Steel Sculptures / Metal Sculptures

Page 7 of 21
Esmoreit Koetsier, Mrs. Mathew Sumich, Don Ulrich, Frank Shifreen, Venelin Ivanov, Suzanne Benton, Frank Piccone, Valeria Sepulveda, Max Tolentino offering original Steel Sculptures artworks.


Contemporary Art / Sculpture Categories / Steel Sculptures / Previous / Next
Mrs. Mathew Sumich: 'Metal Squares', 1979 Steel Sculpture, Abstract. unpainted steel squares...
Abstract - Sculpture
30 x 30 inches (76.2 x 76.2 cm)
Mrs. Mathew Sumich: 'White Square', 1972 Steel Sculpture, Abstract. parrallel and connected white painted tube steel squares...
Abstract - Sculpture
42 x 42 inches (106.7 x 106.7 cm)
Don Ulrich: 'NEW GLORY', 2003 Steel Sculpture, Abstract.
, 2003
Abstract - Sculpture
18 x 35 feet (5.49 x 10.67 m)
Don Ulrich: 'VENTURA', 1992 Steel Sculpture, Abstract.
, 1992
Abstract - Sculpture
20 x 15 feet (6.10 x 4.57 m)
Don Ulrich: 'LAMIA', 1993 Steel Sculpture, Abstract.
, 1993
Abstract - Sculpture
50 x 40 feet (15.24 x 12.19 m)
Don Ulrich: 'FETE', 2003 Steel Sculpture, Abstract.
, 2003
Abstract - Sculpture
18 x 15 feet (5.49 x 4.57 m)
Frank Shifreen: 'Odysseus', 2003 Steel Sculpture, undecided. Daniel Scheffer and I collaborated on this piece that is on exhibition at the Dop Dop Salon- 170 Mercer St, till Oct 31...
, 2003
undecided - Sculpture
5 x 5 feet (1.52 x 1.52 m)
Venelin Ivanov: 'Ginko', 1999 Steel Sculpture, Botanical.
, 1999
Botanical - Sculpture
302 x 240 cm (118.9 x 94.5 inches)
Suzanne Benton: 'Anarkali ', 1994 Steel Sculpture, History. This work was inspired by my working travels to South Asia where I created metal masks in response to the culture. Anarkali was a dancing girl in the court of the Moghul Emperor, Akbar who fell in love with his son, Selim ( later to become the Emperor Jehangir) . Although they ...
, 1994
History - Sculpture
7 x 11 inches (17.8 x 27.9 cm)
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Frank Piccone: 'Qurarterback', 2002 Steel Sculpture, Sports. This piece is of a football player
Sports - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
Frank Piccone: 'Buffalo', 2000 Steel Sculpture, Wildlife.  This particular buffalo is a base mount design. It is also available in a wall mount design. The buffalo is made with a sheet of 1/ 4 inch thick steel, then hand cut with an oxygen acetylene torch. The finish on this piece is excellent. The color is naturally done...
, 2000
Wildlife - Sculpture
10 x 8 inches (25.4 x 20.3 cm)
Frank Piccone: 'Tiger', 1999 Steel Sculpture, Wildlife. This is a base mount design.  The tiger, like the buffalo is cut with  torch, and heated to bring out its natural color. ...
, 1999
Wildlife - Sculpture
11 x 8 inches (27.9 x 20.3 cm)
Valeria Sepulveda: 'EARTH', 2006 Steel Sculpture, Abstract.  Piece of the series 4 Elements of Nature. Sculpture of metal assemblies. ( wrought and welded iron cut- outs)...
, 2006
Abstract - Sculpture
61 x 77 cm (24.0 x 30.3 inches)
Max Tolentino: 'Maria da Penha ', 2019 Steel Sculpture, Abstract Figurative. Sculpture in steel wire painted in different colors.  The sculpture was conceived for the award in honor of a law to protect women victims of male aggression in Brazil.  ...
Abstract Figurative - Sculpture
12 x 30 cm (4.7 x 11.8 inches)
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Max Tolentino: 'UNTITLED ', 2017 Steel Sculpture, Abstract. Geometric abstract in cortain steel ...
, 2017
Abstract - Sculpture
24 x 34 cm (9.4 x 13.4 inches)
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Max Tolentino: 'mechanic spider', 2010 Steel Sculpture, Abstract. abstract in painted construction wire . not available ...
Abstract - Sculpture
20 x 20 cm (7.9 x 7.9 inches)
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Max Tolentino: 'slavery', 2008 Steel Sculpture, Abstract. abstract using pieces of construction wire . not available , to be ordered ...
, 2008
Abstract - Sculpture
30 x 25 cm (11.8 x 9.8 inches)
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Max Tolentino: 'ponte do labirinto', 2010 Steel Sculpture, Abstract. Cortain Steel geometric sculpture ...
Abstract - Sculpture
90 x 140 cm (35.4 x 55.1 inches)
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Max Tolentino: 'ORIGAMI', 2008 Steel Sculpture, Abstract.  Steel painted sculpture, not ready for delivery ...
, 2008
Abstract - Sculpture
30.2 x 30 cm (11.9 x 11.8 inches)
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Max Tolentino: 'GEOMETRY', 2016 Steel Sculpture, Abstract.  Steel sculpture in chromed wire , not available ...
, 2016
Abstract - Sculpture
30.2 x 30 cm (11.9 x 11.8 inches)
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Max Tolentino: 'Liberty ', 2016 Steel Sculpture, Abstract.  Design for a steel structure in cortain steel         Design for a sculpture in cortain steel    ...
, 2016
Abstract - Sculpture
3.2 x 6 m (10.50 x 19.69 feet)
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Max Tolentino: 'LOST IN THE WIND', 2014 Steel Sculpture, Abstract.  Steel Sculpture in cortain steel . The sculpture is installed at Pousada Reserva de Ibitipoca in a very charming forrest park . Drawings for its construction inside or outside Brazil are available for sale. ...
Abstract - Sculpture
2.2 x 4.1 m (7.22 x 13.45 feet)
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Max Tolentino: 'TRILOGIA ', 2011 Steel Sculpture, Abstract.   Steel sculpture instaled at Pousada de Ibitipoca Airport , Ibitipoca - MG, Brasil - Wight : 720 kg    ...
, 2011
Abstract - Sculpture
120 x 120 cm (47.2 x 47.2 inches)
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Max Tolentino: 'TRILOGIA', 2011 Steel Sculpture, Abstract. Not available for prompt delivery ...
, 2011
Abstract - Sculpture
46 x 46 cm (18.1 x 18.1 inches)
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Max Tolentino: 'CUBE', 2011 Steel Sculpture, Abstract.    steel sculpture in a bended plate  , first of a series of empty cubes .technique : cutting and bending . propriety of Mr. Michael Chan , Singapore     ...
, 2011
Abstract - Sculpture
22 x 22 cm (8.7 x 8.7 inches)
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Max Tolentino: 'Tarsila ', 2010 Steel Sculpture, Abstract. steel sculpture in drawn wire. part of a new series of abstract scultuptures with a focus on empty spaces. technique  cutting, bending and welding. To be ordered . It can also be produced in stainless steel. ...
, 2010
Abstract - Sculpture
30 x 29 cm (11.8 x 11.4 inches)
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Max Tolentino: 'Untitled', 2010 Steel Sculpture, Abstract.  steel sculpture in drawn wire. part of new series of abstract scultuptures with a focus on empty spaces. technique : cutting, bending and welding . Propriety of Mr. Sergio Batista ( Rio)  ...
, 2010
Abstract - Sculpture
47 x 30 cm (18.5 x 11.8 inches)
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Max Tolentino: 'Cat Stevens ', 2008 Steel Sculpture, Abstract Figurative. steel sculpture in drawn wire. part of new series of abstract scultuptures with a focus on empty spaces. technique  cutting, bending and welding. Not available, sold to a private collection ...
Abstract Figurative - Sculpture
23 x 33 cm (9.1 x 13.0 inches)
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Max Tolentino: 'the Felix Cat ', 2008 Steel Sculpture, Abstract Landscape. steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. private collection , Mrs. Rosangela Almeida , top endocrinologist in Braziltechnique  cutting, bending and welding...
Abstract Landscape - Sculpture
16 x 28 cm (6.3 x 11.0 inches)
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Max Tolentino: 'the Picasso Cat ', 2008 Steel Sculpture, Abstract Figurative. steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. technique  cutting, bending and weldingprivate collection  Mrs. Carolina Occhi...
Abstract Figurative - Sculpture
43 x 53 cm (16.9 x 20.9 inches)
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(Page 7 of 21) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Esmoreit Koetsier - Sculpture for me has been redefined by where life has taken me. When I started in my early twenties, I had no idea that my simple flat pieces of steel were going to lead to mixed-materials and colorful fluid shapes. With each piece I challenge myself and push the envelope just a little more. I look outside of the traditional materials and discover new techniques. What has stayed true is that my work is an experiment with shapes, forms, objects, colors, arrangements, and materials. IaEURtmm inspired by my surroundings and journeys as well as artists working with different medias. ...

    Mrs. Mathew Sumich - Mathew Sumich passed away in late 2012. His work is available through Judith Sumich or the Michael H. Lord Gallery, Palm Springs, CA. The following statement is in his own words The focus of my work - whether non-commissioned or commissioned - is to work with basic elements such as line, form, color, texture, etc., and to apply them to the principles of design, e.g., dealing with proportion, subordination, rhythm, balance, opposition, transition, harmony and contour continuation, and to deal with different media, e.g., steel, glass, paint, wood, cement, etc., and to find potential uses of the media, taking into consideration its use in the environment in which it is to be located. My interests have always been with line and plane i?1/2 the first elements of drawing. Line creates plane, plane creates depth, plane can advance or recede by the use of color. My art is fundamental, basic, simple design principles in action. Using structural design principles and having a good understanding of the environment, I am able to take any media i?1/2 steel, glass, wood, clay, canvas i?1/2 and create 2-dimensional, 3-dimensional, or 4 dimensional adding the dimension of time objects. The final form, be it a painting, ...

    Don Ulrich - In the curatorial statement pertaining to my two works currently at the U. S. Embassy in Riga, Latvia, the State Department website catalog reads as follows: "Building on an interest in astronomy and outer space exploration, Don Ulrich's work focuses on the abstract development of cosmic phenomena and galactic occurrences. Many of the artist's works are mixed media wall sculptures that incorporate objects from nature -- like the eucalyptus branches and sisal in CHASMA LARRISA -- to express his beliefs about a greater universal whole that encompasses man and nature. 'My visual art centers upon ideas and expressions that are as current as the latest space probe to Mars..........and as ancient as the flower-strewn cave burials of Neanderthal man'.........." Over time, I have developed a creative system of using modular units or grids which are developed into major overall works. My recent twelve-panel composite ANDROMEDA wall sculpture is one such example. Dimensionalities have become dissolved in space and shapes float without reference to horizons and gravities. Commonly experienced perspectives and gravities are dissolved in amorphic and geometric forms of richly layered textures, patterns and colors. Some recent works have been conceived within the matrix structures of interwoven...

    Frank Shifreen - My art is about the power of the image to bypass the limitations of the self, controlled through language and its paradigms. The image is a life raft. The connection of the seer to the seen is the same as self to other , or me to you. Images, whether they be paintings, digital works or videos are gestalts, and embody identity. My art is about figure and ground that is transformed in many ways- materials, subject and meaning. I am a situationist and believe that art can create new paradigms for the future. It is a protected frame of content that can carry meaning, experimental ideas and projections. I have been a painter and sculptor, and still work in those media, but my primary form is now digital art and video, or hybrid combination. Besides being an artist, I have curated and organized many exhibitions, in New York. The Monumental Shows, Terminal Show (Co-curator), Pan Arts, Plexus. Recently curated "From the Ashes" 911 Memorials and "Ground Zero" at the Detroit Museum of New Art, and Freyberger Gallery - Penn State Berks Campus I am a Doctoral Candidate in Art and Art Education at Columbia University Teachers College...

    Frank Piccone - I have been working with steel for about 12 years. Most of my work is made with 1/4 inch thick steel. Hand cut with an oxygen acetylene torch. I finish the piece by heating the steel to bring out the natural color. The piece is then completed with a clear coating to seal and give it shine. I have a huge assortment of styles and designs. Furniture, stair rails, shadow casters, book ends, business card holders, window grates, wroght iron railings and more. One of my favorite things to create is wildlife. I have a great deal of respect for mother nature, it really is true beauty if you have the eye to see it. That is what I hope to capture throuht my art when I am putting the scenes together. The True beauty of it all....

    Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...