Sculpture For Sale - Price Range: $10000 - $100000

Artists Describing Their Art:

Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...

Paul Vauchelet - Thank you for visiting my portfolio. As far as a brief background, I was an Art major at SBVJC, I then did frelance work for a couple of national magazines and was the Creative Art Director for Robert Keith and Co. The bottom line that matters here is whether you derive pleasure from my work or not. Those of you that do not. That is fine. Diversity is what makes life such a glorious experience. Keep looking! There is an artist out there whose work will stir a pleasure center in you like no other. Those of you that do find some degree of enjoyment in my work confirm my belief that we as humans really do enjoy life when we "Stop long enough to smell the roses". Everything in our world is exquisitely beautiful when we take the time to fully relish it in minute detail. When I paint it is solely for egocentric pleasure. The hyper realism of my work reflects my delight in discovering even the smallest nuance of my subject matter. I consume my subject visually, savoring it like a fine wine. My eyes become my palate, tasting even the subtlest of changes in textures and ...

Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

Luc Bihan - Luc is an internationally known French sculptor, trained in San Francisco Art Institute. He has directed animation in both France and Canada and has supervised animation in China, North Korea, Poland, and Romania. As an artist, Luc feels art creation is a therapeutic meditative process, reflecting the subconscious and releasing inner thoughts and feelings. 30 years of clay sculpture Luc Bihan's interest is the relationship between the human and the organic world which makes clay his favorite medium for any sculpting project. The natural earthy essence of clay makes it the most ecological medium available and he believes "the language of time talks to me through my fingers tips." While self-expressive, his art is also a form of communication with his audience: the symbolic images he develops are frequently ambiguous and encourage the viewer to consider different layers of meaning. Whether it is his organic figurative sculpture or his whimsical drawings, the work of Luc Bihan is a statement of texture and sensuality. ...

Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...

Mavis Mcclure - Mavis McClure Born: 1967 Selected Exhibitions: 2004 Chaco Gallery (w/Nathan Oliveria & Peter Voulkos) 2002 Oakland City Gallery (w/Viola Frey), Oakland, CA 2001 Solo Show, LewAllen Contemporary 2000 "From the Fire", Bedford Gallery, Walnut Creek, CA "Contemporary Figure", LewAllen Contemporary, Santa Fe 1999 Solo Show, Jan Baum, Los Angeles, CA "Enduring Form", LewAllen Contemporary, Santa Fe SOFA Chicago, Sandy Carson, Denver, CO 1998 Solo Show, Virginia Breier, San Francisco, CA "Pedestals & Stretchers", LewAllen Contemporary, Santa Fe, NM "30 Ceramics", John Natsoulas Gallery, Davis, CA Olive Grove Sculpture Walk, Auberge du Soleil 1997 "Saving Grace", A New Leaf Gallery, Berkeley, CA "30 Ceramics", John Natsoulas Gallery, Davis, CA 1996 "Au Plien Air", A New Leaf Gallery, Berkeley, CA Ceramic Sculpture, Virginia Breier, San Francisco, CA Publications: American Craft San Francisco Chronicle Santa Fe Magazine ArtWeek Albuquerque Journal Contra Costa Times San Jose Mercury News Trend Magazine Interior Design New York Times Collections: Doug Ring, Los Angeles, CA American Museum of Ceramic Art Fourth Street Shopping District, Berkeley, CA CB & Dick Watts, Los Altos, CA Howard & Matilda Rubin, Santa Fe, NM Estate of Jerry Garcia, Mill Valley, CA Mary & John Carrington, Newport Coast, CA Anita Roddick, West Sussex, England Robin & Leonard ...

Dieter Picchio-Specht - Art, creativity and imagination have always played an important part in my life, although I have only started to fully concentrate on painting a few years ago. This passion has always been part of me. I have finally given up my work as a general manager in industry - to dedicate all my time to painting. At last I do what I have always wanted to do. It is simply that a dream has finally come true. Even during my years at secondary school my paintings were awarded prizes and I should have enrolled in art classes after I passed my A-levels. In fact, a renowned company manufacturing ceramics offered me a scholarship, which I was unable to accept at the time. I have always kept up with painting as landscapes and images, abstract and impressionist. Since some years now I am able to paint full-time and fill canvas after canvas with my ideas. My new studio is right in the centre of the village of Arcegno, surrounded by wooded hills, near to Ascona, a well-known tourist centre at the Lago Maggiore in the South of Switzerland. I apply the paints directly to the canvas with a spatula. ...

James Piatt - i'm a conceptual artist working in a wide range of media and concepts. My major influences have been from the post war artists such as J.Beuys, with whom i corresponded and created empathic and political works in the 60's and 70's. I am interested in all information related to man , nature and aesthetics. I find the European aesthetic and American concepts/context in combination most interesting. A critic proposed," Piatt is an idiosyncratic and very individual artist who has been pursuing his own path for years without receiving the level of attention his work deserves. Perhaps this is because of the disturbing character of his sculpture and prints, which are both enigmatic and transgressive." ...