The bottom line that matters here is whether you derive pleasure from my work or not. Those of you that do not. That is fine. Diversity is what makes life such a glorious experience. Keep looking! There is an artist out there whose work will stir a pleasure center in you like no other. Those of you that do find some degree of enjoyment in my work confirm my belief that we as humans really do enjoy life when we "Stop long enough to smell the roses". Everything in our world is exquisitely beautiful when we take the time to fully relish it in minute detail. When I paint it is solely for egocentric pleasure. The hyper realism of my work reflects my delight in discovering even the smallest nuance of my subject matter. I consume my subject visually, savoring it like a fine wine. My eyes become my palate, tasting even the subtlest of changes in textures and ...
Steve Kiene - My art expresses fundamental cosmological and spiritual concepts such as the balances in nature, regeneration and growth, and the interdependence of all things. I want to express how man & nature are interconnected. In today's modern culture, many have forgotten, that all things, living and inert, have a part in our relationship with life itself. The tree branch carvings illustrate how man is just a branch of the larger organic cosmos. Where Man and Nature become one....
David Raine - Are dreams just our confused brains de-fragmenting when we rest, just scraps of picture images racing back and forth through the maze of neuron connections seeking to be correctly filed, occasionally flashing up as a partially recognizable scene that we erroneously feel significant? And in the day another overload of thoughts, and facts and images assails our conscious and unconscious minds until we hit the pillow to get them sorted. Shapes come to me in the daytime. Sculptural shapes and sculptural ideas emerge complete from nowhere. At least that's how it appears on the surface of things. But like the process of nightly de-fragmentation and neat filing, that process of re-organizing the blitz of images into a form that is pleasing to my mind and to my set of emotions is what I do. It's totally personal, it is a physical expression of how my arrangement of emotions copes with the world around me. It's entirely possible that sculptural shapes that warm me and give me a degree of satisfaction are not universal and mean nothing to anyone else. ...
Teresa Turner - I've been creating for as long as I can remember, and first tried to show my work at the age of 5 when I set up some paintings at the end of my parents' driveway. (That didn't go so well, but it didn't stop me from wanting to keep at it!) I became a full time artist in 1992, exhibiting my work at shows and galleries in the central midwestern US and Ontario. My artwork now appears in collections across 40 states in the US, as well as Canada, Europe, and the UK. Please remember when viewing images of my work online that the actual works are much more detailed than the format for placing them on the web allows, and color variations will occur when viewed on different systems. The artwork represented here is covered under copyright; as such, all images of my artwork are the property of Teresa M. Turner, and may not be reproduced in any form without written consent of the artist. OTHER IMPORTANT INFO: *All of my work comes from a smoke-free home. *I'm happy to combine shipping when possible, but because USPS shipping rates vary depending upon both the ...
(Page 8 of 36) - MORE ARTWORKS
Artists Describing Their Art:
Osloart Online Gallery - The idea behind OsloArt Gallery is that we want to make art available from all over the world for the Norwegian and the Scandinavian markets. Our goal is art <Angelo Mazzoleni - ARTISTS ITALIAN CONTEMPORARY: BIOGRAPHY ESSENTIAL ARTIST Angelo Mazzoleni was born in Florence on June 7, 1952 .. It starts soon his artistic activity, cultivated already in the youth, under the guidance of some teachers and attending courses at the Accademia Carrara Bergamo.In these years, participates in the first exhibitions painting in Lombardy and in other Italian regions. Some travel, particularly in Germany and Paris, enrich his artistic and cultural baggage and affect its first part of pittorica.Si also interested in discovering paleontology in particular some important fossils, donated to museums in Milan and Bergamo, including a erionide a generally still unknown and which was given its name in the relevant publications scientifiche.L'interest in the mystery of the past, for history, especially early in his ancestral size, is one of the other elements that characterize the His research also in the field of painting, even before the foundation, with other artists, the group "NEW ART SINCRETICA." "The evolutionary path of the artist, now thirty years, is marked by a personal search for the origins of the world of its vital forces Which, despite the variety of themes and techniques, appears as a single inner journey through time and ...
Dj Whelan - Through the improvisational ideals of vernacular architecture, I've been exploring issues of loss, necessity, social function and creativity as they pertain to homelessness. The small dwellings I construct from bits of earth and recycled materials are inspired by the creative housing solutions of outsiders, squatters and displaced populations, and suggest the random yet deliberate order of building a home when the means of shelter are left to chance and inspired necessity. In an effort for survival and self-expression, man-made objects are married to nature, form and function overlap by default, and home comes together piece by piece. ...
Daniel Johnson - The geological formations of Arizona, and the relationship the local people have with this piece of earth moved me to focus on ceramic stoneware forms that relate human attributes to stone, and earthen aspects to humans. There I began to incorporate hand building with clay, statue restoration trade secrets, metal, and the use of resins to achieve his high-fired stoneware creations, which range in size from small to heights of ten feet or more. My art is heavily figurative and illustrates 'the distorted realism of the human condition'. They transmit human qualities from compassion and understanding, to degradation and despair. Confronting the gambit of human emotional states and physical conditions, I try to relate my observations honestly. Sometimes it is beautiful, sometimes it is not, but life is not always pretty. I look for simple truths to illustrate that may not be seen by all. I continue to be inspired by observing individuals and their interactions with each other, society and the earth. ...
Gary Chris Christopherson - Abstract sculpture by GChris is what he terms "progressive art" and is mission-driven. Progressive art is art with a purpose and artist as advocate. "Art as advocacy; advocacy as art." The call to artists and people generally is to embrace both art and advocacy, use their synergy, and advance progressive values. Advanced by the art are core progressive values - reducing human vulnerability, maximizing human potential, saving our environment, and living at "peace on and with the earth." Underlying it all is the driving desire to "save the world", as best as we as people can. Toward that end, GChris abstract mobiles and stabiles help drive toward a positive progressive vision of the future. They portray strong driving forces -- the desire for knowledge, spirit and justice. High level thought, being, and positive interrelationships are not ends but new foundations from which progress springs. Progressive art supports the continuous striving for absolute knowledge, absolute spirit and perfected being with full recognition this is an inevitable, unending, inspiring and liberating human enterprise. To achieve the vision, they also help explore threats of vulnerability, conflict, and chaos. The mobiles and stabiles address these threats, glean whatever positives they contain, and advocate major progression...
Augie Nkele - Born: Kisangani, Congo, Africa BFA: Emphasis Painting, 1979, Academie Des Beaux-Arts, Kinshasa and Lubumbashi Additional Studies: Notre Dame de la Sagesse, School of Interior Design, Brussels, Belgium, 1980-82 Currently a US citizen residing in Fort Worth, Texas I am from the Kongo people. Before Columbus sailed to the New World, the Portuguese had already established trade relations with the kingdom of Kongo. Members of the royal court of Kongo attended the university in Lisbon. I speak the Kikongo language, as well as Lingala, Swahili, French and English. Congo is always in my heart although it has been many years since I have been there in person. My country has a rich artistic and cultural history and the Congolese people have made important contributions to art and music. One of my goals with my art is to introduce our history and culture to others. When you know Africa you will love Africa. I love learning about different ethnic and national cultures. I look for links that can unite people rather than divide them. Having lived on three continents has given me a broader interest perhaps than if I had only lived in one community all my life. We must ...
Mark Renaud - Title..."Hope in Desperation" This unique tree represents the artist's reflections on his own life by using nature and his lifelong fasination with tress in an analogy towards the similarities between the human spirit and that of the spirit found around us in nature. Special attention was given in selecting the stone mount for the tree. The artist felt that the mount must define a weather-torn, barren, non-fertile and isolated location to parallel the feelings he was experiencing in his surrounding at the time he concieved this sculpture. (this stone has been dated at being 450 million years old by some of the fossils found embedded in it) Choosing to work with copper as the base, limbs and leaves was mainly due to the metaphysical and physical properties of copper as being a conductor of energy. The artist believes that just as copper is a conductor of energy so are we as human beings. The leadcoating on the bas and limbs of the tree is a protective shell, protecting the tree from the elements and environment much the same as we as human beings wear masks create walls for protect from our environment, to protect our inner-...
Karen Wassmer - Whispering Angels(r) Art Studio by: Karen J. Wassmer These wall relief angel sculptures are comiled from old china and kitchen wares. China plates serve as a body or sometimes a halo for the head which has either a hand painted shell or wood carvedface. Forks, spoons, and various utensils represent arms and legs. All of these objects that the sculpture is created out of are from found objects, recycled materials and hand crafted carvings, paintings and metal work. Old, vintage textiles are used for additional accessories. Formally a Land Surveyor I learned through researching property deeds where old homesteads used to dump their glass and metal, and for years I collected these and in conjunction with other discarded glassware, metal and wood I found Whispering Angels were born. Without any formal art education my work is inspired from my own experiences. What I hope my art work brings to the viewer is a smile, a bit of wonderment, and joy. Each sculpture is unique as the hearts and emotions of each viewer. My efforts are to give unwanted materials a rebirth that awakens the angel in all of us. Sincerely, Karen J. Wassmer, Professional Artist, (c) Whispering Angels(r) Art Studio, 2002...
Paul Vauchelet - Thank you for visiting my portfolio. As far as a brief background, I was an Art major at SBVJC, I then did frelance work for a couple of national magazines and was the Creative Art Director for Robert Keith and Co. The bottom line that matters here is whether you derive pleasure from my work or not. Those of you that do not. That is fine. Diversity is what makes life such a glorious experience. Keep looking! There is an artist out there whose work will stir a pleasure center in you like no other. Those of you that do find some degree of enjoyment in my work confirm my belief that we as humans really do enjoy life when we "Stop long enough to smell the roses". Everything in our world is exquisitely beautiful when we take the time to fully relish it in minute detail. When I paint it is solely for egocentric pleasure. The hyper realism of my work reflects my delight in discovering even the smallest nuance of my subject matter. I consume my subject visually, savoring it like a fine wine. My eyes become my palate, tasting even the subtlest of changes in textures and ...
Steve Kiene - My art expresses fundamental cosmological and spiritual concepts such as the balances in nature, regeneration and growth, and the interdependence of all things. I want to express how man & nature are interconnected. In today's modern culture, many have forgotten, that all things, living and inert, have a part in our relationship with life itself. The tree branch carvings illustrate how man is just a branch of the larger organic cosmos. Where Man and Nature become one....
David Raine - Are dreams just our confused brains de-fragmenting when we rest, just scraps of picture images racing back and forth through the maze of neuron connections seeking to be correctly filed, occasionally flashing up as a partially recognizable scene that we erroneously feel significant? And in the day another overload of thoughts, and facts and images assails our conscious and unconscious minds until we hit the pillow to get them sorted. Shapes come to me in the daytime. Sculptural shapes and sculptural ideas emerge complete from nowhere. At least that's how it appears on the surface of things. But like the process of nightly de-fragmentation and neat filing, that process of re-organizing the blitz of images into a form that is pleasing to my mind and to my set of emotions is what I do. It's totally personal, it is a physical expression of how my arrangement of emotions copes with the world around me. It's entirely possible that sculptural shapes that warm me and give me a degree of satisfaction are not universal and mean nothing to anyone else. ...
Teresa Turner - I've been creating for as long as I can remember, and first tried to show my work at the age of 5 when I set up some paintings at the end of my parents' driveway. (That didn't go so well, but it didn't stop me from wanting to keep at it!) I became a full time artist in 1992, exhibiting my work at shows and galleries in the central midwestern US and Ontario. My artwork now appears in collections across 40 states in the US, as well as Canada, Europe, and the UK. Please remember when viewing images of my work online that the actual works are much more detailed than the format for placing them on the web allows, and color variations will occur when viewed on different systems. The artwork represented here is covered under copyright; as such, all images of my artwork are the property of Teresa M. Turner, and may not be reproduced in any form without written consent of the artist. OTHER IMPORTANT INFO: *All of my work comes from a smoke-free home. *I'm happy to combine shipping when possible, but because USPS shipping rates vary depending upon both the ...