Sculptures For Sale

Page 1 of 131
Paul Machalaba, Austen Pinkerton, Bob Dornberg, Andrea Mulcahy, Plamen Yordanov, Diana Carey, Ted Schaal, Mac Worthington, James Johnson, Andrew Wielawski offering original Sculptures artworks.


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Paul Machalaba: 'sea spray commission', 2020 Aluminum Sculpture, Abstract.  Sea Spray  sculpture commission. Design can be built in various sizes and finishes depending on clients wishes. Metal base can also be built to match. Price reflects 10 foot sculpture as shown with no base. ...
Abstract - Sculpture
3.5 x 10 feet (1.07 x 3.05 m)
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Austen Pinkerton: 'aeolus of the four winds', 2020 Stone Sculpture, Mythology. Started this sculpture early this year, but have been working on and off on other pieces, so made slow progress. Think I ve finished it at last.  Aeolus, of the Four Winds , Limestone, 20 x 28 x 23cm high. Apart from a very rough test piece years ago, my first ...
Mythology - Sculpture
28 x 23 cm (11.0 x 9.1 inches)
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Bob Dornberg: 'blade', 2020 Steel Sculpture, Abstract. Abstract Steel Sculpture...
, 2020
Abstract - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
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Bob Dornberg: 'flag', 2020 Steel Sculpture, Abstract. welded steel sculpture...
, 2020
Abstract - Sculpture
12 x 10 inches (30.5 x 25.4 cm)
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Bob Dornberg: 'pipe', 2020 Steel Sculpture, Abstract. Abstract steel...
, 2020
Abstract - Sculpture
13 x 9 inches (33.0 x 22.9 cm)
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Andrea Mulcahy: 'energy study 3', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
13 x 9 inches (33.0 x 22.9 cm)
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Andrea Mulcahy: 'energy study 2', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
12 x 9.2 inches (30.5 x 23.4 cm)
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Andrea Mulcahy: 'energy study 1', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
12 x 9 inches (30.5 x 22.9 cm)
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Paul Machalaba: 'SOLD comissions available', 2019 Aluminum Sculpture, Abstract. Large bold modern 12 foot sculpture commission of slightly changed, but similar designs available upon request. ...
Abstract - Sculpture
4.7 x 12 feet (1.43 x 3.66 m)
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Paul Machalaba: 'torro valente', 2020 Aluminum Sculpture, Abstract. Complex multicolored fluid abstract 11 foot aluminum sculpture. ...
Abstract - Sculpture
2.1 x 11 feet (0.64 x 3.35 m)
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Plamen Yordanov: 'Pearl INFINITY', 2020 Sculpture, Abstract. Perl Infinity is based on Mobius Strip...
Abstract - Sculpture
9 x 5 feet (2.74 x 1.52 m)
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Diana Carey: 'reaching out', 2020 Steel Sculpture, Abstract. Reaching Out, the second piece in a series of three, shows the extension of self connecting with others as the individual seeks and accepts much needed support to come to grips with and overcome the emotional turmoil experienced in Conflict. This piece is steel with a bronze powder coating. ...
Abstract - Sculpture
8 x 6 inches (20.3 x 15.2 cm)
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Diana Carey: 'conflicted', 2019 Steel Sculpture, Abstract. First in a series of three sculptures Conflicted represents the emotional upset brought on by unresolved issues. This is a steel sculpture powder coated with a translucent purple. ...
, 2019
Abstract - Sculpture
8 x 7 inches (20.3 x 17.8 cm)
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Ted Schaal: 'accretion', 2020 Mixed Media Sculpture, Abstract. This piece is steel, copper, wood and gold leaf. The disk is suspended 3 4  above the wood which is stained black. The gold in the center is on the wood and the hammered copper wires are suspended. the frame is 1 1 2  steel angle. ...
, 2020
Abstract - Sculpture
24 x 24 inches (61.0 x 61.0 cm)
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Mac Worthington: 'flight of angels', 2020 Aluminum Sculpture, Abstract. Welded aluminum painted pearl white. Abstract outdoor sculpture...
Abstract - Sculpture
40 x 140 inches (101.6 x 355.6 cm)
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Mac Worthington: 'traveler', 2020 Aluminum Sculpture, Abstract. Welded aluminum. Abstract outdoor sculpture. Located now at the Mac Worthington Sculpture Park...
, 2020
Abstract - Sculpture
42 x 115 inches (106.7 x 292.1 cm)
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Ted Schaal: 'rise', 2018 Bronze Sculpture, Abstract. Elegant round abstract sculpture that combines Bronze, mirror polished stainless steel and 24 karat Gold leaf. ...
, 2018
Abstract - Sculpture
11 x 11 inches (27.9 x 27.9 cm)
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Plamen Yordanov: 'Pearl INFINITY', 2020 Sculpture, Abstract. Pearl Infinity - mirror polished stainless steel, 8 ft height, 2020...
Abstract - Sculpture
55 x 95 inches (139.7 x 241.3 cm)
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Ted Schaal: 'bocce ball score keeper', 2015 Bronze Sculpture, Abstract. This Bocce ball score keeper works by moving each pointer hand up until you get to 21.  Each pointer clicks into place and it s moved around.  It has a hand carved relief map of Italy in the center that is accurate enough to find the region or valleys you ...
Abstract - Sculpture
24 x 2 inches (61.0 x 5.1 cm)
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Ted Schaal: 'geode', 2018 Steel Sculpture, Abstract. This bronze and stainless steel sculpture was inspired by a geode. The void is lined with 24 karat gold leaf. ...
, 2018
Abstract - Sculpture
15 x 13 inches (38.1 x 33.0 cm)
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Mac Worthington: 'sudden moments', 2020 Stone Sculpture, Abstract. Welded steel painted flame red. Available. Signed   dated. Certificate of Authenticity. Delivery, and shipping available.Studio   Sculpture Park: 5935 Houseman Rd, historic Ostrander, Ohio. 614- 582- 6788...
Abstract - Sculpture
42 x 78 inches (106.7 x 198.1 cm)
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Mac Worthington: 'yellow shadows', 2020 Aluminum Sculpture, Abstract. Outdoor Welded aluminum painted automotive acrylic   clear coated. Available. Signed   dated. Certificate of Authenticity. Installation, delivery or shipping is available. ...
Abstract - Sculpture
32 x 53 inches (81.3 x 134.6 cm)
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James Johnson: 'deject', 2020 Bronze Sculpture, Figurative. Abandoned and alone on an emotion island, nothing above, nothing below.  Create in bronze and polished to a mirror finish. ...
, 2020
Figurative - Sculpture
4.5 x 2.3 inches (11.4 x 5.8 cm)
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Plamen Yordanov: 'INFINITY', 2019 Steel Sculpture, Abstract.  Infinity tribute to Brancusi, view as installed at the Austin Town Hall Park Cultural Center, Chicago, 2019 - 2020mirror polished stainless steel, 8 ft height...
, 2019
Abstract - Sculpture
55 x 94 inches (139.7 x 238.8 cm)
Plamen Yordanov: 'INFINITY tribute to Brancusi', 2019 Steel Sculpture, Abstract. IFINITY, tribute to Brancusi, the Austin Town Hall Park Cultural Center, Chicago, 2020mirror polished stainless steel, 8 ft height...
Abstract - Sculpture
55 x 95 inches (139.7 x 241.3 cm)
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James Johnson: 'RAIN 2nd edition', 2020 Other Sculpture, Nudes. She was created using a cold cast method where bronze powder is incorporated into another media.  The patina is created using liver of sulfur.  Limited edition of 150 with an artistaEURtms mark, date, and number.  Each piece may appear slightly different with variations. ...
Nudes - Sculpture
7 x 18 inches (17.8 x 45.7 cm)
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Andrew Wielawski: 'study', 2020 Wood Sculpture, Representational. Carved study of a face and drapery detail for a full figure in marble. Wood is chestnut, taken from a marble jack found in a quarry near Carrara, Italy. ...
, 2020
Representational - Sculpture
11 x 36 inches (27.9 x 91.4 cm)
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James Johnson: 'RAVEN 2nd edition', 2019 Other Sculpture, Figurative. She was created using a cold cast method where bronze powder is incorporated into another media.  The patina is created using liver of sulfur.  Limited edition of 150 with an artistaEURtms mark, date, and number.  Each piece may appear slightly different with variations. ...
Figurative - Sculpture
5.5 x 13.5 inches (14.0 x 34.3 cm)
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James Johnson: 'INTUITION 2nd edition', 2019 Bronze Sculpture, Nudes. Free shipping within the continental USA.  Understanding the present and knowing the future happens everyday.  She was created using a cold cast method where bronze powder is incorporated into another media.  The patina is created using liver of sulfur.  Limited edition of 150 with an artistaEURtms mark, date, and ...
Nudes - Sculpture
3 x 7.5 inches (7.6 x 19.1 cm)
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Paul Machalaba: 'Torro Valente corporate comission ', 2019 Aluminum Sculpture, Abstract. Large Corporate Comission...
Abstract - Sculpture
5 x 20 feet (1.52 x 6.10 m)
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(Page 1 of 131) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Plamen Yordanov - I share the idea of an art that creates reality instead of offering its conventional model. I want to provoke the birth of view that go beyond the boundary of reality itself. These viewpoints stress an order that exist "a priory" in nature and can be developed again and again. This aspect makes the picture exist as a signal that gives the onlooker a chance to go deep into his/her life experience and mind. This is a universal signal to which the individual responds in un unique manner and creates his/her own reality. ...

    Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as "Little Chicago", Mac was privileged to be molded around a family of artists. His father John "Jack" Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60's era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...