Sculpture For Sale - Price Range: $10000 - $100000

Artists Describing Their Art:

Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusAfA(c)e dAC/a,!a,,C/art et dAC/a,!a,,C/Histoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAfAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche lAC/a,!a,,C/Accademia dAC/a,!a,,C/Europa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenAC/a,!a,,C/s Union For his sincere efforts on behalf of the European ShowmenAC/a,!a,,C/s Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrAfA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Ildiko Toth - Yves Goyatton - My current body of work represents my fascination with the mystery of abstract shapes and their juxtaposition with human form.A,A My work has taken this concept most literally by combining the human form and the abstracted shapes of modern landscapes. AC/a,!A"I am a process-oriented artist. The process is what drives my work from one piece to the next. I am constantly exploring my personal boundaries. I am inspired by all the steps in which art is made I am not afraid to face the difficulties the process requires of myself, so long as I continue to learn and grow from it.A,A The process allows me to conquer problems these challenges allow new points of departure for the next works. AC/a,!A"I enjoy composing in a fusion between these two elements. I conceive my workA,A primarily as abstract with anthropomorphic elements.A,A It is important for me to begin with an idea, but remain malleable to the end result. It is most important to me that the piece reflects a refined aesthetic, which I can only describe when I am visually satisfied. This becomes my new boundary for the next work to exceed what I have done before without duplication. AC/a,!A"The work ...

Julia Cake - Julia Cake: Sculptress Born: 1973 in Monaco Currently Living in England Introduction Julia's passion for sculpting began when she was 16 after an accident cut short a holiday from another of her true passions, skiing. She enrolled in the famous Beaux Art academy in France to more fully express what was already an over whelming artistic flair. She decided to move into the three-dimensional world of sculpting. This dynamic gave Julia the release she needed to allow her artistic ideas to flow. These ideas when suppressed in earlier years were sometimes misunderstood by those around her, who would comment that Julia's introspective behavior perhap's required a quite different therapy. Her first ever piece "Trois Elephants" was judged 2nd place at an international exhibition in Cannes. She was just 17 years old. From clay she moved into marble, which soon became the stone for which Julia's passion raged. Born in Monaco and growing up in the French Riviera, Julia was able to drive into Italy to hand pick the most beautiful pieces of naturally formed marble to work with. This is what developed her most sought after talent; the ability to take a stone and transform ...

Sal Villano - The inspiration for creating my sculpture grew from a lifetime love of trees. I am in awe of the stately presence and silent majesty they posses. I find the structure of trees to be one of the perfections in nature. With their roots embracing the earth; in winter they show their bones, in spring gentle buds, in summer a canopy of green and in fall a magical kaleidoscope of colors. Beauty, pure beauty. ...

Penko Platikanov - Sculpture is an act of creating art, and a philosophy on living. It is my belief that my artwork follows some means of a universal law I call aEURoeCreation and Beauty.aEUR Stated simply, there is no doubt a responsibility inherent toward created forms. ItaEURtms quality, itaEURtms energy, and the messages released through my actions are expressions that I work toward being aware of. This is the first thing I concern myself with before I step into my studio and stand before the set block of clay on any given day. A quality sculpture has to be a product of spiritual, mental and technical abilities. Great works of art should possess deep roots in human spirituality, as well as depth regarding thought and feeling. Artwork can appear as fleeting inspirations or a belabored process based on the experience of the artist. In turn, if an artwork is created with the intention of lasting decades and being viewed for many generations, it has to be technologically strong and skillfully made. Important thought is the search for quality. Quality, which is proportional to the amount of effort, must be made to the best of the artistaEURtms ability. The Ancient Greeks ...

Stefan Van Der Ende - My sculptures are Solutions for Non/existing Problems . Now is the time to collect them. They are rare and unique ,and there are not many of them , also due to the big amount of time it takes to make the biggerones in wood and stone . They are made dreaming/thinking and working intensively , whith the intention to be able communicate emotion through their abstract/associative visual appearence which relate to subconcious processes in the human mind .(specialy mine ofcourse ) There are often more pictures of one sculpture , because ,as you know you have to see sculptures from more sides , to get a good impression . Mijn sculpturen zijn oplossingen voor niet /bestaande problemen . het is nu de tijde om ze te gaan verzamelen Ze zijn zeldzaam en speciaal , en er zijn er niet zoveel te koop , ook als gevolg van het feit dat het een grote hoeveelheid tijd kost om ze te maken ( speciaal die in hout en steen ) Ze worden gemaakt in een intensief proces van denken dromen en werken . Met het doel uiteindelijk via hun abstract/associatieve visuele aanwezigheid emoties via abstracte vorm te communiceren via de interpreatie van de beschouwer .door het raken van onderbewuste oude lagen in ...

Wilson Sasso - WILSON SASSO aEUR" EXHIBITIONS CASA JOAfO TURIN, Curitiba, PR/BRAZIL. INDIVIDUAL, currently, up to 28/01/2008. 6Aa MOSTRA JOAfO TURIN Casa Andrade Muricy, Curitiba aEUR" PR/BRAZIL Selected artist, 2003. A NATUREZA DOS ELEMENTOS II EspaASSo Cultural FALEC, Curitiba aEUR" PR/BRAZIL With the paint artist Paulo Assis, 2003. SERES PATA%0TICOS Museu JoAPSo Turin, Curitiba aEUR" PR/BRAZIL Individual, 2001. IMPRESSA*ES DA NATUREZA Museu do Jardim BotAC/nico, Curitiba aEUR" PR/BRAZIL Collective, 2000. ARTE E EXPRESSAfO EspaASSo Cultural Francis Bacon, Curitiba aEUR" PR/BRAZIL Collective, 2000. A NATUREZA DOS ELEMENTOS I Curitiba aEUR" PR/BRAZIL With the paint artist Paulo Assis, 1999. MUSEU VIRTUAL DE ARTE BRASILEIRA aEUR"MVAB/BRAZILIAN MUSEUM Galeria XXI Web page: