Sculpture For Sale - Price Range: $1000 - $1999

Artists Describing Their Art:

Don Dougan - My work comprises both abstracted and figurative imagery executed in a variety of mixed materials, with stone being the predominate medium. Other materials used (usually in conjunction with stone) include foundry cast metals, carved and joined wood, cast and fabricated plastics, cold-worked and kiln-formed glass, cast and carved hydraulic cements, cast/formed paper, welded/fabricated metals, gilding, and found/assembled objects. The more abstracted imagery is worked in pedestal pieces, large freestanding sculptures, and in wall-mounted relief sculptures. The figurative lip series is usually presented in wall-mounted reliefs, deep shadowbox framing, and occasionally as either a pedestal piece or a large freestanding work. The most recently begun series of work comprises pedestal-sized pieces using the imagery of the ship or the boat hull. Each series or each type of work allows me to express aspects of the human condition - the more abstracted works tend to reveal a more universal emotional/rational characterization of subject matter, the lip series tends to allow sensuality, humor, and more visceral expressions, while the ship series delves into personal/cultural memories and emotional journeys. For more images and information on myself, my work, and my working methods please visit my ...

George Jercich - My passion as an artist is to work 3 dimensionally. I prefer mixed media including blown, fused, cast glass and welded metal. Glass to me, is one of the most challenging and rewarding material experiences as a craft. The ability of glass to take form and color is enhanced by its surface qualities and transparency. I try not to favor one technique or style in glassforming but use many different ones to achieve an overall three dimensional sculptural result. Thematic of the lore of the sea and seafarers, I like to think of each piece of glass and mixed media sculpture as a kind of voyage. Sometimes, I blow a vessel into a bottle's form to refer to something about the sea. Other times, I will fashion a boat hull as a vessel form to compare and contrast the form of the bottle to. By way of content, I attempt to narrate a story of my own invention through the work. I also find it amusing to speculate on the relationship between the bottle or the boat as they are both considered types of vessels. George Jercich 2003...

Sal Villano - The inspiration for creating my sculpture grew from a lifetime love of trees. I am in awe of the stately presence and silent majesty they posses. I find the structure of trees to be one of the perfections in nature. With their roots embracing the earth; in winter they show their bones, in spring gentle buds, in summer a canopy of green and in fall a magical kaleidoscope of colors. Beauty, pure beauty. ...

Avner Levinson - www.avnerlevinson.com I am currently working with plaster on abstract forms that are inspired by existentialist themes. These works lend themselves to figurative interpretations, sometimes reminding the viewer of landscapes, animals and other forms. ...

Ivica Vukadin - Ivica Vukadin was born on the 28th of September 1955 in Zagreb. After education he went to Germany and then to Holland, where he decided to become a sailor on transatlantic ship. He sailed around Africa, Asia and Europe, where he got to know different cultures which influenced his art. He has been painting, designing wooden jewellery and lamps for years but during the last 10 years he has been intensively sculpting. He is using a rare technique of thermal metalworking combined with fine chiseling. Croatian olive tree is his favourite material when working in wood. ...

Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

Jack Hill - Eric Fluckiger - "I want my work to thrill, be uncanny, weird. By alluring viewers with fascinating objects and images, I hope to engage a reflection on issues relating to the theme of transition in contemporary life. Finally, I am committed to creating sculptures and photographs which appeal to the viewers on an emotional, visual level." Education: *MA Fine Art from City & Guilds of London Art School (2004 - 2005) *Masters Degree in Mathematics from University of Geneva (1982 - 1988) ...

George Hart - As a sculptor of constructive geometric forms, my work deals with patterns and relationships derived from classical ideals of balance and symmetry. Mathematical yet organic, these abstract forms invite the viewer to partake of the geometric aesthetic. I use a variety of media, including paper, wood, plastic, and metal. Classical forms are pushed in new directions, so viewers can take pleasure in their Platonic beauty yet recognize how they are updated for our complex high-tech times. I share with many artists the idea that a pure form is a worthy object, and select for each piece the materials that best carry that form. Because my works invite contemplation, slowly revealing their content, some viewers see them as meditation objects. A lively dancing energy moves within each piece and flows out to the viewer. The integral wholeness of each self-contained sculpture presents a crystalline purity, a conundrum of complexity, and a stark simplicity....