Mixed Media Sculptures / Multi Media Sculptures
Page 8 of 36
Dj Whelan, Daniel Johnson, Catarina Hosler, Gary Chris Christopherson, Augie Nkele, Aykut Oz, Mark Renaud, Serdar Seremet, Kum-thong Ngim, Cecilia Mariel Leiva, Karen Wassmer, Paul Vauchelet, Catherine Auvil, Ben Guess, Michal Staszczak, David Raine, Teresa Turner, Stephanie Grimes, Devi Delavie, Maris Grosbahs, Elena Paroucheva, Marques Vickers, Grzegorz Luszczyk, Frank Shifreen, Vadim Kirillov offering original Mixed Media Sculptures artworks.
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Daniel Johnson - The geological formations of Arizona, and the relationship the local people have with this piece of earth moved me to focus on ceramic stoneware forms that relate human attributes to stone, and earthen aspects to humans. There I began to incorporate hand building with clay, statue restoration trade secrets, metal, and the use of resins to achieve his high-fired stoneware creations, which range in size from small to heights of ten feet or more. My art is heavily figurative and illustrates 'the distorted realism of the human condition'. They transmit human qualities from compassion and understanding, to degradation and despair. Confronting the gambit of human emotional states and physical conditions, I try to relate my observations honestly. Sometimes it is beautiful, sometimes it is not, but life is not always pretty. I look for simple truths to illustrate that may not be seen by all. I continue to be inspired by observing individuals and their interactions with each other, society and the earth. ...
Gary Chris Christopherson - Abstract sculpture by GChris is what he terms "progressive art" and is mission-driven. Progressive art is art with a purpose and artist as advocate. "Art as advocacy; advocacy as art." The call to artists and people generally is to embrace both art and advocacy, use their synergy, and advance progressive values. Advanced by the art are core progressive values - reducing human vulnerability, maximizing human potential, saving our environment, and living at "peace on and with the earth." Underlying it all is the driving desire to "save the world", as best as we as people can. Toward that end, GChris abstract mobiles and stabiles help drive toward a positive progressive vision of the future. They portray strong driving forces -- the desire for knowledge, spirit and justice. High level thought, being, and positive interrelationships are not ends but new foundations from which progress springs. Progressive art supports the continuous striving for absolute knowledge, absolute spirit and perfected being with full recognition this is an inevitable, unending, inspiring and liberating human enterprise. To achieve the vision, they also help explore threats of vulnerability, conflict, and chaos. The mobiles and stabiles address these threats, glean whatever positives they contain, and advocate major progression...
Augie Nkele - Born: Kisangani, Congo, Africa BFA: Emphasis Painting, 1979, Academie Des Beaux-Arts, Kinshasa and Lubumbashi Additional Studies: Notre Dame de la Sagesse, School of Interior Design, Brussels, Belgium, 1980-82 Currently a US citizen residing in Fort Worth, Texas I am from the Kongo people. Before Columbus sailed to the New World, the Portuguese had already established trade relations with the kingdom of Kongo. Members of the royal court of Kongo attended the university in Lisbon. I speak the Kikongo language, as well as Lingala, Swahili, French and English. Congo is always in my heart although it has been many years since I have been there in person. My country has a rich artistic and cultural history and the Congolese people have made important contributions to art and music. One of my goals with my art is to introduce our history and culture to others. When you know Africa you will love Africa. I love learning about different ethnic and national cultures. I look for links that can unite people rather than divide them. Having lived on three continents has given me a broader interest perhaps than if I had only lived in one community all my life. We must ...
Mark Renaud - Title..."Hope in Desperation" This unique tree represents the artist's reflections on his own life by using nature and his lifelong fasination with tress in an analogy towards the similarities between the human spirit and that of the spirit found around us in nature. Special attention was given in selecting the stone mount for the tree. The artist felt that the mount must define a weather-torn, barren, non-fertile and isolated location to parallel the feelings he was experiencing in his surrounding at the time he concieved this sculpture. (this stone has been dated at being 450 million years old by some of the fossils found embedded in it) Choosing to work with copper as the base, limbs and leaves was mainly due to the metaphysical and physical properties of copper as being a conductor of energy. The artist believes that just as copper is a conductor of energy so are we as human beings. The leadcoating on the bas and limbs of the tree is a protective shell, protecting the tree from the elements and environment much the same as we as human beings wear masks create walls for protect from our environment, to protect our inner-...
Karen Wassmer - Whispering Angels(r) Art Studio by: Karen J. Wassmer These wall relief angel sculptures are comiled from old china and kitchen wares. China plates serve as a body or sometimes a halo for the head which has either a hand painted shell or wood carvedface. Forks, spoons, and various utensils represent arms and legs. All of these objects that the sculpture is created out of are from found objects, recycled materials and hand crafted carvings, paintings and metal work. Old, vintage textiles are used for additional accessories. Formally a Land Surveyor I learned through researching property deeds where old homesteads used to dump their glass and metal, and for years I collected these and in conjunction with other discarded glassware, metal and wood I found Whispering Angels were born. Without any formal art education my work is inspired from my own experiences. What I hope my art work brings to the viewer is a smile, a bit of wonderment, and joy. Each sculpture is unique as the hearts and emotions of each viewer. My efforts are to give unwanted materials a rebirth that awakens the angel in all of us. Sincerely, Karen J. Wassmer, Professional Artist, (c) Whispering Angels(r) Art Studio, 2002...
Paul Vauchelet - Thank you for visiting my portfolio. As far as a brief background, I was an Art major at SBVJC, I then did frelance work for a couple of national magazines and was the Creative Art Director for Robert Keith and Co. The bottom line that matters here is whether you derive pleasure from my work or not. Those of you that do not. That is fine. Diversity is what makes life such a glorious experience. Keep looking! There is an artist out there whose work will stir a pleasure center in you like no other. Those of you that do find some degree of enjoyment in my work confirm my belief that we as humans really do enjoy life when we "Stop long enough to smell the roses". Everything in our world is exquisitely beautiful when we take the time to fully relish it in minute detail. When I paint it is solely for egocentric pleasure. The hyper realism of my work reflects my delight in discovering even the smallest nuance of my subject matter. I consume my subject visually, savoring it like a fine wine. My eyes become my palate, tasting even the subtlest of changes in textures and ...
David Raine - Are dreams just our confused brains de-fragmenting when we rest, just scraps of picture images racing back and forth through the maze of neuron connections seeking to be correctly filed, occasionally flashing up as a partially recognizable scene that we erroneously feel significant? And in the day another overload of thoughts, and facts and images assails our conscious and unconscious minds until we hit the pillow to get them sorted. Shapes come to me in the daytime. Sculptural shapes and sculptural ideas emerge complete from nowhere. At least that's how it appears on the surface of things. But like the process of nightly de-fragmentation and neat filing, that process of re-organizing the blitz of images into a form that is pleasing to my mind and to my set of emotions is what I do. It's totally personal, it is a physical expression of how my arrangement of emotions copes with the world around me. It's entirely possible that sculptural shapes that warm me and give me a degree of satisfaction are not universal and mean nothing to anyone else. ...
Teresa Turner - I've been creating for as long as I can remember, and first tried to show my work at the age of 5 when I set up some paintings at the end of my parents' driveway. (That didn't go so well, but it didn't stop me from wanting to keep at it!) I became a full time artist in 1992, exhibiting my work at shows and galleries in the central midwestern US and Ontario. My artwork now appears in collections across 40 states in the US, as well as Canada, Europe, and the UK. Please remember when viewing images of my work online that the actual works are much more detailed than the format for placing them on the web allows, and color variations will occur when viewed on different systems. The artwork represented here is covered under copyright; as such, all images of my artwork are the property of Teresa M. Turner, and may not be reproduced in any form without written consent of the artist. OTHER IMPORTANT INFO: *All of my work comes from a smoke-free home. *I'm happy to combine shipping when possible, but because USPS shipping rates vary depending upon both the ...
Stephanie Grimes - Education 2003- University of North Carolina at Pembroke (UNCP)- B.A. in Studio Art 2003- Fayetteville Technical Community College- Welding 1997-2000 Fayetteville Technical Community College- Various art classes 1983- North Carolina State University- B.S. in Zoology Exhibitions 2007- Gala Corina "Iluminacion", Tampa, Florida 2007- Platforum Floida "Fusion" Art Party ...
Devi Delavie - I've decided to use the website to showcase ORIGINAL ONE OF A KIND WORK. The prices are subject to change reflecting current market value. Full-sized GICLEE FINEART REPRODUCTIONS are available at 50% of the original's price. I am once again working full-time immersed in the latest digital video production environment. PREFERRED MEDIA WORKS in Flagstaff, AZ. (928) 213-0750. Again a forum for all of my visual, performing and media arts background....
Maris Grosbahs - By creating my work, I tray to understand, and educate myself and the viewer through my findings, even though I do not really believe in seeking and I do not believe in finding. ...
Elena Paroucheva - Elena was born in Bulgaria, graduate of the fine arts at the University of Veliko Tirnovo "Sants Cyrille and Methode" Lives and work in France since 1991. Artist plastician, works in the fields of painting, the sculpture, the installations, the artistic actions, the public orders. For several years, it has developed its project on Art and the Environment: " High Voltage Sculptures and Installations ". Acquisitions: << Peter Ludwig >> Modern Art Museum - Aachen (Germany). Ministry of Culture - Sofia (Bulgaria). The National Art Museum - Sofia (Bulgaria). << Kliment Ohridski >> University of Sofia (Bulgaria). Fine Arts Museums - Sliven (Bulgaria). Fine Arts Museums - Iambol (Bulgaria). Modern Art Museum - Blois (France). << Art in Bulgaria >> collection (Bulgaria). Contemporary Art Museum - Lisbon (Portugal). Contemporary Art Museum - Les Ardennes (France). Galleries permanently: Gallery "Orsel" - Paris Gallery "Celine" - Paris Gallery "Aktuaryus" - Strasbourg Website: www.art-elena.com...
Marques Vickers - PAINTING Painting is a personal battleground, a composition process of revealing the complexity of oneself. The artist cannot separate their passions from the canvas. It is the core of their inspiration-the surrogate therapist. Figurative abstract painting is a process of stripping away the veils of the external to expose the soul. This unveiling process is accomplished through stratum brushwork, the layering of color until a slow realization of the image emerges. The laboriously intense scraping and slashing of brushstrokes ultimately isolates the solitary figure in a transitional movement. With my dancer paintings, the movements of dance are successive brushstrokes from the color palette. The passion radiated to the audience is expressed by the depth and intensity of each stroke. The integrating of color represents each transitional passage formed by the motion of each successive step. My intent is to blur the sequence between positioning and transitioning the demands of a well executed dance sequence. NEO-FORMALISM SCULPTURE Neo-Formalism is a contemporary articulation of the human figure incorporating 20th century introduced design and form elements including abstract color fields, textile and fiber materials and industrial polyurethane resigns. The formative roots and influences originate from a synthesis of the San ...
Grzegorz Luszczyk - Grzegorz Luszczyk belongs to a small group of artists fascinated in leather as an artistic material, in its facture, plasticity and other attributes. Though it has accompanied man since the dawn of history, in contemporary art has been used since not long ago. He also designs and makes statuettes, signboards and gadgets using colour metals, stainless steel together with marble, stone, leather and other materials. The state-of-art techniques like laser and water stream cutting out or powder painting have been used in manufacturing process. Grzegorz Luszczyk's emotional comprehension of art reflects in his works and in permanent searching for artistic material. First, there was metal, next leather, later canvas and paints. Now, there is metal once more but together with stone and plastic. Problems with identity? Rather consequence in penetrating of new artistic expression areas. In his 20 years lasting adventure with art he has tried his hand at different fields. He shaped metal, formed leather, painted, designed small objects... He presented his achievements on 17 exhibitions in Warsaw, Gdansk, Moscow, Madrid and other towns. His works are present in numerous collections in Poland, West Europe, Japan and in the USA. ...
Frank Shifreen - My art is about the power of the image to bypass the limitations of the self, controlled through language and its paradigms. The image is a life raft. The connection of the seer to the seen is the same as self to other , or me to you. Images, whether they be paintings, digital works or videos are gestalts, and embody identity. My art is about figure and ground that is transformed in many ways- materials, subject and meaning. I am a situationist and believe that art can create new paradigms for the future. It is a protected frame of content that can carry meaning, experimental ideas and projections. I have been a painter and sculptor, and still work in those media, but my primary form is now digital art and video, or hybrid combination. Besides being an artist, I have curated and organized many exhibitions, in New York. The Monumental Shows, Terminal Show (Co-curator), Pan Arts, Plexus. Recently curated "From the Ashes" 911 Memorials and "Ground Zero" at the Detroit Museum of New Art, and Freyberger Gallery - Penn State Berks Campus I am a Doctoral Candidate in Art and Art Education at Columbia University Teachers College...
(Page 8 of 36) - MORE ARTWORKS
Artists Describing Their Art:
Dj Whelan - Through the improvisational ideals of vernacular architecture, I've been exploring issues of loss, necessity, social function and creativity as they pertain to homelessness. The small dwellings I construct from bits of earth and recycled materials are inspired by the creative housing solutions of outsiders, squatters and displaced populations, and suggest the random yet deliberate order of building a home when the means of shelter are left to chance and inspired necessity. In an effort for survival and self-expression, man-made objects are married to nature, form and function overlap by default, and home comes together piece by piece. ...Daniel Johnson - The geological formations of Arizona, and the relationship the local people have with this piece of earth moved me to focus on ceramic stoneware forms that relate human attributes to stone, and earthen aspects to humans. There I began to incorporate hand building with clay, statue restoration trade secrets, metal, and the use of resins to achieve his high-fired stoneware creations, which range in size from small to heights of ten feet or more. My art is heavily figurative and illustrates 'the distorted realism of the human condition'. They transmit human qualities from compassion and understanding, to degradation and despair. Confronting the gambit of human emotional states and physical conditions, I try to relate my observations honestly. Sometimes it is beautiful, sometimes it is not, but life is not always pretty. I look for simple truths to illustrate that may not be seen by all. I continue to be inspired by observing individuals and their interactions with each other, society and the earth. ...
Gary Chris Christopherson - Abstract sculpture by GChris is what he terms "progressive art" and is mission-driven. Progressive art is art with a purpose and artist as advocate. "Art as advocacy; advocacy as art." The call to artists and people generally is to embrace both art and advocacy, use their synergy, and advance progressive values. Advanced by the art are core progressive values - reducing human vulnerability, maximizing human potential, saving our environment, and living at "peace on and with the earth." Underlying it all is the driving desire to "save the world", as best as we as people can. Toward that end, GChris abstract mobiles and stabiles help drive toward a positive progressive vision of the future. They portray strong driving forces -- the desire for knowledge, spirit and justice. High level thought, being, and positive interrelationships are not ends but new foundations from which progress springs. Progressive art supports the continuous striving for absolute knowledge, absolute spirit and perfected being with full recognition this is an inevitable, unending, inspiring and liberating human enterprise. To achieve the vision, they also help explore threats of vulnerability, conflict, and chaos. The mobiles and stabiles address these threats, glean whatever positives they contain, and advocate major progression...
Augie Nkele - Born: Kisangani, Congo, Africa BFA: Emphasis Painting, 1979, Academie Des Beaux-Arts, Kinshasa and Lubumbashi Additional Studies: Notre Dame de la Sagesse, School of Interior Design, Brussels, Belgium, 1980-82 Currently a US citizen residing in Fort Worth, Texas I am from the Kongo people. Before Columbus sailed to the New World, the Portuguese had already established trade relations with the kingdom of Kongo. Members of the royal court of Kongo attended the university in Lisbon. I speak the Kikongo language, as well as Lingala, Swahili, French and English. Congo is always in my heart although it has been many years since I have been there in person. My country has a rich artistic and cultural history and the Congolese people have made important contributions to art and music. One of my goals with my art is to introduce our history and culture to others. When you know Africa you will love Africa. I love learning about different ethnic and national cultures. I look for links that can unite people rather than divide them. Having lived on three continents has given me a broader interest perhaps than if I had only lived in one community all my life. We must ...
Mark Renaud - Title..."Hope in Desperation" This unique tree represents the artist's reflections on his own life by using nature and his lifelong fasination with tress in an analogy towards the similarities between the human spirit and that of the spirit found around us in nature. Special attention was given in selecting the stone mount for the tree. The artist felt that the mount must define a weather-torn, barren, non-fertile and isolated location to parallel the feelings he was experiencing in his surrounding at the time he concieved this sculpture. (this stone has been dated at being 450 million years old by some of the fossils found embedded in it) Choosing to work with copper as the base, limbs and leaves was mainly due to the metaphysical and physical properties of copper as being a conductor of energy. The artist believes that just as copper is a conductor of energy so are we as human beings. The leadcoating on the bas and limbs of the tree is a protective shell, protecting the tree from the elements and environment much the same as we as human beings wear masks create walls for protect from our environment, to protect our inner-...
Karen Wassmer - Whispering Angels(r) Art Studio by: Karen J. Wassmer These wall relief angel sculptures are comiled from old china and kitchen wares. China plates serve as a body or sometimes a halo for the head which has either a hand painted shell or wood carvedface. Forks, spoons, and various utensils represent arms and legs. All of these objects that the sculpture is created out of are from found objects, recycled materials and hand crafted carvings, paintings and metal work. Old, vintage textiles are used for additional accessories. Formally a Land Surveyor I learned through researching property deeds where old homesteads used to dump their glass and metal, and for years I collected these and in conjunction with other discarded glassware, metal and wood I found Whispering Angels were born. Without any formal art education my work is inspired from my own experiences. What I hope my art work brings to the viewer is a smile, a bit of wonderment, and joy. Each sculpture is unique as the hearts and emotions of each viewer. My efforts are to give unwanted materials a rebirth that awakens the angel in all of us. Sincerely, Karen J. Wassmer, Professional Artist, (c) Whispering Angels(r) Art Studio, 2002...
Paul Vauchelet - Thank you for visiting my portfolio. As far as a brief background, I was an Art major at SBVJC, I then did frelance work for a couple of national magazines and was the Creative Art Director for Robert Keith and Co. The bottom line that matters here is whether you derive pleasure from my work or not. Those of you that do not. That is fine. Diversity is what makes life such a glorious experience. Keep looking! There is an artist out there whose work will stir a pleasure center in you like no other. Those of you that do find some degree of enjoyment in my work confirm my belief that we as humans really do enjoy life when we "Stop long enough to smell the roses". Everything in our world is exquisitely beautiful when we take the time to fully relish it in minute detail. When I paint it is solely for egocentric pleasure. The hyper realism of my work reflects my delight in discovering even the smallest nuance of my subject matter. I consume my subject visually, savoring it like a fine wine. My eyes become my palate, tasting even the subtlest of changes in textures and ...
David Raine - Are dreams just our confused brains de-fragmenting when we rest, just scraps of picture images racing back and forth through the maze of neuron connections seeking to be correctly filed, occasionally flashing up as a partially recognizable scene that we erroneously feel significant? And in the day another overload of thoughts, and facts and images assails our conscious and unconscious minds until we hit the pillow to get them sorted. Shapes come to me in the daytime. Sculptural shapes and sculptural ideas emerge complete from nowhere. At least that's how it appears on the surface of things. But like the process of nightly de-fragmentation and neat filing, that process of re-organizing the blitz of images into a form that is pleasing to my mind and to my set of emotions is what I do. It's totally personal, it is a physical expression of how my arrangement of emotions copes with the world around me. It's entirely possible that sculptural shapes that warm me and give me a degree of satisfaction are not universal and mean nothing to anyone else. ...
Teresa Turner - I've been creating for as long as I can remember, and first tried to show my work at the age of 5 when I set up some paintings at the end of my parents' driveway. (That didn't go so well, but it didn't stop me from wanting to keep at it!) I became a full time artist in 1992, exhibiting my work at shows and galleries in the central midwestern US and Ontario. My artwork now appears in collections across 40 states in the US, as well as Canada, Europe, and the UK. Please remember when viewing images of my work online that the actual works are much more detailed than the format for placing them on the web allows, and color variations will occur when viewed on different systems. The artwork represented here is covered under copyright; as such, all images of my artwork are the property of Teresa M. Turner, and may not be reproduced in any form without written consent of the artist. OTHER IMPORTANT INFO: *All of my work comes from a smoke-free home. *I'm happy to combine shipping when possible, but because USPS shipping rates vary depending upon both the ...
Stephanie Grimes - Education 2003- University of North Carolina at Pembroke (UNCP)- B.A. in Studio Art 2003- Fayetteville Technical Community College- Welding 1997-2000 Fayetteville Technical Community College- Various art classes 1983- North Carolina State University- B.S. in Zoology Exhibitions 2007- Gala Corina "Iluminacion", Tampa, Florida 2007- Platforum Floida "Fusion" Art Party ...
Devi Delavie - I've decided to use the website to showcase ORIGINAL ONE OF A KIND WORK. The prices are subject to change reflecting current market value. Full-sized GICLEE FINEART REPRODUCTIONS are available at 50% of the original's price. I am once again working full-time immersed in the latest digital video production environment. PREFERRED MEDIA WORKS in Flagstaff, AZ. (928) 213-0750. Again a forum for all of my visual, performing and media arts background....
Maris Grosbahs - By creating my work, I tray to understand, and educate myself and the viewer through my findings, even though I do not really believe in seeking and I do not believe in finding. ...
Elena Paroucheva - Elena was born in Bulgaria, graduate of the fine arts at the University of Veliko Tirnovo "Sants Cyrille and Methode" Lives and work in France since 1991. Artist plastician, works in the fields of painting, the sculpture, the installations, the artistic actions, the public orders. For several years, it has developed its project on Art and the Environment: " High Voltage Sculptures and Installations ". Acquisitions: << Peter Ludwig >> Modern Art Museum - Aachen (Germany). Ministry of Culture - Sofia (Bulgaria). The National Art Museum - Sofia (Bulgaria). << Kliment Ohridski >> University of Sofia (Bulgaria). Fine Arts Museums - Sliven (Bulgaria). Fine Arts Museums - Iambol (Bulgaria). Modern Art Museum - Blois (France). << Art in Bulgaria >> collection (Bulgaria). Contemporary Art Museum - Lisbon (Portugal). Contemporary Art Museum - Les Ardennes (France). Galleries permanently: Gallery "Orsel" - Paris Gallery "Celine" - Paris Gallery "Aktuaryus" - Strasbourg Website: www.art-elena.com...
Marques Vickers - PAINTING Painting is a personal battleground, a composition process of revealing the complexity of oneself. The artist cannot separate their passions from the canvas. It is the core of their inspiration-the surrogate therapist. Figurative abstract painting is a process of stripping away the veils of the external to expose the soul. This unveiling process is accomplished through stratum brushwork, the layering of color until a slow realization of the image emerges. The laboriously intense scraping and slashing of brushstrokes ultimately isolates the solitary figure in a transitional movement. With my dancer paintings, the movements of dance are successive brushstrokes from the color palette. The passion radiated to the audience is expressed by the depth and intensity of each stroke. The integrating of color represents each transitional passage formed by the motion of each successive step. My intent is to blur the sequence between positioning and transitioning the demands of a well executed dance sequence. NEO-FORMALISM SCULPTURE Neo-Formalism is a contemporary articulation of the human figure incorporating 20th century introduced design and form elements including abstract color fields, textile and fiber materials and industrial polyurethane resigns. The formative roots and influences originate from a synthesis of the San ...
Grzegorz Luszczyk - Grzegorz Luszczyk belongs to a small group of artists fascinated in leather as an artistic material, in its facture, plasticity and other attributes. Though it has accompanied man since the dawn of history, in contemporary art has been used since not long ago. He also designs and makes statuettes, signboards and gadgets using colour metals, stainless steel together with marble, stone, leather and other materials. The state-of-art techniques like laser and water stream cutting out or powder painting have been used in manufacturing process. Grzegorz Luszczyk's emotional comprehension of art reflects in his works and in permanent searching for artistic material. First, there was metal, next leather, later canvas and paints. Now, there is metal once more but together with stone and plastic. Problems with identity? Rather consequence in penetrating of new artistic expression areas. In his 20 years lasting adventure with art he has tried his hand at different fields. He shaped metal, formed leather, painted, designed small objects... He presented his achievements on 17 exhibitions in Warsaw, Gdansk, Moscow, Madrid and other towns. His works are present in numerous collections in Poland, West Europe, Japan and in the USA. ...
Frank Shifreen - My art is about the power of the image to bypass the limitations of the self, controlled through language and its paradigms. The image is a life raft. The connection of the seer to the seen is the same as self to other , or me to you. Images, whether they be paintings, digital works or videos are gestalts, and embody identity. My art is about figure and ground that is transformed in many ways- materials, subject and meaning. I am a situationist and believe that art can create new paradigms for the future. It is a protected frame of content that can carry meaning, experimental ideas and projections. I have been a painter and sculptor, and still work in those media, but my primary form is now digital art and video, or hybrid combination. Besides being an artist, I have curated and organized many exhibitions, in New York. The Monumental Shows, Terminal Show (Co-curator), Pan Arts, Plexus. Recently curated "From the Ashes" 911 Memorials and "Ground Zero" at the Detroit Museum of New Art, and Freyberger Gallery - Penn State Berks Campus I am a Doctoral Candidate in Art and Art Education at Columbia University Teachers College...