Sculpture For Sale - Price Range: $1000 - $5000

Page 9 of 32
Discover 909 original sculpture artworks for sale between $1000 - $5000. Contemporary emerging artists: Julia Cake, Damon Hyldreth, Vladimir Gavronsky, Sal Villano, Ali Gallo, Matthew Billington, Jack Hill, Catarina Hosler, Phil Parkes, Marty Scheinberg, Robert Hargrave, Jane Jaskevich, Bozena Happach, Penko Platikanov, Joel P Heinz Sr. are exhibiting their affordable original art. You can buy artwork online and browse 32 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Julia Cake: 'Two Ladies and a Man', 2008 Stone Sculpture, Figurative.
Figurative - Sculpture
5 x 67 cm (2.0 x 26.4 inches)
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Damon Hyldreth: 'KNOT 20', 2008 Steel Sculpture, Abstract.  Oiled Steel ...
, 2008
Abstract - Sculpture
20 x 21 inches (50.8 x 53.3 cm)
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Vladimir Gavronsky: 'Wall', 2007 Wood Sculpture, undecided.
, 2007
undecided - Sculpture
40 x 93 cm (15.7 x 36.6 inches)
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Vladimir Gavronsky: 'Pure ponds', 2007 Wood Sculpture, undecided.
, 2007
undecided - Sculpture
19 x 58 cm (7.5 x 22.8 inches)
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Vladimir Gavronsky: 'The nudist', 2007 Wood Sculpture, undecided.
, 2007
undecided - Sculpture
40 x 53 cm (15.7 x 20.9 inches)
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Vladimir Gavronsky: 'The wanderer', 1994 Bronze Sculpture, undecided.
undecided - Sculpture
9 x 22 cm (3.5 x 8.7 inches)
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Sal Villano: 'Bonsai Island,  Wire Tree Sculpture ', 2008 Mixed Media Sculpture, Landscape.  Bonsai Island # 2 - Wire Tree Sculpture Wire Tree Sculpture- 13
Landscape - Sculpture
13 x 16 inches (33.0 x 40.6 cm)
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Sal Villano: 'Jade Cascade Number 1, Wire Tree Sculpture', 2006 Mixed Media Sculpture, Landscape.  Jade Cascade # 1 - Wire Tree Sculpture17
Landscape - Sculpture
17 x 18 inches (43.2 x 45.7 cm)
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Ali Gallo: 'vessel', 2004 Steel Sculpture, Abstract.   welded steel  ...
, 2004
Abstract - Sculpture
27 x 18 inches (68.6 x 45.7 cm)
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Matthew Billington: 'Pilgrim', 2008 Stone Sculpture, Abstract Figurative.  The bearded pilgrim stands and stares, one eyed. Or does he sleep. Is he cowled like a monk or helmeted like a warrior. This piece further explores the theme of fluidity in stone, contrasting the sculpted polished forms with the natural shape and texture of the slate of North Wales...
, 2008
Abstract Figurative - Sculpture
8 x 28 inches (20.3 x 71.1 cm)
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Matthew Billington: 'Say ahh', 2007 Stone Sculpture, Activism.  An exploration of the fluidity of stone executed in the Welsh Slate of Blaenau Ffestiniog. The piece of stone selected was ludicrous for a head and so a very elastic and fluid form was required. The form was imposed upon the stone whilst maintaining some of the original character and...
, 2007
Activism - Sculpture
6 x 26 cm (2.4 x 10.2 inches)
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Jack Hill: 'Bartlett Sisters', 2007 Bronze Sculpture, Food.  Bronze, cast in the lost wax method, hand applied heat patina ...
Food - Sculpture
12 x 8 inches (30.5 x 20.3 cm)
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Jack Hill: 'secondbanana', 2007 Bronze Sculpture, Fantasy.
Fantasy - Sculpture
7 x 12 inches (17.8 x 30.5 cm)
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Catarina Hosler: 'Queen of the Night blue', 2006 Mixed Media Sculpture, Abstract Figurative.  Brushed and pierced aluminum figure with brass crown, face, heart, illuminated with led light modules. Part of the
Abstract Figurative - Sculpture
40 x 38 inches (101.6 x 96.5 cm)
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Phil Parkes: 'Flow   Marble and Granite', 2007 Stone Sculpture, Abstract.
Abstract - Sculpture
24 x 22 inches (61.0 x 55.9 cm)
Phil Parkes: 'Whats Inside        Colorado Alabaster', 2006 Stone Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
12 x 20 inches (30.5 x 50.8 cm)
Phil Parkes: 'Two    Bluestone and Marble', 2007 Stone Sculpture, Abstract.  Stark unpolished view of two non symmetrical bluestone towers mounted on a smooth marble base ...
Abstract - Sculpture
22 x 48 inches (55.9 x 121.9 cm)
Phil Parkes: 'Preening    Cast Aluminium and Granite', 2007 Aluminum Sculpture, Abstract.  Solid cast aluminium sculpture, abstract design with a representational twist as I see bird preening its tail feathers - perhaps others see something completely different - that is great too. ...
Abstract - Sculpture
19 x 14 inches (48.3 x 35.6 cm)
Phil Parkes: 'Tlikrit Ancestral House Board   Traditional', 2007 Wood Sculpture, Culture.  Tlikrit Ancestral House Board ( Traditional) Relief Carving in PoplarHandcarved and Painted in traditional style. ...
Culture - Sculpture
14 x 22 inches (35.6 x 55.9 cm)
Phil Parkes: 'Coming Around  Colorado Yule Marble', 2003 Stone Sculpture, Abstract.
Abstract - Sculpture
11 x 28 inches (27.9 x 71.1 cm)
Phil Parkes: 'Flow   Marble and Granite', 2007 Stone Sculpture, Abstract.  Beautiful simple flowing white Vermont marble mounted 'suspended' above granite base ...
Abstract - Sculpture
24 x 22 inches (61.0 x 55.9 cm)
Phil Parkes: 'Sailing Away', 2007 Stone Sculpture, undecided.  White Marble sculpture floating on a grey Granite base  ...
undecided - Sculpture
12 x 30 inches (30.5 x 76.2 cm)
Marty Scheinberg: 'Tush', 2002 Stone Sculpture, Abstract Figurative.  A rosy pink alabaster lower torso on a black granite base. ...
, 2002
Abstract Figurative - Sculpture
12 x 17 inches (30.5 x 43.2 cm)
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Robert Hargrave: 'Arch Table', 2007 Wood Sculpture, Abstract.  Arch Table is a massive sculptural furniture piece.  It is made from laminated and carved walnut and maple with minimal plywood.  It has a dark oil finish.  ...
, 2007
Abstract - Sculpture
36 x 30 inches (91.4 x 76.2 cm)
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Robert Hargrave: 'Vertical Story', 2007 Wood Sculpture, Abstract.  Vertical Story is a sculpture that functions as a Vase.  It utilizes many techniques and materials such as walnut, birch and Luan plywoods that are dyed, bleached, and painted.  ...
Abstract - Sculpture
12 x 42 inches (30.5 x 106.7 cm)
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Jane Jaskevich: 'Daydream', 2006 Stone Sculpture, Figurative.  Alabaster/ Oak/ LimestoneThis pensive figure may be quiet in her pose but her hair wildly moves suggesing her inner thoughts. I created the upper torso first then added the wood. The wood was from a majestic oak that the county cut down to make a sidewalk. I tried to...
, 2006
Figurative - Sculpture
9 x 45 inches (22.9 x 114.3 cm)
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Bozena Happach: 'Equilibrium', 2004 Bronze Sculpture, Figurative.
Figurative - Sculpture
4 x 5 inches (10.2 x 12.7 cm)
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Penko Platikanov: 'Standing Woman', 2005 Bronze Sculpture, Figurative.
Figurative - Sculpture
14 x 5 inches (35.6 x 12.7 cm)
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Joel P Heinz Sr.: 'Petroglyph Dolphin', 2007 Wood Sculpture, Culture.  Petroglyph Dolphin is the artests rendering of what a petroglyph of a dolphin might be if it one existed. To date none have been found. The Dolphin is carved from pretious Hawaiian Koa wood. The baise is constructed of hawaiian Koa and lava, There petroglyphs carved into the lava. The...
Culture - Sculpture
10 x 19 inches (25.4 x 48.3 cm)
Joel P Heinz Sr.: 'Petroglyph Honu', 2007 Wood Sculpture, Culture.  Honu is carved from Hawaiian Koa and is mounted on a lava and Koa baise. Petroglyphs are carved into the lava. ...
Culture - Sculpture
9 x 13 inches (22.9 x 33.0 cm)
(Page 9 of 32) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Julia Cake - Julia Cake: Sculptress Born: 1973 in Monaco Currently Living in England Introduction Julia's passion for sculpting began when she was 16 after an accident cut short a holiday from another of her true passions, skiing. She enrolled in the famous Beaux Art academy in France to more fully express what was already an over whelming artistic flair. She decided to move into the three-dimensional world of sculpting. This dynamic gave Julia the release she needed to allow her artistic ideas to flow. These ideas when suppressed in earlier years were sometimes misunderstood by those around her, who would comment that Julia's introspective behavior perhap's required a quite different therapy. Her first ever piece "Trois Elephants" was judged 2nd place at an international exhibition in Cannes. She was just 17 years old. From clay she moved into marble, which soon became the stone for which Julia's passion raged. Born in Monaco and growing up in the French Riviera, Julia was able to drive into Italy to hand pick the most beautiful pieces of naturally formed marble to work with. This is what developed her most sought after talent; the ability to take a stone and transform ...

    Damon Hyldreth - Embodying the tension between stasis and impending movement, my work reflects a refined balance of positive and negative space while simultaneously existing as reductionist, self-referential form. In my artistic process of exploration, blending emotion with form, I allow the work to evolve, probing shapes, investigating their capacity to change. I seek to reveal the nature of the material, allowing it to take on a life of it's own. I'm continually looking for that special moment when a new sculpture comes to life. When I first arrive at something new, something that I sense as true, the sense of recognition I feel is like meeting a long lost friend, someone you knew long ago in a far away land, the memory of which is like smoke in a mirror. I use stainless steel, weathering steel, and bronze for their natural surface and permanence and their maintenance free ability to withstand weather extremes. When using mild steel I either leave it black and oil it, or paint it red. These materials, though different, all carry my forms well.. ...

    Sal Villano - The inspiration for creating my sculpture grew from a lifetime love of trees. I am in awe of the stately presence and silent majesty they posses. I find the structure of trees to be one of the perfections in nature. With their roots embracing the earth; in winter they show their bones, in spring gentle buds, in summer a canopy of green and in fall a magical kaleidoscope of colors. Beauty, pure beauty. ...

    Ali Gallo - Uncovering and bringing to the surface what boils beneath creates the tension necessary for a dialog to begin between the idea and the artist and/or the art and the viewer. Finding anyway to create this tension, gouging, scratching, laying, etc in a painting or sculpture allows for deeper inspection, providing the incredible power of metaphor for the human condition....

    Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

    Robert Hargrave - Beauty is often found in unexpected places. Few people would expect anything made from plywood to be beautiful, yet they are surprised and intrigued when they learn this fact about my work. I laminate a very special Birch plywood from Russia to a darker Lauan plywood from Indonesia, then carve them to reveal the previously hidden core. The results are often compared to some rare and exotic wood, skillfully brought to life. The Plywood Sculpture line consists of nearly seventy contemporary designs that are functional as well as decorative. There are over two dozen mirrors in many shapes and sizes. The designs range from figurative to geometric, from celestial to functionally conservative. Several figurative sculptures are balanced by some furniture designs. The line is rounded out by many gift items, such as picture frames, boxes and other accessories." All of my designs have a fluid sense of movement, emphasized by the black glue line. The alternating light and dark woods have a variety of colors in natural, however dyed colors offer even more possibilities. Each piece is signed and given a smooth, maintenance free lacquer finish. A free, full color catalog is available upon request. ...

    Jane Jaskevich - Jane Jaskevich Artist Statement Jaskevich is a carver of dreams in stone. Her mythical figures borrow elements from ancient cultures. Jane creates figures by combining various materials such as different stones, wood and found objects. She pays homage to the stonesO Greco-Roman roots. Her recent series deals with the incomplete figure and is entitled OThe Silhouette Series O. Partial heads that can be read as a silhouette are combined with full bodies. These sculptures suggest multiple ideas; ancient ruin, contemporary dreams, and flat vs 3D. 2012 brought exhibitions in the NYC Affordable Art Fair and her sculptures being published in Contemporary Sculptors by Kracun/ McFadden. Numerous Southeast galleries represent her. Jane received her BFA from University of Georgia and Masters in Art from Florida State with additional studies in Pietrasanta, Italy. Her public collections include an outdoor sculpture in a Michigan church and three sculptures for NationsBank Headquarters in Tampa. Jane has two sculptures in the permanent collection of the Polk Museum of Art in Lakeland, Florida. Her large-scale bronze sculptures are the focal point for the Tampa GTE Data Center. . ...

    Bozena Happach - My sculptures illustrate the complexity and beauty of human form in two and three-dimensional compositions. I intend to demonstrate the depth as well as the foibles of the human endeavor, along the journey of both physical and spiritual evolution. ...

    Penko Platikanov - Sculpture is an act of creating art, and a philosophy on living. It is my belief that my artwork follows some means of a universal law I call "Creation and Beauty." Stated simply, there is no doubt a responsibility inherent toward created forms. It's quality, it's energy, and the messages released through my actions are expressions that I work toward being aware of. This is the first thing I concern myself with before I step into my studio and stand before the set block of clay on any given day. A quality sculpture has to be a product of spiritual, mental and technical abilities. Great works of art should possess deep roots in human spirituality, as well as depth regarding thought and feeling. Artwork can appear as fleeting inspirations or a belabored process based on the experience of the artist. In turn, if an artwork is created with the intention of lasting decades and being viewed for many generations, it has to be technologically strong and skillfully made. Important thought is the search for quality. Quality, which is proportional to the amount of effort, must be made to the best of the artist's ability. The Ancient Greeks ...

    Joel P Heinz Sr. - Joel P Heinz Sr. was born in Hastings, Minnesota; raised and educated in Northern California: served in the Army in Viet Nam, and raised a family in California. He worked in various sales positions until he found his calling working with mentally disabled adults. He is now retired and living his dream in Maui with his wife, Kathy. In 1995, Joel began painting using acrylic paint on canvas with no formal art training. His artwork evolved from associating with other artists and the joy of experimenting and discovery. In the beginning, his favorite subject was Tropical Marine, colorful tropical landscapes and underwater scenes. As part of the evolution of his art, he dabbled in Egyptian art for a short time in order to practice working in detail, a noticeable characteristic of most of his artwork on canvas. For years he had appreciated artwork from a distance only to be disappointed in the lack of detail when viewed close up. He wanted his work on canvas to be detailed enough to be clearly seen whether viewed up close or from a distance. In the 21 years prior to moving to Maui, Joel's twice-annual visits to Maui cultivated an appreciation ...