Sculpture For Sale - Price Range: $1000 - $1999

Artists Describing Their Art:

Tzipi Biran - I try to express the feminine experience as a complete individual that is constantly engaged in fulfilling her independence and femininity. Parallel to this, I emphasize the potential of a harmonious and holistic connection within a nourishing, supporting and creative relationship between a couple, a promoting and protective partnership within a spiritual and physical connection. The figures in my works are like the dance of life in which the steps of one are adjacent, connecting, opposing, and supporting to that of others, creating a changing and constant movement. ...

Bart Soutendijk - I have been making Wire Wall Murals on a commission basis since 1972. A Wire Wall Mural is the final step in a simplification process that starts with a photograph or group of photographs. I make and remake the line drawing to emphasize only the essence of the subject. I ask, myself: "What is it about this image that makes is unique." Then I strip away the lines that are not required to convey that quality. Finally, like the poet who reviews every word, I re-examine every turn and curve as I bend the wire into that image -- a large line drawing in space. The final installation, a solid line in front of a moving shadow, has scale enough to suit a large space without dominating the room. After I make a wire wall sculpture I hang it up and "live with it" for a while. Sometimes I cut away additional material, add more, or change bends before I consider the sculpture ready for a home, gallery, or museum. I say: Nothing is permanent, as long as you have pliers. ...

Gunnel Watkins - My intention is to experience creative expression inside the context of the transpersonal. transaEURC/peraEURC/sonaEURC/al/transE^pEtmrsEtmnl/ Adjective: Of, denoting, or dealing with states or areas of consciousness beyond the limits of personal identity. Forms arise spontaneously and naturally from present circumstancesaEUR|..reflection, meditation, dreams and ritual open up dialogues with form bringing mind and heart back into balanceaEUR|aEUR|.central to my artistic expression, is the premise, that the art-making process is salutary in and of itself. I work with art and people with special needs; and, as an end-of-life Doula. aEURoeWhen the soul wants to experience something, she throws out an image in front of her and steps into it aEURoe Meister Eckhart ...

Gunnel Watkins - Stan Harmon - Retirement brought Stan Harmon's passion into the daylight. Finally quitting his "day job", after a career with an environmental water management company, Harmon found himself able to devote more time to artistic endeavors that he had previously crammed into late night hours after everyone else was asleep. Following his dream to learn to blow glass he enrolled at the famous Penland School of Craft in the North Carolina mountains, quickly succumbing to the addictive nature of glass blowing. However, blowing glass requires at least one helper and that wouldn't fit into his new schedule (which was no schedule). Not to mention the constant overhead involved in firing a glass furnace 24/7. While at Penland, Harmon was introduced to the technique of kiln-forming glass which being taught in the next studio. This proved to be the best of both worlds, embracing the serendipity of hot glass creation and the advantages of a flexible schedule because a computer runs the kiln, taking care of the most time consuming aspects of creation. Thus no helper was needed, no outrageous gas bill to stress about, and still reaping the creative opportunities afforded by hot glass. Kiln-formed or fused glass ...

John Searles - John Searles is a metal artist & sculptor with work in more than 2000 collections across the country, including hotels, businesses and homes. His experience includes working with aluminum, copper, bronze, steel and stainless steel. His body of work includes sculptures, metal weavings, metal art tiles, wall sculptures, photography, paintings and websites. The metal wall sculptures of John Searles reflect his enduring interests in mathematical patterns, design, movement, energy and freedom and are an expression of his on-going dialogue with the metals he works with - aluminum, steel, stainless steel, copper and bronze. John Searles' background in poetry, painting and photography has heavily influenced his focus on shape and design. At times his artwork appears to depict the fluid movements of a Kung Fu master, or the flight patterns of a bird catching insects in the summer evening air. Other times, the metal represents dancers intertwined. John Searles lives and works in a converted 5600 square foot factory on three acres of land near Lake Michigan. The front third of the building is a light-filled gallery. The back part is a tool- and work table-filled space with two garage doors and a view out over the property to the ...

Marcin Biesek - I present in this place some part of my art. Especially wood&plaster sculpture,ceramics and mixed media paintings. I live in Kingston upon Hull ( East Riding of Yorkshire- UK) .I am a memeber of Kingston Art Group.(kingstonartgroup.co.uk) I have started ceramics course in Hull College and I really enjoyed.I try keep my arts and it give me a lot's of satisfy. I found some new ways to develop my ideas and project's. I had some exhibitions-personal also group exhibitions(Reveal Open Studios ,Hull College, Middleton Hall Gallery(Hull University) and Ferens Art Gallery in Hull. And still I try to find new ways to show what I do. Subject's of my art is usually human. I try observe a people in move also relation's between. I try develop ideas of Giacometti ,Manuel Neri and school of Contemporary art. But I still learn all masters(like Rodin) work's. ...

Berthold Neutze - Artists Statement Art from wood is either turned (pretty bowl), roughly hewed (pure artistic laziness) or from selected ugliness regarding to the choice of wood. The flashy the material the less you see the sloppy work of the artist Why do I use wood after all? Besides hard and splintery beechwood? The work is risky and tedious, demands concentration and sensitivity for the material's structure - thus a challenge for craftmanship. Together with the subtle texture and unexitedly tint of beechwood that makes it to my favourite material. Beechwood allows undisguised view towards the form language. The shiny smooth surface means a distance to ,,harsh" nature to me. The outcoming piece is a picture, not copy. The tactile dimension. There is this invitation to the spectator to touch it, to feel the inherent warmth of wood, to feel out the incorporated strings and muscles to append another dimension to his phantasy. Subject follows function. My abstract -, as well as the anthropo- and zoomorphic sculptures emerge from the curiosity what other structures evolution could find - or improve - to add another niche in nature. I mostly work without preceding drawings und start to work unintentionally; the ,,idea" evolves during the progress - the ...