Sculpture For Sale - Price Range: $1000 - $1999

Page 2 of 15
Discover 408 original sculpture artworks for sale between $1000 - $1999. Contemporary emerging artists: Elizabeth Frank, Gabor Bertalan, Rufus Adeniyi, Tzipi Biran, Bart Soutendijk, Susan Rudolf, Robbie O Carroll, Gunnel Watkins, Suzanne Benton, Robert Pulley are exhibiting their affordable original art. You can buy artwork online and browse 15 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Gabor Bertalan: 'ballerina', 2015 Bronze Sculpture, Figurative. Dancing ballerina in an abstract sculpture...
, 2015
Figurative - Sculpture
10 x 22 cm (3.9 x 8.7 inches)
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Rufus Adeniyi: 'leopard', 1995 Bronze Sculpture, Culture. Leopard always come in a pair of male and female. It is a symbol of power in the Ancient Benin Kingdom, Western Nigeria. ...
, 1995
Culture - Sculpture
6 x 9 inches (15.2 x 22.9 cm)
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Rufus Adeniyi: 'ritual vessel', 1953 Bronze Sculpture, Life. Ritual Vessel is mostly used by Ifa Priest for ritual purposes.  WESTERN NIGERIA ...
Life - Sculpture
8 x 15 inches (20.3 x 38.1 cm)
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Rufus Adeniyi: 'agere', 1950 Wood Sculpture, Undecided. Mostly seen in Oba s Palace. A symbol of fertility...
, 1950
Undecided - Sculpture
10 x 16 inches (25.4 x 40.6 cm)
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Tzipi Biran: 'singing', 2016 Glass Sculpture, Music. sing, song, women, glassMade of broken glasses, partly transperent...
, 2016
Music - Sculpture
30 x 38 cm (11.8 x 15.0 inches)
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Tzipi Biran: 'freedom', 2016 Glass Sculpture, Birds. woman, freedom, nude, figurative...
, 2016
Birds - Sculpture
36 x 50 cm (14.2 x 19.7 inches)
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Bart Soutendijk: 'counting grains of sand', 2016 Steel Sculpture, Figurative. wire wall art of child at the beach counting grains of sand...
Figurative - Sculpture
24 x 35 inches (61.0 x 88.9 cm)
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Bart Soutendijk: 'kids in the rain', 2016 Steel Sculpture, Figurative. wire wall art of two children in the rain with unbrellas...
Figurative - Sculpture
30 x 37 inches (76.2 x 94.0 cm)
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Bart Soutendijk: 'jazz singer', 2017 Steel Sculpture, Figurative. wire wall art of female jazz singer. inspired by a photo of Lhasa de Sela...
Figurative - Sculpture
35 x 33 inches (88.9 x 83.8 cm)
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Susan Rudolf: 'Toward the sea', 2015 Other Sculpture, Sea Life.  white coral base from the Caribbean sea covered by glazed ceramic tiles size 3mmx3mm  ...
Sea Life - Sculpture
30 x 142 cm (11.8 x 55.9 inches)
Robbie O Carroll: 'Zen Reflections ', 2016 Wood Sculpture, Abstract.
Abstract - Sculpture
9 x 13 inches (22.9 x 33.0 cm)
Robbie O Carroll: 'Vulcan', 2016 Wood Sculpture, Abstract.
, 2016
Abstract - Sculpture
10 x 16 inches (25.4 x 40.6 cm)
Robbie O Carroll: 'Uranus', 2016 Wood Sculpture, Abstract.
, 2016
Abstract - Sculpture
11 x 21 inches (27.9 x 53.3 cm)
Robbie O Carroll: 'Trinity', 2016 Wood Sculpture, Abstract.
, 2016
Abstract - Sculpture
12 x 14 inches (30.5 x 35.6 cm)
Robbie O Carroll: 'Trancendance ', 2016 Wood Sculpture, Abstract.
Abstract - Sculpture
13 x 14 inches (33.0 x 35.6 cm)
Robbie O Carroll: 'Thor', 2016 Wood Sculpture, Abstract.
, 2016
Abstract - Sculpture
10 x 16 inches (25.4 x 40.6 cm)
Robbie O Carroll: 'Seth', 2016 Wood Sculpture, Abstract.
, 2016
Abstract - Sculpture
10 x 21 inches (25.4 x 53.3 cm)
Robbie O Carroll: 'Serenity', 2016 Wood Sculpture, Abstract.
, 2016
Abstract - Sculpture
7 x 18 inches (17.8 x 45.7 cm)
Robbie O Carroll: 'Prometheus', 2016 Wood Sculpture, Abstract.
, 2016
Abstract - Sculpture
4 x 13 inches (10.2 x 33.0 cm)
Robbie O Carroll: 'Zeus', 2016 Wood Sculpture, Abstract.
, 2016
Abstract - Sculpture
12 x 21 inches (30.5 x 53.3 cm)
Gunnel Watkins: 'Un ravelled', 2015 Other Sculpture, Abstract. context: the creation of fluid sculpturesthis sculpture is included in my RAW series ...
Abstract - Sculpture
56 x 18 cm (22.0 x 7.1 inches)
Gunnel Watkins: 'synergy', 2016 Other Sculpture, Abstract. to be ordered copy 27...
, 2016
Abstract - Sculpture
50 x 25 cm (19.7 x 9.8 inches)
Gunnel Watkins: 'geisha', 2012 Other Sculpture, Abstract.  to be ordered copy 412...
, 2012
Abstract - Sculpture
20 x 25 inches (50.8 x 63.5 cm)
Gunnel Watkins: 'bangara shadow', 2006 Other Sculpture, Abstract.  to be ordered - price dependent on medium chosen 	Bangara Shadowforton or broxe poaInspired by the Bangara Dance Group. Linking strength, sensuality, drama, movement, line, female form, the classical and abstract....
Abstract - Sculpture
40 x 30 cm (15.7 x 11.8 inches)
Gunnel Watkins: 'ode to modi', 2009 Other Sculpture, Abstract. 	Ode to ModiMaterial- Hydrostone Other poaI have been inspired by ModiglianiaEURtmswork, created in the face of personal suffering and hardship. His beautiful faces, often with wistful and forlorn expressions have moved me deeply. As an artist we learn by recreating the masters, hence Ode to Modi. ...
Abstract - Sculpture
15 x 40 cm (5.9 x 15.7 inches)
Gunnel Watkins: 'context is decisive', 2012 Other Sculpture, Abstract. 	context is decisive		Year - 2007				A symbol depicting a distinction in the realm of being ontology aEURoethe context is decisiveaEUR. You can create a new context for anything at any point in time. The context determines your experience and the quality of your life. The distinction so empowered me I...
Abstract - Sculpture
35 x 35 cm (13.8 x 13.8 inches)
Gunnel Watkins: 'un ravel', 2016 Mixed Media Sculpture, Abstract.  un ravel...
, 2016
Abstract - Sculpture
40 x 20 cm (15.7 x 7.9 inches)
Suzanne Benton: 'Rachel, copper coated steel mask', 1989 Mixed Media Sculpture, undecided.  Metal mask, steel, copper coat           ...
undecided - Sculpture
15 x 12 inches (38.1 x 30.5 cm)
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Robert Pulley: 'Portal', 2012 Ceramic Sculpture, Abstract.     Abstract, bronze, sandstone, salmon, teal, burnt umber. ...
, 2012
Abstract - Sculpture
16 x 18 inches (40.6 x 45.7 cm)
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Stan Harmon: 'Glass Stingray', 2014 Glass Sculpture, nature.  Kiln formed glass with copper and bronze tail. Can be displayed on wall or hanging from ceiling upside down or as part of a mobile with multiple stingrays. Comes in 3 sizes.   Fused Glass, copper, bronze, steel   ...
nature - Sculpture
30 x 6 inches (76.2 x 15.2 cm)
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(Page 2 of 15) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Elizabeth Frank - My artworks begin with fallen aspen branches. I make at least one trip annually to the mountains of the southwestern United States to gather the aspen that I'll use over the course of the year. My visits to the forest are like a pilgrimage. Every time I return I'm inspired by the strength and the delicacy of the natural world. After the aspen is collected it's dried in a room on my studio roof. Once dry, I cut and shape the rough branches with a band saw. Next I make a puzzle of all the odd parts. I spread them out on the floor, stack them up on a table and move them around until everything fits. The pieces are carved in small components that are joined together with pegs and nails. The surface is painted with acrylic, metal leaf and wax. I combine my carvings with found objects. The carving style is simple, inspired by iconic images found in folk, tribal and primitive art. The themes I use are personal yet universal. My love of the natural world and my concern for the environment translate into works about the intricate relationship between man and nature. I ...

    Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

    Rufus Adeniyi - I am a widely traveled Nigerian Aesthetics consultant. A graduate of University of London, Goldsmith. I believed in Art as a way of life and a reflection of the spiritual and socio-economic life of the people. My flair for natural things of beauty has no measure. Apart from my Art gallery, I also run a consultancy firm in all forms of artistic embellishment in fine furnishing for corporate bodies, private individuals and diplomatic missions. Married and strongly believe in modesty and fair play....

    Tzipi Biran - I try to express the feminine experience as a complete individual that is constantly engaged in fulfilling her independence and femininity. Parallel to this, I emphasize the potential of a harmonious and holistic connection within a nourishing, supporting and creative relationship between a couple, a promoting and protective partnership within a spiritual and physical connection. The figures in my works are like the dance of life in which the steps of one are adjacent, connecting, opposing, and supporting to that of others, creating a changing and constant movement. ...

    Bart Soutendijk - I have been making Wire Wall Murals on a commission basis since 1972. A Wire Wall Mural is the final step in a simplification process that starts with a photograph or group of photographs. I make and remake the line drawing to emphasize only the essence of the subject. I ask, myself: "What is it about this image that makes is unique." Then I strip away the lines that are not required to convey that quality. Finally, like the poet who reviews every word, I re-examine every turn and curve as I bend the wire into that image -- a large line drawing in space. The final installation, a solid line in front of a moving shadow, has scale enough to suit a large space without dominating the room. After I make a wire wall sculpture I hang it up and "live with it" for a while. Sometimes I cut away additional material, add more, or change bends before I consider the sculpture ready for a home, gallery, or museum. I say: Nothing is permanent, as long as you have pliers. ...

    Robbie O Carroll - When I Graduated from Harvard University my sculpturing followed the traditional cubist approach, but over time the wood started to dictate its own direction and continues that way today. Sometime I will look at a piece of wood, or the combination of pieces of wood, for over a year before it comes to me what its final shape should be and even then it continues to change during the sculpturing process. Someone once called my work enigmatic, and maybe it is, because that is what interests me, the indescribable mystery that can only be revealed in a work of Art. ...

    Gunnel Watkins - My intention is to experience creative expression inside the context of the transpersonal. transaEURC/peraEURC/sonaEURC/al/transE^pEtmrsEtmnl/ Adjective: Of, denoting, or dealing with states or areas of consciousness beyond the limits of personal identity. Forms arise spontaneously and naturally from present circumstancesaEUR|..reflection, meditation, dreams and ritual open up dialogues with form bringing mind and heart back into balanceaEUR|aEUR|.central to my artistic expression, is the premise, that the art-making process is salutary in and of itself. I work with art and people with special needs; and, as an end-of-life Doula. aEURoeWhen the soul wants to experience something, she throws out an image in front of her and steps into it aEURoe Meister Eckhart ...

    Gunnel Watkins - Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...