Sculpture For Sale - Price Range: $1000 - $1999

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Discover 384 original sculpture artworks for sale between $1000 - $1999. Contemporary emerging artists: Mac Worthington, Austen Pinkerton, Andrew Wielawski, James Johnson, Eric Jacobson, Micha Nussinov, Ted Schaal, Michael Pickett, Ildiko Toth, Harry Weisburd, Robert Pulley, Elizabeth Frank, Depasquale Sculptures, Gabor Bertalan, Tzipi Biran, Gunnel Watkins are exhibiting their affordable original art. You can buy artwork online and browse 14 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Mac Worthington: 'needles eye', 2021 Aluminum Sculpture, Abstract. Welded aluminum with a machine brush finish.Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract - Sculpture
36 x 38 inches (91.4 x 96.5 cm)
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Mac Worthington: 'waiting', 2021 Aluminum Sculpture, Abstract. Welded aluminum with a machine brush finish.Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2021
Abstract - Sculpture
20 x 61 inches (50.8 x 154.9 cm)
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Mac Worthington: 'horizontal reflection', 2021 Aluminum Sculpture, Abstract. Custom metal wall sculpture polished with a machine brush finish painted acrylic enamel flame red   chrome yellow. ...
Abstract - Sculpture
55 x 28 inches (139.7 x 71.1 cm)
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Mac Worthington: 'the night of', 2021 Aluminum Sculpture, Abstract Figurative. Metal painted acrylic enamel shadowbox framedAvailable.  Signed dated.  Certificate of Authenticity.Delivery, hanging shipping availableStudio 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email macwartist aol.  com...
Abstract Figurative - Sculpture
48 x 24 inches (121.9 x 61.0 cm)
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Austen Pinkerton: 'aeolus of the four winds', 2020 Stone Sculpture, Mythology. Started this sculpture early this year, but have been working on and off on other pieces, so made slow progress. Think I ve finished it at last.  Aeolus, of the Four Winds , Limestone, 20 x 28 x 23cm high. Apart from a very rough test piece years ago, my first ...
Mythology - Sculpture
28 x 23 cm (11.0 x 9.1 inches)
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Andrew Wielawski: 'study', 2020 Wood Sculpture, Representational. Carved study of a face and drapery detail for a full figure in marble. Wood is chestnut, taken from a marble jack found in a quarry near Carrara, Italy. ...
, 2020
Representational - Sculpture
11 x 36 inches (27.9 x 91.4 cm)
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James Johnson: ' MOON', 2019 Steel Sculpture, Cats. Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece may appear slightly different with variations.archetype, ...
, 2019
Cats - Sculpture
3 x 4 inches (7.6 x 10.2 cm)
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James Johnson: 'REALIZATION', 2019 Steel Sculpture, Figurative. A flash of insight and a moment of hesitation.  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  ...
Figurative - Sculpture
4 x 6 inches (10.2 x 15.2 cm)
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James Johnson: 'INTUITION', 2019 Steel Sculpture, Figurative. Understanding the present and knowing the future happens everyday.  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  ...
, 2019
Figurative - Sculpture
6 x 6 inches (15.2 x 15.2 cm)
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Eric Jacobson: 'Notes and Bars', 2015 Other Sculpture, Abstract.  This is an abstract constructed sculpture. It is inspired by music. It is also inspired by abstract painting such as that of Kandinsky. ...
Abstract - Sculpture
36 x 48 inches (91.4 x 121.9 cm)
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Austen Pinkerton: 'URBAN SPACEMAN', 2015 Ceramic Sculpture, Space.    SPACEMAN ROBOT PORTRAIT FIGURE ...
Space - Sculpture
22 x 22 cm (8.7 x 8.7 inches)
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Micha Nussinov: 'Scarecrow', 2010 Mixed Media Sculpture, Farm.   A double face with opposing spheres rotating on a pole. Made from recycled matters, wood, aluminume tube, plastic ricota draining dishes, colour mixing palate, wooden sticks, paint tube, acrylic spheres, epoxy, oil paint, screw, wires and. . . ...
, 2010
Farm - Sculpture
51 x 61 cm (20.1 x 24.0 inches)
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Ted Schaal: 'Portal', 2010 Bronze Sculpture, Abstract Landscape.  Inspired by desert arches and windows or passages. ...
, 2010
Abstract Landscape - Sculpture
14 x 18 inches (35.6 x 45.7 cm)
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Ted Schaal: 'Configuration', 2010 Bronze Sculpture, Abstract Figurative.  Bronze combined with polished stainless passage way invites study.  This sculpture received a merit award from the Sculpture at the River Market Show and Sale. ...
Abstract Figurative - Sculpture
14 x 21 inches (35.6 x 53.3 cm)
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Austen Pinkerton: 'RECUMBENT RHINOCEROS', 2010 Ceramic Sculpture, Other.
Other - Sculpture
12 x 6 inches (30.5 x 15.2 cm)
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Michael Pickett: 'Angel Corner Wall Hanging', 2006 Other Sculpture, Inspirational.  I have this statue on exhibit at the Applegate Arts Guild in Veneta, Oregon ( USA) .I don't remember the details of this work, like the size and height or price. if you give them a call they can give you that information. 1- ( 541) - 935- 4286 ...
Inspirational - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
Ildiko Toth: 'Glowing Firebird', 1998 Ceramic Sculpture, Fantasy. . . . and the dance continue. . . ...
Fantasy - Sculpture
14 x 20 inches (35.6 x 50.8 cm)
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Ildiko Toth: 'Malaga Installation5', 1994 Ceramic Sculpture, Architecture. Lighting Unit for Powder Room Pair...
Architecture - Sculpture
12 x 23 inches (30.5 x 58.4 cm)
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Harry Weisburd: 'Sleepingwoman', 2001 Bronze Sculpture, Representational. WOMAN SLEEPING - - PAINTED BRONZE...
Representational - Sculpture
9 x 5 inches (22.9 x 12.7 cm)
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Robert Pulley: 'Orator', 2006 Bronze Sculpture, Abstract Figurative. This table scale bronze sculpture mounted on a black marble block has a simple elegance and is made from a single twisting, rolling plane intersected by a smaller, flat geometric plane.  Two small organic found wax chips suggest the figure.  A beautiful, mottled warm patina adds to the uplifting gesture ...
, 2006
Abstract Figurative - Sculpture
9 x 11 inches (22.9 x 27.9 cm)
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Elizabeth Frank: 'Illumination', 2019 Mixed Media Sculpture, Archetypal. This figure is carved from fallen aspen branches.  It stands on a wall mounted carved wooden sconce.  Atop the head is a crown made with carved and reclaimed wood, found objects and tiny carved flowers and leaves.  There s an antique skeleton key nailed in the figure s body.  Inlaid ...
Archetypal - Sculpture
15 x 30 inches (38.1 x 76.2 cm)
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Depasquale Sculptures: 'The Prayer Young Will', 2018 Limestone Sculpture, Children. This sculpture entitled, The Prayer, Young Will is made from french limestone.  It captures the essence of a small, young boy with a deep connection, will and adoration to prayer and love.  It is a high relief carving.  It is also made to hang on a wall with a built ...
Children - Sculpture
10 x 8 inches (25.4 x 20.3 cm)
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Depasquale Sculptures: 'make a wish', 2018 Limestone Sculpture, Children.  Make A Wish is made from French limestone.  This sculpture captures the visual essence of a child holding a dandelion, getting ready to blow and make their wish. .  It is a high relief carving.  It measures 10 wide, 8 tall, 2 thick.  It also is a wall hanging user friendly...
Children - Sculpture
10 x 8 inches (25.4 x 20.3 cm)
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Gabor Bertalan: 'ballerina', 2015 Bronze Sculpture, Figurative. Dancing ballerina in an abstract sculpture...
, 2015
Figurative - Sculpture
10 x 22 cm (3.9 x 8.7 inches)
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Tzipi Biran: 'singing', 2016 Glass Sculpture, Music. sing, song, women, glassMade of broken glasses, partly transperent...
, 2016
Music - Sculpture
30 x 38 cm (11.8 x 15.0 inches)
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Tzipi Biran: 'freedom', 2016 Glass Sculpture, Birds. woman, freedom, nude, figurative...
, 2016
Birds - Sculpture
36 x 50 cm (14.2 x 19.7 inches)
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Gunnel Watkins: 'Un ravelled', 2015 Other Sculpture, Abstract. context: the creation of fluid sculpturesthis sculpture is included in my RAW series ...
Abstract - Sculpture
56 x 18 cm (22.0 x 7.1 inches)
Gunnel Watkins: 'synergy', 2016 Other Sculpture, Abstract. to be ordered copy 27...
, 2016
Abstract - Sculpture
50 x 25 cm (19.7 x 9.8 inches)
Gunnel Watkins: 'geisha', 2012 Other Sculpture, Abstract.  to be ordered copy 412...
, 2012
Abstract - Sculpture
20 x 25 inches (50.8 x 63.5 cm)
Gunnel Watkins: 'bangara shadow', 2006 Other Sculpture, Abstract.  to be ordered - price dependent on medium chosen 	Bangara Shadowforton or broxe poaInspired by the Bangara Dance Group. Linking strength, sensuality, drama, movement, line, female form, the classical and abstract....
Abstract - Sculpture
40 x 30 cm (15.7 x 11.8 inches)
(Page 1 of 14) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible. Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition ...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

    Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

    Elizabeth Frank - My artworks begin with fallen aspen branches. I make at least one trip annually to the mountains of the southwestern United States to gather the aspen that I'll use over the course of the year. My visits to the forest are like a pilgrimage. Every time I return I'm inspired by the strength and the delicacy of the natural world. After the aspen is collected it's dried in a room on my studio roof. Once dry, I cut and shape the rough branches with a band saw. Next I make a puzzle of all the odd parts. I spread them out on the floor, stack them up on a table and move them around until everything fits. The pieces are carved in small components that are joined together with pegs and nails. The surface is painted with acrylic, metal leaf and wax. I combine my carvings with found objects. The carving style is simple, inspired by iconic images found in folk, tribal and primitive art. The themes I use are personal yet universal. My love of the natural world and my concern for the environment translate into works about the intricate relationship between man and nature. I ...

    Elizabeth Frank - Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

    Tzipi Biran - I try to express the feminine experience as a complete individual that is constantly engaged in fulfilling her independence and femininity. Parallel to this, I emphasize the potential of a harmonious and holistic connection within a nourishing, supporting and creative relationship between a couple, a promoting and protective partnership within a spiritual and physical connection. The figures in my works are like the dance of life in which the steps of one are adjacent, connecting, opposing, and supporting to that of others, creating a changing and constant movement. ...

    Gunnel Watkins - My intention is to experience creative expression inside the context of the transpersonal. transaEURC/peraEURC/sonaEURC/al/transE^pEtmrsEtmnl/ Adjective: Of, denoting, or dealing with states or areas of consciousness beyond the limits of personal identity. Forms arise spontaneously and naturally from present circumstancesaEUR|..reflection, meditation, dreams and ritual open up dialogues with form bringing mind and heart back into balanceaEUR|aEUR|.central to my artistic expression, is the premise, that the art-making process is salutary in and of itself. I work with art and people with special needs; and, as an end-of-life Doula. aEURoeWhen the soul wants to experience something, she throws out an image in front of her and steps into it aEURoe Meister Eckhart ...