Sculpture For Sale - Price Range: $1000 - $1999

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Discover 394 original sculpture artworks for sale between $1000 - $1999. Contemporary emerging artists: Austen Pinkerton, Andrew Wielawski, Mac Worthington, James Johnson, Depasquale Sculptures, Eric Jacobson, Andrea Waxman Mulcahy, Micha Nussinov, Ted Schaal, Michael Pickett, Ildiko Toth, Harry Weisburd, Bart Soutendijk, Elizabeth Frank, Gabor Bertalan, Rufus Adeniyi are exhibiting their affordable original art. You can buy artwork online and browse 14 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Austen Pinkerton: 'aeolus of the four winds', 2020 Stone Sculpture, Mythology. Started this sculpture early this year, but have been working on and off on other pieces, so made slow progress. Think I ve finished it at last.  Aeolus, of the Four Winds , Limestone, 20 x 28 x 23cm high. Apart from a very rough test piece years ago, my first ...
Mythology - Sculpture
28 x 23 cm (11.0 x 9.1 inches)
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Andrew Wielawski: 'study', 2020 Wood Sculpture, Representational. Carved study of a face and drapery detail for a full figure in marble. Wood is chestnut, taken from a marble jack found in a quarry near Carrara, Italy. ...
, 2020
Representational - Sculpture
11 x 36 inches (27.9 x 91.4 cm)
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Mac Worthington: 'paradise', 2019 Aluminum Sculpture, Abstract. Metal painted automotive acrylic floating in a shadowbox frame.Available. Signed   dated. Certificate of Authenticity. Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com	...
, 2019
Abstract - Sculpture
48 x 24 inches (121.9 x 61.0 cm)
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Mac Worthington: 'america edition xviii', 2019 Aluminum Sculpture, Abstract Figurative. This edition is aluminum painted automotive enamel floating in a shadowbox frame.Signed   dated. Certificate of Authenticity. Ready to hang...
Abstract Figurative - Sculpture
60 x 30 inches (152.4 x 76.2 cm)
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Mac Worthington: 'next time im here', 2019 Aluminum Sculpture, Abstract. Custom wall sculpture high polished with a machine brush finish welded aluminumSigned dated.  Certificate of Authenticity.  Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email macwartist aol.  com	...
Abstract - Sculpture
30 x 39 inches (76.2 x 99.1 cm)
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Mac Worthington: 'lonely voice', 2019 Aluminum Sculpture, Abstract. Custom wall sculpture. Welded, high polished with a machine brush finish.Signed   dated. Certificate of Authenticity. Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com	...
Abstract - Sculpture
54 x 32 inches (137.2 x 81.3 cm)
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James Johnson: ' MOON', 2019 Steel Sculpture, Cats. Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece may appear slightly different with variations.archetype, ...
, 2019
Cats - Sculpture
3 x 4 inches (7.6 x 10.2 cm)
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James Johnson: 'REALIZATION', 2019 Steel Sculpture, Figurative. A flash of insight and a moment of hesitation.  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  ...
Figurative - Sculpture
4 x 6 inches (10.2 x 15.2 cm)
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James Johnson: 'INTUITION', 2019 Steel Sculpture, Figurative. Understanding the present and knowing the future happens everyday.  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  ...
, 2019
Figurative - Sculpture
6 x 6 inches (15.2 x 15.2 cm)
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Depasquale Sculptures: 'The Prayer Young Will', 2018 Limestone Sculpture, Children. This sculpture entitled, The Prayer, Young Will is made from french limestone.  It captures the essence of a small, young boy with a deep connection, will and adoration to prayer and love.  It is a high relief carving.  It is also made to hang on a wall with a built ...
Children - Sculpture
10 x 8 inches (25.4 x 20.3 cm)
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Depasquale Sculptures: 'make a wish', 2018 Limestone Sculpture, Children.  Make A Wish is made from French limestone.  This sculpture captures the visual essence of a child holding a dandelion, getting ready to blow and make their wish. .  It is a high relief carving.  It measures 10 wide, 8 tall, 2 thick.  It also is a wall hanging user friendly...
Children - Sculpture
10 x 8 inches (25.4 x 20.3 cm)
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Eric Jacobson: 'Notes and Bars', 2015 Other Sculpture, Abstract.  This is an abstract constructed sculpture. It is inspired by music. It is also inspired by abstract painting such as that of Kandinsky. ...
Abstract - Sculpture
36 x 48 inches (91.4 x 121.9 cm)
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Austen Pinkerton: 'URBAN SPACEMAN', 2015 Ceramic Sculpture, Space.    SPACEMAN ROBOT PORTRAIT FIGURE ...
Space - Sculpture
22 x 22 cm (8.7 x 8.7 inches)
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Andrea Waxman Mulcahy: 'Ambient Flow', 2011 Steel Sculpture, undecided.   Abstract Steel Sculpture  ...
undecided - Sculpture
28 x 12 inches (71.1 x 30.5 cm)
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Micha Nussinov: 'Scarecrow', 2010 Mixed Media Sculpture, Farm.   A double face with opposing spheres rotating on a pole. Made from recycled matters, wood, aluminume tube, plastic ricota draining dishes, colour mixing palate, wooden sticks, paint tube, acrylic spheres, epoxy, oil paint, screw, wires and. . . ...
, 2010
Farm - Sculpture
51 x 61 cm (20.1 x 24.0 inches)
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Ted Schaal: 'Portal', 2010 Bronze Sculpture, Abstract Landscape.  Inspired by desert arches and windows or passages. ...
, 2010
Abstract Landscape - Sculpture
14 x 18 inches (35.6 x 45.7 cm)
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Ted Schaal: 'Configuration', 2010 Bronze Sculpture, Abstract Figurative.  Bronze combined with polished stainless passage way invites study.  This sculpture received a merit award from the Sculpture at the River Market Show and Sale. ...
Abstract Figurative - Sculpture
14 x 21 inches (35.6 x 53.3 cm)
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Austen Pinkerton: 'RECUMBENT RHINOCEROS', 2010 Ceramic Sculpture, Other.
Other - Sculpture
12 x 6 inches (30.5 x 15.2 cm)
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Andrea Waxman Mulcahy: 'Nesting Vessel', 2010 Steel Sculpture, undecided.
undecided - Sculpture
19 x 10 inches (48.3 x 25.4 cm)
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Andrea Waxman Mulcahy: 'Bronze Ring Nebula', 2010 Steel Sculpture, undecided.
undecided - Sculpture
10 x 16 inches (25.4 x 40.6 cm)
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Michael Pickett: 'Angel Corner Wall Hanging', 2006 Other Sculpture, Inspirational.  I have this statue on exhibit at the Applegate Arts Guild in Veneta, Oregon ( USA) .I don't remember the details of this work, like the size and height or price. if you give them a call they can give you that information. 1- ( 541) - 935- 4286 ...
Inspirational - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
Ildiko Toth: 'Glowing Firebird', 1998 Ceramic Sculpture, Fantasy. . . . and the dance continue. . . ...
Fantasy - Sculpture
14 x 20 inches (35.6 x 50.8 cm)
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Ildiko Toth: 'Malaga Installation5', 1994 Ceramic Sculpture, Architecture. Lighting Unit for Powder Room Pair...
Architecture - Sculpture
12 x 23 inches (30.5 x 58.4 cm)
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Harry Weisburd: 'Sleepingwoman', 2001 Bronze Sculpture, Representational. WOMAN SLEEPING - - PAINTED BRONZE...
Representational - Sculpture
9 x 5 inches (22.9 x 12.7 cm)
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Bart Soutendijk: '2595 girls stomping grapes', 2020 Wire Sculpture, Figurative. This is a wire sculpture mural of females stomping grapes to make wine. As described in Wikipedia: Grape- treading or grape- stomping  is part of the method of maceration used in traditional wine- making. Rather than being crushed in a wine press or by another mechanized method, grapes are repeatedly ...
Figurative - Sculpture
72 x 24 inches (182.9 x 61.0 cm)
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Elizabeth Frank: 'Illumination', 2019 Mixed Media Sculpture, Archetypal. This figure is carved from fallen aspen branches.  It stands on a wall mounted carved wooden sconce.  Atop the head is a crown made with carved and reclaimed wood, found objects and tiny carved flowers and leaves.  There s an antique skeleton key nailed in the figure s body.  Inlaid ...
Archetypal - Sculpture
15 x 30 inches (38.1 x 76.2 cm)
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Gabor Bertalan: 'ballerina', 2015 Bronze Sculpture, Figurative. Dancing ballerina in an abstract sculpture...
, 2015
Figurative - Sculpture
10 x 22 cm (3.9 x 8.7 inches)
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Rufus Adeniyi: 'leopard', 1995 Bronze Sculpture, Culture. Leopard always come in a pair of male and female. It is a symbol of power in the Ancient Benin Kingdom, Western Nigeria. ...
, 1995
Culture - Sculpture
6 x 9 inches (15.2 x 22.9 cm)
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Rufus Adeniyi: 'ritual vessel', 1953 Bronze Sculpture, Life. Ritual Vessel is mostly used by Ifa Priest for ritual purposes.  WESTERN NIGERIA ...
Life - Sculpture
8 x 15 inches (20.3 x 38.1 cm)
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Rufus Adeniyi: 'agere', 1950 Wood Sculpture, Undecided. Mostly seen in Oba s Palace. A symbol of fertility...
, 1950
Undecided - Sculpture
10 x 16 inches (25.4 x 40.6 cm)
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(Page 1 of 14) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as "Little Chicago", Mac was privileged to be molded around a family of artists. His father John "Jack" Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60's era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

    James Johnson - Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Andrea Waxman Mulcahy - My work illuminates an energetic state that exists yet is generally not seen. Movement as it is captured in space indicates pathways and an energy flow. Visualization of this movement brings to mind that which is not seen in the world but still exists. I'm intrigued by the way simple lines can become complex structures and how complex structures can be reduced to simple lines. I choose to work in steel because it gives me the most immediate connection to my thoughts and the welding process allows me to quickly execute my ideas. The stability and the permanence of metal also gives me the capability to build with structural freedom. Steel rods can represent an single line allowing the negative space to become an important part of the sculpure and the bent steel rods create a fluidity that lets one forget that the structure is made of hard steel....

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

    Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Bart Soutendijk - I have been making Wire Wall Murals on a commission basis since 1972. A Wire Wall Mural is the final step in a simplification process that starts with a photograph or group of photographs. I make and remake the line drawing to emphasize only the essence of the subject. I ask, myself: "What is it about this image that makes is unique." Then I strip away the lines that are not required to convey that quality. Finally, like the poet who reviews every word, I re-examine every turn and curve as I bend the wire into that image -- a large line drawing in space. The final installation, a solid line in front of a moving shadow, has scale enough to suit a large space without dominating the room. After I make a wire wall sculpture I hang it up and "live with it" for a while. Sometimes I cut away additional material, add more, or change bends before I consider the sculpture ready for a home, gallery, or museum. I say: Nothing is permanent, as long as you have pliers. ...

    Elizabeth Frank - My artworks begin with fallen aspen branches. I make at least one trip annually to the mountains of the southwestern United States to gather the aspen that I'll use over the course of the year. My visits to the forest are like a pilgrimage. Every time I return I'm inspired by the strength and the delicacy of the natural world. After the aspen is collected it's dried in a room on my studio roof. Once dry, I cut and shape the rough branches with a band saw. Next I make a puzzle of all the odd parts. I spread them out on the floor, stack them up on a table and move them around until everything fits. The pieces are carved in small components that are joined together with pegs and nails. The surface is painted with acrylic, metal leaf and wax. I combine my carvings with found objects. The carving style is simple, inspired by iconic images found in folk, tribal and primitive art. The themes I use are personal yet universal. My love of the natural world and my concern for the environment translate into works about the intricate relationship between man and nature. I ...

    Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

    Rufus Adeniyi - I am a widely traveled Nigerian Aesthetics consultant. A graduate of University of London, Goldsmith. I believed in Art as a way of life and a reflection of the spiritual and socio-economic life of the people. My flair for natural things of beauty has no measure. Apart from my Art gallery, I also run a consultancy firm in all forms of artistic embellishment in fine furnishing for corporate bodies, private individuals and diplomatic missions. Married and strongly believe in modesty and fair play....