Sculpture For Sale - Price Range: $1000 - $5000

Page 7 of 32
Discover 922 original sculpture artworks for sale between $1000 - $5000. Contemporary emerging artists: Selin Melek Aktan, Lou Lalli, Gary Brown, Tosic Aleksandar, Mccullough Ryan, Paul Carbo, Paul Orzech, Depasquale Sculptures, Angela Treat Lyon, George Transcender are exhibiting their affordable original art. You can buy artwork online and browse 32 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Lou Lalli: 'Feed Me III', 2009 Stone Sculpture, Figurative.    Limestone      ...
Figurative - Sculpture
10 x 18 inches (25.4 x 45.7 cm)
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Lou Lalli: 'Red Bull II', 2008 Stone Sculpture, Figurative.       Persian travertine     ...
Figurative - Sculpture
15 x 9 inches (38.1 x 22.9 cm)
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Lou Lalli: 'Red Bull I', 2008 Stone Sculpture, Figurative.      Persian travertine    ...
, 2008
Figurative - Sculpture
15 x 9 inches (38.1 x 22.9 cm)
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Lou Lalli: 'Paleovenus I', 2007 Stone Sculpture, Figurative.     Persian travertine   ...
Figurative - Sculpture
5 x 15 inches (12.7 x 38.1 cm)
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Gary Brown: 'Lucy', 2004 Wood Sculpture, Abstract.  Laminated Baltic Birch on a steel base ...
, 2004
Abstract - Sculpture
13 x 62 inches (33.0 x 157.5 cm)
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Gary Brown: 'Zebra', 2004 Aluminum Sculpture, Abstract.  Aluminum, Copper, with Bubinga wood base  ...
, 2004
Abstract - Sculpture
22 x 18 inches (55.9 x 45.7 cm)
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Gary Brown: 'Tusk', 2004 Wood Sculpture, Abstract.   Laminated Baltic Birch and Cherry, with Bubinga base, inlayed ball bearing, wood sculpture  ...
, 2004
Abstract - Sculpture
16 x 59 inches (40.6 x 149.9 cm)
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Gary Brown: 'Yoke', 2004 Wood Sculpture, Abstract.  Laminated Baltic Birch and Maple, wood sculpture ...
, 2004
Abstract - Sculpture
16 x 22 inches (40.6 x 55.9 cm)
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Tosic Aleksandar: '5 do 12', 2011 Wood Sculpture, undecided.
, 2011
undecided - Sculpture
13 x 17 cm (5.1 x 6.7 inches)
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Gary Brown: 'Flight', 2005 Aluminum Sculpture, Abstract.  Multi Layer inlaid metal. Aluminum, Bronze, with wood base ...
, 2005
Abstract - Sculpture
15 x 17 inches (38.1 x 43.2 cm)
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Tosic Aleksandar: 'old man', 2011 Wood Sculpture, undecided.
, 2011
undecided - Sculpture
35 x 18 cm (13.8 x 7.1 inches)
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Gary Brown: 'New Hair', 2009 Mixed Media Sculpture, Abstract.
, 2009
Abstract - Sculpture
5 x 15 inches (12.7 x 38.1 cm)
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Mccullough Ryan: 'T REX', 2008 Mixed Media Sculpture, Other.  Trex in matrix ...
, 2008
Other - Sculpture
5 x 4 feet (1.52 x 1.22 m)
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Mccullough Ryan: 'ostrich', 2008 Mixed Media Sculpture, Birds.  life size life like ostrich over 6ft ...
, 2008
Birds - Sculpture
3 x 7 feet (0.91 x 2.13 m)
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Paul Carbo: 'Emily Dickinson', 2010 Wood Sculpture, Famous People. Custom handmade, free- standing wood cabinets as life- size caricature of Emily Dickinson...
Famous People - Sculpture
20 x 62 inches (50.8 x 157.5 cm)
Paul Orzech: 'Celebration', 2009 Bronze Sculpture, Clouds.  Celebration depicts a human figure leaping injoyous abandonment off the ground and into the air.  This piece was designed to convey an exhilarated state of mind a person feels whilesensing joy, boundless happiness and freedom.  My hope is thatCelebration will inspire the viewer to escape into a daydream among the...
Clouds - Sculpture
7 x 11 inches (17.8 x 27.9 cm)
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Paul Orzech: 'Touch', 2008 Bronze Sculpture, Love.  Touch was commissioned by a patron as Praying Hands for a wedding gift.  The patron in selecting this design stated There is a palpable sense of love and energy being exchanged between the hands, and yet they are still so prayerful and graceful.  It fulfilled the patrons desire to have...
, 2008
Love - Sculpture
4 x 12 inches (10.2 x 30.5 cm)
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Paul Orzech: 'Embrace', 2010 Bronze Sculpture, Love.  Embrace - Pure love is light, comforting, and keeps you floatingabove the cares of the world.Please visit my web site WWW.  PAULORZECH.  COM to see all the views of this work. ...
, 2010
Love - Sculpture
4 x 11 inches (10.2 x 27.9 cm)
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Depasquale Sculptures: 'Island Girl', 2018 Mixed Media Sculpture, Figurative. This sculpture represents the Island Girl, Wahine woman petite.  The top of the torso is sculpted into rose like petals. . .  She emerges from blue marbleindicative of the deep blue Hawaii oceansleaves, representing a tropical birthing. .  California cedar is utilized for the torso.  This is a dePasquale original sculpture , a one ...
Figurative - Sculpture
16 x 17 inches (40.6 x 43.2 cm)
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Depasquale Sculptures: 'Of The Light', 2018 Stone Sculpture, Abstract Figurative.  The lamp of the body is the eye.  The vision of this sculpture emulates, Of The light Matthew 622.  The righteous part in each and everyone of us and how when one is Filled, with the Light, all things are possible, beautiful and One Isof good fragrance unto others. . .  By...
Abstract Figurative - Sculpture
27 x 18 inches (68.6 x 45.7 cm)
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Depasquale Sculptures: ' The Kiss', 2018 Stone Sculpture, Abstract Figurative. This sensual abstract sculpture utilizes the teardrop form,  elongated dramatically.  Leonardo Da Vinci said the teardrop is one of the most dynamic forms because the tip and the round bottom are two opposing shapes in one unifying form.  Nonetheless, this sculpture represents man the triangular unpolished form and the female ...
, 2018
Abstract Figurative - Sculpture
12 x 16 inches (30.5 x 40.6 cm)
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Angela Treat Lyon: 'Curly', 2010 Stone Sculpture, Equine.  Who put these curls in my mane! ? !  ...
, 2010
Equine - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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Angela Treat Lyon: 'Due Soon', 2010 Stone Sculpture, Equine.  Straining with the weight. . . . ...
, 2010
Equine - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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George Transcender: 'despite all this', 1979 Mixed Media Sculpture, Philosophy.  despite all this, i will not judge the next by the last- 1979the capacity to love is in direct proportion to the level of negative projection as reflex. . .height - 12 inches - width - 21 inches - depth - 10 inches. . . ...
Philosophy - Sculpture
21 x 12 inches (53.3 x 30.5 cm)
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George Transcender: 'the theist problem 1', 1999 Mixed Media Sculpture, Religious.  the theist problem  1- 1999darrow i am agnostic, i do not pretend to know what ignorant men are sure of an integrated and healthy superego will illumine the righteous path. . . .  height - 26 inches - width - 14 inches - depth - 10 inches. . .  ...
Religious - Sculpture
14 x 26 inches (35.6 x 66.0 cm)
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Paul Carbo: 'Teddy Roosevelt', 2005 Wood Sculpture, Famous People.  Custom, handmade, free- standing, stained wood cabinet as life- size caricature of Teddy Roosevelt ...
Famous People - Sculpture
2 x 6 inches (5.1 x 15.2 cm)
Paul Carbo: 'The Gardener', 2007 Wood Sculpture, Famous People.  Custom, handmade, free- standing, stained wood cabinet as life- size caricature of The Gardener ...
Famous People - Sculpture
2 x 6 inches (5.1 x 15.2 cm)
Paul Carbo: 'Bob Dylan', 2005 Wood Sculpture, Famous People.  Custom, handmade, free- standing, stained wood cabinet as life- size caricature of Bob Dylan ...
, 2005
Famous People - Sculpture
2 x 6 inches (5.1 x 15.2 cm)
Paul Carbo: 'Andres Segovia', 2009 Wood Sculpture, Famous People.  Custom, handmade, free- standing, stained wood cabinet as life- size caricature of Andres Segovia ...
Famous People - Sculpture
21 x 68 inches (53.3 x 172.7 cm)
Paul Carbo: 'Jerry Garcia', 2009 Wood Sculpture, Famous People.  Custom, handmade, free- standing, stained wood cabinet as life- size caricature of Jerry Garcia ...
Famous People - Sculpture
2 x 6 inches (5.1 x 15.2 cm)
(Page 7 of 32) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Selin Melek Aktan - God created world from fire and water.Then looked at the earth,he thought it was looking very empty and made human. TO HAVE A MORE FUN He put the colours on his palette and painted world with them. HE GAVE US THIS EARTH AS A PRESENT Human liked his present and they started to dance GOD LOOKED AT HIS ART He enjoyed what he did. I am a very independent person and probably my paintings are too. I don't paint because of the trend, or mode, I paint because something or somebody fascinates me. It could be nature, a face, a story, an event, colors (especially, I adore strong colors ), a song, an object, my feelings, my thoughts, my dreams: never ending possibilities of improbability. I definitely love beauty. I am trying to express my personal sense of beauty and truth in my paintings.So every painting is different. There is not only one style in which I like to work .I traveled to the four corners of the earth, and each place I visited added to my desire for unique artistic expression.Wherever I went, I found new influences directing my brush strokes or guiding my hands ...

    Lou Lalli - The shaping and use of stone is a vital part of the human endeavor. The fashioning of tools and implements by stone age peoples, the votive Venus figures of the Neolithic period, cycladic sculpture of the eighth millennium BC, classical sculpture of Greece and Egypt and all the sculpture to the present indicates that stone sculpture is intrinsic to human expression. Sculpting in stone directly links me to the people of the past. The subject and ideas I choose are derived from the past thus strengthening that link. The resolutions of the technical problems are the same that sculptors in the past confronted and solved. Although modern tools and implements facilitate my work I am still doing what all sculptors and stone carvers have done in the past; chipping, abrading and polishing the stone to release the form contained therein. My ideas and subjects are borrowed from antiquity with each piece telling a story. Antiquity provides a wealth of resources for my work; warriors, the myths, Venus figures, beasts, demigods and shaman/priests are the subjects I appropriate. In executing an idea, the importance of light and shadow, through the use of negative space is a primary concern in the ...

    Paul Carbo - I started messing round with wood in 1999 while still working as a graphic artist for the Los Angeles Times. We all worked on computers at that time and I was craving to do art with my hands like we used to back in the "dim time" before computers. I initially started to build small functional art pieces for children. Things like paper and pencil holders. I then progressed to larger caricatures of famous people I thought kids should be aware of like Abe Lincoln and Mark Twain, still intended as furniture for children. I would store the finished cabinets in my living room. They mingled well with my other furniture and and found I using them to store CD's,books ans such. At that point I said to myself " Why wouldn't grown-ups like this kinda thing"? I left my job at the newspaper, forged on and continued to build....

    Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...

    Paul Orzech - Angela Treat Lyon - I make art because I must. It's a cellular need. It's a compulsion, an addiction, a Beingness I cannot deny. Simply put: Art is Spirit moving through any particular medium, whether it be stone, music, cooking, dance, speech, or whatever. Create an intention, take action, results follow, fine or not. Images dwell within me getting fat and juicy until they just simply will not allow me to sit on them one more minute. Many many nights I'll wake up with designs in my head, all clamoring to come out at once, and I'll have to get up and draw furiously till they're out and happy. When I was very young, I made a pact with myself not to do any artwork that depicts pain and suffering - why paint that when we see so much of it all around us, every day? What I wanted to see and surround myself with was expressions of the feeling I had in my heart about how I felt it could be, and really is, on levels we don't normally think about or have visual access to during the glaring light of day. I want my work to do ...

    Angela Treat Lyon -